Rafael Zabaleta Paintings & Artwork for Sale | Rafael Zabaleta Art Value Price Guide

Dec. 10, 2024
Rafael Zabaleta. Still life
Est: -
Ink on paper. Signed at the bottom center.
Duran Arte y Subastas
Oct. 22, 2024
Raphael Zabaleta. nudes
Est: -
Double-sided ink drawing on paper. Stains on the back.
Duran Arte y Subastas
Oct. 15, 2024
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907-1960). "The slaughterer", 1949. Oil on canvas. Work reproduced in GUZMÁN PÉREZ, "Rafael Zabaleta. Catalographic Study.
Est: €30,000 - €40,000
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907-1960). "The slaughterer", 1949. Oil on canvas. Work reproduced in GUZMÁN PÉREZ, "Rafael Zabaleta. Catalographic Study. Oil paintings". Diputación de Jaén, 2010, p. 478. -Exhibitions: Colegio de Arquitectos, Barcelona, 1965 (col. relation, the current one). Caja de Madrid, Barcelona and Madrid 1986, number 37 (reproduced in catalog, page 69). -Bibliography: GUZMÁN, M., Catalogación..., number 233, pages 370-371. GUZMÁN, M., La pintura de R. Zabaleta, page 374. Signed in the lower left corner. Measurements: 81 x 65 cm; 97 x 82 cm (frame). Following the words of the Catalog regarding this painting, the artist"presents us with a frontal composition, staging in a small enclosure the open figure of a cow; hanging by the hind legs and open in channel, behind which appears the butcher wielding the knife. It uses a frontal perspective, marking the interior space, in which governs a distributive system determined by bilateral symmetry, according to which a perpendicular axis divides it into two equal parts. It is set in warm colors, highlighting the reds of the flesh to contrast with the greenish gray environment and uses the ocher and earth passages, all of them very nuanced. The volumes are resolved with great amplitude. The inexpression of the character stands out in the painting, rigid and hieratic, without any gesticulation, he appears as another element, without the action that could be derived from his protagonism. This is a thematic first, which he returns to on two other occasions; Matarife, 1951 and Carnicero, 1957. Its remote precedent, as far as the theme is concerned, is to be found in Rembrandt and close to Solana. A work in which he links an environmental and local theme treated with the plastic language of modernity, in which inclinations towards Fauve and expressionist poetics are pointed out". Chromatically the pictorial surface is dominated by reds, pinks and yellows that contrast with the greens, the latter of low tone and grayish. The color extends without emerging on the surface of the canvas, remaining definitively exposed at the first intention, so that the pictorial matter remains fresh and fluid. The work represents Zabaletian painting and defines by itself the Hispanic expressionism, with a lot of Fauvism and clear cubist connotations. Born into a wealthy family, Rafael Zabaleta showed his love for painting since he was a child, so after finishing his high school studies he moved to Madrid and entered, in 1925, in the Escuela Superior de Bellas Artes de San Fernando. There he will have as teachers Lainez Alcalá, Cecilio Pla and Ignacio Pinazo, and in 1932 he participates for the first time in a group exhibition, that of the students of San Fernando. One of his works, entitled "La pareja," was selected to illustrate the critical review that Manuel Abril made for the magazine "Blanco y Negro". Three years later Zabaleta made his first trip to Paris, where he met and studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasure, and also around this time he began a series of drawings on the Civil War. At the end of the war he was denounced, and briefly spent time in the concentration camp of Higuera de Calatrava and in Jaen prison, where his two albums of drawings made during the war were seized. Finally freed, in 1940 he settles in Madrid, where he attends the gatherings at the Café Gijón and draws and paints at the Círculo de Bellas Artes. Two years later he visits Aurelio Biosca, director of the Madrid gallery Biosca, with a letter of introduction from the sculptor Manolo Hugué. There he held his first individual exhibition that same year, after being rejected at the National Exhibition of Fine Arts. However, the following year he participates in the First Salón de los Once and becomes a member of the Academia Breve de Crítica de Arte de Eugenio d'Ors, to which Biosca also belonged. Zabaleta will take part in most of his Salones de los Once and anthological exhibitions. In 1945 Zabaleta participates in the group show "Floreros y bodegones" held at the National Museum of Modern Art, while he continues to exhibit individually and collectively in galleries in the capital. In 1947 he holds his first personal exhibition in Barcelona, at the Argos Gallery, and his first monograph is published. Two years later he travels again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration will be 1951, when he holds a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he was awarded the UNESCO Prize at the Hispano-American Biennial in Barcelona. That same year he participates in the Biennial of the Mediterranean held in Alexandria, and holds a solo exhibition in Bilbao. During his last years Zabaleta will be an artist already fully recognized, invited to the most important exhibitions and salons both in Spain and in foreign cities of the importance of Paris. The most important collection of his work is in the Zabaleta Museum of Quesada, although it is also present in the most prestigious museums of the world, in cities such as Buenos Aires, New York or Tokyo. Work reproduced in GUZMÁN PÉREZ, "Rafael Zabaleta. Catalographic Study. Oil paintings". Diputación de Jaén, 2010, p. 478. -Exhibitions: Colegio de Arquitectos, Barcelona, 1965 (col. relation, the current one). Caja de Madrid, Barcelona and Madrid 1986, number 37 (reproduced in catalog, page 69). -Bibliography: GUZMÁN, M., Catalogación..., number 233, pages 370-371. GUZMÁN, M., The painting of R. Zabaleta, page 374.
Setdart Auction House
Sep. 12, 2024
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). "Female portrait". Ink and pencil drawing on paper. Signed in the lower right corner. Provenance: Biosca Gallery (1975). The paper has stains.
