Alessio d' Elia Sold at Auction Prices

Painter, b. 1718 - d. 1770

See Artist Details

0 Lots

Sort By:

Categories

    Auction Date

    Seller

    Seller Location

    Price Range

    to
    • Attribué à Alessio d'Elia (Naples 1717-1755) Jeune femme posant pour son portrait ; Un intérieur élégant avec une jeune femme à sa toilette (2)
      Oct. 30, 2024

      Attribué à Alessio d'Elia (Naples 1717-1755) Jeune femme posant pour son portrait ; Un intérieur élégant avec une jeune femme à sa toilette (2)

      Est: €15,000 - €20,000

      Attribué à Alessio d'Elia (Naples 1717-1755) Jeune femme posant pour son portrait ; Un intérieur élégant avec une jeune femme à sa toilette une paire, huile sur toile a pair, oil on canvas 75.5 x 102.7cm (29 3/4 x 40 7/16in). (2)

      Bonhams
    • Alessio D'Elia (attributed to) (San Cipriano Picentino 1718-1770) - Adoration of the Shepherds
      Feb. 24, 2023

      Alessio D'Elia (attributed to) (San Cipriano Picentino 1718-1770) - Adoration of the Shepherds

      Est: -

      Oil painting on canvas "Oil painting on canvas, attributed to the painter Alessio D'Elia by art historian Nicola Spinosa. Previously from Casa d'Aste Finarte and the Minerva Auction. According to the catalog of Minerva Auctions, the painting is thought to have been created in the mid-eighteenth century, in the artistic style of master Francesco de Mura. D'Elia was a highly sought-after artist, known for creating frescoes for important ecclesiastical commissions. His canvases can be found in many Roman and Neapolitan churches. One of the distinctive characteristics of D'Elia's style is his compositional mastery and knowledge of scenography, which is particularly evident in this painting. Compared to the style of his master, subtle differences can be seen, such as the joyful and popular vein present in the chubby faces, small mouths of the shepherd children, and airy dynamic background, which softens the otherwise more classical influences. The successful composition of the painting reveals a choral harmony inspired by the grandiose synergy of the multitude of figures and elements, all defined even in the smallest of details. Along the amplified diagonal of the majestic figure of a woman with a draped back, unfolds a joyful procession of cherubs, young girls and shepherds who converge towards the Holy Family, arranged on a symbolic pedestal of ancient Roman ruins, on whose steps the Eucharistic lamb gently rests, incarnation of Meekness and Innocence. The pictorial gesture is high and natural, devoid of jamming and hardness, so safe and expressive as to make the work look like it was painted in fresco. According to the spirit of the most mature Neapolitan rococo, the figures of angels hover, clear and ethereal, in a harmonious triumph."

      ArtLaRosa
    • Alessio D'Elia (attribuito a) (San Cipriano Picentino 1718-1770) - Adoration of the shepherds
      Dec. 11, 2021

      Alessio D'Elia (attribuito a) (San Cipriano Picentino 1718-1770) - Adoration of the shepherds

      Est: €12,000 - €9,999,999

      Oil painting on canvas Oil painting on canvas. Attribution of Professor Nicola Spinosa. Formerly Casa d'Aste Finarte, Minerva Auction. Quantosegue is taken from the Minerva Auctions Catalog. Ildipinto, attributed to the painter Alessio D'Elia by the Historian of Art NicolaSpinosa, could be placed in the middle of the eighteenth century, based on the sciaartistica of the master Francesco de Mura. D'Eliafu was an artist in great demand and he created above all frescoes for important ecclesiastical commissions, while we find his canvases in many c hiese romanee neapolitans. Distinctive features of his style are the compositional mastery and the scenographic wisdom, particularly evident in this painting. Compared to the style of his master, in general and here in particular, subtle differences in character are revealed, including the joyful vein and popular, recognizable in the plump faces, in the minu mouths te of the little shepherds and in a basic ariosodynamism, which attenuates otherwise more classical and monumental ancestry. The resulting composition reveals, from the first impact, a choral harmony inspired by the great synergy of the multitude of figures and elements, all defined even in the smallest of details. Long diagonal amplified of the majestic figure of a woman with a draped back , a joyful procession of putti, young girls and shepherds who converge towards the Holy Family, placed on a symbolic pedestal of ancient Roman ruins, on whose steps the Eucharistic lamb gently rests, the incarnation of Meekness and Innocence. The painterly gesture turns out to be tall and natural, devoid of jamming and hardness, so safe and expressive as to make it seem like 'work as fresco painted. Secondolo spirit of the more mature Neapolitan rococo , the figures of angels flit, clear and ethereal, in a harmonious triumph.

