Giulio Bonasone Paintings & Artwork for Sale | Giulio Bonasone Art Value Price Guide

Jul. 02, 2024
GIULIO BONASONE (1510-1576). Two Engravings of Mythological Scenes. Sheet 2
Est: - £2,500
GIULIO BONASONE (1510-1576). Two Engravings of Mythological Scenes. Sheet 283 x 405 mm. (B.106) Plate & Sheet 293 x 436 mm. (B. 109) (2).
Christie's
Jul. 02, 2024
GIULIO BONASONE (1510-1576) AFTER PERINO DEL VAGA (1501-1547). Three Engrav
Est: - £3,000
GIULIO BONASONE (1510-1576) AFTER PERINO DEL VAGA (1501-1547). Three Engravings of Bacchic Scenes. Sheet 143 X 224 mm. (B. 88) Plate 160 x 219 mm., Sheet 172 x 230 mm. (B. 89) Plate 156 x 218 mm., Sheet 160 x 222 mm. (B. 90) (3).
Christie's
Apr. 18, 2024
GIULIO BONASONE (AFTER FRANCESCO PRIMATICCIO) The Trojans Hauling into Troy the Wooden Horse.
Est: $1,000 - $1,500
GIULIO BONASONE (AFTER FRANCESCO PRIMATICCIO) The Trojans Hauling into Troy the Wooden Horse. Engraving, 1545. 402x629 mm; 15⅞x24¾ inches, thread margins. A very good impression with strong contrasts. Provenance: Unidentified collector, blue ink initial "E" stamp, lower left recto (not in Lugt); Gustav Grunewald, New York, with the ink stamp verso (Lugt 1155b). This engraving is based on a drawing by Primaticcio, in the collection of the Royal Library at Windsor Castle, that may be an early preparatory drawing for the fresco of the defeat of Troy in the Galerie d'Ulisse at Fontainebleau (1541–47). Bartsch 85.
Swann Auction Galleries
May. 11, 2023
GIULIO BONASONE The Rape of Europa.
Est: $1,500 - $2,500
GIULIO BONASONE The Rape of Europa. Engraving, 1546. 292x435 mm; 11 3/4x15 3/8 inches, thread margins. A very good impression of this scarce engraving with strong contrasts. According to the Museum of Fine Arts, Budapest, where there is another impression of this subject, "Though Raphael is credited as the inventor, it is unlikely that he ever produced such a composition. The entire sheet was almost certainly the creation of Bonasone (circa 1498-after 1547), who used Raphael's name to increase sales of the engraving. The characters in the story are shown from above, which both opens up the space for the different episodes and increases the pathos in the action. In the midground, Europa, holding a garland in her hand, is climbing on the back of the apparently tame bull; the princess and the beast–actually a transformation of Zeus–reappear in the sea, as the god flees with his captive towards Crete. The cows in whose company Zeus concealed himself are dotted across the shore and hillside. Europa's companions recall images of the three Graces, while the shepherds, one playing the panpipes, the other leaning on his stick, are figures from the realm of bucolic poetry." Bartsch 109.
Swann Auction Galleries
May. 11, 2023
GIULIO BONASONE (AFTER POLIDORO DA CARAVAGGIO) Cloelia Crossing the Tiber.
Est: $1,000 - $1,500
GIULIO BONASONE (AFTER POLIDORO DA CARAVAGGIO) Cloelia Crossing the Tiber. Engraving, circa 1545. 304x436 mm; 12x17 1/4 inches. Bird in a circle watermark (similar to Briquet 12224, which dates from circa 1525). A very good, early impression with strong contrasts. Provenance: P. Gervaise, Paris, with his signaturte and dated 1860 in ink verso (Lugt 1078). Bartsch 83.
Swann Auction Galleries
Jan. 24, 2023
GIULIO BONASONE (1510-1576) AFTER RAPHAEL (1483-1520) Noah and the Animals leaving the Ark
Est: $3,000 - $5,000
GIULIO BONASONE (1510-1576) AFTER RAPHAEL (1483-1520) Noah and the Animals leaving the Ark Sheet 300 x 381 mm.
Christie's
Jun. 28, 2021
Guilio Bonasone (Italianate) fl. 1551-1574. Joseph's Cup Discovered in Benjamin's Sack of Grain. (after Raphael). Etching, c. 1560. .