Est: €1,200 - €1,500
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). "Female portrait". Ink and pencil drawing on paper. Signed in the lower right corner. Provenance: Biosca Gallery (1975). The paper has stains. Measurements: 33 x 24 cm; 53 x 44 cm (frame). Rafael Zabaleta studied in the Superior School of Fine Arts of San Fernando, and in 1932 he participates for the first time in a collective exhibition, the one of the students of this school. Three years later he made his first trip to Paris, where he met and studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasury. At the end of the war he was imprisoned, after which he settled in Madrid in 1940. Two years later he held his first solo exhibition at the Biosca Gallery in the capital, after being rejected at the National Exhibition of Fine Arts. However, the following year he took part in the First Salón de los Once and became a member of the Academia Breve de Crítica de Arte de Eugenio d'Ors, taking part in most of its Salones de los Once and anthological exhibitions. In 1945 he takes part in the collective exhibition "Floreros y bodegones" held at the National Museum of Modern Art, while he continues to exhibit individually and collectively in galleries in Madrid. In 1947 he holds his first personal exhibition in Barcelona, at the Argos Gallery, and his first monograph is published. Two years later he travels again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration will be 1951, when he holds a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he obtained the UNESCO Prize at the Hispano-American Biennial in Barcelona. That same year he participates in the Biennial of the Mediterranean held in Alexandria, and holds a solo exhibition in Bilbao. During his last years Zabaleta will be an artist already fully recognized, invited to the most important exhibitions and salons both in Spain and in foreign cities of the importance of Paris. The most important collection of his work is in the Zabaleta Museum of Quesada, although it is also present in the most prestigious museums of the world, in cities such as Buenos Aires, New York or Tokyo.
Setdart Auction House
Sep. 12, 2024
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). "Camposanto", ca. 1953. Oil on canvas adhered to board. Signed in the lower right corner. Bibliography: - GUZMAN, M., Cataloging, number 322, page 529.
Est: €8,500 - €10,000
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). "Camposanto", ca. 1953. Oil on canvas adhered to board. Signed in the lower right corner. Bibliography: - GUZMAN, M., Cataloging, number 322, page 529. - GUZMÁN, M., The painting of R. Zabaleta, page 391. Measurements: 34 x 40 cm; 50.5 x 58.5 cm (frame). Rafael Zabaleta was an extremely versatile painter, capable of developing in parallel a post-cubist work in which the image is fragmented evoking colorful stained glass windows and, at the same time, an apparently traditional landscape painting, but in which the avant-garde legacy can be appreciated. To this second group belongs the landscape of the Castilian countryside that we are dealing with. The brushstrokes here are protean: they metamorphose into circles to represent the iridescent tops of the trees, in broken strokes across the fields... The influence of Cézanne also beats in the essentialist and synthetic reduction of nature. "In the foreground, he depicts an almost flat field, covered with grass, enclosed by a wall and with its access gate. Some tiny crosses can be seen dotted, and, immediately behind, the terrain begins to rise until it ends in the fiery mountains that barely allow the sky to be seen. He interprets the mosaic of plots combining the most varied greens with Venetian reds, placing the dark, very fallen, in the last term. The inclination of the planes in the farmland and the orographic features can be distinguished with precision. A sketch with great expressive force, with a clear Fauvist tendency, in which the simplicity and monumental size of its forms stand out", it is stated in the artist's Catalogue Raisonné. Born into a wealthy family, Rafael Zabaleta showed his love for painting since he was a child, so after finishing his high school studies he moved to Madrid and entered, in 1925, the Escuela Superior de Bellas Artes de San Fernando. There he will have as teachers Lainez Alcalá, Cecilio Pla and Ignacio Pinazo, and in 1932 he participates for the first time in a group exhibition, that of the students of San Fernando. One of his works, entitled "La pareja," was selected to illustrate the critical review that Manuel Abril made for the magazine "Blanco y Negro". Three years later Zabaleta made his first trip to Paris, where he met and studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasure, and also around this time he began a series of drawings on the Civil War. At the end of the war he was denounced, and briefly spent time in the concentration camp of Higuera de Calatrava and in Jaen prison, where his two albums of drawings made during the war were seized. Finally freed, in 1940 he settles in Madrid, where he attends the gatherings at the Café Gijón and draws and paints at the Círculo de Bellas Artes. Two years later he visits Aurelio Biosca, director of the Madrid gallery Biosca, with a letter of introduction from the sculptor Manolo Hugué. There he held his first individual exhibition that same year, after being rejected at the National Exhibition of Fine Arts. However, the following year he participates in the First Salón de los Once and becomes a member of the Academia Breve de Crítica de Arte de Eugenio d'Ors, to which Biosca also belonged. Zabaleta will take part in most of his Salones de los Once and anthological exhibitions. In 1945 Zabaleta participates in the group show "Floreros y bodegones" held at the National Museum of Modern Art, while he continues to exhibit individually and collectively in galleries in the capital. In 1947 he holds his first personal exhibition in Barcelona, at the Argos Gallery, and his first monograph is published. Two years later he travels again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration will be 1951, when he holds a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he obtained the UNESCO Prize at the Hispano-American Biennial in Barcelona. That same year he participates in the Biennial of the Mediterranean held in Alexandria, and holds a solo exhibition in Bilbao. During his last years Zabaleta will be an artist already fully recognized, invited to the most important exhibitions and salons both in Spain and in foreign cities of the importance of Paris.
Setdart Auction House
May. 23, 2024
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907-1960). Untitled, 1955. Ink on paper. Presents informative label of the Biosca Gallery (Madrid) on the back.
Est: €1,000 - €1,400
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907-1960). Untitled, 1955. Ink on paper. Presents informative label of the Biosca Gallery (Madrid) on the back. It has paper tear in the middle of the right side. Signed, dated and dedicated to Campoy. Measurements: 49 x 34 cm; 68 x 57 cm (frame). Born in the bosom of a wealthy family, Rafael Zabaleta already manifests since childhood his fondness for painting, so after finishing his high school studies he moves to Madrid and enters, in 1925, in the Escuela Superior de Bellas Artes de San Fernando. There he will have as teachers Lainez Alcalá, Cecilio Pla and Ignacio Pinazo, and in 1932 he participates for the first time in a group exhibition, that of the students of San Fernando. One of his works, entitled "La pareja," was selected to illustrate the critical review that Manuel Abril made for the magazine "Blanco y Negro". Three years later Zabaleta made his first trip to Paris, where he met and studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasure, and also around this time he began a series of drawings on the Civil War. At the end of the war he was denounced, and briefly spent time in the concentration camp of Higuera de Calatrava and in Jaen prison, where his two albums of drawings made during the war were seized. Finally freed, in 1940 he settles in Madrid, where he attends the gatherings at the Café Gijón and draws and paints at the Círculo de Bellas Artes. Two years later he visits Aurelio Biosca, director of the Madrid gallery Biosca, with a letter of introduction from the sculptor Manolo Hugué. There he held his first individual exhibition that same year, after being rejected at the National Exhibition of Fine Arts. However, the following year he participates in the First Salón de los Once and becomes a member of the Academia Breve de Crítica de Arte de Eugenio d'Ors, to which Biosca also belonged. Zabaleta will take part in most of his Salones de los Once and anthological exhibitions. In 1945 Zabaleta participates in the group show "Floreros y bodegones" held at the National Museum of Modern Art, while he continues to exhibit individually and collectively in galleries in the capital. In 1947 he holds his first personal exhibition in Barcelona, at the Argos Gallery, and his first monograph is published. Two years later he travels again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration will be 1951, when he holds a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he was awarded the UNESCO Prize at the Hispano-American Biennial in Barcelona. It has a paper tear in the middle of the right side.
