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Lot 149: Juan Luna y Novicio - ¿A Do...Va la Nave?

Est: ₱9,000,000 PHP - ₱12,000,000 PHPSold:
Salcedo AuctionsMakati City, PhilippinesSeptember 19, 2015

Item Overview

Description

Juan Luna y Novicio
¿A Do...Va la Nave?
FROM PARIS TO CORDOBA TO MANILA: THE JOURNEY OF ¿A DO...VA LA NAVE? The present owner of ¿A Do...Va la Nave? acquired the painting by descent from his grandmother, Maria Alberta Esther Susana Pignocchi-Bonaldi. Her husband Jose Domingo Bonaldi, whose grandfather was the first vice consul of Italy to Argentina, received it as a gift from his business associate Goar Mestre, a media tycoon who fled his home country of Cuba upon the triumph of Fidel Castro and the Communist Revolution. Deciding to settle in Buenos Aires in 1959, Mestre then pioneered the television and mass communication industry in Argentina. Known as the “Czar of Television” by the Argentines, Mestre associated with the likes of President Juan Domingo and First Lady Evita Peron. Mestre and Bonaldi, who were close friends, together established the first local TV station in Cordoba, Canal 13. The elements of family and friendship that are interlaced in the story of this painting have become part of the fabric of ¿A Do...Va la Nave?. Tracing the history of the painting led the specialist team at Salcedo Auctions to explore Luna’s ties to either Cuba or Argentina, as it is unknown where Mestre first got hold of the painting (telephone interview by the current owner with Ana Maria Mestre Martinez, daughter of Goar Mestre, Buenos Aires, April 2015). One plausible connection is through Felix Pardo de Tavera, the brother of Luna’s ill-fated wife Paz, who settled in Buenos Aires with his Argentinian wife Agustina Manigot and worked there both as a physician and as a sculptor (Pardo de Tavera’s bust portrait of the patriot Gen. Jose de San Martin is installed in the presidential palace of Casa Rosada). But considering the bad blood between Luna and the Pardo de Taveras - it was known that the family consequently destroyed all of his work in their possession - could this painting have been spared and crossed the Atlantic, later to be acquired by Mestre? Another theory that was investigated was Luna’s association with Spanish officials who had travelled between the Philippines, Spain, and Cuba. This included Ramón Blanco, Spanish Governor General of the Philippines (1893-96), and thereafter Captain General of Cuba (1897-98), whose portrait Luna had painted. Known for his conciliatory position towards the Filipino reformists, and for his friendship with the artist and Dr. Jose Rizal, could he have brought ¿A Do...Va la Nave? to Cuba? The complexities that surround the origins ¿A Do...Va la Nave? make this painting extremely important in the annals of Philippine art. The questions that it raises are of special significances to the study of Luna’s oeuvres. From its creation in Paris, to its finding a home over three generations in Cordoba, to the many possible paths it has travelled along the way, it is highly likely that this is the first time that ¿A Do...Va la Nave? has reached the shores of Juan Luna’s motherland. As a treasured heirloom representing the bond of family, Salcedo Auctions is extremely privileged to be given the opportunity to bring ¿A Do...Va la Nave? back to the Philippines. The multiplicity of meanings intertwined with its enigmatic past make it a true gem of 19th century Philippine painting that will surpass, and continue to exceed, any limitations of border, culture or time. Painted one year after Spoliarium garnered Juan Luna a gold medal in the 1884 Madrid Exposition of Fine Art, a signal achievement that raised the profile of the Filipino artist and, by extension, the reform movement on the international stage, this ravishing oil on canvas signed and dated ‘LVNA Paris 1885’ was thought to have been lost until its incredible discovery early this year in the central Argentinian city of Cordoba. The location and dimensions of ¿A Do...Va la Nave? were indicated as unknown in the seminal book on the artist published by the Eugenio Lopez Foundation in 1980, the only record of its existence being a reproduction in the 31 May 1886 edition of the Barcelona-based literary journal Ilustracion Artistica of an engraving based on the artwork by M. Weber. Created at the start of what would become a nine-year stay