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Lot 120: GREG PAYCE (1956 - ), UNTITLED, height 6.25" - 15.9 cm., diameter 16.25" - 41.3 cm.

Est: $600 CAD - $800 CADSold:
Waddington'sToronto, ON, CAApril 21, 2015

Item Overview

Description

GREG PAYCE (1956 - ) UNTITLED clay, height 6.25" -- 15.9 cm., diameter 16.25" -- 41.3 cm., unsigned, circa 1988 Provenance: Purchased directly from the artist Note: GREG PAYCE (1956 - ) "When eyes are fooled, imaginations are thrown open wide. Realms between the virtual and the real contain unique narrative possibility. The negative spaces between ceramic albarelli become strange, non-dimensional, yet oddly three- dimensional images. Archetypal relationships between human and vessel cannot help but materialize." - Greg Payce - Greg Payce is one of the most respected practicing ceramic artists in Canada. He is best known for the extraordinary precision of his work, his stunning surfaces and his ingenuity and visual wit. He is the 2013 recipient of the Governor General's Award in Visual Arts and Media. Greg Payce was born in Edmonton, Alberta in 1956. He became fascinated with clay at the age of six, when he watched a potter turning a lump of clay into a vessel on the television. In high school, he favored the arts over the sciences, spending all of his spare time in the clay studio. He received his Bachelor of Arts, with a minor in Anthropology, from the University of Alberta in 1977, and his Master of Fine Arts from the Nova Scotia College of Art and Design in 1987. Payce has been Head of Ceramics at the Alberta College of Art and Design since 1989. He has exhibited in more than twenty solo exhibitions and over one hundred and fifty group exhibitions throughout the world. Payce worked with more traditional vessel forms at the start of his career, inspired by ancient pottery from Crete (Octopus Vase, 1992). In the 2000's he started exploring the negative space between pottery forms to created images (Al Barelli, 2002). Starting in 2007, Payce began to create large-scale lenticular photographs of major pieces, opening new possibilities for seeing and experiencing the original works (The Customs and the Spirit of the Nations: Occident, 2011). He also began to work with video projections onto moving works, creating mesmerizing sequences that relate decorative motifs found around the globe to contemporary ceramics practice (Albedo Lux: Europa, 2009). Most recently, Payce's work was featured in the 2012 solo exhibition, Illusions, at the Gardiner Museum in Toronto. His work is included in numerous public and private collections, including the Claridge Collection in Montreal, the Gardiner Museum in Toronto, and the Canadian Museum of Civilization in Gatineau, Quebec. He has also given numerous lectures, workshops and presentations both in Canada and internationally. He is also the 2013 recipient of the Governor General's Award in Visual Arts and Media. Payce lives and works in Calgary, Alberta. Selected Corporate, Private and Public Collections Alberta Art Gallery, Edmonton Alberta Foundation for the Arts, Edmonton Arario Collection, Seoul Art Gallery of Nova Scotia, Halifax Banff Centre Permanent Collection, Banff British Petroleum Ltd., Calgary Burlington Art Centre, Burlington Calgary Civic Art Collection Canadian Clay and Glass Gallery, Waterloo, ON Canadian Clay and Glass Gallery, Waterloo, Ontario Canadian Embassy, Denmark Canadian Museum of Civilization, Ottawa Canberra School of Art, Australia Claridge Collection, Montreal