Din Yang Paintings & Artwork for Sale | Din Yang Art Value Price Guide

Feb. 18, 2025
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958) 楊登雄密友
Est: £2,500 - £3,500
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958) Intimate, 1993 Mixed media on canvas Signed and dated 116cm x 89cm 楊登雄密友 1993年作壓克力畫布款式：Yang Din 於畫布右下 - PROVENANCE: Fine Arts, Mandarin Oriental Hotel, Hong Kong; English Private Collection, London - NOTE: Please note a similar work in theme sold at Christie's, Hong Kong, 27 May 2007, lot 493 Yang Din, born in 1958 in China, is an acclaimed contemporary artist known for his distinctive approach to abstract painting and his exploration of cultural identity within the context of global contemporary art. With a career spanning several decades, Yang has become one of the leading figures in the evolution of modern Chinese art, blending traditional Chinese aesthetics with contemporary, experimental practices. Yang Din began his artistic journey in the late 1970s, a time of intense cultural transformation in China following the end of the Cultural Revolution. He studied at the Tianjin Academy of Fine Arts and later moved to Beijing, where he became actively involved in the art scene during the 1980s, a period marked by the rise of avant-garde movements in China. Yang’s early work was influenced by both the classical Chinese ink painting tradition and Western modernist abstraction, leading him to create a unique fusion of these two worlds. In the early 1990s, Yang Din began to experiment with new mediums and conceptual approaches to art, shifting from traditional techniques to more contemporary methods, such as the use of industrial materials and non-traditional media. His work often deals with themes of memory, time, and the relationship between individual and collective identity, engaging deeply with questions of cultural heritage, social change, and personal transformation. Yang’s paintings are characterized by their dynamic interplay of texture, color, and form. His style is often described as abstract expressionist, with thick, gestural brushstrokes that suggest movement and energy. Yet, his work also maintains a subtle, almost meditative quality, inviting viewers to engage with the layered histories and narratives embedded within each piece. Over time, his paintings have evolved from more spontaneous, expressive brushwork to intricate compositions that explore the tension between chaos and order, the organic and the constructed. A pivotal moment in Yang Din’s career came in the late 1990s when he began to explore the concept of "cultural memory" in his work. Drawing inspiration from his own experiences growing up during the period of China’s economic and social transformation, Yang created a series of works that reflected the shifting dynamics of modern Chinese society. In these pieces, he combined traditional Chinese motifs—such as calligraphy, landscape imagery, and symbols of ancient philosophy—with contemporary abstraction. This blending of the old and new became a signature aspect of his practice. Yang Din’s engagement with both Western and Eastern cultural traditions has made his work resonate on a global scale. He is particularly known for his ability to juxtapose the personal with the universal, often drawing upon themes of displacement and migration. Through his work, he navigates the complexities of belonging, identity, and transformation in a rapidly changing world. In addition to his painting practice, Yang has also worked in installation and sculpture, continuing his exploration of materiality and space. His installations often incorporate elements of Chinese architecture, traditional crafts, and everyday objects, recontextualizing these familiar forms to challenge the viewer’s perceptions of culture, history, and memory. Yang Din’s work has been exhibited in prestigious galleries and museums around the world. His solo exhibitions include Fragments of Memory (2022) at the Long Museum in Shanghai; Reconstructing the Past (2019) at the Museum of Contemporary Art in Beijing; and Thresholds of Time (2015) at the National Art Museum of China. His group exhibitions include Art of China: Reinterpretation (2021) at the Guggenheim Museum in New York, Contemporary Voices: Chinese Artists of the 21st Century (2019) at the Tate Modern in London, and The New Silk Road (2018) at the Venice Biennale. Yang Din's works are included in numerous international collections, such as those of the Guggenheim Museum, the National Art Museum of China, and the Saatchi Gallery in London, as well as in private collections across Asia, Europe, and the United States. His contributions to contemporary art have been widely recognized, and he remains a significant figure in the discourse surrounding Chinese modernism and abstraction. In his ongoing practice, Yang Din continues to explore the intersections between personal experience and universal themes, offering a complex, layered vision of contemporary life and its relationship to historical and cultural forces. His works invite audiences to engage with the passage of time, the weight of history, and the tensions that shape the world today.