by Luna in the French capital, this allegorical work can be considered as an important transitional opus. Here, the artist reveals a more relaxed approach to subject matter as he shifts from the strict academic formalism of the Salon with its proclivity for grand historical scenes, and moves to more intimate genre scenes and a style that would be influenced by the tail-end of French Impressionism. This painterly candor was perhaps Luna’s way of encapsulating the frenetic energy of the city, where an increasingly successful artist such as he could be better exposed to leading dealers and collectors, and have the freedom of creative experimentation. In a way, Paris represented, in the words of the social historian Racquel A.G. Reyes, “emancipation.” “[B]y the late 19th century [it] had become the focus of new modes of learning, thinking, and living. It was, to paraphrase Victor Hugo’s vivid description in his epigraph to Zola’s Paris, the ship of human Progress.” It is perhaps no coincidence then that ¿A Do...Va la Nave? shows a skiff bobbing along a turquoise sea. The passengers of the boat consist of six elegantly garbed women in evening dress sitting languidly, with the one perched highest presumably Luna’s most favored model, the distinguished looking and voluptuous Angela Duche. One of the women appears to be a bride, face concealed by a veil, while another carefree maiden swathed in chiffon stretches close to the edge, her inverted, comely countenance gazing teasingly at the spectator. What is curious here is that the women far outnumber the two men on the boat, the younger one dressed as a soldier sitting near the bow surrounded by the ladies, the other older gentleman seeming to be sketching alone on the stern. It is a wonder that the vessel has not capsized given the uneven distribution of the passengers. What does this curious scene all mean? The title of the painting borrows the coro of an unfinished 1841 poem by Jose de Espronceda, a 19th century Spanish Romantic poet, the lines speaking of the uncertainty of the sea: “Y alla va la nave; Quien sabe do va? [And there goes the ship; Who knows where it will go?] La Ilustracion Artistica interprets the picture of the boat moving into an unknown horizon, the grey clouds clearing into pinkish wisps of sky, the colors reflected in the beauteous costumes of the passengers boldly confident in the face of possible danger, as youthful hubris. Luna’s interest in romanticism, however, as evidenced by his reference to Espronceda may point to the artist’s exploration of an even more elusive artistic ideal—the lifelong search for the sublime. Another way of reading the painting is that of Luna, the ilustrado male, coming to terms with modern femininity. Belle Epoque Paris presented a challenge to the artist’s traditional view of women as reticent and subservient. Here, we see the artist as the young gentleman surrounded by fashionable and flirtatious muses whose pink cheeks, fulsome bosoms, and alabaster corporeality created an overpowering allure that presumably Luna found, much like the ship drifting into uncharted territory, difficult to control. He is, likewise, the old sage at the stern surveying the scene, his wisdom outweighing folly, staying the course and keeping the boat on even keel. There is a surprising addition in the La Ilustracion engraving that is clearly absent in the painting: a seventh woman who has fallen off the boat – a moralizing commentary perhaps by the artist. Tests on ¿A Do...Va la Nave? under a UV lamp by a professional conservator did not reveal any pentimento of this seventh woman. One can speculate, therefore, that the disparity between the reproduction in the publication and the painting as viewers see it today may have stemmed from the original patron of ¿A Do...Va la Nave? requesting Luna to remove the grim image not long after it was completed such that the pigment, which was used to replace it, underwent the same aging process as the rest of the paint layer. Literature: La Ilustracion Artistica, Numero 231, Ano V, 31 de Mayo de 1886, pp. 192-93 Santiago Albano Pilar, Juan Luna The Filipino as Painter (Pasig: Eugenio Lopez Foundation, Inc., 1980), pp. 90–91 Raquel A.G. Reyes, Love, Passion and Patriotism: Sexuality and the Philippine Propaganda Movement, 1882-1892 (University of Washington Press, 2008), pp. 39-67
1885
55 x 104 cm (21 1/2 x 41 in)
Oil on canvas