Setdart Auction House
May. 23, 2024
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). "Still life of the fruit vendor", 1941. Oil on canvas. Signed in the lower left corner.
Est: €18,000 - €20,000
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). "Still life of the fruit vendor", 1941. Oil on canvas. Signed in the lower left corner. This work appears in a photograph of Cesáreo Rodríguez-Aguilera (friend and biographer of Zabaleta) taken in his house in Barcelona. Work verified by the Zabaleta Museum. Work referenced in Rafael Zabaleta's autographic relation where it is even indicated to whom it is sold. Exhibitions: - Biosca, Madrid, 1942, number 1. - Argos, Barcelona, 1947, number 12. Bibliography: - Guzmán, M. "Catalogación...", n. 78, pp. 107-108. - Guzmán, M. "La pintura de R. Zabaleta", p. 304. Measurements: 50 x 61 cm; 70 x 81 cm (frame). Rafael Zabaleta was an extremely versatile painter, capable of developing in parallel a work of cubist heritage in which the image is fragmented evoking colorful stained glass windows and, at the same time, an apparently traditional style but in which the avant-garde legacy can be appreciated. This second case occurs in the painting we are bidding for, of which María Guzmán Pérez, the greatest expert in Zabaleta's pictorial work, states that "it lacks all perspective, whose superimposed objects totally cover the pictorial space. The primary scheme is built by an oval and a rhombus, making the axes of both coincide. The drawing is very simple, the forms being insinuated by a dark line that draws them, with no other purpose than to make them recognizable". Born into a well-to-do family, Rafael Zabaleta showed his love for painting as a child, so after finishing his high school studies he moved to Madrid and entered, in 1925, the Escuela Superior de Bellas Artes de San Fernando. There he will have as teachers Lainez Alcalá, Cecilio Pla and Ignacio Pinazo, and in 1932 he participates for the first time in a group exhibition, that of the students of San Fernando. One of his works, entitled "La pareja," was selected to illustrate the critical review that Manuel Abril made for the magazine "Blanco y Negro". Three years later Zabaleta made his first trip to Paris, where he met and studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasure, and also around this time he began a series of drawings on the Civil War. At the end of the war he was denounced, and briefly spent time in the concentration camp of Higuera de Calatrava and in Jaen prison, where his two albums of drawings made during the war were seized. Finally freed, in 1940 he settles in Madrid, where he attends the gatherings at the Café Gijón and draws and paints at the Círculo de Bellas Artes. Two years later he visits Aurelio Biosca, director of the Madrid gallery Biosca, with a letter of introduction from the sculptor Manolo Hugué. There he held his first individual exhibition that same year, after being rejected at the National Exhibition of Fine Arts. However, the following year he participates in the First Salón de los Once and becomes a member of the Academia Breve de Crítica de Arte de Eugenio d'Ors, to which Biosca also belonged. Zabaleta will take part in most of his Salones de los Once and anthological exhibitions. In 1945 Zabaleta participates in the group show "Floreros y bodegones" held at the National Museum of Modern Art, while he continues to exhibit individually and collectively in galleries in the capital. In 1947 he holds his first personal exhibition in Barcelona, at the Argos Gallery, and his first monograph is published. Two years later he travels again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration will be 1951, when he holds a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he was awarded the UNESCO Prize at the Hispano-American Biennial in Barcelona. That same year he participates in the Biennial of the Mediterranean held in Alexandria, and holds a solo exhibition in Bilbao. During his last years Zabaleta will be an artist already fully recognized, invited to the most important exhibitions and salons both in Spain and in foreign cities of the importance of Paris.
Setdart Auction House
Feb. 15, 2024
RAFAEL ZABALETA FUENTES (196-1960). "LANDSCAPE".
Est: €4,000 - €12,000
Oil on canvas adhered to cardboard. Signed. 32 x 40 cm; 47.5 x 55.5 cm (frame). Zabaleta's painting is framed within Spanish expressionist realism, clearly influenced by the School of Paris and authors such as Cezanne, Matisse or Picasso in the use of color and the distortion of forms, creating a personal language with which to represent, as Camilo José Cela said "the multiple and luminous Spains that only fit in very wide palettes and in very well organized heads". (Collected from the article "Quesada-Madrid-París" by Cela, published in the newspaper "Arriba" on February 14, 1951).
Subarna Subastas
Dec. 19, 2023
RAFAEL ZABALETA Quesada, Jaen (1907) / (1960) "Female Nudes", 1950
Est: €1,350 - €1,800
Inks on paper Signed and dated in the lower left corner Measurements: 34 x 24 cm
Ansorena
Oct. 05, 2023
RAFAEL ZABALETA FUENTES (196-1960). "LANDSCAPE".
Est: €7,000 - €12,000
Oil on canvas adhered to cardboard. Signed. 32 x 40 cm; 47.5 x 55.5 cm (frame). Zabaleta's painting is framed within Spanish expressionist realism, clearly influenced by the School of Paris and authors such as Cezanne, Matisse or Picasso in the use of color and the distortion of forms, creating a personal language with which to represent, as Camilo José Cela said "the multiple and luminous Spains that only fit in very wide palettes and in very well organized heads". (Collected from the article "Quesada-Madrid-París" by Cela, published in the newspaper "Arriba" on February 14, 1951).