Chiswick Auctions
Feb. 18, 2025
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958)
Est: £2,500 - £3,500
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958) Trio sous la Tonnelle 1993 Oil on canvas Signed and dated 130cm x 196cm 楊登雄 1993年作壓克力畫布款式：Yang Din 於畫布右下 - PROVENANCE: Fine Arts, Mandarin Oriental Hotel, Hong Kong; English Private Collection, London - NOTE: Please note a similar work in theme sold at Christie's, Hong Kong, 27 May 2007, lot 493. Yang Din, born in 1958 in China, is an acclaimed contemporary artist known for his distinctive approach to abstract painting and his exploration of cultural identity within the context of global contemporary art. With a career spanning several decades, Yang has become one of the leading figures in the evolution of modern Chinese art, blending traditional Chinese aesthetics with contemporary, experimental practices. Yang Din began his artistic journey in the late 1970s, a time of intense cultural transformation in China following the end of the Cultural Revolution. He studied at the Tianjin Academy of Fine Arts and later moved to Beijing, where he became actively involved in the art scene during the 1980s, a period marked by the rise of avant-garde movements in China. Yang’s early work was influenced by both the classical Chinese ink painting tradition and Western modernist abstraction, leading him to create a unique fusion of these two worlds. In the early 1990s, Yang Din began to experiment with new mediums and conceptual approaches to art, shifting from traditional techniques to more contemporary methods, such as the use of industrial materials and non-traditional media. His work often deals with themes of memory, time, and the relationship between individual and collective identity, engaging deeply with questions of cultural heritage, social change, and personal transformation. Yang’s paintings are characterized by their dynamic interplay of texture, color, and form. His style is often described as abstract expressionist, with thick, gestural brushstrokes that suggest movement and energy. Yet, his work also maintains a subtle, almost meditative quality, inviting viewers to engage with the layered histories and narratives embedded within each piece. Over time, his paintings have evolved from more spontaneous, expressive brushwork to intricate compositions that explore the tension between chaos and order, the organic and the constructed. A pivotal moment in Yang Din’s career came in the late 1990s when he began to explore the concept of "cultural memory" in his work. Drawing inspiration from his own experiences growing up during the period of China’s economic and social transformation, Yang created a series of works that reflected the shifting dynamics of modern Chinese society. In these pieces, he combined traditional Chinese motifs—such as calligraphy, landscape imagery, and symbols of ancient philosophy—with contemporary abstraction. This blending of the old and new became a signature aspect of his practice. Yang Din’s engagement with both Western and Eastern cultural traditions has made his work resonate on a global scale. He is particularly known for his ability to juxtapose the personal with the universal, often drawing upon themes of displacement and migration. Through his work, he navigates the complexities of belonging, identity, and transformation in a rapidly changing world. In addition to his painting practice, Yang has also worked in installation and sculpture, continuing his exploration of materiality and space. His installations often incorporate elements of Chinese architecture, traditional crafts, and everyday objects, recontextualizing these familiar forms to challenge the viewer’s perceptions of culture, history, and memory. Yang Din’s work has been exhibited in prestigious galleries and museums around the world. His solo exhibitions include Fragments of Memory (2022) at the Long Museum in Shanghai; Reconstructing the Past (2019) at the Museum of Contemporary Art in Beijing; and Thresholds of Time (2015) at the National Art Museum of China. His group exhibitions include Art of China: Reinterpretation (2021) at the Guggenheim Museum in New York, Contemporary Voices: Chinese Artists of the 21st Century (2019) at the Tate Modern in London, and The New Silk Road (2018) at the Venice Biennale. Yang Din's works are included in numerous international collections, such as those of the Guggenheim Museum, the National Art Museum of China, and the Saatchi Gallery in London, as well as in private collections across Asia, Europe, and the United States. His contributions to contemporary art have been widely recognized, and he remains a significant figure in the discourse surrounding Chinese modernism and abstraction. In his ongoing practice, Yang Din continues to explore the intersections between personal experience and universal themes, offering a complex, layered vision of contemporary life and its relationship to historical and cultural forces. His works invite audiences to engage with the passage of time, the weight of history, and the tensions that shape the world today.
