Samuel Pepys Cockerell Paintings & Artwork for Sale | Samuel Pepys Cockerell Art Value Price Guide

May. 27, 2021
Samuel Pepys Cockerell (British 1844-1921), Frederica Lucy Cockerell, the artist's Daughter
Est: £1,000 - £1,500
Samuel Pepys Cockerell (British 1844-1921)Frederica Lucy Cockerell, the artist's DaughterOil on panel Inscribed to label (verso)15.75 x 12cm (6 x 4½ in.)Provenance:The artistBy descent to the sitter, the artist's daughter Frederica Lucy CockerellBy family descent to the present owner Samuel Pepys Cockerell (1844-1921) | lots 237-241The following group of works from the collection of Samuel Pepys Cockerell (1844-1921) have passed through descent to the present owner and are coming to market for the first time since leaving the artist's studio. Cockerell was the youngest son of architect, archaeologist and writer Charles Robert Cockerell, RA, RIBA (1788-1863). Samuel Cockerell established a career as a sculptor, painter and like his father, a writer. After studying a B.A. honours degree at Christ Church, Oxford Cockerell entered the Royal Academy Schools and exhibited at the Academy almost annually between 1875 and 1903. Cockerell had a particular interest in sculpture but also depicted a range of broad subjects from literary and biblical references and portraiture. His range of works were exhibited widely not only at the Royal Academy but further afield at the Grosvenor Gallery, the New Gallery, the Walker Art Gallery in Liverpool. Cockerell was also an avid art collector who was particularly fond of works by the Pre-Raphaelites.One of the most influential figures in Cockerell's life and career was his dear friend Frederic, Lord Leighton. Cockerell and fellow painter Valentine Cameron Prinsep were Leighton's executors and were present alongside family at Leighton's bedside on his death on 25th January 1896. Leighton trusted Cockerell's opinion and according to G. Ulick Browne's article in The Studio Leighton asked 'Cockerell's advice about the design and composition of his picture, and, what is more to the point, almost always took it.' Included in the collection is a series of landscapes by Lord Frederic Leighton depicting views of Lindisfarne Castle. Cockerell's close relationship with Frederic Leighton had a strong influence on both his work and personal life especially from 1875 until Leighton's death in 1896. Works by Cockerell himself show his sensitive nature through two endearing small scale studies of his daughter Frederica Lucy and his interest in sculpture is evident through his detailed portrayal of the statue of Pope Julius III in Perugia.
Dreweatts 1759 Fine Sales
May. 27, 2021
Samuel Pepys Cockerell (British 1844-1921), Frederica Lucy Cockerell, the artist's daughter
Est: £1,000 - £1,500
Samuel Pepys Cockerell (British 1844-1921)Frederica Lucy Cockerell, the artist's daughter, in profileOil on panel 21 x 15cm (8¼ x 5¾ in.)Provenance:The artistBy descent to the sitter, the artist's daughter Frederica Lucy CockerellBy family descent to the present owner Samuel Pepys Cockerell (1844-1921) | lots 237-241The following group of works from the collection of Samuel Pepys Cockerell (1844-1921) have passed through descent to the present owner and are coming to market for the first time since leaving the artist's studio. Cockerell was the youngest son of architect, archaeologist and writer Charles Robert Cockerell, RA, RIBA (1788-1863). Samuel Cockerell established a career as a sculptor, painter and like his father, a writer. After studying a B.A. honours degree at Christ Church, Oxford Cockerell entered the Royal Academy Schools and exhibited at the Academy almost annually between 1875 and 1903. Cockerell had a particular interest in sculpture but also depicted a range of broad subjects from literary and biblical references and portraiture. His range of works were exhibited widely not only at the Royal Academy but further afield at the Grosvenor Gallery, the New Gallery, the Walker Art Gallery in Liverpool. Cockerell was also an avid art collector who was particularly fond of works by the Pre-Raphaelites.One of the most influential figures in Cockerell's life and career was his dear friend Frederic, Lord Leighton. Cockerell and fellow painter Valentine Cameron Prinsep were Leighton's executors and were present alongside family at Leighton's bedside on his death on 25th January 1896. Leighton trusted Cockerell's opinion and according to G. Ulick Browne's article in The Studio Leighton asked 'Cockerell's advice about the design and composition of his picture, and, what is more to the point, almost always took it.' Included in the collection is a series of landscapes by Lord Frederic Leighton depicting views of Lindisfarne Castle. Cockerell's close relationship with Frederic Leighton had a strong influence on both his work and personal life especially from 1875 until Leighton's death in 1896. Works by Cockerell himself show his sensitive nature through two endearing small scale studies of his daughter Frederica Lucy and his interest in sculpture is evident through his detailed portrayal of the statue of Pope Julius III in Perugia.
