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Eduardo Zamacois y Zabala Sold at Auction Prices

Genre Painter, Historical-scenes painter

Eduardo Zamacois y Zabala (2 July 1841 in Bilbao – 12 January 1871 in Madrid) was a Spanish Academic painter who specialized in small-scale canvases. He was the father of the French writer, Miguel Zamacoïs, brother of the writer Niceto de Zamacois, the singer Elisa Zamacois and the actor Ricardo Zamacois, and also an uncle of the writer Eduardo Zamacois.

Eduardo María Zamacois y Zabala was born in Bilbao, Spain; the son of Professor Miguel Antonio de Zamacois y Berreteaga (1794-1863), and his second wife, Ruperta María del Pilar de Zabala y Arauco. His father was the founder and director of the Santiago de Vizcaya School of Humanities.[1] His relatives included numerous artists: writers, actors and musicians. Of Basque ancestry, their surname originated in Hasparren, France, where it was originally spelled "Samacoys".

He received a thorough education, which included drawing classes with a local artist named Joaquín Balaca (c.1820-?). Later, when his father's school closed, the family moved to Madrid and, in 1856, he was enrolled at the Real Academia de Bellas Artes de San Fernando, where he studied with Federico de Madrazo.[2]

In 1860, on Madrazo's recommendation, he went to Paris and attended the classes of Charles Gleyre in preparation for applying to the Ècole des Beaux-Arts.[1] His application there was denied, so he turned to the workshops of Ernest Meissonier, where he found a position.[2]

A skillful business negotiator, he strove to gain access to as many European exhibitions as possible. Success came quickly. In 1861, he was commissioned to create decorative paintings in the quarters of the future king, Alfonso XII at the Palacio Real de Madrid. This work won him a grant from the Diputación Foral de Vizcaya [es], which enabled him to continue his studies.[1] In 1862 and 1864, he was awarded medals at the National Exhibition of Fine Arts.[2]

He was married in Paris in 1865, to Louise Marie Héloise Perrin, whom he had met at the home of his friend, Jehan Georges Vibert. They had two children: Miguel Louis Pascual, who became a well-known journalist and playwright, and a posthumous daughter, Marie Hélène, (who married the painter, Jean Alfred Marioton).

In 1866, he became good friends with the painter, Marià Fortuny,[1] who did a portrait etching of him. During a trip to Rome, Zamacois also posed as a toreador for Fortuny's painting, The Spanish Wedding. Later, he contacted his friend, Adolphe Goupil, and put him in touch with Fortuny, which resulted in an exclusive contract with Goupil & Cie; a turning point in Fortuny's career.

In 1870, he was awarded the Gold Medal at the Salon for his painting, The Education of a Prince.[2] After a showing in London, one of his paintings was purchased by Charles Dickens.

The Franco-Prussian War created difficulties that eventually forced him to return to Madrid. His arrival there coincided with the official coronation of King Amadeus I, and he attended the ceremonies. It was an unusually cold winter and he became ill the following day. He died there suddenly, aged 29, of what was described as "gangrenous angina" (possibly Diphtheria).[1]

In 1878, he was awarded a posthumous diploma by the École des Beaux-Arts and a major retrospective at the Exposition Universelle. Goupil & Cie also published a large volume of photographs of his major works.

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      • EDUARDO ZAMACOIS Y ZABALA (Spain, 1841-1871), A tax collector conversing with a farmer., Oil on panel, 18" x 14.5". Framed 23" x 19".
        Nov. 22, 2024

        EDUARDO ZAMACOIS Y ZABALA (Spain, 1841-1871), A tax collector conversing with a farmer., Oil on panel, 18" x 14.5". Framed 23" x 19".

        Est: $2,000 - $3,000

        EDUARDO ZAMACOIS Y ZABALA Spain, 1841-1871 A tax collector conversing with a farmer. Signed lower right "E. Zamacois".

        Eldred's
      • Eduardo Zamacois and Zabala. Soldiers sketches
        Jun. 26, 2024

        Eduardo Zamacois and Zabala. Soldiers sketches

        Est: -

        Two pen drawings on paper. Signed in the lower right corner.

        Duran Arte y Subastas
      • Eduardo Zamacois. Renaissance profiles
        Jun. 26, 2024

        Eduardo Zamacois. Renaissance profiles

        Est: -

        Pencil drawing on paper. Signed in the lower center.