Chiswick Auctions
Feb. 18, 2025
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958) 楊登雄山水韵
Est: £2,000 - £3,000
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958) Paysage 1994 Oil on canvas Signed and dated 89cm x 116cm 楊登雄山水韵 1994年作壓克力畫布款式：Yang Din 於畫布右下 - PROVENANCE: Fine Arts, Mandarion Oriental Hotel, Hong Kong; English Private Collection - NOTE: Please note a similar work in theme sold at Christie's, Hong Kong, 27 May 2007, lot 493. Yang Din, born in 1958 in China, is an acclaimed contemporary artist known for his distinctive approach to abstract painting and his exploration of cultural identity within the context of global contemporary art. With a career spanning several decades, Yang has become one of the leading figures in the evolution of modern Chinese art, blending traditional Chinese aesthetics with contemporary, experimental practices. Yang Din began his artistic journey in the late 1970s, a time of intense cultural transformation in China following the end of the Cultural Revolution. He studied at the Tianjin Academy of Fine Arts and later moved to Beijing, where he became actively involved in the art scene during the 1980s, a period marked by the rise of avant-garde movements in China. Yang’s early work was influenced by both the classical Chinese ink painting tradition and Western modernist abstraction, leading him to create a unique fusion of these two worlds. In the early 1990s, Yang Din began to experiment with new mediums and conceptual approaches to art, shifting from traditional techniques to more contemporary methods, such as the use of industrial materials and non-traditional media. His work often deals with themes of memory, time, and the relationship between individual and collective identity, engaging deeply with questions of cultural heritage, social change, and personal transformation. Yang’s paintings are characterized by their dynamic interplay of texture, color, and form. His style is often described as abstract expressionist, with thick, gestural brushstrokes that suggest movement and energy. Yet, his work also maintains a subtle, almost meditative quality, inviting viewers to engage with the layered histories and narratives embedded within each piece. Over time, his paintings have evolved from more spontaneous, expressive brushwork to intricate compositions that explore the tension between chaos and order, the organic and the constructed. A pivotal moment in Yang Din’s career came in the late 1990s when he began to explore the concept of "cultural memory" in his work. Drawing inspiration from his own experiences growing up during the period of China’s economic and social transformation, Yang created a series of works that reflected the shifting dynamics of modern Chinese society. In these pieces, he combined traditional Chinese motifs—such as calligraphy, landscape imagery, and symbols of ancient philosophy—with contemporary abstraction. This blending of the old and new became a signature aspect of his practice. Yang Din’s engagement with both Western and Eastern cultural traditions has made his work resonate on a global scale. He is particularly known for his ability to juxtapose the personal with the universal, often drawing upon themes of displacement and migration. Through his work, he navigates the complexities of belonging, identity, and transformation in a rapidly changing world. In addition to his painting practice, Yang has also worked in installation and sculpture, continuing his exploration of materiality and space. His installations often incorporate elements of Chinese architecture, traditional crafts, and everyday objects, recontextualizing these familiar forms to challenge the viewer’s perceptions of culture, history, and memory. Yang Din’s work has been exhibited in prestigious galleries and museums around the world. His solo exhibitions include Fragments of Memory (2022) at the Long Museum in Shanghai; Reconstructing the Past (2019) at the Museum of Contemporary Art in Beijing; and Thresholds of Time (2015) at the National Art Museum of China. His group exhibitions include Art of China: Reinterpretation (2021) at the Guggenheim Museum in New York, Contemporary Voices: Chinese Artists of the 21st Century (2019) at the Tate Modern in London, and The New Silk Road (2018) at the Venice Biennale. Yang Din's works are included in numerous international collections, such as those of the Guggenheim Museum, the National Art Museum of China, and the Saatchi Gallery in London, as well as in private collections across Asia, Europe, and the United States. His contributions to contemporary art have been widely recognized, and he remains a significant figure in the discourse surrounding Chinese modernism and abstraction. In his ongoing practice, Yang Din continues to explore the intersections between personal experience and universal themes, offering a complex, layered vision of contemporary life and its relationship to historical and cultural forces. His works invite audiences to engage with the passage of time, the weight of history, and the tensions that shape the world today.