Dreweatts 1759 Fine Sales
May. 27, 2021
Samuel Pepys Cockerell (British 1844-1921), Magdalen from the Cherwell
Est: £500 - £800
Samuel Pepys Cockerell (British 1844-1921)Magdalen from the Cherwell, OxfordWatercolour Signed with initials, inscribed and dated 66 (to mount) 19.7 x 24.8cm (7¾ x 9¾ in.)Provenance:The artistBy descent to the sitter, the artist's daughter Frederica Lucy CockerellBy family descent to the present owner Samuel Pepys Cockerell (1844-1921) | lots 237-241The following group of works from the collection of Samuel Pepys Cockerell (1844-1921) have passed through descent to the present owner and are coming to market for the first time since leaving the artist's studio. Cockerell was the youngest son of architect, archaeologist and writer Charles Robert Cockerell, RA, RIBA (1788-1863). Samuel Cockerell established a career as a sculptor, painter and like his father, a writer. After studying a B.A. honours degree at Christ Church, Oxford Cockerell entered the Royal Academy Schools and exhibited at the Academy almost annually between 1875 and 1903. Cockerell had a particular interest in sculpture but also depicted a range of broad subjects from literary and biblical references and portraiture. His range of works were exhibited widely not only at the Royal Academy but further afield at the Grosvenor Gallery, the New Gallery, the Walker Art Gallery in Liverpool. Cockerell was also an avid art collector who was particularly fond of works by the Pre-Raphaelites.One of the most influential figures in Cockerell's life and career was his dear friend Frederic, Lord Leighton. Cockerell and fellow painter Valentine Cameron Prinsep were Leighton's executors and were present alongside family at Leighton's bedside on his death on 25th January 1896. Leighton trusted Cockerell's opinion and according to G. Ulick Browne's article in The Studio Leighton asked 'Cockerell's advice about the design and composition of his picture, and, what is more to the point, almost always took it.' Included in the collection is a series of landscapes by Lord Frederic Leighton depicting views of Lindisfarne Castle. Cockerell's close relationship with Frederic Leighton had a strong influence on both his work and personal life especially from 1875 until Leighton's death in 1896. Works by Cockerell himself show his sensitive nature through two endearing small scale studies of his daughter Frederica Lucy and his interest in sculpture is evident through his detailed portrayal of the statue of Pope Julius III in Perugia.
Dreweatts 1759 Fine Sales
May. 27, 2021
Samuel Pepys Cockerell (British 1844-1921), Statue of Pope Julius III
Est: £1,000 - £1,500
Samuel Pepys Cockerell (British 1844-1921)Statue of Pope Julius III, PerugiaOil on panel 24 x 15.5cm (9¼ x 6 in.)Provenance:The artistBy descent to the sitter, the artist's daughter Frederica Lucy CockerellBy family descent to the present owner Samuel Pepys Cockerell (1844-1921) | lots 237-241The following group of works from the collection of Samuel Pepys Cockerell (1844-1921) have passed through descent to the present owner and are coming to market for the first time since leaving the artist's studio. Cockerell was the youngest son of architect, archaeologist and writer Charles Robert Cockerell, RA, RIBA (1788-1863). Samuel Cockerell established a career as a sculptor, painter and like his father, a writer. After studying a B.A. honours degree at Christ Church, Oxford Cockerell entered the Royal Academy Schools and exhibited at the Academy almost annually between 1875 and 1903. Cockerell had a particular interest in sculpture but also depicted a range of broad subjects from literary and biblical references and portraiture. His range of works were exhibited widely not only at the Royal Academy but further afield at the Grosvenor Gallery, the New Gallery, the Walker Art Gallery in Liverpool. Cockerell was also an avid art collector who was particularly fond of works by the Pre-Raphaelites.One of the most influential figures in Cockerell's life and career was his dear friend Frederic, Lord Leighton. Cockerell and fellow painter Valentine Cameron Prinsep were Leighton's executors and were present alongside family at Leighton's bedside on his death on 25th January 1896. Leighton trusted Cockerell's opinion and according to G. Ulick Browne's article in The Studio Leighton asked 'Cockerell's advice about the design and composition of his picture, and, what is more to the point, almost always took it.' Included in the collection is a series of landscapes by Lord Frederic Leighton depicting views of Lindisfarne Castle. Cockerell's close relationship with Frederic Leighton had a strong influence on both his work and personal life especially from 1875 until Leighton's death in 1896. Works by Cockerell himself show his sensitive nature through two endearing small scale studies of his daughter Frederica Lucy and his interest in sculpture is evident through his detailed portrayal of the statue of Pope Julius III in Perugia.
