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Lot 16: GILLIS VAN CONINXLOO II (1544-1606/07)

Est: €6,000 EUR - €8,000 EURSold:
Bernaerts AuctioneersAntwerp, BelgiumOctober 06, 2021

Item Overview

Description

Landscape with the Expulsion of Hagar and Ishmael (Genesis 21: 9-21).
Panel (with cradling).

Provenance:
Sotheby's Mak van Waay, Amsterdam, 28.04.1976, lot 22 (as Gillis van Coninxloo);
where acquired by the present owner

Registered in the RKDimages database under no. .

Gillis van Coninxloo lives and works in Antwerp until 1585. In that year he flees the city, and after a short while in Zeeland, he settles in Frankenthal, a town in the region of the Pfalz housing foremost Dutch and Flemish protestant refugees. After a period from 1587 to 1595, he moves to Amsterdam, where he runs a large studio in his house on the Turfmarkt with several students, including the innovative graphic artist Hercules Segers (1589/90-1633).¹ In this house, shortly after his death, early in January 1607, an inventory was made of Van Coninxloo's impressive art collection including many drawings and paintings made by him, but also many copies of his students.²

Van Coninxloo is most admired for his dark, dense forest landscapes. Yet more recent research has shown that he kept working according to the early 16th-century tradition of the panoramic landscape until late in his career, around 1600.³ The present painting, showing a subtle pallet of different blue-, green- and orange tones, is situated somewhere in between these two subgenres within Flemish landscape painting.
It is most likely that the present artwork, painted by one of his students or an anonymous follower, was made after a lost original of Van Coninxloo. The complex construction of the landscape, with the arched rocks on the left, the river to the right with the small houses at the riverbanks and the distant background with mountains crowned by castles, closely matches other known compositions of his hand. The same impressive arched rocks in which small wooden houses are built can be found in two drawings attributed to (the workshop of) Gillis van Coninxloo, one housed at the Rijksmuseum (inv. RP-T-1973-69) and one in the collection of the Metropolitan Museum (inv. 80.3.442) in New York.

The autograph oeuvre of Gillis van Coninxloo is very small, comprising approximately 15 ascertained paintings (of which seven signed) and 12 ‘likely’ attributions, amongst a group of many uncertain ones. This applies to both his paintings as his drawn oeuvre in which the matter of attribution is extremely complex. Much of his composition is only known through copies made by his students and followers. Next to the aesthetic qualities, their work, such as the present painting, has a considerable value in understanding the rare and underappreciated oeuvre of Gillis van Coninxloo.
Description FR
Paysage avec expulsion de Hagar.
Panneau (parqueté).


Provenance :
Sotheby's Mak van Waay, Amsterdam, 28.04.1976, lot 22 (comme Gillis van Coninxloo), y acquis par le propriétaire actuel

Enregistré dans la base de données RKDimages sous le numéro .

L'œuvre de Gillis van Coninxloo comprend principalement des paysages forestiers. Il peint également des paysages panoramiques dans la tradition du 16eme siècle. Ce paysage se situe quelque part entre ces deux genres.

Gillis van Coninxloo vit et travaille à Anvers jusqu'en 1585. Cette année-là, il fuit la ville et se retrouve à Frankenthal en passant par la Zélande, où il reste de 1587 à 1595.¹ En 1595, il s'installe à Amsterdam, où il dirige un grand atelier dans sa maison au Turfmarkt avec plusieurs étudiants, dont Hercules Segers (1589/90-1633). Ici, peu après sa mort, au début du mois de janvier 1607, l'impressionnante collection d'art de Van Coninxloo est décrite, comprenant de nombreux dessins et peintures de sa propre main mais aussi de nombreuses copies réalisées par ses élèves.².

Cette peinture remonte très probablement à un original perdu de Gillis van Coninxloo, exécuté par un de ses élèves ou disciples. La construction maniériste du paysage correspond fortement à d'autres compositions connues de sa main. On retrouve par exemple les mêmes arcs impressionnants dans les rochers dans lesquels sont construites de petites maisons en bois dans deux dessins, dont l'un est dans la collection du et l'autre dans la collection du à New York.