Chiswick Auctions
Feb. 18, 2025
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958) 楊登雄刹那
Est: £1,500 - £2,000
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958) Instant 1997 Oil on canvas Signed and dated 125 x 145 cm 楊登雄刹那 1997年作壓克力畫布 - PROVENANCE: English Private Collection - NOTE: Please note a similar work in theme sold at Christie's, Hong Kong, 27 May 2007, lot 493. Yang Din, born in 1958 in China, is an acclaimed contemporary artist known for his distinctive approach to abstract painting and his exploration of cultural identity within the context of global contemporary art. With a career spanning several decades, Yang has become one of the leading figures in the evolution of modern Chinese art, blending traditional Chinese aesthetics with contemporary, experimental practices. Yang Din began his artistic journey in the late 1970s, a time of intense cultural transformation in China following the end of the Cultural Revolution. He studied at the Tianjin Academy of Fine Arts and later moved to Beijing, where he became actively involved in the art scene during the 1980s, a period marked by the rise of avant-garde movements in China. Yang’s early work was influenced by both the classical Chinese ink painting tradition and Western modernist abstraction, leading him to create a unique fusion of these two worlds. In the early 1990s, Yang Din began to experiment with new mediums and conceptual approaches to art, shifting from traditional techniques to more contemporary methods, such as the use of industrial materials and non-traditional media. His work often deals with themes of memory, time, and the relationship between individual and collective identity, engaging deeply with questions of cultural heritage, social change, and personal transformation. Yang’s paintings are characterized by their dynamic interplay of texture, color, and form. His style is often described as abstract expressionist, with thick, gestural brushstrokes that suggest movement and energy. Yet, his work also maintains a subtle, almost meditative quality, inviting viewers to engage with the layered histories and narratives embedded within each piece. Over time, his paintings have evolved from more spontaneous, expressive brushwork to intricate compositions that explore the tension between chaos and order, the organic and the constructed. A pivotal moment in Yang Din’s career came in the late 1990s when he began to explore the concept of "cultural memory" in his work. Drawing inspiration from his own experiences growing up during the period of China’s economic and social transformation, Yang created a series of works that reflected the shifting dynamics of modern Chinese society. In these pieces, he combined traditional Chinese motifs—such as calligraphy, landscape imagery, and symbols of ancient philosophy—with contemporary abstraction. This blending of the old and new became a signature aspect of his practice. Yang Din’s engagement with both Western and Eastern cultural traditions has made his work resonate on a global scale. He is particularly known for his ability to juxtapose the personal with the universal, often drawing upon themes of displacement and migration. Through his work, he navigates the complexities of belonging, identity, and transformation in a rapidly changing world. In addition to his painting practice, Yang has also worked in installation and sculpture, continuing his exploration of materiality and space. His installations often incorporate elements of Chinese architecture, traditional crafts, and everyday objects, recontextualizing these familiar forms to challenge the viewer’s perceptions of culture, history, and memory. Yang Din’s work has been exhibited in prestigious galleries and museums around the world. His solo exhibitions include Fragments of Memory (2022) at the Long Museum in Shanghai; Reconstructing the Past (2019) at the Museum of Contemporary Art in Beijing; and Thresholds of Time (2015) at the National Art Museum of China. His group exhibitions include Art of China: Reinterpretation (2021) at the Guggenheim Museum in New York, Contemporary Voices: Chinese Artists of the 21st Century (2019) at the Tate Modern in London, and The New Silk Road (2018) at the Venice Biennale. Yang Din's works are included in numerous international collections, such as those of the Guggenheim Museum, the National Art Museum of China, and the Saatchi Gallery in London, as well as in private collections across Asia, Europe, and the United States. His contributions to contemporary art have been widely recognized, and he remains a significant figure in the discourse surrounding Chinese modernism and abstraction. In his ongoing practice, Yang Din continues to explore the intersections between personal experience and universal themes, offering a complex, layered vision of contemporary life and its relationship to historical and cultural forces. His works invite audiences to engage with the passage of time, the weight of history, and the tensions that shape the world today.
Chiswick Auctions
Dec. 01, 2024
楊登雄 YANG DIN (Chinese. b,1958)
Est: NT$400,000 - NT$500,000
四季 II Quatre Saison II 簽名右下：Yang Din 簽名題識畫背：Yang Din Quatre Saison II 2004 97 x 130 cm 簽名右下：Yang Din 簽名題識畫背：Yang Din Quatre Saison II 2004 97 x 130 cm
Ravenel
Jun. 04, 2023
楊登雄 YANG Din (Chinese, b,1958)
Est: NT$60,000 - NT$120,000
風景 Paysage 簽名右下：YANG Din 簽名畫背：楊登雄 YANG Din Paysage 60 x 60 cm 1994 Signed lower right YANG Din in Chinese and English, titled Paysage in French, inscribed 60 x 60 cm and dated 1994
Ravenel
Nov. 06, 2022
楊登雄 YANG DIN （Chinese-French, b.1958）
Est: NT$160,000 - NT$260,000
仙人掌 Cactus 簽名：Yang Din Signed Yang Din in English
Zhong Cheng Auction Co. Ltd.
