Loading Spinner
Don’t miss out on items like this!

Sign up to get notified when similar items are available.

Lot 1469: Isaack van Ruisdael, A View of Egmond

Est: €65,000 EUR - €75,000 EURSold:
Kunsthaus Lempertz KGKöln, GermanyNovember 14, 2015

Item Overview

Description

Monogrammed lower centre: IVRThe work shows a path winding upwards through the dunes past a small hillock with a signal mast protruding from its summit. On the left of the image we see a town with a church tower rising up in the centre, on the right the sea and coastline with a group of fishermen laying out their catch on the beach. This view of Egmond is monogrammed “IVR” and can be attributed to Isaack van Ruisdael via comparison with another work in a Dutch private collection bearing the same monogram.The work in Netherlandish private ownership (RKD no. 201500088; cf. Slive 2001, op. cit. no. dub10) displays stylistic parallels to the present work in its overall composition and details. Both landscapes depict the same view of Egmond seen from the North East, and the landscape components - hills, coast and town - are similarly arranged. The present work shows a smaller section of the view and thus the hills and houses appear closer to the observer. However, the most obvious difference is the signal mast in the centre of the composition which is lacking in the above mentioned comparison piece. These signal masts were used to guide mariners before the invention of lighthouses. One such mast is already depicted in the same location in a view of Egmond by Claes Jansz. Visscher in the year 1615 (cf. illus. 1). Isaack van Ruisdael here depicts it lopsided and scantily held in place with a makeshift wooden support. Despite the differences in the two works, features such as the bright highlights to the dune, the haystack, the figural staffage (for example the figure carrying a basket) and the depiction of the grass reflect this artist's characteristic style.The compositional similarity of this work to that in the Netherlandish private collection is remarkable for two reasons: The latter work is one of the exceedingly rare paintings which researchers have unanimously attributed to this artist. It is also a work which has been of paramount importance in the formation of Ruisdael's oeuvre and the definition of his artistic personality. Isaack van Ruisdael was the father of the great landscape painter Jacob van Ruisdael and brother of the equally important Salomon van Ruysdael. He was also the victim of a great historical error. The 18th century art historiographer Arnold Houbraken described him simply as a maker of frames, and this demotion to a mere craftsman continued into the 20th century. Prominent researchers such as Abraham Bredius and Jakob Rosenberg, and later Wolfgang Stechow and Seymour Slive denied the existence of his artistic career, ascribing disputable works to his son Jacob. However, there were always doubts regarding this historical degradation: Works ascribed to the young Jacob van Ruisdael often failed to correlate with his artistic development, and there were discrepancies in many of the signatures. There is also archival evidence documenting Isaack van Ruisdael's artistic activity. Kurt Erich Simon (Simon 1935, op. cit., passim) was the first to attempt to collate his oeuvre, the second tries being undertaken around 50 years later by Christopher Brown (Brown 1982, op. cit., passim) and Jeroen Giltaij (Giltaij 1992, op. cit., passim). At the latest it was these works which re-established Isaack van Ruisdael's reputation as an artist.The painting in the Netherlandish private collection has always been presented as a central argument by supporters of Isaack van Ruisdael and is, as mentioned above, one of the few works broadly attributed to him. The present image oritinating from a West German private collection and the strong stylistic parallels to the Dutch piece in its signature, composition and details allows for the attribution to the oeuvre of Isaack van Ruisdael.

Dimensions

65 x 84 cm

Artist or Maker

Medium

Oil on panel

Provenance

Private ownership, West Germany.

Notes

VAT: Margin scheme

Payment & Shipping

Payment

Accepted forms of payment: American Express, MasterCard, Visa, Wire Transfer

Auction Details

European Paintings, Drawings, Sculpture

by
Kunsthaus Lempertz KG
November 14, 2015, 11:00 AM CET

Neumarkt 3, Köln, 50667, DE

Terms

Live bidding may start higher or lower

Buyer's Premium

€0 - 399,999:31.56%
€400,000+:29.18%

Bidding Increments

From:To:Increment:
€0€999€50
€1,000€1,999€100
€2,000€3,999€200
€4,000€5,499€300
€5,500€14,999€500
€15,000€29,999€1,000
€30,000€49,999€2,000
€50,000€64,999€3,000
€65,000+€50,000

Terms and Conditions

Conditions of Sale
1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item's condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.
4. In the event of variances from the catalogue descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. German is the official language for the catalogue text. Over and above this, Lempertz undertakes to reimburse its commission within a given period of two years after the date of the sale if the object in question proves not to be authentic. Liability of Lempertz for faults or defects is otherwise excluded.

5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere are excluded unless Lempertz acted with wilful intent or gross negligence; in other regards, point 4 applies.

6. Submission of bids. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, telephonically or via the internet. The placing of bids in absentia must reach Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with ticket number and item description. In the event of ambiguities, the listed ticket number becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b - d of the Civil Code) do not apply. Telephonic bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.

7. Carrying out the auction. The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise (§ 2 point 4 VerstVO). Bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.

8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by its bid until four weeks after the auction unless it immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.

9. A premium of 26 % (23% + 3% live bidding fee) calculated on the hammer price plus 19 % value added tax calculated on the surcharge only is levied (margin scheme). On the lots which are characterized by an *, the buyer shall pay a premium of 26% (23% +3% live bidding fee) on the hammer price; onto this (hammer price and premium) the statutory VAT of 19% for decorative art and photography will be added. (Regelbesteuerung = regular scheme). For original works of art and photographies whose author died after 31.12.1941, a charge of 1.9% on the hammer price will be levied fort he droit de suite. Invoices may be issued for buyers who are entitled to a Pre-Tax Deduction for art and decorative art for all lots according to the existing »Regelbesteuerung« (regular scheme). These buyers must identify themselves when receiving their bidding paddle. Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number.

10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Cheques cannot be accepted. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however also reserves the right to refuse such a request if it is deemed appropriate.

11. In the case of payment default, Lempertz will charge interest on the outstanding amount at a rate of 1 % of the gross price per month or part month. If payment is made in a foreign currency, any exchange rate losses and bank charges will be borne by the buyer. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.

13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

14. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer.

Shipping Terms

Shipping Terms

Shipping Terms

Shipping Terms

Bidder registration

Please note that we can not finalize yor registration until the 16th of January 2015.
In order to participate in our auction you need to register 24 hours before the sale. Please be aware; we reserve the right to ask bidders for a deposit prior to the sale.

Buyers Premium

A premium of 22 % calculated on the hammer price plus 19 % value added tax calculated on the surcharge only is levied (margin scheme). On the lots which are characterized by an *, the buyer shall pay a premium of 22% on the hammer price; onto this (hammer price and premium) the statutory VAT of 7 per cent for paintings, original prints, sculptures and collection pieces and 19 per cent for decorative art and photography will be added. (Regelbesteuerung = regular scheme). For original works of art and photographies whose author died after 31.12.1941, a charge of 1.9% on the hammer price will be levied fort he droit de suite.