Gardiner Museum of Ceramic Art, Toronto General Idea, Toronto Glenbow Museum, Calgary Grant McKewan Community College, Edmonton Hanhyanglim Gallery and Jay Collection, Seoul Korea Royal Ontario Museum, Toronto The Canadian Embassy, Japan The Canadian Embassy, Seoul The China Ceramic Institute, Jingdezhen, China The Four Seasons Hotel, London, England The Prime Minister of China, Beijing, U.B.S. Bank International, based in Switzerland University of Tasmania, Launceston Winnipeg Art Gallery Selected Solo Exhibitions 2014 Payce, Alberta Craft Council, Edmonton, AB Greg Payce and the Space Between, Burlington Art Gallery, ON 2012 Illusions, The Gardiner Museum, Toronto, ON 2007 Greg Payce Visiting Scholar, The Academy Gallery, The University of Tasmania, Launceston, Tasmania 2005 More Buildings about Song and Food, Prime Gallery, Toronto. Domestic Katrina Chaytor and Greg Payce The Nickle Arts Museum, Calgary, AB Wane large- scale ceramic installation, The Canadian Embassy in Seoul, Korea 2004 SSSSSSSSSSSSSSS Bronze Sculpture installation, The Calgary International Airport, AB 2002 Greg Payce, The Dunlop Art Gallery, Regina, SK 2001 Cineramics, The Art Gallery of Calgary, Calgary, SK 1999 Greg Payce: Recent Ceramics, Prime Gallery, Toronto, ON Garnitures, The Canberra School of Art, Canberra, Australia 1998 Virtual, The Richmond Art Gallery, Richmond, B.C. 1997 Greg Payce: Between - Nancy Margolis Gallery, New York City, NY 1996 Greg Payce: Recent Ceramics, Prime Gallery, Toronto, ON Spun, Stride Gallery, Calgary, AB 1995 Vase To Vase, The Southern Alberta Art Gallery, Lethbridge, AB New Ceramics, Provenance Gallery, Calgary, AB 1993 Greg Payce: Recent Ceramics, Prime Gallery, Toronto, ON 1992 A View From Calgary, Galerie Barbara Silverberg, Montreal, QC 1991 Greg Payce - Vases, Provenance Gallery, Calgary, AB 1990 New Earthenware - Greg Payce, Prime Gallery, Toronto, ON 1989 Greg Payce - Recent Ceramics, Muttart Gallery, Calgary 1987 M.F.A. Exhibition, Anna Leonowens Gallery, Halifax 1986 Greg Payce, Robert Vanderleelie Gallery, Victoria 1985 Greg Payce, Ceramics, The Front Gallery, Edmonton (solo exhibition). Selected Group Exhibitions 2014 Porcelain: Breaking Tradition, Division Gallery, Toronto, ON 2013 Porcelain: Breaking Tradition, Art Mur, Montreal, QC 2007 Neocraft, faculty and alumni of Craft division NSCAD, Anna Leonowans Gallery, Halifax (in assoc. with the Neocraft conference) 2006 Inaugural Exhibition of the Permanent Collection, The Gardiner Museum of Ceramic Art, Toronto. Fresh Art - Contemporary Canadian Art from the Glenbow collection (web exhibition), The Glenbow Museum, Calgary. From the North, The Clay Studio Gallery, Philadelphia, PA Canadian Contemporary Ceramics Exhibition, The Esplanade Gallery, Medicine Hat. (catalogue) 2005 Trans Ceramics, Feature Exhibition of the 3rd World Biennial of Ceramics, Icheon World Ceramic Centre, Korea. (catalogue) Legacy, The Triangle Gallery of Visual Art, Calgary, Alberta. (catalogue) Cineramics video presentation, Galery Fabryka, Warsaw, Poland 2004 The Bi-annual exhibition of the international academy of Ceramics, Icheon World Ceramic Centre, Korea. Artcity 04, installation of video Harem , Art Central, Calgary 2003 Ceramics at the Beginning of the 21st Century Canzani Center Gallery, Columbus College of Art and Design 2002 The Alberta Biennial of Contemporary Art, The Edmonton Art Gallery, Edmonton. The Ninth Biennale National de Ceramique, Trois Rivières Quebec (catalogue) (travelling). 