Il est possible qu'elle ait été réalisée dans son studio, mais cela ne peut être déterminé avec certitude. Pourtant, la riche palette de couleurs, la composition précise et la fidélité au style de Gillis van Coninxloo vont dans ce sens. L'œuvre personnelle connue du maître lui-même est également très réduite. Cela vaut aussi bien pour ses peintures que pour ses dessins. Une grande partie de son œuvre n'est connue que par des copies réalisées par ses élèves, qui apportent à leur tour une contribution précieuse à la connaissance de cet artiste sous-estimé.

Beschrijving NL
Landschap met de verstoting van Hagar en Ishmael (Genesis 21: 9-21).
Paneel (geparketteerd).

Herkomst:
Sotheby's Mak van Waay, Amsterdam, 28.04.1976, lot 22 (als Gillis van Coninxloo);
Daar aangekocht door de huidige eigenaar

Geregistreerd in de RKDimages databank onder nummer .

Het oeuvre van Gillis van Coninxloo omvat voornamelijk boslandschappen. Daarnaast schildert hij ook panoramalandschappen in de traditie van de 16de eeuw. Dit landschap met het Oud Testamentische verhaal van de Verstoting van Hagar situeert zich ergens tussen deze twee subgenres van de landschapsschilderkunst.

Gillis van Coninxloo woont en werkt tot 1585 in Antwerpen. In dat jaar ontvlucht hij de stad en komt hij via een omweg langs Zeeland in Frankenthal terecht, waar hij van 1587 tot 1595 verblijft.¹ In 1595 vestigde hij zich in Amsterdam waar hij in zijn huis op de Turfmarkt een groot atelier leidt met verschillende studenten waaronder de innovatieve grafisch kunstenaar Hercules Segers (1589/90-1633). Hier beschrijft men kort na zijn dood, vroeg in januari 1607, Van Coninxloo’s indrukwekkende kunstcollectie, waaronder vele eigenhandige tekeningen en schilderijen maar ook vele kopieën van zijn leerlingen.²

Dit schilderij gaat hoogst waarschijnlijk terug op een verloren gegaan origineel van Gillis van Coninxloo, uitgevoerd door één van zijn leerlingen of navolgers. De maniëristische opbouw van het landschap sluit nauw aan bij andere gekende composities van zijn hand. Zo treffen we dezelfde indrukwekkende gewelven in de rotsen waarin kleine houten huisjes zijn gebouwd in twee tekeningen waaronder één in de collectie van het en één in de collectie van het in New York.

Het is mogelijk dat het in zijn atelier is vervaardigd, maar dat is niet met zekerheid vast te stellen. Toch duidt het rijke kleurenpalet, de trefzekere opbouw van de compositie, en de getrouwheid aan Gillis van Coninxloo’s stijl in die richting. Het gekende eigenhandige oeuvre van de meester zelf is tevens zeer klein. Dit geldt zowel voor zijn schilderijen als zijn tekeningen. Veel van zijn werk is uitsluitend nog gekend door kopieën van zijn leerlingen die op hun beurt een waardevolle bijdragen leveren aan de kennis over deze ondergewaardeerde kunstenaar.

Dimensions

51.5 x 88 cm(71 x 107.5 cm)

Literature

1. J.G. C. A. Briels, De Zuidnederlandse immigratie in Amsterdam en Haarlem omstreeks 1572-1630, Unpublished PhD, University of Utrecht, 1976, p. 220-225; H. Miedema, Karel van Mander : The Lives of the Illustrious Netherlandish and German Painters, 5 vol., Doornspijk, 1994-99, vol. 5, p. 74-85 (based on Van Mander 1604, fol. 267v-268r); 2. Briels 1976, p. 230-235. 3. U. Neidhardt et al., Das Paradies auf Erden, exh. cat., Staatliche Kunstsammlungen Dresden/Gemäldegalerie Alte Meister, Dresden, 2016, cat. no., 58.

