Lot 141: *Samuel van Hoogstraten (1627-1687) st. peter in prison visited by the angel. Pen and brown ink.

*Samuel van Hoogstraten (1627-1687) st. peter in prison visited by the angel. Pen and brown ink. 187 by 216mm. Provenance: R.Peltzer (L.2231); T. Straus-Negbaur (L.2459a), her sale, Berlin, Cassirer, 25-26 November 1930, lot 83 (as Rembrandt?). Literature: W. Valentiner, 'Rembrandt and Samuel van Hoogstraten', Art in America, vol.xviii, 1930, p.138, fig.8; W. Valentiner, Rembrandt and his Pupils, exhib. cat., Raleigh, North Carolina, 1956, p.118, under cat.33; W. Sumowski, Drawings of the Rembrandt School, vol.5, New York 1981, cat.1196x, illus. Valentiner, who was the first to recognize Hoogstraten's authorship of this drawing, dated it circa 1646, whereas Sumowski dates it circa 1649. This was once on a mount bearing an inscription t

*Samuel van Hoogstraten (1627-1687)
st. peter in prison visited by the angel.
Pen and brown ink.
187 by 216mm.
Provenance:
R.Peltzer (L.2231);
T. Straus-Negbaur (L.2459a), her sale, Berlin, Cassirer, 25-26 November 1930, lot 83 (as Rembrandt?).
Literature:
W. Valentiner, 'Rembrandt and Samuel van Hoogstraten', Art in America, vol.xviii, 1930, p.138, fig.8;
W. Valentiner, Rembrandt and his Pupils, exhib. cat., Raleigh, North Carolina, 1956, p.118, under cat.33;
W. Sumowski, Drawings of the Rembrandt School, vol.5, New York 1981, cat.1196x, illus.
Valentiner, who was the first to recognize Hoogstraten's authorship of this drawing, dated it circa 1646, whereas Sumowski dates it circa 1649.
This was once on a mount bearing an inscription thought to be in the hand of Wilhelm Bode, and recording his opinion that the drawing had been corrected by Rembrandt: Der eine schlafende Nachter vielleicht eigenhandige Correktur Rembrandts.
*Samuel van Hoogstraten (1627-1687)
st. peter in prison visited by the angel.
Pen and brown ink.
187 by 216mm.
Provenance:
R.Peltzer (L.2231);
T. Straus-Negbaur (L.2459a), her sale, Berlin, Cassirer, 25-26 November 1930, lot 83 (as Rembrandt?).
Literature:
W. Valentiner, 'Rembrandt and Samuel van Hoogstraten', Art in America, vol.xviii, 1930, p.138, fig.8;
W. Valentiner, Rembrandt and his Pupils, exhib. cat., Raleigh, North Carolina, 1956, p.118, under cat.33;
W. Sumowski, Drawings of the Rembrandt School, vol.5, New York 1981, cat.1196x, illus.
Valentiner, who was the first to recognize Hoogstraten's authorship of this drawing, dated it circa 1646, whereas Sumowski dates it circa 1649.
This was once on a mount bearing an inscription thought to be in the hand of Wilhelm Bode, and recording his opinion that the drawing had been corrected by Rembrandt: Der eine schlafende Nachter vielleicht eigenhandige Correktur Rembrandts.