2003 Prairie Clay, The Art Gallery of Southwestern Manitoba, Brandon (catalogue). 2001 The 1st World Biennale of Ceramics, Icheon, Korea, (catalogue). Gift of the Gods, the Art of wine and Revelry, The Royal Ontario Museum, Toronto. 2000 Earth Works, The Canadian Pavilion, Expo 2000, Hannover, Germany (catalogue)(travelling). A Grand Design, The Victoria and Albert Museum, London, England. 2000 Canada Clay - Today, Ceramics Millenium Conference-Amsterdam (traveled: Amsterdam, Faenza, Chicago, Toronto. (catalogue). 1998 The Fifth International Ceramics Festival 1998, Mino, Japan. 1998 A Question of Identity (International Academy of Ceramics Conference), The Canadian Clay and Glass Gallery, Waterloo, Ontario. 1997 Canadian/Chinese Ceramics Cultural Conference Exhibition, The China Ceramics Institute, Jingdezhen, China. Another Group of Seven, the Community College of Southern Nevada, Las Vegas. 1996 White on White, Canadian Clay and Glass Gallery, Waterloo, (catalogue, travelling internationally). The 7th National Biennale of Ceramics, Trois Rivières, Quebec, (catalogue, travelling). 1995 Clay in Canada - North by Northwest, Wyman Gallery, Minneapolis, (catalogue). 1994 The Sixth National Biennial of Ceramics, Trois Rivières, Quebec, (catalogue). Containment, The Space Within, The Canadian Clay and Glass Gallery, Waterloo, (catalogue). 1992 Invitational Teapot Exhibition, Pittsburgh Centre for the Arts, Pittsburgh, PA. Invitational Exhibition of Ceramic Art, the National Museum of History, Taipei, (catalogue). The Fifth National Biennial of Ceramics, Trois Rivières, Quebec (catalogue). The Canadian Craft Museum Inaugural Exhibition, The Canadian Craft Museum, Vancouver. 1990 Champagne Breakfast (juried, travelling), The Triangle Gallery Calgary, Alberta Fourth National Biennial of Ceramics (juried, travelling), Trois Rivières, Quebec (catalogue). 1989 Patterns, An Exhibition on the Theme of Pattern in Craft, The Art Gallery of Nova Scotia, Halifax.. From Clay, Alberta College of Art Gallery, Calgary, Alberta (Invitational). 1988 Innovation/Craft, The Triangle Gallery of Visual Art, Calgary, Alberta (Invitational, catalogue). Third National Biennial of Ceramics (juried, internationally, travelling), Trois Rivières, Quebec. 1986 M.F.A. Group Show, Anna Leonowens Gallery, Halifax.. 1985 Clay in the East, University of Maryland Gallery, Baltimore (traveling). 1984 Clay, Eh, Canadian Clay Conference Exhibition, The Muttart Gallery, Calgary (catalogue). The Ceramic Bridge, The Walter Phillips Gallery, Banff (catalogue) Selected Grants & Awards 2013 Governor General's Award 2007 Alberta Foundation for the Arts Project Grant (visiting scholar res. Tasmania), Canada Council Travel Grant (visiting scholar res. Tasmania) 2005 Canada Council Travel Grant (travel to Korea to install work for the 3rd International Biennial of Ceramics), 2004, Short-listed for the Bronfman Award 2003 Canada Council Travel Grant (travel to Australia as keynote speaker at their National Ceramics Conference) 2000, Alberta Foundation for the Arts Project Grant, 1999, Canada Council A Grant, 1998 - Canada Council Travel Grant 1998 Alberta Foundation for the Arts Project Grant, 1997, Nominated for The Chalmers Award for Canadian Craft 1995 Canada Council B Grant, 1994, Alberta Foundation for the Arts Project Grant, 1994 Prix Pierre Legault, The Fifth National Biennial of Ceramics, 1991, Canada Council Project/Travel Grant, 1984, Louise McKinney Award for Academic Excellence, The Alberta Heritage Scholarship Fund.