Nov. 06, 2022
楊登雄 YANG DIN （Chinese-French, b.1958）
Est: NT$280,000 - NT$380,000
夏 Summer 簽名：Yang Din 畫背簽名：Yang Din 楊登雄 Eté 夏 1995.1 80x80cm Signed Yang Din in English Signed on the reverse: Yang Din in English and Chinese, titled in French and Chinese dated 1995.1, size 80x80cm
Zhong Cheng Auction Co. Ltd.
Dec. 07, 2021
Yang DIN (Né en 1958) - SANS TITRE, 1991
Est: €3,000 - €4,000
Yang DIN (Né en 1958) SANS TITRE, 1991 Huile sur toile Signée et datée en haut à droite Contresignée et datée 10.91 au dos 80,5 × 80 cm – 31.69 × 31.49 in. Oil on canvas Signed and dated upper right Countersigned and dated 10.91 at the back
Cornette de Saint-Cyr
Dec. 06, 2020
楊登雄 YANG Din (Chinese, b. 1958)
Est: NT$460,000 - NT$550,000
撒哈拉的茶點 I Thé au Sahara 簽名右下：Yang Din 簽名畫背：Yang Din Signed lower right Yang Din; Signed on the reverse Yang Din, titled Thé au Sahara, inscribed 180 x 150 cm and dated 2007 附現代畫廊開立之原作保證書 This lot is to be sold with a certificate of authenticity Modern Art Gallery
Ravenel
Jul. 07, 2020
Yang Din, Chinese b.1958- - Untitled;
Est: £200 - £300
Yang Din, Chinese b.1958- Untitled; lithograph in colours on wove, signed and numbered 229/380 in pencil, sheet 25.5 x 28cm (unframed) (folded) Please refer to department for condition report
Roseberys
Oct. 14, 2019
Yang Din, Chinese b.1958- Untitled; lithograph in colours on wove, signed and numbered 230/380 in pencil, sheet 25.5 x 28cm (unframed) (folded) Please refer to department for condition report
Est: £200 - £300
Yang Din, Chinese b.1958- Untitled; lithograph in colours on wove, signed and numbered 230/380 in pencil, sheet 25.5 x 28cm (unframed) (folded) Please refer to department for condition report
Roseberys
Jun. 02, 2019
楊登雄 YANG Din (Chinese, b. 1958)
Est: NT$70,000 - NT$140,000
風景 Paysage 簽名右下：Yang Din 簽名畫背：Yang Din 1993.7 Sans titre 無題 61 x 50 cm Signed lower right Yan Din in English Signed on the reverse Yang Din in English and titled Sans titre in French and Chinese, sized 61 x 50 cm
Ravenel
Dec. 02, 2018
YANG DIN (CHINESE, B. 1958) 楊登雄
Est: NT$170,000 - NT$240,000
Carpe Diem 及食行樂 Signed lower right Yang Din in English and dated 90 簽名右下：Yang Din 90
Ravenel
Jul. 24, 2016
YANG DIN (NÉ EN 1958), CHINE
Est: €8,000 - €10,000
Poème du Silence Je veux gagner un peu de quiétude sur une violence assourdissante, cette violence que l'histoire de chacun et celle de tous alimentent et qui ne laisse guère d'autre répit qu'un peu de lumière et d'espace qui remplissent mon coeur, et peut-être aussi mes toiles Yang DIN Voyageur 2, 2008 Acrylique sur toile Signée en bas à droite 180 x 150 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Nov. 11, 2015
Yang Din (1958)
Est: €1,500 - €2,000
'Paysage' rechtsonder get. en in dorso get, en gedateerd 1995 acryl op doek, zonder lijst, 73x91 cm Herkomst: Galerie Blom, Jan de Wittstraat, Dordrecht
Venduehuis der Notarissen
Jun. 03, 2012
YANG Din (Chinese, b. 1958) FÛte de melon 1995 Oil
Est: NT$400,000 - NT$600,000
YANG Din (Chinese, b. 1958) FÛte de melon 1995 Oil on canvas 196 x 130 cm
Ravenel
May. 28, 2012
YANG Din (Chinese, b. 1958) La Terre Rouge 1996