Payment & Shipping

Payment

Accepted forms of payment: MasterCard, Visa, Wire Transfer

Shipping

The auction house is not responsible for packaging and shipping your purchased items. We can recommend a few shipping companies:
https://www.bernaerts.eu/editor_images/file/transport.pdf
Please contact them directly to request a quote.
Costs for packaging and shipping are always at your expense and at your own risk.
For more info contact shipping@bernaerts.be.

Auction Details

The Cabinet Sale, Oct 2021 (1-122)

by
Bernaerts Auctioneers
October 06, 2021, 02:00 PM CET

Verlatstraat 16-22, Antwerp, Antwerp, 2000, BE

Terms

Buyer's Premium

28.0%

Bidding Increments

From:To:Increment:
€0€5€1
€6€9€2
€10€99€10
€100€299€20
€300€999€50
€1,000€1,999€100
€2,000€4,999€200
€5,000€9,999€500
€10,000€19,999€1,000
€20,000€49,999€2,000
€50,000+€5,000

Terms & Conditions

The joint stock company Auction House Bernaerts JSC (hereafter BERNAERTS AUCTIONEERS) announces to the participants of the sale that the sale will be held according to the terms and conditions listed below and any participation in the auctions implies the unconditional acceptance of the present conditions of sale.

1. Auction day
The auction takes place through an oral or written bid. The highest bidder for each item is the successful bidder who will purchase the item against cash payment. At the time of the purchase and to the extent that he did not previously, the potential purchaser must register by presenting proof of identity and indicating his name, address, telephone number, the number of his identity card and his signature on the registration form of BERNAERTS AUCTIONEERS. In return, he will receive a paddle with its personal number to participate in the auction. In other cases, the purchaser presents himself to complete and sign his entry form, after which he will receive a paddle with his personal number. Online sale bidders must register at least 5 hours before the beginning of the auction by filling the form on My Account. For each new online sale, the buyer must register by accepting the Terms and Conditions of sale.

2. Commitment of the bidder
By its offer, the bidder commits himself to purchase the auction items for sale at the price he has proposed. He nevertheless has no say when the sale is suspended for any reason at all.

3. Conduct of sale, order
The judicial officer maintains order during the sale. It is he who ultimately rules all possible disputes born of the sale, including the bidding increments and the designation of the highest bidder. The auctioneer has, among others, the right to set the minimum price of each offer, not to accept the bid of persons that he does not know or whose identity or creditworthiness not seemed proven - in which case, the previous bidder remains bound-, to suspend the sale, without having to explain thereon to the bidders, to split, join or withdraw any item. In case of obstruction or disruption of the auction by violence, threat or a fraudulent way, the provisions of article 314 of the Penal Code will be applied. In case a price limit has been set by the provider/seller, BERNAERTS AUCTIONEERS has the right to bid on behalf of the provider/seller. BERNAERTS AUCTIONEERS reserves the right to refuse any offer made by unknown buyers.

4. Buyer by mandate or third-party buyer
The purchaser may designate a proxy, provided that he signals it to the auctioneer at the end of the sale. The purchaser answers for the solvency and the competence of its proxy; each purchaser remains responsible for its purchase, even if another person is stated as (proxy) purchaser.

5. Guarantee
The successful bid does not imply any guarantee on the part of the auctioneer responsible for the sale nor on the part of the acting judicial officer, concerning among others the authenticity. Items and art objects are sold in the state in which they are at the auction exhibition and sale, and without any guarantee. Buyers are expected to have reviewed items and objects of art and to have made their offer being informed. The estimated prices quoted in the catalogue serve for information purposes only. If necessary, the catalogue on paper takes precedence over the electronic version (on paper catalogues can be consulted or downloaded free of charges on www.bernaerts.be ). In exceptional cases, the sale of an art object can be cancelled and the hammer price refunded to the purchaser if the object bought is returned within three weeks, with evidence that it is a falsification, and provided that the object remained in the same condition as at the time of the auction.

