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Lot 1265: LOMAZZO, GIOVANNI PAOLO (1538-1600).

Est: £2,000 GBP - £3,000 GBPSold:
Sotheby'sLondon, United KingdomApril 14, 2005

Item Overview

Description

Trattato de l'arte e de la pittura... diviso in sette libri. Ne' quali si contiene tutta la theorica, & la prattica d'essa pittura. Milan: Paolo Gottardo da Ponte, 1584

Condition Note:

4to (205 x 146mm.), [40], 692, 695-700, [6]pp., last three leaves containing errata and an additional chapter 17 for book 6, illustration : woodcut arms on title-page of the dedicatee (Carlo Emanuele, grand duke of Savoy), woodcut initials, woodcut medallion portrait of the author after Annibale Fontana, binding : eighteenth-century speckled calf gilt, spine gilt in compartments, morocco lettering-piece, red speckled edges, binding a little rubbed

We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.

LITERATURE AND REFERENCES

Censimento 16 CNCE 24452; Cicognara 159; A. Blunt, Artistic theory in Italy 1450-1600, chapter IX, "The later Mannerists"
CATALOGUE NOTE

Lomazzo, a painter by trade, was a pupil of Gaudenzio Ferrari. The onset of blindness at the age of 33 turned him to the theory and philosophy of art. Strongly Neoplatonist in his views, he believed that beauty was something divine infused into man, independent of sense impressions, a spiritual grace ("una certa grazia vivace & spirituale"). He was much influenced by astrology, and in his attitude towards mathematics and its relationship with painting, he turned away from the geometrical attitude of the early humanists towards one that relied more on the individual eye.

Artist or Maker

Auction Details

Macclesfield Part 5 - Science I-O

by
Sotheby's
April 14, 2005, 12:00 AM EST

34-35 New Bond Street, London, LDN, W1A 2AA, UK