        Duran Arte y Subastas
      • Eduardo Zamacois. Virgin with Child and patrons
        Jun. 26, 2024

        Eduardo Zamacois. Virgin with Child and patrons

        Est: -

        Pencil drawing on paper. Signed and located (Paris) in the lower right corner.

        Duran Arte y Subastas
      • ZAMACOIS Y ZABALA, EDUARDO (1841 - 1871)
        May. 28, 2024

        ZAMACOIS Y ZABALA, EDUARDO (1841 - 1871)

        Est: -

        Pencil drawing on paper. Signed in the lower right corner.

        Duran Arte y Subastas
      • ZAMACOIS Y ZABALA, EDUARDO (1841 - 1871)
        May. 28, 2024

        ZAMACOIS Y ZABALA, EDUARDO (1841 - 1871)

        Est: -

        Two pencil drawings on paper. One signed in the lower left corner.

        Duran Arte y Subastas
      • EDUARDO ZAMACOIS Y ZABALA OIL
        Feb. 16, 2024

        EDUARDO ZAMACOIS Y ZABALA OIL

        Est: $150 - $300

        Framed (in Seville, Spain) oil painting of a lady on canvas attributed to Eduardo Zamacois Y Zabala (1842 - 1871) who worked in Spain. Dimensions: 22" x 15.5" Image size

        New Hampshire Auctions and Appraisals LLC
      • EDUARDO ZAMACOIS Y ZABALA OIL
        Feb. 16, 2024

        EDUARDO ZAMACOIS Y ZABALA OIL

        Est: $150 - $300

        Framed oil painting of a lady on canvas attributed to Eduardo Zamacois Y Zabala (1842 - 1871) who worked in Spain. Dimensions: 22" x 15.5" Image size

        New Hampshire Auctions and Appraisals LLC
      • EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Study of feathers"
        Jul. 19, 2023

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Study of feathers"

        Est: €225 - €300

        Watercolor on paper Signed in the lower left corner Measurements: 47 x 29.5 cm

        Ansorena
      • 1868 SPANISH GOUACHE PAINTING BY EDUARDO ZAMACOIS
        Mar. 04, 2023

        1868 SPANISH GOUACHE PAINTING BY EDUARDO ZAMACOIS

        Est: $100 - $150

        Gouache painting on paper by Eduardo Zamacois y Zabala, 1841 to 1871, a Spanish Academic painter who specialized in small-scale canvases. The artwork represents a study for the 1868 painting titled Return to the Abbey, now in the collection of the Carmen Thyssen Museum in Malaga. It depicts monks near the church harnessing donkeys. Signed by the artist and dated in the lower left. White mat, wooden frame. Collectible European Fine Art For Interior Decor, Genre Painting.

        Antique Arena Inc
      • EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Beatriz de Suabia" and Ferdinand III the Saint"
        Feb. 22, 2023

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Beatriz de Suabia" and Ferdinand III the Saint"

        Est: €135 - €180

        Ink and brown wash on paper One of them signed in the lower right corner Measurements: 12.5 x 9.5 cm and 12 x 8.5cm

        Ansorena
      • EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Gentlemen in the tavern"
        Feb. 22, 2023

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Gentlemen in the tavern"

        Est: €105 - €140

        Sanguine on paper Signed in the lower right corner Measurements: 35 x 27 cm

        Ansorena
      • EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner.
        Jan. 25, 2023

        EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner.