Dreweatts 1759 Fine Sales
May. 27, 2021
Samuel Pepys Cockerell (British 1844-1921), In Merton Meadows, Oxford
Est: £500 - £800
Samuel Pepys Cockerell (British 1844-1921)In Merton Meadows, OxfordWatercolour Signed, inscribed and dated 66 (to mount) 15.8 x 19.6cm (6 x 7½ in.)Provenance:The artistBy descent to the sitter, the artist's daughter Frederica Lucy CockerellBy family descent to the present owner Samuel Pepys Cockerell (1844-1921) | lots 237-241The following group of works from the collection of Samuel Pepys Cockerell (1844-1921) have passed through descent to the present owner and are coming to market for the first time since leaving the artist's studio. Cockerell was the youngest son of architect, archaeologist and writer Charles Robert Cockerell, RA, RIBA (1788-1863). Samuel Cockerell established a career as a sculptor, painter and like his father, a writer. After studying a B.A. honours degree at Christ Church, Oxford Cockerell entered the Royal Academy Schools and exhibited at the Academy almost annually between 1875 and 1903. Cockerell had a particular interest in sculpture but also depicted a range of broad subjects from literary and biblical references and portraiture. His range of works were exhibited widely not only at the Royal Academy but further afield at the Grosvenor Gallery, the New Gallery, the Walker Art Gallery in Liverpool. Cockerell was also an avid art collector who was particularly fond of works by the Pre-Raphaelites.One of the most influential figures in Cockerell's life and career was his dear friend Frederic, Lord Leighton. Cockerell and fellow painter Valentine Cameron Prinsep were Leighton's executors and were present alongside family at Leighton's bedside on his death on 25th January 1896. Leighton trusted Cockerell's opinion and according to G. Ulick Browne's article in The Studio Leighton asked 'Cockerell's advice about the design and composition of his picture, and, what is more to the point, almost always took it.' Included in the collection is a series of landscapes by Lord Frederic Leighton depicting views of Lindisfarne Castle. Cockerell's close relationship with Frederic Leighton had a strong influence on both his work and personal life especially from 1875 until Leighton's death in 1896. Works by Cockerell himself show his sensitive nature through two endearing small scale studies of his daughter Frederica Lucy and his interest in sculpture is evident through his detailed portrayal of the statue of Pope Julius III in Perugia.
Dreweatts 1759 Fine Sales
Nov. 11, 2015
SAMUEL PEPYS COCKERELL (BRITISH 1844-1935) CLISSON, 1910 16 x 13cm (6.25 x 5in)
Est: £300 - £500
SAMUEL PEPYS COCKERELL (BRITISH 1844-1935) CLISSON, 1910 Watercolour 16 x 13cm (6.25 x 5in)
Lyon & Turnbull
Oct. 05, 2010
Attributed to Samuel Pepys Cockerell 1844-c.1905-
Est: £180 - £240
Attributed to Samuel Pepys Cockerell 1844-c.1905- "Paper Chase, Hampton Court"; pen and brown ink, dated Nov 26 59, 13.3x17.8cm: Emmanuel Charles Louis BÚnÚzit, French 1887-1975- "Fresnes, Chemin de la Glaciere"; pencil and watercolour, signed, inscribed and dated 1909, 17x21.5cm Provenance: with Mercury Gallery, London, according to label attached to the reverse of the frame: Attributed to Louisa Margaret Larking, Australian b.1898- Bowl of flowers; pen and black ink and watercolour, two, one dated 11.1.25, 15x20 and 16x16cm: Edgar James Maybery 1887-1966- "Henllys Church, Newport, Mon."; watercolour, signed and titled, 13x19.5cm: Attributed to Thomas Hartley Cromek 1809-1873- "Townsfolk of Sienna"; watercolour, 1.5x5.5cm: English School, early 19th century- "Moderate Breezes"; pen and brown ink and watercolour, inscribed in the margin, 10x13.5cm: British Provincial School, early 19th century- Landscape with a two-wheeled cart; pen and ink and watercolour, 6.7x8.5cm: Attributed to Franz Sch³z 1751-1781- River landscape; black crayon on laid, bears inscription, 10.8x20cm: Sholto Johnstone Douglas 1871-1958- Figure on a woodland path; gouache and watercolour, signed with initials, 16.5x24cm (9) (part unframed)