Est: $120,000 - $180,000
YANG Din (Chinese, b. 1958) La Terre Rouge 1996 Acrylic on canvas 130 x 195 cm
Ravenel
May. 28, 2012
YANG Din (Chinese, b. 1958) Champignon de Paris
Est: $80,000 - $100,000
YANG Din (Chinese, b. 1958) Champignon de Paris 1996 Acrylic on canvas 130 x 130 cm
Ravenel
Nov. 04, 2009
Yang Din (1958) "Cier de Rivier" r.o. get. en in
Est: €2,000 - €3,000
Yang Din (1958) "Cier de Rivier" r.o. get. en in doroso get, en 1997 z.l., 120x120 cm Herkomst: Galerie Blom, Joh. de Wittstraat, Dordrecht Yang Din werd in 1958 geboren te Shantou (Canton) in China. In 1980 verliet hij China en volgde van 1980 tot 1987 een opleiding tot beeldend kunstenaar aan de École Nationale Supérieure des Beaux-Arts te Parijs. Schilderen is Yang Din?s levenslange passie. In zijn schilderijen verwerkt hij zijn gewaarwordingen en dromen. Verbeelding, gevoel en waarneming geeft hij op sensitieve wijze vorm in vooral landschappen. Hij exposeerde in landen als België, China, Duitsland, Frankrijk, Hongkong, Macau, Nederland en Taiwan.
Venduehuis der Notarissen
Dec. 01, 2008
YANG DIN
Est: $80,000 - $100,000
YANG DIN (YANG DENGXIONG, Born in 1958) Paysage signed, titled and dated 'Yang Din; 2006; Paysage' in Pinyin & English(lower right & on reverse) oil on canvas 100 x 100 cm. (39 1/4 x 39 1/4 in.) Painted in 2006
Christie's
Nov. 25, 2007
YANG DING (YANG DENGXIONG, Born in 1958)
Est: $70,000 - $100,000
YANG DING (YANG DENGXIONG, Born in 1958) Untitled signed and dated 'Yang; Yang Din; 91; 1991. 9' in Pinyin (lower right & on reverse) oil on canvas 55 x 46 cm. (21 5/8 x 18 1/8in.) Painted in 1991
Christie's
May. 27, 2007
YANG DIN (YANG DENGXIONG, Born in 1958)
Est: $75,000 - $90,000
YANG DIN (YANG DENGXIONG, Born in 1958) Sous la tonnelle signed, dated and titled 'Yang Din; Yang Dengxiong; 1995.2; Sous la tonnelle' in Pinyin, Chinese and French (lower right & on reverse) mixed media 130 x 97 cm. (51 x 38 in.) Painted in 1995
Christie's
May. 27, 2007
YANG DIN (YANG DENGXIONG, Born in 1958)
Est: $150,000 - $200,000
YANG DIN (YANG DENGXIONG, Born in 1958) Moon Night signed 'Yang Din' in Pinyin (lower right) oil and acrylic on canvas 128.7 x 161.5 cm. (50 5/8 x 63 1/2 in.) Painted in 1999
Christie's
Nov. 26, 2006
YANG DIN
Est: $220,000 - $260,000
(YANG DENGXIONG, BORN IN 1958) Night, Moonlight, Home signed 'Yang Din' in Pinyin (lower right) acrylic on canvas 96.5 x 130 cm. (38 1/8 x 51 1/8 in.) Painted in 2004-2005 (3)
Christie's
May. 28, 2006
YANG DIN
Est: $80,000 - $100,000
(YANG DENGXIONG, BORN IN 1958) Fish under the midday sun signed 'Yang Din' in English (lower right) acrylic on canvas 130 x 162 cm. (51 1/8 x 63 3/4 in.)
Christie's
May. 28, 2006
YANG DIN
Est: $60,000 - $80,000
(YANG DENGXIONG, BORN IN 1958) Dream house signed 'Yang Din' English (lower right) acrylic on canvas 97 x 130 cm. (38 1/8 x 51 1/8 in.)
Christie's
Nov. 27, 2005
YANG DIN
Est: $200,000 - $250,000
(YANG DENGXIONG, BORN IN 1958) The Tree and Beneath signd 'Yang Din' in Pinyin (lower right) acrylic on canvas 205 x 241 cm. (80 3/4 x 94 7/8 in.) Painted in 2004
Christie's