Historic Oil Painting by the very Important and well listed Spanish artist Antoni Clavé Sanmartin (1913 – 2005) | Oil on Canvas | Entitled “Village Scene” | Hand Signed by the artist | Housed in a custom period carved wood frame | Measures Approx. 31.25″ H x 37.25″ W. The painting is considered very unique for Clavé’s work because it was painted soon after his first encounter with Picasso in 1944. The painting exhibits a transition from Clavé’s baroque style to a more shape-oriented technique, which later evolved into a minimalistic aesthetic. In 1994, Village Scene was given to Gianni Versace, a close friend of the artist, who had a shared passion for art, fashion, and design. Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain’s best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republican government. He arrived in France as a refugee in 1939 and went straight to Paris to work as an illustrator. His first one-man exhibition was held at the Au sans Pareil bookshop, 37 Avenue Kleber in Paris in 1940, where Max Ernst and other leading figures from the Dada movement had their first exhibitions in the 1920s. In 1944 Clavé met Picasso and began making figure compositions that were deeply influenced by Picasso’s work, featuring kings, harlequins, children, and still lives. His theatrical designs have appeared on stages in New York, Munich, London and Paris, as well as in the 1952 film Hans Christian Andersen. His works include sets for opera, theatre, and ballet, most notably for Roland Petit’s ballet company, Les Ballets des Champs Elysees (1945-1951) including Los Caprichos (1946) Carmen (1949) and a comic ballet choreographed by Roland Petit called Deuil en 24 Heures. In 1951 he designed La maison de Bernarda Alba (The House of Bernarda Alba) for director Marcel Achard at the Theatre de l’Oeuvre in Paris, and in 1962, a production of The Marriage of Figaro for Maurice Sarrazin at Théatre de la cour de l’Archeveché in Aix-en-Provence. In 1957 Clavé began to design carpets and from 1960 he began to work on sculptural bas reliefs, assemblages and totem-like sculptures of wood and modelled or imprinted lead. He also used some objets trouvé. In 1965 Clavé moved to the South of France, near Saint-Tropez. His work is displayed in many museums, including the Fine Arts Museums of San Francisco, National Museum of Serbia, Museo Patio Herreriano de Valladolid in Spain Museo Patio Herresriano, Tate Gallery, London, Museo de Bellas Artes de Bilbao, Museum of Modern Art, Paris, Museo Nacional de Arte Reina Sofia Museo Arte Reina Sofia, Madrid, the Museum of Modern Art in Tokyo and The British Museum, London. In March 2013, the Vila Casas Foundation held an exhibition at the Can Framis Museum of Contemporary Painting, on the centenary of Antoni Clavé’s birth. The exhibition was a chronological retrospective encompassing 60 paintings stretching from the pre-war period, through his time in Paris, the medieval and baroque periods and his development into the realms of abstraction. It also included collages and graphic works with extensive technical experimentation, cementing Clave’s reputation as a leader in the visual language of the twentieth century. Clave’s paintings have been featured at the largest and most reputable auction houses in the world, including Tajan, Sotheby’s Heritage, Christies, Bonhams, Phillips, etc.
The painting is considered very unique for Clavé’s work because it was painted soon after his first encounter with Picasso in 1944. The painting exhibits a transition from Clavé’s baroque style to a more shape-oriented technique, which later evolved into a minimalistic aesthetic. In 1994, Village Scene was given to Gianni Versace, a close friend of the artist, who had a shared passion for art, fashion, and design. Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain’s best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republican government. He arrived in France as a refugee in 1939 and went straight to Paris to work as an illustrator. His first one-man exhibition was held at the Au sans Pareil bookshop, 37 Avenue Kleber in Paris in 1940, where Max Ernst and other leading figures from the Dada movement had their first exhibitions in the 1920s. In 1944 Clavé met Picasso and began making figure compositions that were deeply influenced by Picasso’s work, featuring kings, harlequins, children, and still lives. His theatrical designs have appeared on stages in New York, Munich, London and Paris, as well as in the 1952 film Hans Christian Andersen. His works include sets for opera, theatre, and ballet, most notably for Roland Petit’s ballet company, Les Ballets des Champs Elysees (1945-1951) including Los Caprichos (1946) Carmen (1949) and a comic ballet choreographed by Roland Petit called Deuil en 24 Heures. In 1951 he designed La maison de Bernarda Alba (The House of Bernarda Alba) for director Marcel Achard at the Theatre de l’Oeuvre in Paris, and in 1962, a production of The Marriage of Figaro for Maurice Sarrazin at Théatre de la cour de l’Archeveché in Aix-en-Provence. In 1957 Clavé began to design carpets and from 1960 he began to work on sculptural bas reliefs, assemblages and totem-like sculptures of wood and modelled or imprinted lead. He also used some objets trouvé. In 1965 Clavé moved to the South of France, near Saint-Tropez. His work is displayed in many museums, including the Fine Arts Museums of San Francisco, National Museum of Serbia, Museo Patio Herreriano de Valladolid in Spain Museo Patio Herresriano, Tate Gallery, London, Museo de Bellas Artes de Bilbao, Museum of Modern Art, Paris, Museo Nacional de Arte Reina Sofia Museo Arte Reina Sofia, Madrid, the Museum of Modern Art in Tokyo and The British Museum, London. In March 2013, the Vila Casas Foundation held an exhibition at the Can Framis Museum of Contemporary Painting, on the centenary of Antoni Clavé’s birth. The exhibition was a chronological retrospective encompassing 60 paintings stretching from the pre-war period, through his time in Paris, the medieval and baroque periods and his development into the realms of abstraction. It also included collages and graphic works with extensive technical experimentation, cementing Clave’s reputation as a leader in the visual language of the twentieth century. Clave’s paintings have been featured at the largest and most reputable auction houses in the world, including Tajan, Sotheby’s Heritage, Christies, Bonhams, Phillips, etc.