        Est: €3,500 - €4,000

        EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner. Measurements: 16 x 13 cm; 30 x 26 cm (frame). Here Zamacois uses all his skill to capture with precise strokes and lucid chromatic adjustments the qualities of the clothes and every detail of the domestic interior. The eighteenth-century figure is depicted full-length, with a certain aristocratic haughtiness, captured in his vivid, instantaneous expression. A painter of Romantic genre painting, Eduardo Zamacois showed an inclination for painting from a very early age, beginning his training in his native Bilbao with the teachers Joaquín Balaca and Cosme Duñabeitia. Shortly afterwards he moved with his family to Madrid and finally entered the San Fernando Royal Academy of Fine Arts in 1856. There he became a pupil of Federico de Madrazo. Under his tutelage he devoted himself to making copies in the Prado Museum, especially of Velázquez, Ribera and Murillo, thus developing his skill in drawing and colour. In 1860 he went to Paris on the advice of his master, who had him among his favourite pupils and recommended that he continue his training with Ernest Meissonier, one of the most famous genre painters of the time. In his studio, Zamacois refined his technique based on the preciosist meticulousness that was so much admired at the time. At the same time, he studied at the Imperial and Special Drawing Schools. His stay in the city on the Seine brought him into contact with intellectuals such as Cabanel, Bonnat and Alexandre Dumas, as well as with art dealers such as Retlinger, who offered him a contract. It was around this time that the Provincial Council of Bizkaia awarded him a grant for his studies, which enabled him to devote himself to his work and to the cultural wealth that Parisian life had to offer in peace and quiet. He was a regular customer at the Café Moulouse, where he shared a social gathering with José Laguna, Eduardo León Escura and Jean Vibert, among others. A regular exhibitor at the official Paris Salons, he was awarded the first medal in 1867. The following year he moved to Rome to work in the studio of Fortuny, who was then in Madrid. Around this time he signed an advantageous contract with the prominent art dealer Adolphe Goupil, who opened the doors to important buyers such as Matilde Bonaparte, the Princes Metternich and the writer Charles Dickens. A year later Fortuny moved to Paris and Zamacois introduced him to the cultural life of the city by introducing him to Meissonier and the Vibert circle of painters. During these years Zamacois took part in various editions of the National Exhibitions of Fine Arts, where he received a third-class honourable mention in 1860 and a third medal in 1862, 1864 and 1867. His fame grew and in 1870 he won the gold medal at the Paris Salon and was decorated with the Legion of Honour. Shortly afterwards, as a result of the war between France and Prussia, he returned to Madrid. He died there shortly afterwards, at the early age of twenty-nine. His work is housed in the Museo del Prado, the Museo Thyssen-Bornemisza, the Museo Municipal de Málaga, the Museo de Bellas Artes in Bilbao, the Museum of Fine Arts in Boston and the Clark Art Institute in Williamstown (Massachusetts), among many others.

        Setdart Auction House
      • Knight with Dog and Harlequin, signed Eduardo Zamacois y Zabala (Bilbao, July 2, 1841 - Madrid, January 12, 1871)
        Dec. 20, 2022

        Knight with Dog and Harlequin, signed Eduardo Zamacois y Zabala (Bilbao, July 2, 1841 - Madrid, January 12, 1871)

        Est: €5,500 - €6,000

        Oil on canvas, framed measurements: 59 x 47, canvas measurements: 33 x 21 cm

        Templum Fine Art Auctions
      • Eduardo Zamacois Zabala (Bilbao, Spain, 1841 - Madrid, 1871) "Juggler"
        Dec. 15, 2022

        Eduardo Zamacois Zabala (Bilbao, Spain, 1841 - Madrid, 1871) "Juggler"

        Est: €3,000 - €4,000

        Eduardo Zamacois Zabala (Bilbao, Spain, 1841 - Madrid, 1871) "Juggler" Oil on panel Signed 38 x 33,5 cm 3.000 - 4.000 €

        Greco Subastas
      • Eduardo Zamacois Zabala (Bilbao, 1841 - Madrid, 1871) "Portrait of a Young Boy"
        Dec. 15, 2022

        Eduardo Zamacois Zabala (Bilbao, 1841 - Madrid, 1871) "Portrait of a Young Boy"

        Est: €225 - €250

        Eduardo Zamacois Zabala (Bilbao, 1841 - Madrid, 1871) "Portrait of a Young Boy" Ink drawing Signed 18 x 16 cm 225 - 250 €

        Greco Subastas
      • EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Gentlemen in the tavern" 35 x 27 cm
        Dec. 14, 2022

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Gentlemen in the tavern" 35 x 27 cm

        Est: €180 - €240

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Gentlemen in the tavern" Sanguine on paper Signed in the lower right corner Measurements: 35 x 27 cm

        Ansorena
      • EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Mother and daughter" 15.5 x 18 cm
        Dec. 14, 2022

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Mother and daughter" 15.5 x 18 cm

        Est: €180 - €240

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Mother and daughter" Graphite on paper Signed in the lower left corner Measurements: 15.5 x 18 cm

        Ansorena
      • EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Beatriz de Suevia" and Fernando III el Santo" 12.5 x 9.5 cm and 12 x 8.5 cm
        Dec. 14, 2022