Subarna Subastas
Oct. 04, 2023
RAFAEL ZABALETA Quesada, Jaen (1907) / (1960) "Landscape"
Est: €3,600 - €4,800
Oil on cardboard attached to board Signed in the lower left corner Measurements: 19 x 25.5 cm
Ansorena
Sep. 28, 2023
Raphael Zabaleta. female nude
Est: -
Ink drawing on paper. Inscription on the back. Provenance: - Cesáreo Rodríguez-Aguilera Conde (Stamp on the back). - Private collection.
Duran Arte y Subastas
Sep. 28, 2023
Raphael Zabaleta. nudes
Est: -
Ink drawing on both sides on paper.
Duran Arte y Subastas
Sep. 28, 2023
Raphael Zabaleta. pediment game
Est: -
Ink drawing on paper. Inscription on the back. Provenance: - Cesáreo Rodríguez-Aguilera Conde (Stamp on the back). - Private collection.
Duran Arte y Subastas
Jun. 28, 2023
Maternidad (Maternity)
Est: £60,000 - £80,000
Property from the Family of the Artist Rafael Zabaleta 1907 - 1960 Maternidad (Maternity) signed RZabaleta (lower right) oil on canvas 100 by 81 cm. 39⅜ by 31⅞ in. Framed: 104.5 by 85.5 cm. 41⅛ by 33⅝ in. Executed in 1955.
Sotheby's
Jun. 21, 2023
RAFAEL ZABALETA FUENTES (196-1960). "LANDSCAPE".
Est: €10,000 - €15,000
Oil on canvas adhered to cardboard. Signed. 32 x 40 cm; 47.5 x 55.5 cm (frame). Zabaleta's painting is framed within Spanish expressionist realism, clearly influenced by the School of Paris and authors such as Cezanne, Matisse or Picasso in the use of color and the distortion of forms, creating a personal language with which to represent, as Camilo José Cela said "the multiple and luminous Spains that only fit in very wide palettes and in very well organized heads". (Collected from the article "Quesada-Madrid-París" by Cela, published in the newspaper "Arriba" on February 14, 1951).
Subarna Subastas
May. 30, 2023
Raphael Zabaleta. pediment game
Est: -
Ink drawing on paper. Inscription on the back. Provenance: - Cesáreo Rodríguez-Aguilera Conde (Seal on the back). - Private collection.
Duran Arte y Subastas
May. 30, 2023
Raphael Zabaleta. nudes
Est: -
Ink drawing on both sides on paper. Stains on the back.
Duran Arte y Subastas
May. 30, 2023
Raphael Zabaleta. nudes
Est: -
Ink drawing on paper on both sides.
Duran Arte y Subastas
May. 30, 2023
Raphael Zabaleta. nudes
Est: -
Ink drawing on both sides on paper.
Duran Arte y Subastas
May. 30, 2023
Raphael Zabaleta. female nude
Est: -
Ink drawing on paper. Inscription on the back. Provenance: - Cesáreo Rodríguez-Aguilera Conde (Seal on the back). - Private collection.
Duran Arte y Subastas
Apr. 26, 2023
Raphael Zabaleta. Farmer / Landscape
Est: -
Ink drawing on both sides on paper.
Duran Arte y Subastas
Apr. 26, 2023
Raphael Zabaleta. woman before
Est: -
Ink drawing on paper. Provenance: - Private collection, Barcelona.
Duran Arte y Subastas
Jan. 25, 2023
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). "The wolf ravine". 1946. Oil on canvas. Signed and dated in the lower left corner.
Est: €12,000 - €15,000
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). El barranco del lobo ("The Wolf's Ravine"). 1946. Oil on canvas. Signed and dated in the lower left corner. It has a label from the Ministry of National Education on the back, due to the inclusion of the painting in an anthology of the artist. Measurements: 82 x 66 cm; 100 x 83 cm (frame). Rafael Zabaleta was an extremely versatile painter, capable of developing in parallel a post-cubist work in which the image is fragmented evoking colourful stained glass windows and, at the same time, a landscape painting apparently traditional but in which the avant-garde legacy can be appreciated. The present landscape with wolf belongs to this second group. The brushstrokes here are protean: they metamorphose into circles to represent the iridescent tops of the trees, broken strokes on the rocks, etc. Cezanne's influence is also evident in the essentialist and synthetic reduction of nature. Born into a well-to-do family, Rafael Zabaleta showed a love of painting from an early age, and after completing his secondary school studies he moved to Madrid and enrolled at the San Fernando School of Fine Arts in 1925. His teachers there were Lainez Alcalá, Cecilio Pla and Ignacio Pinazo, and in 1932 he took part for the first time in a group exhibition, that of the San Fernando students. One of his works, entitled "La pareja" ("The Couple"), was selected to illustrate the critical review by Manuel Abril for the magazine "Blanco y Negro". Three years later Zabaleta made his first trip to Paris, where he studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasury, and also around this time he began a series of drawings on the Civil War. At the end of the war he was denounced and briefly spent time in the Higuera de Calatrava concentration camp and in Jaén prison, where his two albums of drawings made during the war were confiscated. Finally freed, in 1940 he settled in Madrid, where he attended the gatherings at the Café Gijón and drew and painted at the Círculo de Bellas Artes. Two years later he visited Aurelio Biosca, director of the Madrid gallery Biosca, with a letter of introduction from the sculptor Manolo Hugué. It was there that he held his first solo exhibition that same year, after being rejected from the National Exhibition of Fine Arts. However, the following year he took part in the First Salón de los Once and became a member of Eugenio d'Ors's Academia Breve de Crítica de Arte, to which Biosca also belonged. Zabaleta took part in most of his Salones de los Once and anthological exhibitions. In 1945 Zabaleta took part in the group exhibition "Floreros y bodegones" held at the National Museum of Modern Art, while he continued to exhibit individually and collectively in galleries in the capital. In 1947 he held his first personal exhibition in Barcelona, at the Argos gallery, and his first monograph was published. Two years later he travelled again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration was 1951, when he held a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he won the UNESCO Prize at the Hispano-American Biennial in Barcelona. That same year he took part in the Mediterranean Biennial held in Alexandria, and held a solo exhibition in Bilbao. During his last years Zabaleta became a fully recognised artist, invited to the most important exhibitions and salons both in Spain and in foreign cities of the importance of Paris.