Est: $500 - $1,000
Guilio Bonasone (Italianate) fl. 1551-1574. Joseph's Cup Discovered in Benjamin's Sack of Grain. (after Raphael). Etching, c. 1560. Bartsch XV-113-6. Signed in the plate, l.r. Inscribed in the plate, "RavR.IN", l.l. Verso, graphite drawings of flowers, etc. Printed in black ink on contemporary laid paper trimmed to the platemark. 125 x 236 mm. (4 7/8 x 9 1/4 in.) The Vision of St. Jerome. Etching, (after Parmigianino) c. 1545. Bartsch 62; TIB 62, ii/III. The address and inscriptions of the artist, l.l. Printed in black ink on contemporary laid paper with a Double-Circle and attached N watermark (not in Heawood or Briquet) with complete margins. A very good impression. 358 x 409 mm. (14 1/8 x 16 1/8 in.), The Wounded Scipio (after a lost fresco by Polidoro da Caravaggio). Etching, c. 1545-1550. Bartsch XV-123-81. Only state. Signed and with inscriptions in the plate, l.r. Printed in black ink on contemporary laid paper with margins cut to the platemark but leaving the outline mostly intact. A very good impression with the fine scratches on the ground in front of the subject still visible. 227 x 272 mm. (8 7/8 x 10 5/8 in.) (3)
Winter Associates, Inc.
May. 06, 2021
GIULIO BONASONE (after Raphael) Noah Leaving the Arc
Est: $1,000 - $1,500
GIULIO BONASONE (after Raphael) Noah Leaving the Arc. Engraving, 1544. 301x381 mm; 11 3/4x15 inches. Ex-collection Donald Moreland, Cambridge, Massachusetts, according to a label. With thread margins or trimmed on the plate mark. Bartsch 4.
Swann Auction Galleries
Apr. 10, 2021
Giulio Bonasone - Il sorgere del sole
Est: €500 - €800
Giulio Bonasone Il sorgere del sole Acquaforte di cm. 23,7x33,4.
Fabiani Arte
Jan. 28, 2021
GIULIO BONASONE (1510-1576) AFTER GIROLAMO SICIOLANTE DA SERMONETA (CIRCA 1521-1575) - Virgin and Child
Est: £1,000 - £1,500
GIULIO BONASONE (1510-1576) AFTER GIROLAMO SICIOLANTE DA SERMONETA (CIRCA 1521-1575) Virgin and Child engraving, circa 1560, unidentified watermark Foliage in a Circle (not in Woodward, Massari nor...
Christie's
Dec. 10, 2019
GIULIO BONASONE (1510-1576) AFTER GIULIO ROMANO (CIRCA 1499-1546) Flora with her Nymphs Plate 316 x 431 mm., Sheet 316 x 435 mm.
Est: £500 - £700
GIULIO BONASONE (1510-1576) AFTER GIULIO ROMANO (CIRCA 1499-1546) Flora with her Nymphs engraving, circa 1531-50, on laid paper, watermark Two crossed Arrows with a Star (Massari 77, similar to Briquet 6299), a fine impression of Massari's second state (of three), printing with many wiping marks, trimmed inside the subject above, thread margins elsewhere, a few pale moisture stains at the sheet edges, the lower sheet edge backed, otherwise in good condition, framed Plate 316 x 431 mm., Sheet 316 x 435 mm.
Christie's
Dec. 10, 2019
GIULIO BONASONE (1510-1576) Nymphs and Satyrs bathing Plate & Sheet 205 x 284 mm.
Est: £800 - £1,200
GIULIO BONASONE (1510-1576) Nymphs and Satyrs bathing engraving, circa 1531-1576, on laid paper, with an indistinct single Circle watermark, a very good impression, trimmed on the platemark, with thread margins in places and retaining a fillet of blank paper outside the borderline on all sides, a few very minor stains and foxmarks, otherwise in very good condition Plate & Sheet 205 x 284 mm.
Christie's
Oct. 24, 2019
Guilio Bonasone - S. Paul preaching / Del Varga
Est: €250 - €300
St Paul Preaching, he stands on a step at the right raising his right hand, four men sit below. 1545 Engraving with in lower centre on step 'pirino del vaga inintor / Julio bonasoni / f / 1545'. After Perino del Vaga (1501-1547)
Old Master Print
May. 02, 2019
GIULIO BONASONE (after Polidoro da Caravaggio) Cloelia Crossing the Tiber
Est: $1,200 - $1,800
GIULIO BONASONE (after Polidoro da Caravaggio) Cloelia Crossing the Tiber. Engraving, circa 1545. 304x436 mm; 12x17 1/4 inches. Bird in a circle watermark (similar to Briquet 12224, which dates from Italy circa 1525). Ex-collection P. Gervaise, dated 1860 in ink (Lugt 1078, verso). A very good, early impression with strong contrasts. Bartsch 83.
