Mariotto di Biagio di Bindo Albertinelli Paintings & Artwork for Sale | Mariotto di Biagio di Bindo Albertinelli Art Value Price Guide

May. 19, 2024
MARIOTTO ALBERTINELLI - La Vergine con il Bambino e San Giovannino
Est: -
La Vergine con il Bambino e San Giovannino Tempera e olio su tavola, 81x60,5 cm Il dipinto, squisito capolavoro del rinascimento fiorentino, raffigura la Madonna il Bambino e San Giovannino. Numerosi e raffinatissimi i dettagli, tutti di valore simbolico e dipinti con eccellente sapienza botanica. Gesù calpesta violette, simbolo dell'umiltà della Vergine, accanto vi è una melagrana aperta, simbolo della pienezza di Gesù, della sua sofferenza e resurrezione. Segue un passeraceo che rappresenta l'anima e il corpo del cristiano, venduto al peccato ma riscattato dal sacrificio del Signore. Infine un ramo di pere che si collega alla Vergine Maria con il Bambino, come simbolo dell'amore di Dio per l'umanità e dell'affetto tra Madre e figlio. Il quadro è opera di un importante pittore fiorentino: Mariotto Albertinelli, allievo di Cosimo Rosselli, e che ebbe bottega con Fra' Bartolomeo. Il suo destino critico è legato e in parte condizionato dalla grande vicinanza anche umana a Fra'Bartolomeo, che, unitamente all'Albertinelli era inserito in un gruppo di artisti detti di"San Marco" che soli, godevano della fiducia del Savonarola. I suoi dipinti mostrano anche l'influenza del Perugino, di Piero di Cosimo, Lorenzo di Credi e della pittura fiamminga. Albertinelli dipinse più volte quadri con simili composizioni, e molte piccole varianti, destinati a raffinati collezionisti privati. Se ne conoscono una versione al Fitzwilliam Museum di Cambridge, altra segnalata dallo Zeri in collezione privata di Novara, altra, firmata e datata 1509, alla Harewood House, West Yorkshire in Inghilterra. La presente tavola per via della sua alta qualità appare direttamente accostabile a quella di Harewood House e, come quella, è ricca di raffinati dettagli. La datazione va posta intorno al 1510. Per la sua semplice ma monumentale struttura, il rapporto rigoroso con lo spazio e il retrostante sereno scorcio paesaggistico e l'esemplare resa dei sentimenti, l'opera ci appare come un esempio perfetto dell'arte fiorentina del primissimo Cinquecento. Bibliografia: Ludovico Borgo, Mariotto Albertinelli's Smaller Paintings after 1512 in: The Burlington Magazine, London 1974, n 116.1974,pp. 245-250 S. Padovani, 'L'età di Savonarola. Fra Bartolomeo e la scuola di San Marco', catalogo della mostra, Padova 1996, ad vocem Mariotto Albertinelli, pictor et hospes (Octahedron Tattianum VI), in Renaissance Studies in Honor of Joseph Connors, ed. Machtelt Isräels and Louis A. Waldman, 2 vols. (Florence: Villa I Tatti, 2013), I, pp. 12-14, 765 Andrea Donati e Silvia Marchiori, Eccentrici fiorentini a confronto : Puligo, Albertinelli, Visino dalle collezioni dal Pozzo e Manfredini , Roma Etgraphiæ 2020
Meeting Art Casa D'Aste
Jan. 31, 2024
MARIOTTO ALBERTINELLI (FLORENCE 1474-1515) The Madonna and Child before a w
Est: $300,000 - $500,000
MARIOTTO ALBERTINELLI (FLORENCE 1474-1515) The Madonna and Child before a window with a landscape beyond oil on panel 31 5⁄8 x 22.7⁄9 in. (80.5 x 58 cm.)