Setdart Auction House
Nov. 03, 2022
RAFAEL ZABALETA Quesada, Jaen (1907) / (1960) "Fauna of Cazorla", 1958
Est: €60,000 - €80,000
Oil on canvas Signed in the lower left corner On the back labels from the Biosca Gallery, Madrid and the Laietana Gallery, Barcelona Bibliography: Campoy, A, M., "Zabaleta", 1907...(repr.) Castro Arines, J. "Three exhibitions" (repr.) AZ Coaga, E. "Zabaleta or candor..." (repr.) Diego, G. , "28 painters...", page 198 (repr.) Azancot, L., "R. Zabaleta" (repr.) -Guzmán Pérez, MF, "The painting of Rafael Zabaleta", Caja General de Ahorros y Monte of Piety of Granada, 1985, p. 302, nº422 Exhibitions: General Directorate of BBAA, Madrid 1959, nº21 Biosca Gallery, Madrid 1970 (repr.) "The tree", Banco de Granada, 1974, nº40 Biosca, Madrid 1975 Layetanas Gallery, Barcelona, 1976 nº15 Aizpuru, Seville 1976, nº7 "Spanish painting of the 20th century", Ministry of Culture. Museum of Modern Art Mexico. October 1978 (label on the back) Measurements: 130 x 98 cm
Ansorena
Oct. 11, 2022
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907-1960). "Untitled. Paris, 1950. Ink on paper. Signed, dated, located and dedicated in the lower part.
Est: €1,700 - €2,000
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907-1960). "Untitled. Paris, 1950. Ink on paper. Signed, dated, located and dedicated in the lower part. Size: 31 x 24 cm; 45 x 38 cm (frame). Born into a well-to-do family, Rafael Zabaleta showed his interest in painting from an early age, so after finishing his high school studies he moved to Madrid and entered the San Fernando School of Fine Arts in 1925. His teachers there were Lainez Alcalá, Cecilio Pla and Ignacio Pinazo, and in 1932 he took part for the first time in a group exhibition, that of the San Fernando students. One of his works, entitled "La pareja" ("The Couple"), was selected to illustrate the critical review by Manuel Abril for the magazine "Blanco y Negro". Three years later Zabaleta made his first trip to Paris, where he studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasury, and also around this time he began a series of drawings on the Civil War. At the end of the war he was denounced and briefly spent time in the Higuera de Calatrava concentration camp and in Jaén prison, where his two albums of drawings made during the war were confiscated. Finally freed, in 1940 he settled in Madrid, where he attended the gatherings at the Café Gijón and drew and painted at the Círculo de Bellas Artes. Two years later he visited Aurelio Biosca, director of the Madrid gallery Biosca, with a letter of introduction from the sculptor Manolo Hugué. There he held his first individual exhibition that same year, after being rejected at the National Exhibition of Fine Arts. However, the following year he took part in the First Salón de los Once and became a member of Eugenio d'Ors's Academia Breve de Crítica de Arte, to which Biosca also belonged. Zabaleta took part in most of his Salones de los Once and anthological exhibitions. In 1945 Zabaleta took part in the group exhibition "Floreros y bodegones" held at the National Museum of Modern Art, while he continued to exhibit individually and collectively in galleries in the capital. In 1947 he held his first personal exhibition in Barcelona, at the Argos gallery, and his first monograph was published. Two years later he travelled again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration was 1951, when he held a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he won the UNESCO Prize at the Hispano-American Biennial in Barcelona. That same year he took part in the Mediterranean Biennial held in Alexandria, and held a solo exhibition in Bilbao. During his last years, Zabaleta became a fully recognised artist, invited to the most important exhibitions and salons both in Spain and in foreign cities of the importance of Paris. The most important collection of his work is to be found in the Zabaleta Museum in Quesada, although it is also present in the most prestigious museums in the world, in cities such as Buenos Aires, New York and Tokyo.
Setdart Auction House
Oct. 06, 2022
RAFAEL ZABALETA SOURCES (Quesada, Jaén, 1907 – 1960). "Landscape of Zújar", 1938. Oil on canvas. Work reproduced in Guzmán Pérez 79, p. 129. Signed and dated in the lower right corner.
Est: €14,000 - €16,000
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960). "Landscape of Zújar", 1938. Oil on canvas. Work reproduced in Guzmán Pérez 79, p. 129. Signed and dated in the lower right corner. Measurements: 70 x 90 cm; 81,5 x 102 cm (frame). In this work the artist presents us with a landscape conceived with a sober chromatism, based on the interrelation of the greens with the pinkish earths, the passages being in charge of the ochres and soft violet tones, which in turn contrast without stridency. The technique is very direct, incorporating the colour on wet in the primary stain and in semi-wet afterwards. The work of realistic connotations is close to the postulates of the Vallecas School, showing a special interest in the telluric. It is worth mentioning that the work goes beyond the purely pictorial, awakening a certain nostalgia or emotion linked to the artist's biography, who portrays the Zújar bridge, this being one of the places he crossed when he finished his mission in the civil war. Born into a well-to-do family, Rafael Zabaleta showed a love of painting from an early age, and after completing his secondary school studies he moved to Madrid and enrolled at the San Fernando School of Fine Arts in 1925. His teachers there were Lainez Alcalá, Cecilio Pla and Ignacio Pinazo, and in 1932 he took part for the first time in a group exhibition, that of the San Fernando students. One of his works, entitled "La pareja" ("The Couple"), was selected to illustrate the critical review by Manuel Abril for the magazine "Blanco y Negro". Three years later Zabaleta made his first trip to Paris, where he studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasury, and also around this time he began a series of drawings on the Civil War. At the end of the war he was denounced and briefly spent time in the Higuera de Calatrava concentration camp and in Jaén prison, where his two albums of drawings made during the war were confiscated. Finally freed, in 1940 he settled in Madrid, where he attended the gatherings at the Café Gijón and drew and painted at the Círculo de Bellas Artes. Two years later he visited Aurelio Biosca, director of the Madrid gallery Biosca, with a letter of introduction from the sculptor Manolo Hugué. It was there that he held his first solo exhibition that same year, after being rejected from the National Exhibition of Fine Arts. However, the following year he took part in the First Salón de los Once and became a member of Eugenio d'Ors's Academia Breve de Crítica de Arte, to which Biosca also belonged. Zabaleta took part in most of his Salones de los Once and anthological exhibitions. In 1945 Zabaleta took part in the group exhibition "Floreros y bodegones" held at the National Museum of Modern Art, while he continued to exhibit individually and collectively in galleries in the capital. In 1947 he held his first personal exhibition in Barcelona, at the Argos gallery, and his first monograph was published. Two years later he travelled again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration was 1951, when he held a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he won the UNESCO Prize at the Hispano-American Biennial in Barcelona. That same year he took part in the Mediterranean Biennial held in Alexandria, and held a solo exhibition in Bilbao. During his last years, Zabaleta became a fully recognised artist, invited to the most important exhibitions and salons both in Spain and in foreign cities of the importance of Paris. The most important collection of his work can be found in the Zabaleta Museum in Quesada, although it is also present in the most prestigious museums in the world, in cities such as Buenos Aires, New York and Tokyo.