Provenance
Important Provenance: The painting is considered very unique for Clavé’s work because it was painted soon after his first encounter with Picasso in 1944. The painting exhibits a transition from Clavé’s baroque style to a more shape-oriented technique, which later evolved into a minimalistic aesthetic. In 1994, Sanmartin personally gifted "Village Scene" to Gianni Versace, a close friend of the artist. The two artists shared a passion for art, fashion, and design. Includes an affidavit of the previous owner. Also includes a certificate of authenticity.
Payment & Shipping
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Shipping: Worthington Galleries provides in-house shipping at additional costs. We will separately invoice all winning bidders for packing, shipping, handling, and insurance costs. Please contact us to make shipping arrangements. If for whatever reason a winning bidder chooses not to use our in-house shipping, we will be happy to provide names of carriers and shippers. Should Purchaser choose to use a third-party shipper, Purchaser agrees that packing and shipping is done solely at the purchaser's risk and that the Purchaser will pay for all packing expenses, materials, carrier fees and insurance charges. Worthington Galleries will have no liability for any loss or damage to shipped items. Items must be paid for in full before they will be shipped. Any shipping estimates given are only estimates and cannot be construed as the final shipping cost. All property should be removed from the auction site premises at the auction's conclusion unless prior arrangements have been made with Worthington Galleries. Purchased items not picked up or shipped within ten business days of the auction will be assessed a storage fee of $10.00 per day. If the purchaser fails to have their item(s) removed from the Auction Site 30 days after the auction, Worthington Galleries reserves the right to take possession of the item(s) and dispose of them at their discretion to recoup storage costs.
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Shipping Information
Payment
All Sales Are Final. We accept the following forms of payment: Cash (In House Only), American Express, Discover, MasterCard, Money Order / Cashier's Check, Visa, and Wire Transfer. All winning bids must be settled by the end of sale. If we do not hear from you within 5 business days from the auction date, a credit card may be charged through invaluable. Purchaser is responsible for all bank fees incurred for wire transactions. Payment may be made by cash (In House Only), wire transfer, certified funds, credit card or other form approved by Worthington Holdings, LLC ("Worthington Galleries") in writing. We reserve the right to require payment by wire transfer or certified funds. Payments from outside the United States and Canada should be made by wire transfer. Credit cards will not be accepted for international transactions. Checks may take up to three weeks to clear and be verified. Buyers not known to us presenting a check must provide a "letter of guarantee" from a bank officer on original stationery to Worthington Galleries. This letter should state an exact amount of funds guaranteed and should be presented to the cashier at time of registration. Credit arrangements must be made by the Friday prior to the day of auction so bank statements or letters of guarantee can be verified. We reserve the right to not issue a bidder number or to withhold merchandise if appropriate credit has not been established. Worthington Galleries reserves the right to hold all merchandise until receipt of funds is verified. A $50.00 service charge will be assessed when a check fails to clear the purchaser's bank. In addition to this returned check administrative fee, late payment fees may be assessed. We require cash, cashier's check or wire transfer to replace the returned check and any service fees.
Shipping
Worthington Galleries provides in-house shipping at additional costs. We will separately invoice all winning bidders for packing, shipping, handling, and insurance costs. Please contact us to make shipping arrangements. If for whatever reason a winning bidder chooses not to use our in-house shipping, we will be happy to provide names of carriers and shippers. Should Purchaser choose to use a third-party shipper, Purchaser agrees that packing and shipping is done solely at the purchaser's risk and that the Purchaser will pay for all packing expenses, materials, carrier fees and insurance charges. Worthington Galleries will have no liability for any loss or damage to shipped items. Items must be paid for in full before they will be shipped. Any shipping estimates given are only estimates and cannot be construed as the final shipping cost. All property should be removed from the auction site premises at the auction's conclusion unless prior arrangements have been made with Worthington Galleries. Purchased items not picked up or shipped within ten business days of the auction will be assessed a storage fee of $10.00 per day. If the purchaser fails to have their item(s) removed from the Auction Site 30 days after the auction, Worthington Galleries reserves the right to take possession of the item(s) and dispose of them at their discretion to recoup storage costs.
Additional Terms
Condition and Descriptions: Worthington Holdings, LLC ("Worthington") has endeavored to accurately describe all items being sold. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as desired, or that you have chosen not to examine them. Please note that photographs may have had size modifications for display purposes, or been trimmed to exclude framing, matting, and wide blank margins. Also, imperfections from the photography process can include reflections and variations in color due to digital processing. Worthington shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear, imperfections or aging. Any condition statement, written or verbal, is given as a courtesy to the client, and is only an opinion. It should not be treated as a statement of fact. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. Estimates provided are our opinion of the price that a willing buyer would pay for the property at auction. These estimates are neither a representation nor a prediction of the actual selling price that will be realized at auction. All sales are final. No statement written or oral made by the auctioneer or a representative of Worthington shall be deemed a warranty or assumption of liability by Worthington or by any seller represented by Worthington. Worthington reserves the right to withdraw any property before the sale. The preview for the sale will be one day before the sale, or by appointment.
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