Christie's
Feb. 01, 2023
MARIOTTO ALBERTINELLI (copia del XIX secolo)
Est: €400 - €700
(Firenze, 1474 - 1515) Visitazione Olio su tela, cm 115X73
Wannenes Art Auctions
Dec. 05, 2022
MARIOTTO ALBERTINELLI (1474-1515) (COPIE OF)
Est: €800 - €1,200
The Visitation. Canvas. After the original housed at the Uffizi (inv. 1890 n.1587) in Florence. Description FR La Visitation. Toile. D'après l'original (232 x 148 cm) sur panneau de 1503, conservé aux Uffizi (inv. 1890 n.1587) à Florence. Beschrijving NL De Visitatie. Doek. Naar het origineel (232 x 148 cm) op paneel uit 1503, bewaard in het Uffizi (inv. 1890 n.1587) in Firenze.
Bernaerts Auctioneers
Feb. 26, 2022
Mariotto Albertinelli (1474 –1515), Madonna with Child
Est: €15,000 - €17,000
Mariotto Albertinelli was an Italian Renaissance painter of the Florentine school. He began his studies in the workshop of Cosimo Rosselli. During his studies, he met Baccio della Porta, later known as Fra Bartolomeo. They became close friends, and from an artistic point of view provided mutual inspiration and eventually, around 1494, founded a joint workshop. In the years that followed, their work was so closely intertwined that many pieces could not be attributed to one or the other artist. Around 1500 Baccio decided to retire to a monastery and renounce painting. There he took the name Fra Bartolomeo. In 1509 they resumed their cooperation and opened a workshop together, which remained in operation until 1513. In this painting, Madonna is depicted in her typical red dress and blue cloak. Her figure turns to the left, her shoulder extending into the viewer’s space. With her right arm, she embraces the infant Christ, dressed in a blue shirt, looking out of the picture and making the gesture of blessing as his mother supports him with her left hand. The background is formed by green drapes with a subtle floral pattern.
Fine Antiques Prague s.r.o.
Jan. 26, 2022
19th C. Italian School. Visitation
Est: -
Oil on canvas. With restorations. Copy of the predella of "Visitazione" made in 1503 by Mariotto Albertinelli (Florence 1474 – 1515) and exhibited in the Uffizi Gallery.
Duran Arte y Subastas
Jun. 25, 2021
AN OIL PAINTING OF THE BORN OF JESUS MARIOTTO ALBERTINELLI IN 1503
Est: $17,500 - $20,000
The works of Italian Renaissance painter Mariotto Albertinelli depicts the sacred moment of Jesus. In the foreground, the newly born Jesus looks at Mary kneeling on her right hand, and the serene and holy virgin looks at Christ with a little sadness; Joseph's wooden staff, tired on the left, sits on top of their luggage. The halo of the cross on Jesus' head signifies the fate of Christ being crucified. The bull lying behind the broken wall indicates that Christ was born in the cowshed. The background is the common suburban scenery in the Renaissance. The composition of the work is rigorous and orderly, the figure sketch is solid, and the deconstruction is accurate. According to the Bible, Jesus was born at night, but the picture is just like day. The perspective of Jesus in the center of the picture is scattered, symbolizing that Jesus is the eternal light and hope of the world.
