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Lot 152: THÉRÈSE VAN DUYLE SCHWARTZE (1851-1918)

Est: €2,000 EUR - €3,000 EURSold:
Bernaerts AuctioneersAntwerp, BelgiumDecember 08, 2020

Item Overview

Description

First day at the orphanage. After 1906. Canvas mounted on cardboard.
Monogrammed to the right 'Th. vD. S'.
Annotation 'N°=4', title and monogram on verso.
Provenance: Sotheby's, Amsterdam, 16.4.1996 (19th Century European Paintings), lot 287 as 'Scandinavian School, early 20th-century' where bought by the former owner; Private collection Belgium.

Already at a young age of 16, Thérèse Schwartze is eager to make a living as a painter. She learns how to paint from her father who was a celebrated portraitist himself. After his death, Thérèse will inherit his studio and continues the work as she will become the prime source of income for her family.
While also painting still-lifes and genre pieces, her portraits stand out and many commissions from Amsterdam aristocracy offer her a continuous flow of work. In 1881, she paints the portrait of the Dutch queen Emma and her daughter Wilhelmina.
Her early work is characterised by a rather academic style. Later on, her handling of the brush becomes looser, applying soft sfumato touches in the faces, while the clothes are depicted in stark, thick brushstrokes.
Young women and girls, such as orphans, young brides or children receiving their first communion, are often the protagonists in her genre pieces. One of her most famous paintings is a large canvas with three orphan girls now in the collection of the Rijksmuseum in Amsterdam (ill. 1).
Description FR
Premier jour à l'orphélinat. Après 1906. Toile.
Monogrammée 'Th. vD. S.'.
Annotation N°=4, titre néerlandais et monogramme au revers.
Provénance: Sotheby's, Amsterdam, 16.4.1996 (19th Century European Paintings), comme 'École scandinave, début du XXe siècle'.

Thérèse Schwartze est déterminée à vivre de sa peinture depuis l'age de seize ans. Elle apprend le métier de son père qui était un célèbre portraitiste. Après sa mort en 1874, elle a non seulement repris tout son atelier, mais aussi le rôle de soutien de toute la famille. Bien que Schwartze réalise également des pièces de genre et des natures mortes, elle se développe principalement en tant que portraitiste virtuose. Après avoir dépeint la reine Emma et sa fille Wilhelmina en 1881, elle reçoit de nombreuses commandes de la haute bourgeoisie. Son style plutôt académique s'est développé plus tard vers un style plus libre dans lequel la couleur, la lumière et le contraste entre les touches douces 'sfumato' des visages et les contours durs 'disegno' des vêtements sont typiques. Les figures féminines, en particulier les jeunes filles, jouent un rôle majeur dans ses peintures. Les orphelines et les communicants expriment l'innocence et la pureté d'une manière modeste. Sur ce thème, elle peint un de ses chefs-d'œuvre "Trois filles de l'orphelinat d'Amsterdam" qui se trouve aujourd'hui dans la collection du Rijksmuseum (ill. 1).

Beschrijving NL
Eerste dag in het weeshuis. Na 1906. Doek op karton.
Rechts gemonogrammeerd 'Th. vD. S.'.
Annotatie 'N°=4', titel en monogram op verso.
Herkomst: Sotheby's, Amsterdam, 16.4.1996 (19th Century European Paintings), lot 287 als 'Scandinavische school, vroeg 20ste-eeuws', daar aangekocht door de vorige eigenaar; Private collectie, België

Thérèse Schwartze is al vanaf haar zestien vastbesloten om de kost te winnen met schilderen. Ze leert het vak van haar vader die gevierd portrettist was. Na zijn overlijden in 1874 neemt ze niet alleen zijn gehele atelier over, maar ook de rol als kostwinner van het gehele gezin. Hoewel Schwartze ook genrestukken en stillevens maakt, ontwikkelt ze zich voornamelijk als virtuoos portrettist. Nadat ze in 1881 koningin Emma en haar dochter Wilhelmina had geportretteerd, ontvangt ze veel opdrachten uit society-kringen. Haar eerder academisch stijl ontwikkelt later naar een lossere toets waarbij kleur, licht en het contrast tussen de zachte ‘sfumato’ toetsen in de gezichten en de harde ‘disegno’ contouren in de kleren typerend zijn. In haar genrestukken spelen vrouwenfiguren, vooral jonge meisjes, een grote rol. Weesmeisjes en communicantjes vertolken op ingetogen wijze onschuld en puurheid. In dit thema schildert ze ook een van haar meest bekende schilderijen, namelijk de 'Drie meisjes uit het Amsterdamse Burgerweeshuis' dat zich nu in collectie van het Rijksmuseum bevindt (ill. 1).

Dimensions

50 cm diameter(62 cm diameter)

Artist or Maker

Literature

Katlijne van der Stighelen et al., 'Elck zijn waarom. Vrouwelijke kunstenaars in België en Nederland 1500-1950', tent.cat. Antwerpen, KMSKA, 1999-2000, pp. 262-266
Video: https://youtu.be/4iuudVQGSYo

Notes

NL: Dit schilderij kan na augustus 1906 gedateerd worden. Op 30 augustus 1906 trouwt Thérèse Schwartze met Anton Gilles Cornelis van Duyl. Vanaf dan neemt ze zijn initialen op in haar signatuur. EN: This painting can be dated after 1906. On August 30th, 1906 Thérèse Schwartze marries Anton Gilles Cornelis van Duyl. From then on she included his initials in her signature.

Payment & Shipping

Payment

Accepted forms of payment: MasterCard, Visa, Wire Transfer

Shipping

For smaller items we can assist you in packaging and shipping. For larger or valuable pieces we kindly request you to organize your own transport.
However, we can recommend you some shipping companies.
The costs and risks for packaging and shipping are always your responsibility. Please contact shipping@bernaerts.be.

Auction Details

Winter tales pt.1 - Old masters (1-200)

by
Bernaerts Auctioneers
December 08, 2020, 02:00 PM CET

Verlatstraat 16-22, Antwerp, Antwerp, 2000, BE

Terms

Buyer's Premium

28.0%

Bidding Increments

From:To:Increment:
€0€5€1
€6€9€2
€10€99€10
€100€399€20
€400€999€50
€1,000€1,999€100
€2,000€4,999€200
€5,000€9,999€500
€10,000€19,999€1,000
€20,000€49,999€2,000
€50,000+€5,000

Terms & Conditions

The joint stock company Auction House Bernaerts JSC (hereafter BERNAERTS AUCTIONEERS) announces to the participants of the sale that the sale will be held according to the terms and conditions listed below and any participation in the auctions implies the unconditional acceptance of the present conditions of sale.

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Shipping Terms

For smaller items we can assist you in packaging and shipping. For larger or valuable pieces we kindly request you to organize your own transport.
However, we can recommend you some shipping companies.
The costs and risks for packaging and shipping are always your responsibility. Please contact shipping@bernaerts.be.