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Beatriz de Suevia" and Fernando III el Santo" 12.5 x 9.5 cm and 12 x 8.5 cm

        Est: €225 - €300

        EDUARDO ZAMACOIS Bilbao (1841) / Madrid (1871) "Beatriz de Suevia" and Fernando III el Santo" Ink and brown wash on paper One of them signed in the lower right corner Measurements: 12.5 x 9.5 cm and 12 x 8.5cm

        Ansorena
      • "Four religious miniatures"
        Oct. 26, 2022

        "Four religious miniatures"

        Est: €175 - €200

        Eduardo Zamacois (Pinar del Río, Cuba, 1873 - Buenos Aires, Argentina, 1971) "Four religious miniatures" Four drawings Signed 10 x 7,5 cm 175 - 200 €

        Greco Subastas
      • Zamacois. Una vida extraordinaria (manuscripts)
        Oct. 25, 2022

        Zamacois. Una vida extraordinaria (manuscripts)

        Est: -

        ZAMACOIS, Eduardo.- "AN EXTRAORDINARY LIFE" Bs. As.: Ed. Modernas, 1943. 8º, without enc. 254 pgs. + 1 hour For example, completely corrected on all its pages with abundant handwritten annotations by Eduardo Zamacois, in various inks. Entitled by Zamacois on the cover "Don Luis de divertes (fragments of some "memoirs" that no one would dare to publish complete). Attached an h. with an emotional autograph dedication of Matilde, the widow of Zamacois..." from his hand and letter that you will seem to see when he was still alive although shortly after he closed his eyes that I kissed so much". Moth points in the lower margin.

        Duran Arte y Subastas
      • EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner.
        Oct. 19, 2022

        EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner.

        Est: €3,500 - €4,000

        EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner. Measurements: 16 x 13 cm; 30 x 26 cm (frame). Here Zamacois uses all his skill to capture with precise strokes and lucid chromatic adjustments the qualities of the clothes and every detail of the domestic interior. The eighteenth-century figure is depicted full-length, with a certain aristocratic haughtiness, captured in his vivid, instantaneous expression. A painter of Romantic genre painting, Eduardo Zamacois showed an inclination for painting from a very early age, beginning his training in his native Bilbao with the teachers Joaquín Balaca and Cosme Duñabeitia. Shortly afterwards he moved with his family to Madrid and finally entered the San Fernando Royal Academy of Fine Arts in 1856. There he became a pupil of Federico de Madrazo. Under his tutelage he devoted himself to making copies in the Prado Museum, especially of Velázquez, Ribera and Murillo, thus developing his skill in drawing and colour. In 1860 he went to Paris on the advice of his master, who had him among his favourite pupils and recommended that he continue his training with Ernest Meissonier, one of the most famous genre painters of the time. In his studio, Zamacois refined his technique based on the preciosist meticulousness that was so much admired at the time. At the same time, he studied at the Imperial and Special Drawing Schools. His stay in the city on the Seine brought him into contact with intellectuals such as Cabanel, Bonnat and Alexandre Dumas, as well as with art dealers such as Retlinger, who offered him a contract. It was around this time that the Provincial Council of Bizkaia awarded him a grant for his studies, which enabled him to devote himself to his work and to the cultural wealth that Parisian life had to offer in peace and quiet. He was a regular customer at the Café Moulouse, where he shared a social gathering with José Laguna, Eduardo León Escura and Jean Vibert, among others. A regular exhibitor at the official Paris Salons, he was awarded the first medal in 1867. The following year he moved to Rome to work in the studio of Fortuny, who was then in Madrid. Around this time he signed an advantageous contract with the prominent art dealer Adolphe Goupil, who opened the doors to important buyers such as Matilde Bonaparte, the Princes Metternich and the writer Charles Dickens. A year later Fortuny moved to Paris and Zamacois introduced him to the cultural life of the city by introducing him to Meissonier and the Vibert circle of painters. During these years Zamacois took part in various editions of the National Exhibitions of Fine Arts, where he received a third-class honourable mention in 1860 and a third medal in 1862, 1864 and 1867. His fame grew and in 1870 he won the gold medal at the Paris Salon and was decorated with the Legion of Honour. Shortly afterwards, as a result of the war between France and Prussia, he returned to Madrid. He died there shortly afterwards, at the early age of twenty-nine. His work is housed in the Museo del Prado, the Museo Thyssen-Bornemisza, the Museo Municipal de Málaga, the Museo de Bellas Artes in Bilbao, the Museum of Fine Arts in Boston and the Clark Art Institute in Williamstown (Massachusetts), among many others.