Roswell Auctions
Jun. 05, 2021
Mariotto Albertinelli, God the Father Blessing, Surrounded by Angels
Est: €20,000 - €30,000
As Professor Carlo Falciani confirmed in a written communication to the owner (October 1st, 2012), the lunette can be confidently attributed to Mariotto Albertinelli and dated to between 1509 and 1513, when the artist was working with Fra Bartolomeo. The work can be compared stylistically and iconographically to a series of altarpieces by Mariotto from the same years. For comparison, observe the representation of the Trinity, created around 1510 for the altar of the Church of San Giuliano in Florence, and the upper part of the Annunciation with God the Father, signed and dated "1510 Mariocti Florenti Opus", executed for the main altar of the Compagnia di San Zanobi in the Canonica di Santa Maria del Fiori. However, the direct source for the iconography of the present lunette appears to be the altarpiece by Fra Bartolomeo from 1509 now in the Museum of Villa Guinigi in Lucca, which depicts the Eternal Father with St. Mary Magdalene and St. Catherine. Particularly striking is the comparison with the figure of God the Father, who holds the book with Alpha and Omega on his knee, his right arm raised in blessing. Mariotto Albertinelli adopts Fra Bartolomeo's figure, reproducing the same austere facial expression but at the same time imbuing it with a certain dramatic quality which is typical of his works. Even when the attribution and date of the painting are unproblematic, the question remains as to which altarpiece the lunette belongs to. It could be a work painted by Albertinelli or by Fra Bartolomeo, since it is known that the two sometimes collaborated on the execution of various parts of the same commission, such as in the work commissioned by Ferry Carondelet for Besançon Cathedral, for which both painters received their wages between 1511 and 1513. The main panel by Fra Bartlomeo was surmounted by a lunette by Mariotto, which is now in Stuttgart. Among the works carried out during the artists' collaboration, the altarpiece with the Virgin and Child enthroned with Sts. Peter and Paul in the Church of Santa Caterina di Pisa, a commission given to Fra Bartolomeo and Albertinelli in 1511, most closely matches the dimensions of the present lunette. The main panel measures 200 x 180 cm, and the book of San Marco lists payment to both painters, "from our painter Fra Bartolomeo and his partner Mariotto, to pay seven large gold guilders from Mariotto for them on October 3, because the thirty ducats had to go to Pisa for the panel ... Michele Mastiani" ["da Fra Bartolomeo nostro dipintore e Mariotto suo compagno a dì 3 ottobre, fiorini siete larghi d'oro in oro, per loro da Mariotto, per parte de ducati trenta ebbe da Pisa per la tavola di ... Michele Mastiani"] . However, despite the fact that both artists received payment, the style of the Pisa panel, which was severely damaged by fire in 1615 and has now been reinstalled in an altar built after that date, only corresponds to the style of Fra Bartolomeo. The dimensions of the piece perfectly match those of the present lunette. An analogy can also be seen in the iconography and composition, where the act of the Father is reflected in that of the blessing Christ Child. Could the two panels have formed part of the same commission? As in the case of the commission for Besançon, the payment to both painters could relate to two different parts of the same altarpiece. Although the connection to the altar of Pisa is plausible and suggestive, it will remain hypothetical until further documentary evidence is available. We would like to thank Professor Carlo Falciani, upon whose essay this catalogue entry is largely based.
Kunsthaus Lempertz KG
Nov. 14, 2020
Mariotto Albertinelli, God the Father Blessing, Surrounded by Angels
Est: €40,000 - €50,000