Setdart Auction House
Jul. 20, 2022
RAFAEL ZABALETA Quesada, Jaen (1907) / (1960) "Landscape of Zújar", 1938
Est: €27,000 - €36,000
Oil on canvas. With reinforced signature and date in the lower right corner. Bibliography: María F. Guzmán Pérez "Rafael's painting Zabaleta", Caja General de Ahorros de Granada 1985; p. 333 nº49 María F. Guzmán Pérez "Quesada and Granada in the life and work of the painter" María F. Guzmán Pérez "The painter R. Zabaleta, his relationship with Granada" María F. Guzmán Pérez "Catalogation...", nº49, page 63 María F. Guzmán Pérez "Catalogue raisonné" page. 114-115 nº49 Measurements: 70 x 90 cm.
Ansorena
Jun. 14, 2022
RAFAEL ZABALETA Quesada, Jaen (1907) / (1960) "The couple", 1957
Est: €67,500 - €90,000
Oil on canvas Signed in the lower left corner. On the back labels of the Daniel Cardani Gallery, Madrid and the XXX Venice Biennial, 1960. Bibliography: Guzman, M; Catalogacón..., nº403, pag. 677-78 Guzman, M: Life and work..., num 38, pag.142 Guzman, M; The Painting of Rafael Zabaleta, Caja General de Ahorros de Granada, pag. 408, nº 407. Exhibitions: Direccion General de BBAA, Madrid 1959, nº 17. XXX Biennial, Venice 1960 . 81 x 100 cm
Ansorena
Jun. 14, 2022
RAFAEL ZABALETA Quesada, Jaen (1907) / (1960) "Female nude"
Est: €2,700 - €3,600
Gouache on paper Signed in the lower left corner . 49 x 32,5 cm
Ansorena
Jun. 14, 2022
RAFAEL ZABALETA Quesada, Jaen (1907) / (1960) "Female nude"
Est: €2,700 - €3,600
Gouache on paper Signed in the lower right corner . 49 x 32,5 cm
Ansorena
May. 25, 2022
Rafael Zabaleta. Ceramics and landscape
Est: -
Oil on canvas. Signed in the lower right side. Provenance: - Private Collection, Barcelona. Exhibitions: - Layetanas, Barcelona, 1949. - Parque Museum, Bilbao, 1955. - College of Architects, Barcelona, 1965. - Adriá, Barcelona, 1971. Bibliography: - GUZMÁN PÉREZ, María.: Rafael Zabaleta Catalog study. Oils. Institute of Ginnenses Studies and Provincial Council of Jaén. Jaen, 2010. Pages. 432-433. Rep. Col. As described by María Guzmán Pérez: "It presents, on a rustic table, a series of anthropomorphic ceramics, serving as a background a chain of hills, in which the construction of inhabited caves can be seen and ends in a clear sky , minimized by the geological representation. The composition is based on the principles that govern the axial symmetry. The schematic drawing, especially in the first term, since the one that corresponds to the mountains is much more realistic and mattious, as is usual in this painting. Work in which decorative and chromatic susres stand out, whose exaltation makes us link it with the fauvist, using a very free technique."
Duran Arte y Subastas
Apr. 27, 2022
Raphael Zabaleta. still-life
Est: -
Oil on canvas. Signed in the upper right corner. Provenance: - Private Collection, Barcelona.
Duran Arte y Subastas
Apr. 06, 2022
RAFAEL ZABALETA.. Quesada, Jaen (1907) / (1960). "Wildlife of Cazorla", 1958. 130 x 98 cm .
Est: €105,000 - €140,000
Signed in the lower left corner On the back, labels of the Galería Biosca, Madrid and the Galería Laietana, Barcelona. Bibliography: Campoy, A, M., ""Zabaleta"", 1907...(repr.) Castro Arines, J., ""Tres exposicines"" (repr.) (repr.) A.Z. Coaga, E. ""Zabaleta or the candour..."" (repr.) Diego, G., ""28 painters...", p.198 (repr.) Azancot, L., ""R. Zabaleta"" (repr.) -Guzmán Pérez, M. F., ""La pintura de Rafael Zabaleta"", Caja General de Ahorros y Monte de Piedad de Granada, 1985, p. 302, no. 422. Exhibitions: Direccion General de BBAA, Madrid 1959, nº 21. Biosca Gallery, Madrid 1970 (repr.) "El arbol", Banco de Granada, 1974, nº40 Biosca, Madrid 1975 Layetanas Gallery, Barcelona, 1976, nº15 Aizpuru, Sevilla 1976, nº7 "La pintura española del s.XX", Ministry of Culture. Museum of Modern Art, Mexico. October 1978 (label on the back) Oil on canvas. 130 x 98 cm.
Ansorena
Mar. 29, 2022
RAFAEL ZABALETA Jaén 1907-1960 Sculptural form. 2004 Patinated bronze on a woode
Est: €1,500 - €3,000
RAFAEL ZABALETA Jaén 1907-1960 Sculptural form. 2004 Patinated bronze on a wooden base Numbered 18/20 Measures 34 x 20 x 10 cm Edited by Artium Museum, Vitoria 2002 Made from an original drawing by the artist; and on the occasion of the exhibition of 36 works deposited in the Artium Museum in Vitoria, by the Castaño Lasaosa-Zabaleta family.