      ArtLaRosa
    • Oil painting on canvas depicting the Adoration of the Shepherds, Alessio D'Elia (San Cipriano
      Dec. 19, 2020

      Oil painting on canvas depicting the Adoration of the Shepherds, Alessio D'Elia (San Cipriano

      Est: -

      Oil painting on canvas depicting the Adoration of the Shepherds, Alessio D'Elia (San Cipriano Picentino 1718 Post 1770). Cm 66,5x127. Attribution by Prof. Nicola Spinosa - Finarte Auction House, Auction Minerva. The painting, allegedly by the painter Alessio D'Elia by art historian Nicola Spinosa, could be placed at the mid-eighteenth century, the artistic wake of Maestro Francesco de Mura. D'Elia was a very popular artist of frescoes created especially for important ecclesiastical commissions, while we find his paintings in many churches in Rome and Naples. Distinctive features of his style are the compositional mastery and theatrical wisdom, particularly evident in this painting. Compared to his master style, in general, and in particular here, they will reveal subtle differences in character, including the joyful vein and folk, apparent in plump faces, in the minute of the shepherds mouths and in an airy dynamism of the bottom, which attenuates ancestry otherwise more classical and monumental. The successful composition reveals, at the first impact, choral harmony inspired by the great synergy of the multitude of shapes and elements, all also defined in the most minute detail. Along the diagonal Amplified majestic woman back draped figure, it unfolds a joyous procession of children, young girls and young shepherds that converge towards the Holy Family, arranged on a symbolic stand of ancient Roman ruins, on which rests gently steps the eucaristico lamb , the embodiment of gentleness and Innocence. The pictorial gesture reveals high and natural, with no jamming and hardness, so confident and expressive that it looks like the work painted in fresco. In the spirit of the more mature Neapolitan Rococo, the figures of angels hover, light and ethereal, in a harmonious triumph.

      ArtLaRosa
    • Oil paint on canvas depicting the Adoration of the Shepherds, Alessio D'Elia (San Cipriano Picentino 1718 Post 1770). Cm
      Oct. 10, 2020

      Oil paint on canvas depicting the Adoration of the Shepherds, Alessio D'Elia (San Cipriano Picentino 1718 Post 1770). Cm

      Est: €14,000 - €9,999,999

      Oil paint on canvas depicting the Adoration of the Shepherds, Alessio D'Elia (San Cipriano Picentino 1718 Post 1770). Cm 66,5x127. Attributed by Professor Nicola Spinosa. Already Finarte Auction House, Auction Minerva. This excerpt comes from the Minerva Auctions Catalogue. The painting, attributed to the painter Alessio D'Elia by the Art Historian Nicola Spinosa, could be placed in the mid-eighteenth century, in the artistic wake of the master Francesco de Mura. D'Elia was a very popular artist and mostly made frescoes for important ecclesiastical commissions, while we now find his paintings in many Roman and Neapolitan churches. Distinctive features of his style are the mastery of composition and the scenic wisdom, particularly evident in this painting. In general and here in particular, subtle differences of character are revealed, including the joyful and popular vein, visible in the chubby faces, in the mouths of the little shepherds and in an airy underlying dynamism, which attenuates otherwise more classical and monumental ancestries. The composition reveals, from the first sight, a choral harmony inspired by the grandiose synergy of the multitude of figures and elements, all defined even in the tiniest of details. Along the amplified diagonal of the majestic figure of a draped woman, there is a joyful procession of cherubs, young girls and little shepherds who converge towards the Holy Family, placed on a symbolic pedestal of ancient Roman ruins, The Eucharistic Lamb, incarnation of Meekness and Innocence, which rests gently on its steps. The pictorial gesture proves to be high and natural, free of impurities and hardness, so sure and expressive as to make the work look like a fresco. According to the spirit of the most mature Neapolitan Rococo, the figures of hovering angels, clear and ethereal, in a harmonious triumph.