As Professor Carlo Falciani confirmed in a written communication to the owner (October 1st, 2012), the lunette can be confidently attributed to Mariotto Albertinelli and dated to between 1509 and 1513, when the artist was working with Fra Bartolomeo. The work can be compared stylistically and iconographically to a series of altarpieces by Mariotto from the same years. For comparison, observe the representation of the Trinity, created around 1510 for the altar of the Church of San Giuliano in Florence, and the upper part of the Annunciation with God the Father, signed and dated "1510 Mariocti Florenti Opus", executed for the main altar of the Compagnia di San Zanobi in the Canonica di Santa Maria del Fiori. However, the direct source for the iconography of the present lunette appears to be the altarpiece by Fra Bartolomeo from 1509 now in the Museum of Villa Guinigi in Lucca, which depicts the Eternal Father with St. Mary Magdalene and St. Catherine. Particularly striking is the comparison with the figure of God the Father, who holds the book with Alpha and Omega on his knee, his right arm raised in blessing. Mariotto Albertinelli adopts Fra Bartolomeo's figure, reproducing the same austere facial expression but at the same time imbuing it with a certain dramatic quality which is typical of his works. Even when the attribution and date of the painting are unproblematic, the question remains as to which altarpiece the lunette belongs to. It could be a work painted by Albertinelli or by Fra Bartolomeo, since it is known that the two sometimes collaborated on the execution of various parts of the same commission, such as in the work commissioned by Ferry Carondelet for Besançon Cathedral, for which both painters received their wages between 1511 and 1513. The main panel by Fra Bartlomeo was surmounted by a lunette by Mariotto, which is now in Stuttgart. Among the works carried out during the artists' collaboration, the altarpiece with the Virgin and Child enthroned with Sts. Peter and Paul in the Church of Santa Caterina di Pisa, a commission given to Fra Bartolomeo and Albertinelli in 1511, most closely matches the dimensions of the present lunette. The main panel measures 200 x 180 cm, and the book of San Marco lists payment to both painters, "from our painter Fra Bartolomeo and his partner Mariotto, to pay seven large gold guilders from Mariotto for them on October 3, because the thirty ducats had to go to Pisa for the panel ... Michele Mastiani" ["da Fra Bartolomeo nostro dipintore e Mariotto suo compagno a dì 3 ottobre, fiorini siete larghi d'oro in oro, per loro da Mariotto, per parte de ducati trenta ebbe da Pisa per la tavola di ... Michele Mastiani"] . However, despite the fact that both artists received payment, the style of the Pisa panel, which was severely damaged by fire in 1615 and has now been reinstalled in an altar built after that date, only corresponds to the style of Fra Bartolomeo. The dimensions of the piece perfectly match those of the present lunette. An analogy can also be seen in the iconography and composition, where the act of the Father is reflected in that of the blessing Christ Child. Could the two panels have formed part of the same commission? As in the case of the commission for Besançon, the payment to both painters could relate to two different parts of the same altarpiece. Although the connection to the altar of Pisa is plausible and suggestive, it will remain hypothetical until further documentary evidence is available. We would like to thank Professor Carlo Falciani, upon whose essay this catalog entry is largely based.
Kunsthaus Lempertz KG
Apr. 25, 2020
AFTER MARIOTTO ALBERTINELLI (ITALIAN, 1474-1515) "VISITATION" OLD MASTER-STYLE PAINTING
Est: $500 - $800
AFTER MARIOTTO ALBERTINELLI (ITALIAN, 1474-1515) "VISITATION" OLD MASTER-STYLE PAINTING, oil on canvas, depicting Mary embracing Elizabeth, no signature located. Housed in an elaborate gilt frame.
Jeffrey S. Evans & Associates
Nov. 18, 2018
MARIOTTO ALBERTINELLI (1474–1515) - Madonna and Child
Est: Kč750,000 - Kč900,000
Oil on panel. 118 x 86 cm. Mariotto Albertinelli was an Italian Renaissance painter of the Florentine school; he began his studies in the workshop of Cosimo Rosselli. During his studies, he met Baccio della Porta, later known as Fra Bartolomeo. They became close friends and from an artistic point of view provided mutual inspiration, and eventually, around 1494, founded a joint workshop. In the years that followed, their work was so closely intertwined that many of their works could not be attributed to only one or the other artist. Around 1500 Baccio decided to retire to a monastery and renounce painting. There he took the name Fra Bartolomeo. In 1509 they resumed their cooperation and opened a workshop together, which remained in operation until 1513.
Arcimboldo Auctions
Jul. 09, 2017
La Sainte Famille avec le jeune saint Jean Baptiste,
Est: CHF80,000 - CHF100,000
huile sur panneau (115 x 95 cm).
