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Lot 9: Ruth Asawa (American, 1926-2013) Untitled (S.408, Hanging Five-Lobed, Two-Part Form, with the Second and Third Lobes Attached by Chain and Interior Spheres in the First and Third Lobes) circa 1953-1954

Est: $1,000,000 USD - $1,500,000 USDSold:
BonhamsNew York, NY, USJuly 01, 2020

Item Overview

Description

Ruth Asawa (American, 1926-2013)
Untitled (S.408, Hanging Five-Lobed, Two-Part Form, with the Second and Third Lobes Attached by Chain and Interior Spheres in the First and Third Lobes)
circa 1953-1954

brass and unknown non-magnetic wire

50 by 9 3/4 by 9 3/4 in.
127 by 24.77 by 24.77 cm.

This work was executed circa 1953-1954.
For further information on this lot please visit the website

Artist or Maker

Provenance

This work is registered in the records of the Ruth Asawa Estate, California, under no. S.408.
Provenance
Acquired directly from the artist by the present owner in 1954
I was interested in the economy of a line, making something in space, enclosing it without blocking it out. It's still transparent. I realized that if I was going to make these forms, which interlock and interweave, it can only be done with a line because a line can go anywhere. — Ruth Asawa
Ruth Asawa is one of her generation's most singular artists. Boldly inventive, Asawa's process of using ordinary material, exploring traditional methods of creation, and combining them with unexpected form and display, make her hanging wire sculptures some of the most iconic works of Post-War American art. Asawa was born in 1926 in Southern California. Experiences from her youth, including early study of Japanese calligraphy influenced her artistic vision and can be seen in the graceful lines of her sculptural works and ink drawings. One of seven children, Asawa grew up working on her family's farm in Norwalk, CA, during the Great Depression. This early contact with the organic shapes of natural flora played a key role in the development of the abstract forms for which she is so well-known. Linking farming and art later in life, the artist said, 'sculpture is just like farming. If you keep at it, you can get quite a lot done.' (the artist in Daniell Cornell Ed., The Sculpture of Ruth Asawa: Contours in the Air, Fine Arts Museums of San Francisco, Sam Francisco 2006.)
Asawa and her family were sent to internment camps following the bombing of Pearl Harbor in 1941. Asawa was not only a teenager, but also a born US citizen. After graduating high school in internment, she received a scholarship from a Quaker organization that enabled her to leave the camp and continue her education at Milwaukee State Teachers College. After completing college coursework, she pursued her interest in art by attending the legendary Black Mountain College from 1946-1949. While there, she studied with Josef Albers, Merce Cunningham and Buckminster Fuller, who became influential teachers and mentors. Her drawings at Black Mountain explored repetition and pattern, themes which would continue in her artistic practice across diverse media.
A crucial moment in Asawa's education occurred during a summer break from Black Mountain. The artist traveled to Mexico, where she encountered wire baskets made by a local craftsman. She learned this technique and began creating extraordinary sculptures such as the present lot. The artist herself described the looped wire sculptures in her writing as 'a woven mesh not unlike medieval mail. A continuous piece of wire, forms envelop inner forms, yet all forms are visible (transparent). The shadow will reveal an exact image of the object' (the artist quoted in https://ruthasawa.com/art/sculpture). Her seminal hanging sculptures include elegant forms and nested lobes, recalling the baskets that birthed her remarkable technique-- a literal elevation from earth-bound utilitarianism to suspended masterworks.
The present lot was created circa 1953-54 and is a stunning example from this important period where Asawa was exploring different techniques to create overlapping layers. The wire glints a golden hue in the light while the layered and nested lobe forms gently and weightlessly float in midair. Featuring multiple lobes, some with additional interior lobes and some connected by chain, Untitled (S.408, Hanging Five-Lobed, Two-Part Form, with the Second and Third Lobes Attached by Chain and Interior Spheres in the First and Third Lobes) is both a signature and unique example in the artist's oeuvre. The present sculpture brings together the many transcendent contradictions inherent in Asawa's most captivating work... For further information on this lot please visit the Bonhams website

Payment & Shipping

Accepted forms of payment: Wire Transfer

Shipping

TBC

Auction Details

Post-War & Contemporary Art

by
Bonhams
July 01, 2020, 01:00 PM EST

580 Madison Avenue, New York, NY, 10022, US

Terms

Live bidding may start higher or lower

Buyer's Premium

$1 - 2,999:27.5%
$3,000 - 399,999:25.0%
$400,000 - 3,999,999:20.0%
$4,000,000+:13.9%

Bidding Increments

From:To:Increment:
$0$99$5
$100$199$10
$200$219$20
$220$279$30
$280$319$20
$320$379$30
$380$419$20
$420$479$30
$480$499$20
$500$999$50
$1,000$1,999$100
$2,000$2,199$200
$2,200$2,799$300
$2,800$3,199$200
$3,200$3,799$300
$3,800$4,199$200
$4,200$4,799$300
$4,800$4,999$200
$5,000$9,999$500
$10,000$19,999$1,000
$20,000$21,999$2,000
$22,000$27,999$3,000
$28,000$31,999$2,000
$32,000$37,999$3,000
$38,000$41,999$2,000
$42,000$47,999$3,000
$48,000$49,999$2,000
$50,000$99,999$5,000
$100,000$199,999$10,000
$200,000$219,999$20,000
$220,000$279,999$30,000
$280,000$319,999$20,000
$320,000$379,999$30,000
$380,000$419,999$20,000
$420,000$479,999$30,000
$480,000$499,999$20,000
$500,000$999,999$50,000
$1,000,000$1,999,999$100,000
$2,000,000$2,199,999$200,000
$2,200,000$2,799,999$300,000
$2,800,000$3,199,999$200,000
$3,200,000$3,799,999$300,000
$3,800,000$4,199,999$200,000
$4,200,000$4,799,999$300,000
$4,800,000$4,999,999$200,000
$5,000,000+$500,000

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