      ArtLaRosa
    • Alessio D'Elia (San Cipriano Picentino 1718 Post 1770) Adoration of the Shepherds. 66,5x127 Oil pain
      Jul. 31, 2020

      Alessio D'Elia (San Cipriano Picentino 1718 Post 1770) Adoration of the Shepherds. 66,5x127 Oil pain

      Est: €14,000 - €100,000,000

      Alessio D'Elia (San Cipriano Picentino 1718 Post 1770) Adoration of the Shepherds. 66,5x127 Oil paint on canvas. Attribution of Prof. Nicola Spinosa. Already Finarte Auction House, Auction Minerva.

      ArtLaRosa
    • Alessio D'Elia (San Cipriano Picentino 1718 Post 1770) Adoration of the Shepherds. 66,5x127 Oil pain
      Jul. 15, 2020

      Alessio D'Elia (San Cipriano Picentino 1718 Post 1770) Adoration of the Shepherds. 66,5x127 Oil pain

      Est: €14,000 - €100,000,000

      Alessio D'Elia (San Cipriano Picentino 1718 Post 1770) Adoration of the Shepherds. 66,5x127 Oil paint on canvas. Attribution of Prof. Nicola Spinosa. Already Finarte Auction House, Auction Minerva.

      ArtLaRosa
    • Paintings - Alessio D'Elia (San Cipriano Picentino 1718 - Post 1770) Adoration of the shepherds. 66.5x127 Oil painting on canvas. Attribution of Prof. Nicola Spinosa. Already Auction House Finarte, Minerva Auction.
      Apr. 13, 2019

      Paintings - Alessio D'Elia (San Cipriano Picentino 1718 - Post 1770) Adoration of the shepherds. 66.5x127 Oil painting on canvas. Attribution of Prof. Nicola Spinosa. Already Auction House Finarte, Minerva Auction.

      Est: -

      Paintings - Alessio D'Elia (San Cipriano Picentino 1718 - Post 1770) Adoration of the shepherds. 66.5x127 Oil painting on canvas. Attribution of Prof. Nicola Spinosa. Already Auction House Finarte, Minerva Auction.

      ArtLaRosa
    • Alessio D'Elia (San Cipriano Picentino, Salerno 1718 - post 1770)
      May. 24, 2018

      Alessio D'Elia (San Cipriano Picentino, Salerno 1718 - post 1770)

      Est: €20,000 - €25,000

      Adorazione dei Pastori olio su tela, cm 66,5 x 127 Lungo la diagonale, amplificata dalla maestosa figura di donna drappeggiata di schiena, si dispiega una gioiosa processione di putti, giovinette e pastorelli che convergono verso la Sacra Famiglia, disposta su un simbolico piedistallo di antiche rovine romane, sui cui gradoni poggia dolcemente l'agnello eucaristico, incarnazione della Mansuetudine e dell'Innocenza (cfr. C. Ripa, Della novissima Iconologia, parte seconda, Padova, presso Pietro Paolo Tozzi, 1625, p. 324). Il gesto pittorico si rivela alto e naturale, privo di impuntamenti e di durezze, talmente sicuro ed espressivo da far sembrare l'opera come dipinta ad affresco o, meglio, un bozzetto di grande respiro. Tali caratteristiche richiamano il corpus dei bozzetti che Francesco De Mura donò al Pio Monte della Misericordia, il cui inventario fu redatto dagli allievi e suoi eredi nell'arte Pietro Bardellino e Fedele Fischetti. Secondo lo spirito del più maturo rococò napoletano, chiare ed eteree aleggiano in un trionfo musicale le figure degli angeli. Siamo grati al professor Nicola Spinosa per aver avanzato l'attribuzione del dipinto a Alessio D'Elia e averlo collocato alla metà del Settecento, sotto l'influenza del maestro Francesco De Mura. Alessio d'Elia fu artista molto richiesto e realizzò soprattutto affreschi per importanti committenze ecclesiastiche; sue opere figurano tra l'altro in varie chiese romane come Sant'Andrea della Valle e Santa Caterina de' Funari. Caratteristiche distintive dello stile del D'Elia sono la maestria compositiva e la sapienza scenografica, particolarmente evidenti nel dipinto offerto nel lotto. Rispetto allo stile del suo maestro, qui intimamente presente, si rilevano sottili differenze di carattere, tra cui la vena gioiosa e popolaresca, ravvisabile nei visi paffuti, nelle bocche piccole dei pastorelli e in un arioso dinamismo di fondo che attenua ascendenze altrimenti più classicheggianti e monumentali. La riuscita composizione rivela fin dal primo impatto un'armonia corale fatta dalla grandiosa sinergia di una moltitudine di figure ed elementi, tutti risolti fin nel più minuto dettaglio. 1