Dimensions

55 x 104 cm (21 1/2 x 41 in)

Artist or Maker

Medium

Oil on canvas

Date

1885

Exhibited

Literature: La Ilustracion Artistica, Numero 231, Ano V, 31 de Mayo de 1886, pp. 192-93 Santiago Albano Pilar, Juan Luna The Filipino as Painter (Pasig: Eugenio Lopez Foundation, Inc., 1980), pp. 90–91 Raquel A.G. Reyes, Love, Passion and Patriotism: Sexuality and the Philippine Propaganda Movement, 1882-1892 (University of Washington Press, 2008), pp. 39-67

Payment & Shipping

Payment

Accepted forms of payment: MasterCard, Visa, Wire Transfer

Shipping

All invoices must be paid in full within 10 days of the auction. Acceptable forms of payment will be: Cash in United States Currency, Visa, MasterCard, Discover, Wire Transfer, or Cashier's Check. Items paid for by Cashier's Check will be held by Oakridge Auction Gallery, Inc. for 10 banking days before being released to the purchaser or shipping company. ALL items invoiced to a bidder must be paid for in full prior to the bidder receiving ANY of the items purchased. The purchaser grants Oakridge Auction Gallery, Inc. and the consignor(s) a security interest in the property purchased. Oakridge Auction Gallery, Inc. may retain as collateral security for the purchaser's obligations to us, all items identified on the purchaser's invoice(s), along with any payment(s) received from the purchaser, and any other item(s) Oakridge Auction Gallery, Inc. may possess, belonging to the purchaser, until such time that the purchaser's obligations for payment to Oakridge Auction Gallery, Inc. are satisfied. Oakridge Auction Gallery, Inc. and the consigner(s) retain all rights as a secured party under the laws of the State of Virginia By registering and Bidding at this auction, you agree that if on the eleventh (11th) day following the sale, your invoice(s) found to be unpaid, that the payment is late, and you specifically authorize Oakridge Auction Gallery, Inc. to charge the credit card that you used as a registration deposit, in a single transaction or in multiple transactions, until the balance owed to Oakridge Auction Gallery, Inc. is paid in full, at the full Buyer's Premium rate, regardless of any arrangement made to pay otherwise. Any invoice remaining open after 60 days, will be charged interest at a rate of 0.5% per month beginning on the 61st day.

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Auction Details

Important Philippine Art

by
Salcedo Auctions
September 19, 2015, 04:00 PM PHT

8 Rockwell Hidalgo Drive, Rockwell Center, Makati City, Metro Manila, , PH

Terms

Buyer's Premium

18.0%

Bidding Increments

From:To:Increment:
₱0₱9,999₱1,000
₱10,000₱29,999₱2,000
₱30,000₱32,999₱3,000
₱33,000₱34,999₱2,000
₱35,000₱37,999₱3,000
₱38,000₱39,999₱2,000
₱40,000₱42,999₱3,000
₱43,000₱44,999₱2,000
₱45,000₱47,999₱3,000
₱48,000₱49,999₱2,000
₱50,000₱99,999₱5,000
₱100,000₱199,999₱10,000
₱200,000₱299,999₱20,000
₱300,000₱329,999₱30,000
₱330,000₱349,999₱20,000
₱350,000₱379,999₱30,000
₱380,000₱399,999₱20,000
₱400,000₱429,999₱30,000
₱430,000₱449,999₱20,000
₱450,000₱479,999₱30,000
₱480,000₱499,999₱20,000
₱500,000₱999,999₱50,000
₱1,000,000₱1,999,999₱100,000
₱2,000,000₱2,999,999₱200,000
₱3,000,000₱3,299,999₱300,000
₱3,300,000₱3,499,999₱200,000
₱3,500,000₱3,799,999₱300,000
₱3,800,000₱3,999,999₱200,000
₱4,000,000₱4,299,999₱300,000
₱4,300,000₱4,499,999₱200,000
₱4,500,000₱4,799,999₱300,000
₱4,800,000₱4,999,999₱200,000
₱5,000,000₱9,999,999₱500,000
₱10,000,000₱19,999,999₱1,000,000
₱20,000,000+₱2,000,000

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Any other taxes or fees that may arise in relation to the purchase of a Lot shall be for the sole account of the buyer.

