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Lot 15: Copleston Warre Bamfylde , d. 1791 A Coastal Landscape, a castle at the mouth of an estuary oil on canvas, held in a British Rococo frame

Est: £20,000 GBP - £30,000 GBPSold:
Sotheby'sLondon, United KingdomJune 05, 2008

Item Overview

Description

signed l.l. C W Bamfylde/1772 oil on canvas, held in a British Rococo frame

Dimensions

measurements note 26 by 36 in., 66 by 91 cm

Exhibited

Possibly, London, Royal Academy, 1772, no. 293;
Birmingham, City Art Gallery, Treasures from Midlands Homes, 1926, no. 70 (86)

Literature

Catalogue of Pictures at Hagley Hall, 1900, no. 86

Provenance

Commissioned from the artist by George, Lord Lyttelton (1909-93);
by descent

Notes

Coplestone Warre Bamfylde (also spelt Bampfylde) was the son of John Bamfylde of Poltimore, Devon, M.P. for Exeter (1715-22) and Devon (1736-41) and his second wife Margaret, daughter and heiress of Sir Francis Warre of Hestercombe. He started his early training drawing Views at Mount Edgcumbe by George Lambert which were to be engraved, and by 1758 he was recorded in Bath clearly having already established himself as a 'figure whose fortune, person, figure and accomplishments can hardly leave him unnoticed.' Bamfylde created a magnificent garden at Hestercombe (largely achieved by 1761), and was also an architect as well as an important patron of the arts. By 1763 he had started exhibiting paintings in London at the Society of Artists, the Free Society and also at the Royal Academy as an honorary exhibitor. Dated 1772 this capriccio landscape fulfills the current vogue for the ideal picturesque view with its blasted tree stump, vast mountains and Claudian lighting. The composition also reflects the prevalent interest in capriccio landscapes by painters such as Claude Lorrain, Nicolas Poussin, Gaspard Dughet and Salvator Rosa. However, the drama inherent in this wind swept coastal scene is most obviously comparable with the paintings of Claude-Joseph Vernet (1714-84). Vernet specialised in coastal and harbour scenes many of which were purchased between 1738 and 1748 by British patrons amongst whom was the banker Henry Hoare. At the time Bamfylde completed this painting he was also painting at Stourhead in Wiltshire the seat of Henry Hoare (see View of the Park at Stourhead, Sotheby's London, 21 March 2002, lot 52).

Auction Details

Important British Paintings

by
Sotheby's
June 05, 2008, 12:00 PM GMT

34-35 New Bond Street, London, LDN, W1A 2AA, UK