        Setdart Auction House
      • EDUARDO ZAMACOIS - Bilbao 1841 - Madrid 1871
        Sep. 20, 2022

        EDUARDO ZAMACOIS - Bilbao 1841 - Madrid 1871

        Est: -

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871 Scenery pencil drawing on paper Signed Measures 187 x 271mm

        Subastas Segre
      • EDUARDO ZAMACOIS - Bilbao 1841 - Madrid 1871
        Sep. 20, 2022

        EDUARDO ZAMACOIS - Bilbao 1841 - Madrid 1871

        Est: -

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871 allegorical figure pencil drawing on paper Signed Measures 220 x 293mm

        Subastas Segre
      • EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner.
        Aug. 31, 2022

        EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner.

        Est: €5,500 - €6,000

        EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Character", 1862. Oil on panel. Signed and dated in the lower left corner. Measurements: 16 x 13 cm; 30 x 26 cm (frame). Here Zamacois uses all his skill to capture with precise strokes and lucid chromatic adjustments the qualities of the clothes and every detail of the domestic interior. The eighteenth-century figure is depicted full-length, with a certain aristocratic haughtiness, captured in his vivid, instantaneous expression. A painter of Romantic genre painting, Eduardo Zamacois showed an inclination for painting from a very early age, beginning his training in his native Bilbao with the teachers Joaquín Balaca and Cosme Duñabeitia. Shortly afterwards he moved with his family to Madrid and finally entered the San Fernando Royal Academy of Fine Arts in 1856. There he became a pupil of Federico de Madrazo. Under his tutelage he devoted himself to making copies in the Prado Museum, especially of Velázquez, Ribera and Murillo, thus developing his skill in drawing and colour. In 1860 he went to Paris on the advice of his master, who had him among his favourite pupils and recommended that he continue his training with Ernest Meissonier, one of the most famous genre painters of the time. In his studio, Zamacois refined his technique based on the preciosist meticulousness that was so much admired at the time. At the same time, he studied at the Imperial and Special Drawing Schools. His stay in the city on the Seine brought him into contact with intellectuals such as Cabanel, Bonnat and Alexandre Dumas, as well as with art dealers such as Retlinger, who offered him a contract. It was around this time that the Provincial Council of Bizkaia awarded him a grant for his studies, which enabled him to devote himself to his work and to the cultural wealth that Parisian life had to offer in peace and quiet. He was a regular customer at the Café Moulouse, where he shared a social gathering with José Laguna, Eduardo León Escura and Jean Vibert, among others. A regular exhibitor at the official Paris Salons, he was awarded the first medal in 1867. The following year he moved to Rome to work in the studio of Fortuny, who was then in Madrid. Around this time he signed an advantageous contract with the prominent art dealer Adolphe Goupil, who opened the doors to important buyers such as Matilde Bonaparte, the Princes Metternich and the writer Charles Dickens. A year later Fortuny moved to Paris and Zamacois introduced him to the cultural life of the city by introducing him to Meissonier and the Vibert circle of painters. During these years Zamacois took part in various editions of the National Exhibitions of Fine Arts, where he received a third-class honourable mention in 1860 and a third medal in 1862, 1864 and 1867. His fame grew and in 1870 he won the gold medal at the Paris Salon and was decorated with the Legion of Honour. Shortly afterwards, as a result of the war between France and Prussia, he returned to Madrid. He died there shortly afterwards, at the early age of twenty-nine. His work is housed in the Museo del Prado, the Museo Thyssen-Bornemisza, the Museo Municipal de Málaga, the Museo de Bellas Artes in Bilbao, the Museum of Fine Arts in Boston and the Clark Art Institute in Williamstown (Massachusetts), among many others.