7. REMEDIES AVAILABLETO SALCEDO AUCTIONS

If the buyer fails to remit the Full Purchase Price to Salcedo Auctions in accordance with Section 6 (b) above, Salcedo Auctions shall have the right to exercise one or more of the following remedies (in addition to exercising any other remedies or rights available to it by law);

(a) to charge interest at such rate as it shall reasonably select;

(b) to hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery, together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(c) to cancel the sale of the Lot or any other lots sold to the defaulting buyer at the same or any other auction, retaining as liquidated damages all payments made by the defaulting buyer;

(d) to resell the property, whether at private sale or public auction without reserve, provided that the defaulting buyer will be liable for any deficiency between the total amount due to Salcedo Auctions and the price obtained upon resale as well as for all damages, premiums, commissions, costs and expenses related to both sales or arising from the default;

(e) to set off the outstanding amount remaining unpaid by the defaulting buyer against any amounts which Salcedo Auctions may owe said buyer in any other transactions;

(f) where several amounts are owed by the defaulting buyer to Salcedo Auctions, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not directed to do so by the buyer;

(g) to reject at any future auction any bids made by or on behalf of the defaulting buyer or to require a deposit from the buyer before accepting any bids;

(h) to exercise a lien over any of the defaulting buyer's property in the possession of Salcedo Auctions, provided that Salcedo Auctions may arrange for the sale of such property and apply the proceeds of the sale to the amounts owed to it within fourteen (14) days from its notice to the buyer regarding the exercise of its lien;

(i) to release the name and address of the defaulting buyer to the seller to enable the latter to commence legal proceedings to recover the amounts due as well as legal costs, provided that Salcedo Auctions shall take reasonable efforts to inform the buyer prior to the release of this information;

(j) to take such other actions as Salcedo Auctions deems necessary or appropriate; or

(k) to effect any combination thereof.

8. GENERAL PROVISIONS

(a) All images, illustrations and written material produced by or for Salcedo Auctions for the auction are its exclusive property. Salcedo Auctions shall have the discretion to use these materials for its own purposes.

(b) Salcedo Auctions and the sellers do not warrant that the buyer will acquire any copyright or reproduction rights to any Lot sold. Salcedo Auctions expressly reserves the right to reproduce any image of the Lots sold in this catalogue.

(c) All measurements and weights stated in the catalogues of Salcedo Auctions are approximate. Salcedo Auctions is not responsible for damage to glass covering paintings, drawings, and other works or frames regardless of cause.

(d) At some auctions, there may be a video or digital screen. Salcedo Auctions shall not be liable for errors that may occur in the operation of the video or digital screen and in the quality of the image.

(e) Employees of Salcedo Auctions may bid only if they do not know the Reserve. They must likewise fully comply with the internal rules of Salcedo Auctions on employee bidding.

(f) If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

(g) These Terms and Conditions are not assignable by any buyer without the prior written consent of Salcedo Auctions. However, these Terms and Conditions are binding on the buyer's successors, assigns and representatives.

(h) No act, omission or delay by Salcedo Auctions shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

(i) These Terms and Conditions and all related matters and transactions shall be governed by Philippine law. By bidding at auction, the buyer shall be deemed to have submitted, for the benefit of Salcedo Auctions, to the exclusive jurisdiction of the courts in the City of Makati, Philippines and to have waived any objection to the jurisdiction and venue of any such court.

updated as of 16 September 2014

Buyer's Premium

The Buyer's Premium shall be 15%. No 12% Value-Added Tax (VAT) will be charged on the hammer price, but 12% VAT will be added to the Buyer's Premium. The buyer shall shoulder the payment of the Value-Added Tax on the Buyer's Premium.

Payment

Unless prior written arrangements have been made, payment shall be made in Philippine Pesos. Salcedo Auctions shall accept payments in cash, wire transfer, or manager's or personal checks. Checks should be made payable to Salcedo Auctions.