Galartis SA
May. 05, 2017
La Sainte Famille avec le jeune saint Jean Baptiste,
Est: CHF80,000 - CHF100,000
La Sainte Famille avec le jeune saint Jean Baptiste,
Galartis SA
Nov. 12, 2016
ALBERTINELLI Mariotto, Florence 1474 - 1515 [IT]. La Sainte Famille av
Est: CHF150,000 - CHF250,000
ALBERTINELLI Mariotto, Florence 1474 - 1515 [IT]. La Sainte Famille avec le jeune saint Jean Baptiste, huile sur panneau (115 x 95 cm).
Galartis SA
Jun. 03, 2015
Mariotto Albertinelli (Florence 1474-1515) The Madonna and Child
Est: $40,000 - $60,000
Mariotto Albertinelli (Florence 1474-1515) The Madonna and Child with Saint John the Baptist oil on panel 19 ½ x 12 ¼ in. (49.5 x 31.1 cm.)
Christie's
Jan. 05, 2015
19th C RELIGIOUS OIL/CANVAS AFTER ALBERTINELLI
Est: $1,200 - $1,500
Antique religious oil painting on canvas depicting the Visitation of St. Elizabeth with the Virgin Mary after Mariotto Albertinelli (ITALIAN, 1474 - 1515). Circa 18th/19th century. Mounted in original gilt wood frame. Measures approx. 35 1/2" height x 25 1/2" width + 2 1/2" frame.
Palm Beach Auction Gallery
Oct. 20, 2011
After Mariotto Albertinelli (1474-1515) The Visitation, 38 x 25in.
Est: £700 - £900
After Mariotto Albertinelli (1474-1515) oil on canvas, The Visitation, painted for the Congregazione di San Martino 1503, 38 x 25in.
Gorringes
Jul. 15, 2011
AFTER MARIOTTO ALBERTINELLI (1474-1515, ITALIAN)
Est: £600 - £800
AFTER MARIOTTO ALBERTINELLI (1474-1515, ITALIAN) Oil on Canvas The Visitation of St Elizabeth to the Virgin Mary 1503 37 1/2 " x 24 1/2 "
Keys Fine Art Auctioneers
Sep. 25, 2010
MANNER OF MARIOTTO ALBERTINELLI (1474-1515) The Holy Family with St. John the Baptist and two Angels, oil on canvas, unsigned. Contained in gilt gessoed frame. Condition: laid on panel, old repairs and overpaint, chips to frame. Dimensions: 45'' X
Est: $6,000 - $9,000
MANNER OF MARIOTTO ALBERTINELLI (1474-1515) The Holy Family with St. John the Baptist and two Angels, oil on canvas, unsigned. Contained in gilt gessoed frame. Condition: laid on panel, old repairs and overpaint, chips to frame. Dimensions: 45'' X 38'', frame 52 1/4'' X 45''. Provenance: purchased at Sotheby's lot 99, date unknown (1990's). Comes with copy of auction catalog page.
Dargate Auction Galleries
Jan. 24, 2008
Mariotto di Biagio di Bindo Albertinelli , Florence 1474 - 1515 Holy Family with Saint John the Baptist oil on panel
Est: $400,000 - $600,000
oil on panel
Sotheby's
Dec. 11, 2002
Mariotto Albertinelli (Florence 1474-1515)
Est: $23,850 - $39,750
The Madonna and Child with the Infant Saint John the Baptist oil on panel 47 x 37 7/8 in. (119.3 x 96.2 cm.) NOTES We are indebted to Everett Fahy who, on the basis of photographs, pointed out that this previously unpublished panel is a work by Albertinelli, executed in the two years between the dissolution of his compagnia with Fra Bartolommeo, 5 January 1513, and his death in 1515. He notes Albertinelli's debt to Fra Bartolommeo's unfinished Pala del Gran Consiglia (1510-3) and compares it with Albertinelli's Volognano altarpiece of 1514, recording two autograph variants of the present composition, one in the Sedelmeyer sale, Paris, June 1907, lot 85, the other with two additional angels, sold, Sotheby's, London, 8 July 1992, lot 267.
Christie's