Anita Witek Sold at Auction Prices

b. 1970 -

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  • Meant to shine forth in broad daylight by Anita Witek (*1970)
    Dec. 05, 2009

    Meant to shine forth in broad daylight by Anita Witek (*1970)

    Est: €3,500 - €4,000

    From the seven part series "Notes on Aminadab". Winner of the 2007 Tyrolian Graphic Award, acquired by the Ferdinandeum collection. Aus der siebenteiligen Serie „Notizen zu Aminadab". 2007 mit Tiroler Grafikpreis ausgezeichnet; in Sammlung Ferdinandeum.

    WestLicht
  • Steam rose majestically by Anita Witek (*1970)
    Dec. 05, 2009

    Steam rose majestically by Anita Witek (*1970)

    Est: €1,200 - €1,500

    From the seven part series "Notes on Aminadab". Winner of the 2007 Tyrolian Graphic Award, acquired by the Ferdinandeum collection. Aus der siebenteiligen Serie "Notizen zu Aminadab"

    WestLicht
  • Untouched by any mystery by Anita Witek (*1970)
    Dec. 05, 2009

    Untouched by any mystery by Anita Witek (*1970)

    Est: €2,000 - €2,500

    From the seven part series "Notes on Aminadab". Winner of the 2007 Tyrolian Graphic Award, acquired by the Ferdinandeum collection. Aus der siebenteiligen Serie "Notizen zu Aminadab"

    WestLicht
  • As the real day were still not far away by Anita Witek (*1970)
    Dec. 05, 2009

    As the real day were still not far away by Anita Witek (*1970)

    Est: €2,000 - €2,500

    From the 7-part series "Notizen zu Aminadab". There is a concrete base reference for the series: Maurice Blanchot's novel "Aminadab" from 1942 or at least his way of fictionalising the central space in that novel. For this series of temporary collages, Anita Witek built the backgrounds out of advertising material (a genre that is also reliant on fictions) and, since there is a repetition of the room sections, each picture flows into the next. "The central figure of the novel is Thomas. He wanders through a building in search of a room from which he was given a signal from an unknown person. Blanchot navigates him through a building full of architectural contradictions. The reader never learns whether it is his own personal inadequacies that make progress difficult or whether the difficulties stem from the spatial conditions or social barriers with which he is confronted." (Anita Witek in an interview for 21 Reportagen, about Austrian photographers, by von Nora Schoeller). The work was shown in Ibid, London and the Fotogalerie Wien. Aus der siebenteiligen Serie "Notizen zu Aminadab". Für "Notizen zu Aminadab" gibt es eine konkrete Anleihe, nämlich Maurice Blanchots Roman Aminadab von 1942 bzw. seine Art, die im Roman zentralen Handlungsräume zu fiktionalisieren. Anita Witek hat für diese Serie temporäre Collagen aus Hintergründen von Werbeanzeigen (eines ebenso von Fiktionen geleiteten Genres) gebaut: Die Raumteile wiederholen sich, so dass ein Bild der Serie ins nächste fließend übergeht. „Die zentrale Figur des Romans ist Thomas. Er durchwandert ein Gebäude, um einen Raum zu finden, aus dem er zuvor von einer Unbekannten ein Signal erhalten hat. Blanchot navigiert ihn durch ein architektonisch völlig widersprüchliches Gebäude. Man erfährt nie, ob es nun seine eigene persönliche Unzulänglichkeit ist, die ihm das Weiterkommen erschwert, oder ob es die schwierigen räumlichen Bedingungen sind, oder die gesellschaftlichen Hindernisse, mit denen er konfrontiert ist." (Anita Witek in einem Interview für 21 Reportagen über österreichische FotografInnen von Nora Schoeller). Ausgestellt bei Ibid, London und in der Fotogalerie Wien.

    WestLicht
  • Anita Witek Die Reise der Fotografin/Studio Day
    Jun. 15, 2009

    Anita Witek Die Reise der Fotografin/Studio Day

    Est: - €390

    Anita Witek Die Reise der Fotografin/Studio Day 2008, Analoger C-Print, Ausarbeitung durch die Künstlerin 27 x 39,5 cm, gerahmt Auflage: Unikat

    Dorotheum
  • Two works: Not at Home, 2000
    Sep. 06, 2008

    Two works: Not at Home, 2000

    Est: £1,000 - £1,500

    Two works: Not at Home, 2000 C-print, Diasec and flush mounted on Sintra. Each 72.1 x 137.8 cm. (28 3/8 x 54 1/4 in.)  Each signed and numbered on label on reverse of the mount. These works are from an edition of 5.

    Phillips
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