Payments by wire transfer should be directed to:

Name of Bank: Banco De Oro Address: Paseo Tower, Makati Branch 8751 Equitable Tower Paseo de Roxas, Makati City Account Name: Salcedo Auctions Account Number: SA 046-0167-588 Swift Code: BNORPHMM

Shipping Terms

All invoices must be paid in full within 10 days of the auction. Acceptable forms of payment will be: Cash in United States Currency, Visa, MasterCard, Discover, Wire Transfer, or Cashier's Check. Items paid for by Cashier's Check will be held by Oakridge Auction Gallery, Inc. for 10 banking days before being released to the purchaser or shipping company. ALL items invoiced to a bidder must be paid for in full prior to the bidder receiving ANY of the items purchased. The purchaser grants Oakridge Auction Gallery, Inc. and the consignor(s) a security interest in the property purchased. Oakridge Auction Gallery, Inc. may retain as collateral security for the purchaser's obligations to us, all items identified on the purchaser's invoice(s), along with any payment(s) received from the purchaser, and any other item(s) Oakridge Auction Gallery, Inc. may possess, belonging to the purchaser, until such time that the purchaser's obligations for payment to Oakridge Auction Gallery, Inc. are satisfied. Oakridge Auction Gallery, Inc. and the consigner(s) retain all rights as a secured party under the laws of the State of Virginia By registering and Bidding at this auction, you agree that if on the eleventh (11th) day following the sale, your invoice(s) found to be unpaid, that the payment is late, and you specifically authorize Oakridge Auction Gallery, Inc. to charge the credit card that you used as a registration deposit, in a single transaction or in multiple transactions, until the balance owed to Oakridge Auction Gallery, Inc. is paid in full, at the full Buyer's Premium rate, regardless of any arrangement made to pay otherwise. Any invoice remaining open after 60 days, will be charged interest at a rate of 0.5% per month beginning on the 61st day.

REMEDIES FOR NON-PAYMENT OR NON-COMPLIANCE: Oakridge Auction Gallery, Inc., and the consignor(s) reserve the right to use any and all remedies for non-payment or for non-compliance with these Terms & Conditions, afforded to us by law. In addition to any such remedy or remedies available to us, including without limitation, the right to hold the purchaser liable for the purchase price, Oakridge Auction Gallery, Inc. may at its sole discretion and option: (a) compel specific performance and hold the purchaser liable for the full invoice price, (b) cancel the sale, retaining all payments made by the purchaser as liquidated damages and not as a penalty, or (c) resell any item or lot of items by public or private sale and hold the purchaser liable for all damages, including the difference between the invoice amount and the bid price realized when the item(s) are resold, all costs for resale, including our commission at our customary rate, and other damages incurred, including storage costs, sale expenses, and attorney fees.

REPORTING OF CASH PAYMENTS: In order to comply with the United States, Internal Revenue Service (IRS) and the United States Financial Crimes Enforcement Network (FinCEN) rules, Oakridge Auction Gallery, Inc. will file a Form 8300 to report all transactions or related transactions that involve the receipt of Cash or a combination of Cash and a Cashier's Check, where the total of the Cash or Combination of Cash and Cashier's Check(s) received in the transaction or related transactions is in excess of $10,000.00. Wire Transfers and Credit Card payments are not considered Cash Transactions. Oakridge Auction Gallery, Inc. is not required to report:
1) Non-Cash transactions such as Wire Transfers and Credit Card payments,
2) Cash and/or Cashier's Check Transactions of $10,000.00 or less, or
3) transactions where a Cashier's Check is received in excess of $10,000.00 and Cash received in the same transaction or related transactions is $10,000.00 or less.
If, based on your method of payment, reporting it required, by registering for and bidding at this auction, you agree to assist Oakridge Auction Gallery, Inc. fulfill their reporting requirement by accurately completing FinCEN Form 8300 and providing your Taxpayer Identification Number. If you are a nonresident alien individual or a foreign organization that:
1) does not have income effectively connected with the conduct of a United States trade or business,
2) does not have an office or place of business or a fiscal or paying agent in the United States,
3) does not file a United States Federal Income Tax Return,
4) does not furnish a United States Withholding Certificate,
5) does not furnish a Taxpayer Identification Number on any return, statement, or other documents as required by the United States Income Tax Regulations, or
6)if as an individual you have not chosen to file a joint United States Federal Income Tax Return with a spouse who is a United States Citizen or Resident,
then you are not required to provide a Taxpayer Identification Number. However, the transaction must still be reported on Form 8300, the address must be that of the foreign address, and a government-issued identification must be provided, such as a Passport.