Subastas Segre
Mar. 01, 2022
RAFAEL ZABALETA. Quesada, Jaen (1907) / (1960). "Nocturno del quinqué o La ventana", 1956.
Est: €75,000 - €150,000
81 x 65 cm. Oil on canvas. Signed and dated on the lower right. On the back, label of the Biosca Gallery, Madrid, and the Laietana Gallery, Barcelona. Bibliography: -Guzmán Pérez, M. F., "Vida y obra. Rafael Zabaleta "Caja de Ahorros y Monte de Piedad de Córdoba, 1985, number 32, p. 130. -Guzmán Pérez, M. F., "La pintura de Rafael Zabaleta", Caja General de Ahorros y Monte de Piedad de Grand, 1985, p. 403, nº 387 (entitled "Nocturno del quinqué"). Exhibitions: - "Landscape in contemporary Spanish painting", Gulbekian Foundation, Lisbon, 1971, no. 19 (reproduced in the exhibition catalogue). With label on the back.
Ansorena
Feb. 23, 2022
Rafael Zabaleta. Untitled
Est: -
Oil on canvas. Signed in the lower right corner. Exhibitions: - Adrià Gallery, Barcelona, 1971.
Duran Arte y Subastas
Jan. 26, 2022
Rafael Zabaleta. Untitled
Est: -
Ink and pencil drawing on paper. Signed and dedicated "To Juana Mordó cordially R Zabaleta" in the lower right corner.
Duran Arte y Subastas
Jan. 26, 2022
Rafael Zabaleta. Still life
Est: -
Oil on canvas. Signed in the upper right corner. Provenance: - Private Collection, Barcelona.
Duran Arte y Subastas
Dec. 28, 2021
Rafael Zabaleta. Ceramics and landscape
Est: -
Óleo sobre lienzo. Firmado en el ángulo inferior derecho. Procedencia: - Colección Particular, Barcelona. Exposiciones: - Layetanas, Barcelona, 1949. - Museo del Parque, Bilbao, 1955. - Colegio de Arquitectos, Barcelona, 1965. - Adriá, Barcelona, 1971. Bibliografía: - GUZMÁN PÉREZ, María.: Rafael Zabaleta Estudio catalográfico. Óleos. Insituto de Estudios Ginnenses y Diputación Provincial de Jaén. Jaén, 2010. Págs. 432-433. Rep. Col. Según describe María Guzmán Pérez: "Presenta, sobre una rústica mesa, una serie de cerámicas antropomorías, sirvien do de fondo una cadena de cerros, en los que se puede apreciar la construcción de cuevas habitadas y termina en un limpio cielo, minimizado por la representación geológica. La composición esta basada en los principios que rigen la simetría axial. El dibujo esquemático, sobre todo en el primer término, pues el que corresponde a los montes es mucho más realista y matcioso, como es habitual en esta pintura. Obra en la que destacan susres decorativos y cromáticos, cuya exaltación nos hace enlazarla con la fauvista, manejando una técnica muy libre."
Duran Arte y Subastas
Dec. 14, 2021
RAFAEL ZABALETA- Orchard and market gardeners. 1949
Est: €29,000 - €58,000
RAFAEL ZABALETA Jaén 1907-1960 Orchard and market gardeners. 1949 Oil on canvas Signed size 65 x 81 cm BIBLIOGRAPHY María Guzman Perez, "La pintura de Rafael Zabaleta", Ed. Caja de Ahorros y Monte de Piedad de Granada, Granada 1985, reprod. p. 372 María Guzman Pérez, "Rafael Zabaleta. Catalogue Study. Óleos", Ed. Instituto de Estudios Gienenses. Diputación de Jaén, Jaén 2010, rperod. pp. 452-453.
Subastas Segre
Sep. 29, 2021
JOSÉ MARÍA MIJARES (Havana, Cuba, 1921 - Miami, USA, 2004). "Untitled", 1954.
Est: €6,000 - €7,000
JOSÉ MARÍA MIJARES (Havana, Cuba, 1921 - Miami, USA, 2004). "Untitled", 1954. Mixed media on panel. Attached is a certificate issued by María Cabrera Mijares, the artist's widow. Signed and dated in the lower left corner. Measurements: 95.5 x 35.5 cm; 99 x 39.5 cm (frame). The work reflects an aesthetic language in which various avant-garde movements and the translation of the history of art are captured. From a new perspective in which the aesthetic transgression at the hands of José María Mijares means the creation of an image with its own language and personality. Through the use of colour, the work offers the spectator a new vitalist aesthetic that merges with a technique close to geometric abstraction that extends over the whole piece in an apparently random way. However, compositionally the artist has managed to create a completely harmonious image where the mastery of colour and technique achieve an expressive, vitalist and dynamic image that captures and creates a dialogue with the spectator. Mijares's artistic production oscillated between a more figurative current and an abstract one in which he developed concepts typical of kineticism and neoplasticism. However, these compositions acquired the idiosyncrasy of the artist, who endowed them with exceptional colour. Mijares studied at the San Alejandro National School of Fine Arts in Havana, where he taught. He was a member of the group Diez Pintores Concretos. Between 1968 and 1973 he was a member of the Grupo Gala in Miami, where he settled at the age of 47. He edited the magazine Alacrán Azul in Miami. He held his first exhibition at the Liceo in Havana (1947). In the 1980s he exhibited in Coral Gables, Florida, where he reiterated his presence. In 1994 the Cuban Museum of Art and Culture in Miami dedicated a retrospective to him. The Alfredo Martínez Gallery in Coral Gables also organised an ontological exhibition in 1996. As for group exhibitions, he participated in the Venice Biennale in 1952. He is represented at the Cintas Foundation in New York, the Lowe Art Museum, Florida, the Museum of Modern Art of Latin America in Washington, and the Museum of Modern Art in New York. Mijares' well-deserved recognition came above all for his ability to harmonise his universal vocation with the search for a native Cuban language. In this composition, he starts from a colourist post-Cubism through which he practically delves into abstraction, but without losing the referential thread. A preened female figure is still recognisable, as in his ""habaneras"", but she has been stripped of her personal features, her body being transformed into a set of gears that animate a beautiful and elegant automaton."