        Setdart Auction House
      • KNIGHT WITH DOG AND HARLEQUIN, SIGNED EDUARDO ZAMACOIS Y ZABALA (BILBAO, JULY 2, 1841 - MADRID, JANUARY 12, 1871)
        Jul. 20, 2022

        KNIGHT WITH DOG AND HARLEQUIN, SIGNED EDUARDO ZAMACOIS Y ZABALA (BILBAO, JULY 2, 1841 - MADRID, JANUARY 12, 1871)

        Est: €5,500 - €6,000

        Oil on canvas, framed measurements: 59 x 47, canvas measurements: 33 x 21 cm

        Templum Fine Art Auctions
      • EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Personage in an Interior, 1862. Oil on panel. Signed and dated in the lower left corner.
        Jun. 30, 2022

        EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Personage in an Interior, 1862. Oil on panel. Signed and dated in the lower left corner.

        Est: €5,500 - €6,000

        EDUARDO ZAMACOIS Y ZABALA (Bilbao, 1842 - Madrid, 1871). "Personage in an Interior, 1862. Oil on panel. Signed and dated in the lower left corner. Size: 16 x 13 cm; 30 x 26 cm (frame). Here Zamacois uses all his skill to capture with precise strokes and lucid chromatic adjustments the qualities of the clothes and every detail of the domestic interior. The eighteenth-century figure is depicted full-length, with a certain aristocratic haughtiness, captured in his vivid, instantaneous expression. A painter of Romantic genre painting, Eduardo Zamacois showed an inclination for painting from a very early age, beginning his training in his native Bilbao with the teachers Joaquín Balaca and Cosme Duñabeitia. Shortly afterwards he moved with his family to Madrid and finally entered the San Fernando Royal Academy of Fine Arts in 1856. There he became a pupil of Federico de Madrazo. Under his tutelage he devoted himself to making copies in the Prado Museum, especially of Velázquez, Ribera and Murillo, thus developing his skill in drawing and colour. In 1860 he went to Paris on the advice of his master, who had him among his favourite pupils and recommended that he continue his training with Ernest Meissonier, one of the most famous genre painters of the time. In his studio, Zamacois refined his technique based on the preciosist meticulousness that was so much admired at the time. At the same time, he studied at the Imperial and Special Drawing Schools. His stay in the city on the Seine brought him into contact with intellectuals such as Cabanel, Bonnat and Alexandre Dumas, as well as with art dealers such as Retlinger, who offered him a contract. It was around this time that the Provincial Council of Bizkaia awarded him a grant for his studies, which enabled him to devote himself to his work and to the cultural wealth that Parisian life had to offer in peace and quiet. He was a regular customer at the Café Moulouse, where he shared a social gathering with José Laguna, Eduardo León Escura and Jean Vibert, among others. A regular exhibitor at the official Paris Salons, he was awarded the first medal in 1867. The following year he moved to Rome to work in the studio of Fortuny, who was then in Madrid. Around this time he signed an advantageous contract with the prominent art dealer Adolphe Goupil, who opened the doors to important buyers such as Matilde Bonaparte, the Princes Metternich and the writer Charles Dickens. A year later Fortuny moved to Paris and Zamacois introduced him to the cultural life of the city by introducing him to Meissonier and the Vibert circle of painters. During these years Zamacois took part in various editions of the National Exhibitions of Fine Arts, where he received a third-class honourable mention in 1860 and a third medal in 1862, 1864 and 1867. His fame grew and in 1870 he won the gold medal at the Paris Salon and was decorated with the Legion of Honour. Shortly afterwards, as a result of the war between France and Prussia, he returned to Madrid. He died there shortly afterwards, at the early age of twenty-nine. His work is housed in the Museo del Prado, the Museo Thyssen-Bornemisza, the Museo Municipal de Málaga, the Museo de Bellas Artes in Bilbao, the Museum of Fine Arts in Boston and the Clark Art Institute in Williamstown (Massachusetts), among many others.

        Setdart Auction House
      • EDUARDO ZAMACOIS. Bilbao (1841) / Madrid (1871). "Sketches for the Christmas choir".
        Jun. 15, 2022

        EDUARDO ZAMACOIS. Bilbao (1841) / Madrid (1871). "Sketches for the Christmas choir".