Swann Auction Galleries
Apr. 16, 2019
Guilo Bonasone - Father time
Est: €300 - €450
Father Time seated leaning on a scythe, to his right is an eagle and three naked boys one of whom holds a small sickle. After the design by Giulio Romano for the Sala dei Stucchi in the Palazzo Te, Mantua. On step at lower right, 'Iulio Romano inventore / I Bonasone F.' [circa 1545-1565]. Reference: Massari 1983 224, Bartsch XV.155.172
Old Master Print
Oct. 21, 2017
Giulo Bonasone engraving
Est: $200 - $400
Giulio Bonasone (Italian ca. 1498-1574)- ''Perseus liberating Andromeda'' (Bartsch 4); (Le Blanc 358); (Massari 101)- engraving, only state, trimmed along or just outside the plate, remnants of hinges at upper corners, watermark: grapes, 5 5/8 x 7 3/8''
Rachel Davis Fine Arts
Mar. 19, 2016
Group of Eleven Engravings
Est: $300 - $500
Giovanni Ottaviani (Italian, ca. 1735-1808) "The Virgin at the Domestic Work" (after Guido Reni), 20" x 15". Giovanni Ottaviani, "The Ancient of Days", 19 1/2" x 15". Giulio Bonasone (Italian, ca. 1510-after 1576) "Judith with the Head of Holofernes" (after Michelangelo), 12 1/2" x 18". Four Engravings by Giovanni Ottaviani, "Adam", "Isaac", "Jacob" & "Abraham", all 20" x 15". Four Engravings by Carlo Ottaviani (Italian, 18th cent), "Moses", "David Rex", "King Solomon" & "Isaiah", (all after Guido Reni), all 20" x 15"
Cottone Auctions
Dec. 11, 2015
Giulio Bonasone, Diana e Atteone. 1550 circa.
Est: €450 - €900
Bulino. mm 286x419. Foglio: mm 291x422. Bartsch, 10. Armano, 81. Massari (bonasone), 118. Episodio tratto dalle Metamorfosi di Ovidio (III, 155), con la rappresentazione del momento dell'inizio della trasformazione di Atteone in cervo e, sul secondo piano, della morte del cacciatore/cervo sbranato dalla muta dei suoi stessi cani. L'incisione è stata catalogata da Bartsch nel 1813 come "Scuola di Marcantonio Raimondi", poi nel 1820 è stata assegnata da G. A. Armano a Bonasone. Stefania Massari nel 1983 accoglie questa seconda ipotesi e inserisce l'opera nel catalogo ragionato di Bonasone, proponendo di datare l'esecuzione dell'opera al 1550 circa. Bella prova nel II stato su 2 - dopo la comparsa dell'excudit di Antonio Lafrery, stampatore attivo a Roma fra il 1547 e il 1577, sul blocco di pietra in basso a destra nel soggetto - impressa su sottile carta vergellata con filigrana "scala in un cerchio singolo sormontato da stella a sei punte" (Woodward, 241). SI AGGIUNGE: Marco Gregorio Carloni (Roma 1742 -1796), Decorazione a grottesche.1776-1778. Acquaforte. mm 895x530. In basso da sinistra a destra "Franc. Smugliewicz disegnò", a seguire "Presso Ludovico Mirri Mercante d'Quadri incontro al Palazzo Bernini à Roma" al centro, e a destra "M. Carloni Romano incise". In alto a destra "N.° 44". Foglio dal secondo volume (tavole) di Vestigia delle terme di Tito e loro interne pitture…edito a Roma probabilmente fra il 1776 e il 1778, contenente 61 illustrazioni su disegni del pittore polacco Franciszek Smugliewicz e dell'architetto Vincenzo Brenna.
Gonnelli Casa d'Aste
Dec. 11, 2015
Giulio Bonasone, Due satiri conducono Sileno alla presenza di re Mida. Da Perin del Vaga.
Est: €600 - €1,200
Bulino. mm 157x220. Foglio: mm 164x227. Bartsch, 89. Massari, 97. Al centro della composizione "i. bonahso.f".