      Finarte Roma
    • Attributed to Alessio d'Elia (active Naples 1717-1758)
      Dec. 11, 2009

      Attributed to Alessio d'Elia (active Naples 1717-1758)

      Est: £1,500 - £2,500

      Attributed to Alessio d'Elia (active Naples 1717-1758) The Assumption of the Virgin oil on canvas 16 x 11 in. (40.7 x 28 cm.)

      Christie's
    • Attributed to Alessio d'Elia (Naples active 1717-1755) An elegant interior with a young woman sitting for her portrait; and An elegant interior (2)
      Dec. 09, 2009

      Attributed to Alessio d'Elia (Naples active 1717-1755) An elegant interior with a young woman sitting for her portrait; and An elegant interior (2)

      Est: £30,000 - £50,000

      An elegant interior with a young woman sitting for her portrait; and An elegant interior with a young woman at her toilet a pair, oil on canvas 70 x 110cm (27 9/16 x 43 5/16in). (2)

      Bonhams
    • Alessio d'Elia , Documented in Naples 1754 - 1771 The Assumption of the Virgin oil on canvas
      Apr. 22, 2009

      Alessio d'Elia , Documented in Naples 1754 - 1771 The Assumption of the Virgin oil on canvas

      Est: £6,000 - £8,000

      oil on canvas

      Sotheby's
    • Attributed to Alessio d'Elia (active Naples 1717-1758)
      Dec. 02, 2008

      Attributed to Alessio d'Elia (active Naples 1717-1758)

      Est: £3,000 - £5,000

      Attributed to Alessio d'Elia (active Naples 1717-1758) The Assumption of the Virgin oil on canvas 16 x 11 in. (40.7 x 28 cm.)

      Christie's
    • Alessio d'Elia , Documented in Naples 1754 - 1771 The Assumption of the Virgin oil on canvas
      Jul. 10, 2008

      Alessio d'Elia , Documented in Naples 1754 - 1771 The Assumption of the Virgin oil on canvas

      Est: £8,000 - £12,000

      oil on canvas

      Sotheby's
    • Alessio d'Elia (active Naples 1717-1755)
      Oct. 30, 2002

      Alessio d'Elia (active Naples 1717-1755)

      Est: $10,850 - $15,500

      Elegant company in an interior with a gentleman sitting for his portrait oil on canvas 161/2 x 253/4 in. (41.9 x 65.4 cm.) NOTES We are very grateful to Professor Nicola Spinosa for confirming the attribution to Alessio d'Elia on the basis of a photograph.

      Christie's
    Lots Per Page:

    Popular Artists

    Devices

    Get Invaluable on Your Phone

    Download the app via text link to get instantly notified if you’re outbid and receive auction reminders so you never miss out!

    Bid On-the-Go!

    Download the Invaluable app and never miss an auction from your iOS or Android device.

    App Store badgeGoogle Play badge
    Invaluable Logo

    As the world's leading online auction marketplace, thousands of auction houses use Invaluable to deepen relationships with millions of clients around the world. Stay connected to the things you love with curated items and auctions sent to your inbox.

    You can unsubscribe at any time. View ourPrivacy Policy.

    © 1986-2025 Invaluable, LLC. and participating auction houses. All Rights Reserved.

    TermsSubscription AgreementPrivacy PolicyCopyrightGDPR InfoPrivacy ChoiceYour Privacy ChoicesSite Map