        Est: €180 - €240

        Graphite on paper. Signed in the lower right corner. . 21 x 32 cm

        Ansorena
      • KNIGHT WITH DOG AND HARLEQUIN, SIGNED EDUARDO ZAMACOIS Y ZABALA (BILBAO, JULY 2, 1841 - MADRID, JANUARY 12, 1871)
        May. 13, 2022

        KNIGHT WITH DOG AND HARLEQUIN, SIGNED EDUARDO ZAMACOIS Y ZABALA (BILBAO, JULY 2, 1841 - MADRID, JANUARY 12, 1871)

        Est: €600 - €800

        Oil on canvas, framed measurements: 59 x 47, canvas measurements: 33 x 21 cm

        Templum Fine Art Auctions
      • Eduardo Zamacois 'Portrait of a Soldier' Oil, 1864
        Feb. 20, 2022

        Eduardo Zamacois 'Portrait of a Soldier' Oil, 1864

        Est: $1,500 - $2,500

        Eduardo Zamacois Y Zabala (Spanish, 1842-1871) 'Portrait of a Soldier' Academic small-scale oil on board, inscribed lower left 'A mon Ami Joliet', signed and dated 1864, in antique giltwood frame, remains of old gallery paper label on back. Sight 6.5" H x 7.75" W. Frame 13" H x 11.5" W.

        Auctions at Showplace
      • EDUARDO ZAMACOIS (1841 / 1871) "Sketches for the Christmas choir"
        Jan. 26, 2022

        EDUARDO ZAMACOIS (1841 / 1871) "Sketches for the Christmas choir"

        Est: €300 - €400

        Signed in the lower right-hand corner . 21 x 32 cm . graphite on paper

        Ansorena
      • Zamacois. Una vida extraordinaria (manuscripts)
        Dec. 28, 2021

        Zamacois. Una vida extraordinaria (manuscripts)

        Est: -

        ZAMACOIS, Eduardo.- "UNA VIDA EXTRAORDINARIA" Bs. As.: Ed. Modernas, 1943. 8º, sin enc. 254 pgs. + 1 h. Ej. completamente corregido en todas sus páginas con abundantes anotaciones manuscritas de Eduardo Zamacois, a varias tintas. Titulado por Zamacois en la portada "Don Luis de divierte (fragmentos de unas "memorias" que nadie se atrevería a publicar completas). Adjunta una h. con una emotiva dedicatoria autógrafa de Matilde, la viuda de Zamacois... "de su puño y letra que te parecerá verle cuando aun vivía aunque poco después cerró sus ojos que tanto besé". Puntos de polilla en el margen inf.

        Duran Arte y Subastas
      • EDUARDO ZAMACOIS - Port of Havana
        Dec. 14, 2021

        EDUARDO ZAMACOIS - Port of Havana

        Est: €250 - €500

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871 Port of Havana Charcoal drawing, gouache and chalk Signed size 14 x 28 cm

        Subastas Segre
      • EDUARDO ZAMACOIS - Portrait of Cardinal Mazarin
        Oct. 26, 2021

        EDUARDO ZAMACOIS - Portrait of Cardinal Mazarin

        Est: €250 - €375

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871 Portrait of Cardinal Mazarin Pencil drawing on paper Signed Size 280 x 238 mm

        Subastas Segre
      • EDUARDO ZAMACOIS OIL ON PANEL
        Sep. 11, 2021

        EDUARDO ZAMACOIS OIL ON PANEL

        Est: $600 - $800

        Eduardo Zamacois (1842-1871, Spanish), oil on panel of a seated soldier, stamped on back with red wax seal and a Newman Galleries label. 14.25" x 10" ss / 16.5" x 12.5" oa

        Wiederseim Associates, Inc.
      • EDUARDO ZAMACOIS - Ruins
        May. 18, 2021

        EDUARDO ZAMACOIS - Ruins

        Est: €180 - €360

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871 Ruins Pencil drawing on paper Signed size 18 x 14 cm

        Subastas Segre
      • EDUARDO ZAMACOIS (1841 / 1871) "Couple of flowers"
        May. 12, 2021

        EDUARDO ZAMACOIS (1841 / 1871) "Couple of flowers"

        Est: €360 - €480

        Signed in the lower right corner. Watercolor on paper

        Ansorena
      • EDUARDO ZAMACOIS - The nap
        Feb. 16, 2021

        EDUARDO ZAMACOIS - The nap

        Est: €200 - €400

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871 The nap Pencil drawing on paper Signed Sizes 26 x 17 cm

        Subastas Segre
      • Eduardo Zamacois Zabala (Bilbao, 1841 - Madrid, 1871) "Landscape"
        Dec. 14, 2020

