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Lot 246: ANDREA BOSCOLI

Est: £8,000 GBP - £12,000 GBPSold:
Sotheby'sLondon, United KingdomJuly 05, 2013

Item Overview

Description

FLORENCE 1560 - 1608 ROME DESIGN FOR A CARTOUCHE Pen and brown ink and wash; bears inscription in pen and brown ink: Boscoli and numbered: 4 237 by 169 mm

Artist or Maker

Provenance

Nathaniel Hone (L.2793); William Armistead, by descent to Gordon Davies, Esq., his sale and others, London, Christie's, 6 July 1982, lot 11, purchased by Ralph Holland

Notes

This captivating study for a cartouche, possibly preparatory for an engraved frontispiece, is a rarity in the corpus of drawings by this much admired Florentine draftsman. It bears a traditional attribution to Boscoli and is entirely characteristic of this artist's original style. His studies, either in chalks, or in pen and ink with abundant use of dark brown wash, are marked by their geometric forms and dramatic and sculptural use of chiaroscuro. Boscoli's interest in architecture and ornamental details is quite clear in the elaborate and elegant surrounding of this cartouche. Baldinucci mentions Boscoli's collaboration in his youth with Bernardo Buontalenti and Santi di Tito in the preparation of ephemeral decorations, so much a feature of the Granducal court.1 This sheet witnesses the debt of Boscoli to Buotalenti's inventive imagination and refinement in the execution of sculptural details, and can be compared with some of the few architectural studies which have survived2, for instance a design for a wall decoration in the Ashmolean Museum Oxford.3 Here a large rectangular empty space is surrounded by a similarly elaborate frame, flanked by two satyrs. Boscoli often introduced figure studies into his architectural designs, as in the present drawing, where two putti appear on either side of the cartouche, and two sphinxs above. This drawing was extracted, at the time of the Christie's sale, from an album which had belonged to William Armistead. Some of the other sheets in the album, but not this one, came from the collection of William Roscoe (1753-1831), the distinguished Liverpool collector, and it can be assumed that Armistead knew Roscoe and bought drawings from him. 1. N. Bastogi, Andrea Boscoli, Florence 2008, p. 358 2. Ibid., pp. 358-360, nos. 541-555, some reproduced 3. Inv. no. P.128; ibid., no. 552

Auction Details

Galleria Portatile – The Ralph Holland Collection

by
Sotheby's
July 05, 2013, 12:00 AM GMT

34-35 New Bond Street, London, LDN, W1A 2AA, UK