6. Indivisibility and particularity
All obligations of purchase are by law, jointly and indissolubly, both for legal persons as for physical persons, the responsibility of all those who buy for a joint account, the final purchaser and those who bought for him, on the securities between them and those for whom they act as guarantor, as well as the heirs and successors of each of the people mentioned above.

7. Payment of the purchase price and the additional costs by the purchaser
The purchaser in the room and the purchaser who has bid by purchase order must pay, immediately after the sale or at the time of the removal of the items,
the hammer price, plus 22% on the hammer price in the room and on the absentee bid,
plus 25% on the hammer price by telephone bid, including VAT, for costs.
The simultaneous sale in live (webcast) bidders must pay the purchase price increased by 28% on the hammer price, VAT included.
The silent sales and/or aftersales bidders must pay the purchase price increased by 30% on the hammer price, VAT included.

For each item, an additional administrative costs of € 2 will have to be paid and, if applicable, a droit de suite (right to follow or resale right). The droit de suite is an extension of the copyright law that entitles a compensation to the creator of a work of art in case of a resale of the work.

This right may apply both to sculptures and to graphic works of art. A droit the suite is charged in case of a resale of original works of art of living artists or artists who died less than 70 years ago and from a price of € 2,000.00 on. It amounts to 4% of the price up to € 50,000.00; to 3% of the auction price segment between € 50,000.01 and € 200,000.00; to 1% of the auction price segment between € 200,000.01 and € 350,000.00; to 0.50% of the auction price segment between € 350,000.01 and € 500,000.00; to 0.25% of the auction price segment above € 500,000.01 price. However, the droit de suite can never exceed € 12,500.00. The rate of the first segment, i.e. 4%, should be applied to the entire amount that lies within this segment. (Law of 4 December 2006 and R.D. of 2 August 2007). Only banknotes in euros (up to an amount of € 2,999 per object, fees included) or cheques guaranteed by a Belgian Bank (or Bancontact card) will be accepted for payment of the purchase price and costs. Cheque cashing fees will be charged to the buyer. In case of payment through a non-certified cheque, delivery of the items may be suspended until the crediting. Payments by credit card (Mastercard, Eurocard or Visa) involve an extra cost.

8. Compensation - confusion
The buyer cannot claim nor compensation, nor confusion, nor article 1653 of the Belgian Civil Code in case of trouble of the purchaser.

9. Resale - irresponsible bidding
If the purchaser, the highest bidder, the guarantor and/or the indicated proxy have failed to immediately fulfil the obligations set out in these terms and conditions or to immediately meet one of the conditions of sale, the item may be resold on the basis of an irresponsible bidding, at the expense of the highest bidder. The resale is done by the judicial officer already requested, under the same conditions of sale. The failing purchaser shall pay the difference between the purchase price and the resale price, without being able to claim the balance between the purchase price and the resale price in case the resale price exceeds the purchase price. This balance will be to the benefit of the provider/seller or to the creditors. The irresponsible bidder is required in addition to the payment of expenses caused by its negligence and by the resale, as well as other charges of any kind, without prejudice to damages for any reason whatsoever. Delivery of a cheque which is not paid immediately at the first presentation, is considered failure to pay, without prejudice to the application of the criminal law if necessary, nor of the protest, discount and other grant.

10. Transfer of ownership - provisional measures
As soon as the highest bidder is determined, all risks related to the purchases will be the responsibility of the purchaser. The item is delivered in the state it is at the time of the auction, with all its apparent and hidden defects. At the auction, the item shall be kept with the utmost care. However, the buyer must take all measures for the preservation of the item. As soon as the highest bidder is determined, items only remain on-site at the risk and under the responsibility of the purchaser, which is solely responsible for the item he bought.