Roseberys
Sep. 07, 2010
Attributed to Samuel Pepys Cockerell 1844-c.1905-
Est: £300 - £400
Attributed to Samuel Pepys Cockerell 1844-c.1905- "Paper Chase, Hampton Court"; pen and brown ink, dated Nov 26 59, 13.3x17.8cm: Emmanuel Charles Louis Bénézit, French 1887-1975- "Fresnes, Chemin de la Glaciere"; pencil and watercolour, signed, inscribed and dated 1909, 17x21.5cm Provenance: with Mercury Gallery, London, according to label attached to the reverse of the frame: Attributed to Louisa Margaret Larking, Australian b.1898- Bowl of flowers; pen and black ink and watercolour, two, one dated 11.1.25, 15x20 and 16x16cm: Edgar James Maybery 1887-1966- "Henllys Church, Newport, Mon."; watercolour, signed and titled, 13x19.5cm: Attributed to Thomas Hartley Cromek 1809-1873- "Townsfolk of Sienna"; watercolour, 1.5x5.5cm: English School, early 19th century- "Moderate Breezes"; pen and brown ink and watercolour, inscribed in the margin, 10x13.5cm: British Provincial School, early 19th century- Landscape with a two-wheeled cart; pen and ink and watercolour, 6.7x8.5cm: Attributed to Franz Schüz 1751-1781- Rover landscape; black crayon on laid, bears inscription, 10.8x20cm: Sholto Johnstone Douglas 1871-1958- Figure on a woodland path; gouache and watercolour, signed with initials, 16.5x24cm (9) (part unframed)
Roseberys
Feb. 28, 2007
Holy Island, Lindisfarne
Est: £2,000 - £3,000
Samuel Pepys Cockerell (b.1844, fl. 1875-1903) Holy Island, Lindisfarne oil on canvas 5 1/8 x 15¼ in. (13 x 38.6 cm.)
Christie's
Jun. 30, 2005
THE PROPERTY OF A GENTLEMAN SAMUEL PEPYS COCKERELL (B.1844, FL.1875-1903) AND GEORGE ULICK BROWNE
Est: £3,000 - £4,000
THE PROPERTY OF A GENTLEMAN SAMUEL PEPYS COCKERELL (B.1844, FL.1875-1903) AND GEORGE ULICK BROWNE (1856-1935) AN ALBUM OF DRAWINGS AND WATERCOLOURS OF VIEWS IN GREECE, ITALY, FRANCE, GERMANY AND THE DALMATIAN COAST; AN ALBUM OF DRAWINGS AND WATERCOLOURS OF VIEWS IN ITALY AND ENGLAND one album including views of Athens, Athens from the Acropolis, the Mountains of the Paloponnesus from the top of Acrocorinth, Delphi (2), Port of Delphi, Nauplia (4), Temple at Bassae, Arcadian Gate, Mistra Greece, Venice (22), Torcello (2), Piazza del Lion Venice, Le Zettera Venice, St Christopher's Rock - Dordogne, castle walls in Dordogne (2), Castelmoron-sur-lot, Cahore, Cahore Pont de Valencia, St Cirq la Popie, (3), Rocamadiour, Nuremberg, Ragusa Dalmatia (3), Spalato Dalmatia (2), Clissa - Spalato, Sebenico (4), Sebenico Dalmatia (6) and other views sixty six, two signed with monogram: S.P.C., twenty six inscribed with title, twenty five dated between 1904 and 1908, most also inscribed and dated on album sheet fifty watercolour and sixteen pencil, bound between green linen boards embossed in gold: 1904-1909/I NOSTRI VIAGGI/S.PEPYS COCKERELL/ALTAMONT the second album including views on board the Grotara, Europa Point, Europa Point, Capri from Naples, Pompeii (4), the crater of Vesuvius, Naples (2), Amalfi (3), Ravello (10), Ravello the Piazza, Camp Santo Ravello, near Ravello, San Germano - La Rocca (3), Atina (4), Florence (4), the Carrara Mountains, San Vito from Villa Nuti - Florence, Sandwich, Wells (4), Glastonbury, Holy Island (3), near Lindisfarne Holy Island, Lindisfarne Priory Holy Island, Certosa Florence (2), Verona (2), Pisa and other views seventy three, thirty eight inscribed, twenty four dated between 1895 and 1901, some also inscribed and dated on album sheet fifty six watercolour, sixteen pencil, one pen and ink over pencil, bound between green linen boards embossed in gold: 1895-1903/I NOSTRI VIAGGI/S.PEPYS COCKERELL/G.ULICK BROWNE Quantity: 2 PROVENANCE by descent from George Ulick Browne, 6th Marquess Sligo and 4th Earl of Clanricarde, to the present owner CATALOGUE NOTE Samuel Pepys Cockerell was born in 1844 and was the son of Charles Robert Cockerell, the architect. He painted historical scenes, portraits, mythological and genre pictures which he exhibited at the Royal Academy between 1875-1903. He was also a decorative artist and sculptor. The later drawings in these albums show a similarity in their highly detailed and naturalistic style to the works of John Ruskin and it seems likely that Cockerell was influenced by the older artist. George Ulick Browne, 6th Marquess Sligo and 4th Earl of Clanricarde, was born on 1st September 1856. He was Lord Lieutenant and Custos Rotulorum of Co.Mayo, Ireland. He was a Captain in the 12th Bengal Cavalry and fought during the Afghan War of 1879-1880. On 12th October 1887 he married Agatha Stewart, daughter of James Stewart Hodgson, of Lythe Hill, Haslemere. He died on 26th February 1935
Sotheby's
Nov. 25, 2004
SAMUEL PEPYS COCKERELL (B.1844, FL.1875-1903) AND GEORGE ULICK BROWNE (1856-1935)
Est: £4,000 - £6,000
one album including views of Athens, Athens from the Acropolis, the Mountains of the Paloponnesus from the top of Acrocorinth, Delphi (2), Port of Delphi, Nauplia (4), Temple at Bassae, Arcadian Gate, Mistra Greece, Venice (22), Torcello (2), Piazza del Lion Venice, Le Zettera Venice, St Christopher's Rock - Dordogne, castle walls in Dordogne (2), Castelmoron-sur-lot, Cahore, Cahore Pont de Valencia, St Cirq la Popie, (3), Rocamadiour, Nuremberg, Ragusa Dalmatia (3), Spalato Dalmatia (2), Clissa - Spalato, Sebenico (4), Sebenico Dalmatia (6) and other views sixty six, two signed with monogram: S.P.C., twenty six inscribed with title, twenty five dated between 1904 and 1908, most also inscribed and dated on album sheet fifty watercolour and sixteen pencil, bound between green linen boards embossed in gold: 1904-1909/I NOSTRI VIAGGI/S.PEPYS COCKERELL/ALTAMONT the second album including views on board the Grotara, Europa Point, Europa Point, Capri from Naples, Pompeii (4), the crater of Vesuvius, Naples (2), Amalfi (3), Ravello (10), Ravello the Piazza, Camp Santo Ravello, near Ravello, San Germano - La Rocca (3), Atina (4), Florence (4), the Carrara Mountains, San Vito from Villa Nuti - Florence, Sandwich, Wells (4), Glastonbury, Holy Island (3), near Lindisfarne Holy Island, Lindisfarne Priory Holy Island, Certosa Florence (2), Verona (2), Pisa and other views seventy three, thirty eight inscribed, twenty four dated between 1895 and 1901, some also inscribed and dated on album sheet fifty six watercolour, sixteen pencil, one pen and ink over pencil, bound between green linen boards embossed in gold: 1895-1903/I NOSTRI VIAGGI/S.PEPYS COCKERELL/G.ULICK BROWNE Quantity: 2 AN ALBUM OF DRAWINGS AND WATERCOLOURS OF VIEWS IN GREECE, ITALY, FRANCE, GERMANY AND THE DALMATIAN COAST; AN ALBUM OF DRAWINGS AND WATERCOLOURS OF VIEWS IN ITALY AND ENGLAND
Sotheby's