Gonnelli Casa d'Aste
Nov. 26, 2015
Bonasone, Giulio: Calypso sucht Odysseus zurückzuhalten
Est: €600 - €750
Calypso sucht Odysseus zurückzuhalten. Kupferstich. 30,2 x 21,8 cm. "Julio Bonasone inventor". B. 171. Wz. Kreis (Fragment). Ausgezeichneter Druck mit sehr feinem Rändchen um die Einfassungslinie. Einzelne kleine, meist gebesserte Randläsuren, schwache Mittelfalte verso, dort mit zarten Trockenfältchen, zarte diagonale Knickspur, weitere geringe Erhaltungsmängel, im Gesamteindruck gleichwohl schönes Exemplar. Laut Bartsch eines der seltesten Blätter aus dem graphische Œuvre Bonasones. Aus den Sammlungen W. Esdaile (Lugt 2617) und K. E. Hasse (Lugt 860) sowie aus der Sammlung "Tore Lundh... 1896, Sweden" (nicht bei Lugt).
Bassenge Auctions
Nov. 27, 2014
Bonasone, Giulio: Circe und die Gefährten des Odysseus
Est: €600 - €900
Circe und die Gefährten des Odysseus. Kupferstich nach Parmigianino. D. 19,7 cm. B. XV, S. 135, 86, TIB .086 S1-S2 (von S2). Wz. Kreis (Fragment). Bonasones Kupferstich gibt im Gegensinn den Holzschnitt von Antonio da Trento nach Parmigianinos Zeichnung wieder. Der Entwurf Parmigianinos hat sich erhalten und befindet sich in den Uffizien, Florenz. Ausgezeichneter Druck bis an die kreisrunde Einfassungslinie geschnitten, weshalb sich der Druckzustand nicht eindeutig ermitteln lässt. Etwas fleckig, kleine Ausbesserung im Namen Bonasones sowie vereinzelt weitere unauffällige Ausbesserungen, sonst gut. Beigegeben von einem anonymen Stecher ebenfalls nach Parmigianino "Circe reicht den Trank an die Gefährten Odysseus´" (vgl. B. 86) sowie ein weiterer Kupferstich von Bonasone "Neptun in seinem Triumphwagen" (B. 96) sowie von Caraglio zwei Kupferstiche nach Rosso Fiorentino "Herkules tötet Cerberus" und "Herkules tötet die Hydra" (B. 44 und 46).
Bassenge Auctions
Nov. 27, 2014
Bonasone, Giulio: Die Trojaner bringen das hölzerne Pferd in die Stadt
Est: €500 - €750
Die Trojaner bringen das hölzerne Pferd in die Stadt. Kupferstich auf zwei zusammengefügten Bogen, nach Primaticcio. 40,1 x 64,2 cm. 1545. B. 85, Massari 43, TIB (Commentary) .085 S2 (von S3). Wz. Wappen mit Baum über Dreiberg. Die beeindruckende und zu den besten Stichen Bonasones zählende Darstellung in einem ausgezeichneten Druck vor der Adresse von Carlo Losi und mit (teils feinem) Rändchen um die Einfassungslinie. Nur geringfügig fleckig, leichte Mittelfalte, kleiner geschlossener Riss sowie kleine Hinterlegung oben an der Papiernaht, links bis zur Mittelfalte ein unauffällig hinterlegter Papierriss, rechts ein kleiner hinterlegter Randeinriss, die obere linke Ecke ergänzt und mit feiner Federretusche, vereinzelte Nadellöchlein, weitere leichte Gebrauchsspuren, im Gesamteindruck sehr schön erhalten.
Bassenge Auctions
Nov. 27, 2014
Bonasone, Giulio: Die Vestzalin Tuccia
Est: €500 - €750
Die Vestalin Tuccia. Kupferstich. 27,5 x 35,8 cm. Massari 15. Ausgezeichneter, toniger Druck mit breitem Rand. Etwas knitterfaltig und fleckig, sonst gut erhalten.
Bassenge Auctions
May. 29, 2014
Bonasone, Giulio: Nymphen und Meergötter
Est: €400 - €600
Nymphen und Meergötter. Kupferstich nach Giulio Romano (?). 35,6 x 26,6 cm. B 173, Massari 119 I (von III). Wz. Kleine Krone. Vor den späteren Verlegeradressen. Ausgezeichneter Druck meist mit sehr feinem Rändchen um die Plattenkante, partiell auf diese geschnitten. Unten ein geschlossener Randeinriss mit kleinen Federretuschen, ausgebesserte Stelle rechts im Horizont, weitere, sehr sorgsam und unauffällig ausgeführte Ausbesserungen, dort jeweils mit sehr sorgfältigen Federretuschen, verso teils sorgsame Hinterfaserungen, im Gesamteindruck sehr schönes Exemplar. Aus der Sammlung Luciana Simonetti (Lugt 3616).