11. State of the items - exhibition
Since items and works of art are exhibited before the auction, and the terms and conditions have been communicated, the purchaser is supposed to be informed fully, personally and on his own responsibility of the state of the items and art objects. He has no recourse against BERNAERTS AUCTIONEERS, against the acting judicial officer or against the auctioneer, for error, inaccuracy, or negligence in the description of the items and works of art, nor for inconvenience, discomfort, the state of the items and works of art, their repair or restoration. All data concerning items and the works of art in catalogues, advertisements, brochures or any other written or digital communication from BERNAERTS AUCTIONEERS, and especially their description, are provided only for information purposes and without prejudice. Neither BERNAERTS AUCTIONEERS, nor the acting judicial officer assume any responsibility in this regard. The sale is preceded by an exhibition during which BERNAERTS AUCTIONEERS will be available to the public to provide information to the best of its possibilities; the exhibition is intended to allow the examination of the state of conservation and the quality of the items as well as to provide guidance on possible defects or inaccuracies in the description of the catalogue. The public can also appeal to BERNAERTS AUCTIONEERS or to an expert chosen by the interested person, for a thorough review and that, for the duration of the exhibition. BERNAERTS AUCTIONEERS is not prepared to take the item back if the description of the catalogue is revoked during the sale and that the right description is given orally to the public. Each visitor is responsible for the damage that he causes to the exposed objects and items, even if it happened coincidentally or involuntarily. Similarly, the provisions of article 2280 of the Civil Code apply to this auction.

12. Passing of possession - removal
The buyer who has paid the full purchase price and costs will pass in possession of the item sold. Upon removal, it is required to submit a proof of payment. No item can be removed during the live auction itself. Unless expressly authorized by BERNAERTS AUCTIONEERS, no item will be delivered until full payment of the purchase price and costs. The damage caused during the removal or displacement of items are at the charge and risk of the purchaser. When the time period for the removal is passed, an interest of 1% per month on the hammer price will be charged, with a minimum of € 5 per day and per item. For the removal dates we refer to the terms and conditions printed in the catalogue and on the web site.

13. Refund
In case BERNAERTS AUCTIONEERS, for whatever reason, is required to repay the funds that have already been paid, no interest can be counted on this sum.

14. Written and telephone bids
Through a written bid, BERNAERTS AUCTIONEERS takes care of its customers purchase bids, free of charge. The purchase of the items is done in the cheapest way possible, provided the price limits or other possible offers allow it. The price limits set by phone are accepted at the risk of the seller. They must be confirmed by letter or fax, undersigned by the bidder. You complete the 'absentee bidding form' [link] during your visit at the auction house, or you download [link] it and deliver it no later than 24 h prior to the auction to BERNAERTS AUCTIONEERS, or you send it by email (info(at)bernaerts.be) or by fax (+ 32 3 248 15 93), no later than 5 hours prior to the start of the auction. The auctioneer will try to purchase the item for you at the most beneficial price. These bids are no purchase orders nor commissions, but the orders to buy at the price indicated. In case of equal bid, the oral offer has priority on the written and digital ones. If several written bids of the same amount on the same item reach BERNAERTS AUCTIONEERS and the written bids are the highest bid for the item in question, the item will be awarded to the first written bid having reached BERNAERTS AUCTIONEERS. The auctioneer is not required to inform the public beforehand. The non-execution of a written bid, a telephone bid or an online bid by mistake or for any other cause (technical or otherwise) cannot be the subject of a claim for damages to BERNAERTS AUCTIONEERS. The written, telephone and online bids are a free service offered to customers and cannot result in any kind of responsibility of BERNAERTS AUCTIONEERS.

15. Damage
Each visitor is responsible for the damage caused to the exposed objects and items.

16. Bevoegde rechtbank
All disputes over the sale fall, as appropriate, under the exclusive competence of the courts of Antwerp, regardless of the domicile of the parties. In case these terms and conditions are a translation, the Dutch text will prevail.

Shipping Terms

The auction house is not responsible for packaging and shipping your purchased items. We can recommend a few shipping companies:
https://www.bernaerts.eu/editor_images/file/transport.pdf
Please contact them directly to request a quote.
Costs for packaging and shipping are always at your expense and at your own risk.
For more info contact shipping@bernaerts.be.