Lot 87: FRANÇOIS BOUCHOT 1800-1842

STUDY FOR MARIE MADELEINE AU PIED DE LA CROIX

measurements
11 7/8 by 25 in.

alternate measurements
30.2 by 63.5 cm.

signed Bouch... and dated 1838 lower right

oil on canvas mounted on board, unframed

Condition Note: The canvas is laid down on board; the board is inscribed in German on reverse by a later hand; the canvas shows some wear along the edges and paint loss where it has been framed; same paint loss and wear can be seen along the oval outline, which has later been retouched. Pigment separation on the central figure; flattened craquelure on the rest of the canvas and some cupping at lower left. Under UV light: selective cleaning on the lighter pigments; retouches along the top edge are under masking varnish; another small retouch at center left; other retouching might be covered by varnish.

We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.

NOTE

The painting is a study for one of the six lunettes relating to the story of Mary Magdalene that decorate the apse of La Madeleine in Paris. The final composition is in the center of the right hand group of three, each measuring over 19 by 39 feet. Francois Bouchot was one of six artists chosen for this major commission by Paul Delaroche on February 13, 1836. Marie Madeleine au pied de la croix represents the three Marys torn between the emotions of hope and despair. At left, floating in celestial light is the figure of Christ while to the right, glowing with red, with which the artist prepared the right-hand surface of the canvas, are the bodies of the dead rising from their tombs.