Setdart Auction House
Oct. 09, 2019
RAFAEL ZABALETA (Quesada, Jaén, 1907-1960) Landscape with Animals, 1948. Oil on canvas
Est: -
RAFAEL ZABALETA (Quesada, Jaén, 1907-1960) Paisaje con animales, 1948 Óleo sobre lienzo de de 50 x 60,3 cm. Firmado. Agradecemos a Doña Rosa Valiente, Directora del Museo Zabaleta su inestimable ayuda en la correcta catalogación de esta obra Bibliografía: -Maria Guzman Pérez: Rafael Zabaleta. Estudio catalográfico. OleosVolumen I. 2010. Reproducido con el numero 202 , páginas 408-409.
Sala Retiro Subastas
Feb. 27, 2019
RAFAEL ZABALETA | Nocturno de los Gatos (The Night of the Cats)
Est: £25,000 - £35,000
oil on canvas
Sotheby's
Feb. 26, 2019
RAFAEL ZABALETA (Quesada, Jaén, 1907 - 1960) Personajes y bodegon, 1949. Oil on canvas
Est: -
RAFAEL ZABALETA (Quesada, Jaén, 1907 - 1960) Personajes y bodegon, 1949. Oil on canvas RAFAEL ZABALETA (Quesada, Jaén, 1907 - 1960 Personajes y bodegon. 1949 Oleo sobre lienzo de 81 x 100 cm. Firmado. Exposiciones: -Museo Nacional de Arte Moderno, Madrid 1951, número 58 -Syra, Barcelona, 1952, número 11 -Museo de Bellas Artes, Bilbao, 1955, número 13 -Roca, Madrid 1972, número 5 (reproducido en calendario Roca) -Galería Biosca, Madrid, 1975 -Galerías Layetanas, Barcelona 1976, numero 10 -Colectiva, Duran, Madrid 1976 Bibliografía: -Maria Guzman Pérez: Rafael Zabaleta. Estudio catalográfico. OleosVolumen I. 2010. Reproducido con el numero 236 , paginas 474-475 -Ayuntamiento de Quesada, Programa Fiestas, 1965 (reproducido) -Chavarri, R.: Rafael Zabaleta. Serie diapositivas, M:E:C, número 23. -Del Castillo, A: Exposición Zabaleta...(reproducido) -Guzman Perez, María: Catalogación de la producción artística zabaletinana, numero 231, paginas 363-367. -Guzman Perez, Maria: E
Sala Retiro Subastas
Dec. 19, 2018
RAFAEL ZABALETA(Quesada, Jaén, 1907 - 1960) El comedor Oleo sobre lienzo de 82 x 65 cm. Firmado. Realizado en 1948. Al dorso, etiqueta de la galeria Biosca. Exposiciones: -Galerias Layetanas, Barcelona 1949, nº 16. -Colegio de Arquitectos, Barcelona 1965. Ref. Coleccion M. Lerin.-Galeria Biosca, Madrid 1970. Bibliografia: -Maria Guzman Pérez. Rafael Zabaleta. Estudio catalográfico. Oleos. Vol II, 2010. Pags. 416-417. -Maria Guzman Pérez. Catalogación de la producción artística zabaletiana (2 Vol.), Ed. Anel, Granada, 1983, número 202. pags. 313-315-Maria Guzman Pérez. La pintura de Rafael Zabaleta. Pag. 368.
Est: -
RAFAEL ZABALETA (Quesada, Jaén, 1907 - 1960) The dining room Oil on canvas of 82 x 65 cm. Signed. Made in 1948. On the back, label of the Biosca gallery. Exhibitions: -Gaelias Layetanas, Barcelona 1949, nº 16. -College of Architects, Barcelona 1965. Ref. Collection M. Lerin.-Galeria Biosca, Madrid 1970. Bibliography: -Maria Guzman Pérez. Rafael Zabaleta. Catalog study. Oleos. Vol II, 2010. Pags. 416-417. -Maria Guzman Pérez. Cataloging of the zabaletiana artistic production (2 Vol.), Ed. Anel, Granada, 1983, number 202. pags. 313-315-Maria Guzman Pérez. The painting by Rafael Zabaleta. Pag. 368.
Sala Retiro Subastas
May. 31, 2017
Rafael Zabaleta Quesada 1907 - 1960 “Bodegón del frutero”
Est: €25,000 -
Rafael Zabaleta Quesada 1907 - 1960 "Bodegón del frutero" Oil paint on canvas Firmado. Realizado en 1941. Bibliografía: María Guzmán, "Rafael Zabaleta, estudio catalográfico; óleos y acuarelas", Jaén, Instituto de Estudios Giennenses, 2010, p. 176-177. Exposiciones: "Rafael Zabaleta", Biosca, Madrid,1942, nº 1; "Rafael Zabaleta", Argos, Barcelona, 1947, nº 12. Procedencia: colección particular, Madrid; colección particular, Barcelona. Agradecemos la colaboración de Rosa Valiente, directora del Museo Zabaleta, imprescindible para la catalogación de esta obra 50x61 cm Rafael Zabaleta Quesada 1907 - 1960 "Bodegón del frutero" Óleo sobre lienzo Firmado. Realizado en 1941. Bibliografía: María Guzmán, "Rafael Zabaleta, estudio catalográfico; óleos y acuarelas", Jaén, Instituto de Estudios Giennenses, 2010, p. 176-177. Exposiciones: "Rafael Zabaleta", Biosca, Madrid,1942, nº 1; "Rafael Zabaleta", Argos, Barcelona, 1947, nº 12. Procedencia: colección particular, Madrid; colección particular, Barcelona. Agradecemos la colaboración de Rosa Valiente, directora del Museo Zabaleta, imprescindible para la catalogación de esta obra 50x61 cm
Balclis
Jan. 26, 2017
RAFAEL ZABALETA FUENTES, Oil on canvas
Est: -
RAFAEL ZABALETA FUENTES 1907 Quesada, Jaén 1960 Nocturno con animales Óleo sobre lienzo Firmado. Reproducido en el catálogo de Feriarte 2001, Pag 159. 50 x 60,3
Isbilya Subastas