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Lot 288: - Antoine Dubost , Lyons 1769 - 1825 Paris The Farewell of Brutus and Portia oil on canvas

Est: £12,000 GBP - £18,000 GBP
Sotheby'sLondon, United KingdomDecember 04, 2008

Item Overview

Description

oil on canvas

Dimensions

measurements note 114 by 146.5 cm.; 44 7/8 by 57 3/4 in.

Artist or Maker

Exhibited

Paris, Le Salon, 1799, pp. 17-18, no. 84;
Royal Academy, 1807, no. 268.


Literature

R.E. Spear, 'Antoine Dubost's "Sword of Damocles" and Thomas Hope: an Anglo-French skirmish' in The Burlington Magazine, vol cxlviii, no. 1241, 2006, pp. 520-522, 526-527.

Provenance

Possibly Thomas Broadwood Esq.;
Royal Victoria Yacht Club, Ryde, Isle of Wight, sold 1965, according to a label on on the reverse;
Anonymous sale, London, Bonhams, 6 July 1995, lot 254.

Notes

THE PROPERTY OF A LADY
Antoine Dubost trained under François André Vincent and exhibited in the Paris salon between 1799 and 1817, showing a mixture of history painting, horses and portraiture. The present painting was the first work he ever exhibited and was again shown in London in 1807 at the Royal Academy. As an example of his early work this picture lacks the confidence of later works such as The Return of Helen (sold New York, Sotheby's, 5 April 2001, lot 26 for $220,000). Nevertheless Dubost chose a sophisticated Neo-classical subject rarely seen on the walls of the Salon in this period. The Roman senator Marcus Junius Brutus is depicted taking leave of his wife Portia Catonis after he was forced to flee Rome in the chaotic political aftermath of the assassination of Caesar. Portia was stricken with grief but tried to hide from her husband, however as he was about to embark she caught sight of a painting of the farewell of Hector and Andromache before the Trojan War and was reminded of how Andromache did not see her husband alive again. Portia was struck by a premonition, later to be proved right, that she too would never see her husband again, and collapsed. This event was described by Homer and Plutarch and retold by Charles Rollin in his Histoire Romanie published in Paris in 1741 which was a popular source for Neo-classical subject matter in this period.υ1 1. C. Rollin, Histoire Romanie, vol. 141.48, Paris 1741, p. 481.

Auction Details

Old Master Paintings Day Sale

by
Sotheby's
December 04, 2008, 12:00 PM GMT

34-35 New Bond Street, London, LDN, W1A 2AA, UK