        Eduardo Zamacois Zabala (Bilbao, 1841 - Madrid, 1871) "Landscape"

        Est: €200 - €250

        Eduardo Zamacois Zabala (Bilbao, 1841 - Madrid, 1871) "Landscape" Pencil and chalk drawing Signed 16 x 23 cm

        Goya Subastas
      • EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871
        Oct. 27, 2020

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871

        Est: -

        The nap Pencil drawing on paper Signed Size 26 x 17 cm

        Subastas Segre
      • EDUARDO ZAMACOIS - Passage with castle
        Jul. 14, 2020

        EDUARDO ZAMACOIS - Passage with castle

        Est: €200 -

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871 Passage with castle Charcoal drawing with touches of clarion Signed Size 15.5 x 23 cm

        Subastas Segre
      • Marian Marsal Fortuny (1838-1874), Portrait of the painter Eduardo Zamacois y Zabala (1841 Bilbao - 1871 Madrid), 19th century, Etching
        Jun. 13, 2020

        Marian Marsal Fortuny (1838-1874), Portrait of the painter Eduardo Zamacois y Zabala (1841 Bilbao - 1871 Madrid), 19th century, Etching

        Est: €500 - €700

        Marian Marsal Fortuny (1838 Reus, Katalonien - 1874 Rom), Portrait of the painter Eduardo Zamacois y Zabala (1841 Bilbao - 1871 Madrid), 19th century, Etching Technique: Etching on chine collé Size: 33,8 x 24,6 cm, Plate: 18,4 x 13,7 cm | 13 1/3 x 9 2/3 in, Plate: 7 1/4 x 5 1/2 in Inscription: lower right signed in the plate and inscribed Condition: Very good condition. Brown stain on the upper edge of the sheet. Minimally browned along the edges. Along the right edge of the sheet traces of a book binding. The image makes an impeccable impression. Description: Genre-like portrait of the painter sitting at a table, in front of him a large jug and a burnt candle. Keywords: Realism, Portrait, Spain, Genre

        Fichter Kunsthandel
      • EDUARDO ZAMACOIS - Country scene
        Jun. 02, 2020

        EDUARDO ZAMACOIS - Country scene

        Est: -

        EDUARDO ZAMACOIS Bilbao 1841 - Madrid 1871 Country scene Charcoal drawing Signed Size 15 x 20.8 cm

        Subastas Segre
      • Eduardo Zamacois y Zabala (1842-1871) "Ave"
        Feb. 20, 2020

        Eduardo Zamacois y Zabala (1842-1871) "Ave"

        Est: -

        Eduardo Zamacois y Zabala (1842-1871) "Ave" Acuarela y papel - Firmado 23,5x15 cm

        Subastas Darley
      • Eduardo ZAMACOIS Y ZABALA (1842-1871)(attribué à).…
        Dec. 14, 2019

        Eduardo ZAMACOIS Y ZABALA (1842-1871)(attribué à).…

        Est: €400 - €500

        Eduardo ZAMACOIS Y ZABALA (1842-1871)(attribué à). Odalisque et joueurs de cartes. Huile sur toile. Dimensions : 19x27 cm

        Dame Marteau
      • Eduardo Zamacois y Zabala (Bilbao, 1841 - Madrid, 1871)
        Dec. 12, 2019

        Eduardo Zamacois y Zabala (Bilbao, 1841 - Madrid, 1871)

        Est: €2,000 - €3,500

        Eduardo Zamacois y Zabala (Bilbao, 1841 - Madrid, 1871) Oil on canvas. Signed. 39 x 41 cm.

        La Suite Subastas
      • Eduardo ZAMACOIS Y ZABALA (1842-1871)
        Nov. 22, 2019

        Eduardo ZAMACOIS Y ZABALA (1842-1871)

        Est: €400 - €600

        "La cour du Roi en Espagne". Huile sur toile signée en bas à gauche. 35 x 28,5 cm. (Restaurations).

        Sophie Himbaut
      • After Eduardo Zamacois y Zabala (Spanish, 1841-1871)
        Oct. 15, 2019

        After Eduardo Zamacois y Zabala (Spanish, 1841-1871)

        Est: $500 - $700

        After Eduardo Zamacois y Zabala (Spanish, 1841-1871) Figures oil on board 10 1/4 x 8 inches.

        Hindman
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