Artist or Maker

Payment & Shipping

Payment

Accepted forms of payment: MasterCard, Money Order / Cashiers Check, Paypal, Visa, Wire Transfer

Shipping

The Auctioneers will not undertake packing or shipping. The purchaser
must designate and arrange for the services of an independent shipper
and be responsible for all shipping and insurance expenses. The
Auctioneers will, upon request, provide names of professional packers and
shippers but will not be held responsible for the service or have any liability
for providing this information. Reliable pre-auction estimates of shipping
costs of lots offered in this sale may be obtained from:
Pak Mail
Attn: Taurus Chan
4981 Hwy 7 East, Unit 12A, Markham, ON L3R 1N1
Tel: 905.470.6874; 416.293.8225
Fax: 905.470.6875
taurus@pakmailmarkham.ca
www.pakmailmarkham.ca

Permits may be required for international shipments due to export restrictions on endangered species.

Auction Details

Charles Bronfman's Claridge Collection Auction: Part V

by
Waddington's
April 21, 2015, 01:00 PM EST

275 King Street E 2nd Floor, Toronto, ON, M5A 1K2, CA

Terms

Live bidding may start higher or lower

Buyer's Premium

$0 - 49,999:23.0%
$50,000+:18.0%

Bidding Increments

From:To:Increment:
$0$199$10
$200$499$20
$500$999$50
$1,000$1,999$100
$2,000$4,999$200
$5,000$9,999$500
$10,000$19,999$1,000
$20,000$49,999$2,000
$50,000$99,999$5,000
$100,000$199,999$10,000
$200,000$499,999$20,000
$500,000$999,999$25,000
$1,000,000+$50,000

Terms & Conditions

All lots are sold "AS IS". Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price. Invaluable Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST (Goods and Services
Tax) is charged based on the tax status of that province.

The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer's decision in all cases shall be final.
Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or
the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed
within 10 days from the date of sale , after which storage charges may be incurred.

Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the
buyer until fully paid for and taken away.

Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers
cheque, bank draft, electronic transfer (fee applies), and VISA, Mastercard (up to $25,000). As Waddington's requires written
authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the
telephone. However, fax authorization arrangements can be made.

In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:
(a) any deficiency in price between the re-sale amount and the
amount to have been paid by the original buyer;
(b) any reasonable charge by the auctioneer for the storage of such
articles until payment and removal by the subsequent buyer; and
(c) the amount of commission which the auctioneer would have
earned had payment been made in full by the original buyer.

It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the
auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).
The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or
oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington's™, and the consignor (seller) of the lot.

Descriptions or photographs of lots are not warranties and each lot is sold "as is" in accordance with the Conditions of Sale.

Frames on artwork are not included as part of purchase or condition.

Contract Information

By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington's™, and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold "as is" in accordance with the Conditions of Sale.

Payment Information

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA, Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made.

The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , after which storage charges may be incurred.

Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

Shipping Information

The Auctioneers will not undertake packing or shipping. The purchaser
must designate and arrange for the services of an independent shipper
and be responsible for all shipping and insurance expenses. The
Auctioneers will, upon request, provide names of professional packers and
shippers but will not be held responsible for the service or have any liability
for providing this information. Reliable pre-auction estimates of shipping
costs of lots offered in this sale may be obtained from:
Pak Mail
Attn: Taurus Chan
4981 Hwy 7 East, Unit 12A, Markham, ON L3R 1N1
Tel: 905.470.6874; 416.293.8225
Fax: 905.470.6875
taurus@pakmailmarkham.ca
www.pakmailmarkham.ca

Permits may be required for international shipments due to export restrictions on endangered species.

Buyer's Premium

A buyer's premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by buyer as part of the total purchase price. Invaluable clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

Taxes on your purchase

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Condition Notice

All of the items are to be considered, unless otherwise noted in the
description, in good condition. The definition of "good" when used in
reference to condition, describes an object as having had no major damage
or repair but as with the nature of the material, may show minor surface
wear, discolouration etc., which indicates the acceptable wear that the piece
may acquire with age. If you are particular about minor flaws, you should
examine the pieces in person or have our staff answer any questions before
bidding. Sizes are approximate. It is the sole responsibility of the bidder to
inquire as to the condition of a lot before bidding. Condition reports are
available upon request by phone, fax, email or in person. You are advised
to make any requests well in advance of the sale.