Bassenge Auctions
May. 29, 2014
Bonasone, Giulio: Hoc templum Romae factum...
Est: €300 - €400
Hoc templum Romae factum... . Kupferstich. 49,5 x 34,7 cm. 1541. B. 351. Wz. Tulpen im Kreis mit aufgesetztem Stern (Woodward 121 ff, Rom, ab 1558). Prachtvoller, scharfer und gratiger Druck mit feinem Rändchen um die Plattenkante links bzw. Rand oben und unten, links geringfügig knapp. Der Illustrated Bartsch schreibt das Blatt Jacob Bos zu (Vol. 29, S. 140). Geringfügige Altersspuren, sonst vorzüglich erhalten.
Bassenge Auctions
May. 22, 2013
Bonasone, Giulio (Bologna c. 1510 - 1576) IL
Est: €1,300 - €1,500
Bonasone, Giulio (Bologna c. 1510 - 1576) IL SORGERE DEL SOLE. Bulino e acquaforte. mm 242x340. TIB 28/15, 99. Massari (Bonasone), 220 ...
Pandolfini Casa d'Aste
May. 01, 2013
NICOLAS BEATRIZET (after Michelangelo) Bacchanal
Est: $1,200 - $1,800
NICOLAS BEATRIZET (after Michelangelo) Bacchanal. Engraving, 1553. 297x400 mm; 11 3/4x15 3/4 inches, small margins. First state (of 3). Crossbow in a circle watermark. A superb, early and richly-inked impression with strong contrasts. Beatrizet based this engraving on another engraving by Enea Vico (Bartsch 48) from a design by Michelangelo. Bartsch 40.
Swann Auction Galleries
May. 01, 2013
GIULIO BONASONE Two Satyrs Leading Silenus to King Midas.
Est: $1,500 - $2,500
GIULIO BONASONE Two Satyrs Leading Silenus to King Midas. Engraving, 1547. 138x221 mm; 5 1/2x8 3/4 inches. With thread margins outside the narrow black border line. A superb, dark impression with no sign of wear. Bartsch 89.
Swann Auction Galleries
May. 01, 2013
GIULIO BONASONE (after Parmigianino) The Mystic Marriage of St
Est: $1,000 - $1,500
GIULIO BONASONE (after Parmigianino) The Mystic Marriage of St. Catherine. Engraving, circa 1543-44. 201x156 mm; 8x6 1/4 inches. Trimmed on the plate mark, with thread margins outside the border line. A good impression of this very scarce engraving. Bartsch 47.
Swann Auction Galleries
Mar. 20, 2010
Giulio Bonasone engraving
Est: $200 - $400
Giulio Bonasone (Italian 1498-1580)- ''Apollo with A Woman Who Is Painting'' (Bartsch 161)- engraving on wove paper, from Loves of The Gods. 6 ¬ x 4 3/8'' 159 x 111 mm
Rachel Davis Fine Arts
Apr. 08, 2009
Giulio Bonasone (circa 1510- after 1576)
Est: £1,200 - £1,500
Giulio Bonasone (circa 1510- after 1576) Michelangelo Buonarotti (B. 345; Massari 85) engraving, 1546, watermark Scorpion (?) in a Circle (not in Briquet or Piccard), a fine impression of the second state (of three), printing with many wiping marks, trimmed on or just outside the platemark, a few small and unobtrusive foxmarks, generally in very good condition P., S. 231 x 176 mm.
Christie's
Jul. 03, 2001
Giulio Bonasone ( circa 1510- circa 1576)
Est: $1,128 - $1,692
The Resurrection (B., Archer 45; Massari 130) engraving and etching, 1561, a proof before the completion of the engraved lines radiating from the standing Christ, watermark Crown below a Star (cf. Briquet 4835; Italy, second part of the 16th Century), with margins, a central horizontal fold, a repaired diagonal tear from the left sheet edge to the center of the raised platform with associated crease, two soft vertical creases, several minor repairs in the margins, laid to a support at the reverse of the left sheet edge, framed P. 288 x 178mm., S. 305 x 194mm.
Christie's