George Frost Sold at Auction Prices

GEORGE FROST (BRITISH 1754-1821)

GEORGE FROST (BRITISH 1754-1821) A RURAL SCENE WITH FIGURES BEFORE A COTTAGE (RECTO) AND A WOOD (VERSO) black chalk on laid paper, recto and verso 23 x 29cm; 9 x 11¾in (with cut corners) together with five further sketches and three watercolours by the same hand various sizes, all unframed (9)

George Frost of Ipswich (1754–1821)

George Frost of Ipswich (1754–1821) Study of a horse; Study of a figure in a hat charcoal, unframed 10.5 x 13.5cm; 15 x 5cm (2)

GEORGE FROST (1754-1821 IPSWICH)

GEORGE FROST (1754-1821 IPSWICH) Property from a Private English Collection GEORGE FROST (1754-1821 IPSWICH) By the Orwell Collector's mark (lower left, L. 2617). black chalk 27 x 36 cm PROVENANCE: William Esdaile (1758-1837), L. 2617.

GEORGE ALBERT FROST LAKESIDE LANDSCAPE PAINTING

FROST, George Albert, (American, 1843-1907): Lakeside Landscape, Oil/Board, 8.5" x 13.5", signed lower left and dated 1906, gilded frame. 14" x 19".

GEORGE FROST (1754 - 1821)

GEORGE FROST (1754 - 1821) A FOLIO OF PENCIL STUDIES INCLUDING OF HORSES, DONKEYS, A COW, SOLDIERS, FIGURES, AND FLOWTON BROOK, IPSWICH the latter inscribed lower centre Flowton Brook pencil 8.25 x 15.5 cm/3 1/4 x 6 1.4 in; irregular (illustrated drawing) (16)

A FOLIO OF DRAWINGS OF FIGURE AND LANDSCAPE STUDIES ATTRIBUTED TO BENJAMIN ROBERT HAYDON (1786-1846), GEORGE FROST (1754-1821), SIR JAMES THORNHILL (1675/76 -1734), AND JOSEPH FARRINGTON, RA (1747-1821)

A FOLIO OF DRAWINGS OF FIGURE AND LANDSCAPE STUDIES ATTRIBUTED TO BENJAMIN ROBERT HAYDON (1786-1846), GEORGE FROST (1754-1821), SIR JAMES THORNHILL (1675/76 -1734), AND JOSEPH FARRINGTON, RA (1747-1821) the first pen and brown ink; the second pencil and pen and black ink; the third and fourth with pen and brown ink and brown wash 11.5 x 27 cm/4 1/2 x 10 3/4 in (illustrated) (4)

George Frost of Ipswich, St. Matthews Church Ipswich, pencil sketch, titled to the mount, the sketch

George Frost of Ipswich, St. Matthews Church Ipswich, pencil sketch, titled to the mount, the sketch 15.5cm x 12.5cm

GEORGE FROST (1754-1821) Flowton Brook, Ipswich pencil inscribed in pen and ink on the mount 12.3 x 15.2 cm together with 17 further pencil drawings of various figurative and horse studies  various sizes all mounted, unframed (18) FOOTNOTE: George Frost had a natural and early love of drawing, and was self-taught as an artist. According to his obituary in the Gentleman's Magazine: His productions, and more particularly his Drawings, were admirable, and exhibited abundant proofs of the character and genius of a Master. He studied nature with the closest attention, and in his attempts to delineate her beauties, was eminently successful. He was an accurate observer of her in all her appearances, and possessed a characteristic touch for all her forms. The subjects which he selected were such as did credit to his taste and judgment; and whatever came from his pencil bore the impress of originality and truth, and evinced, in a bold and masterly manner,the local character and features of the County In which he resided. He was a great admirer and imitator of Gainsborough, and possessed some paintings and drawings by him, notably "The Mall", of which he executed a careful copy when in his 77th year. He was also a close friend of John Constable. His employment at Ipswich caused him to limit his subjects to that town and its neighbourhood, and he was little known elsewhere.

GEORGE FROST (1754-1821) Flowton Brook, Ipswich pencil inscribed in pen and ink on the mount 12.3 x 15.2 cm together with 17 further pencil drawings of various figurative and horse studies  various sizes all mounted, unframed (18) FOOTNOTE: George Frost had a natural and early love of drawing, and was self-taught as an artist. According to his obituary in the Gentleman's Magazine: His productions, and more particularly his Drawings, were admirable, and exhibited abundant proofs of the character and genius of a Master. He studied nature with the closest attention, and in his attempts to delineate her beauties, was eminently successful. He was an accurate observer of her in all her appearances, and possessed a characteristic touch for all her forms. The subjects which he selected were such as did credit to his taste and judgment; and whatever came from his pencil bore the impress of originality and truth, and evinced, in a bold and masterly manner,the local character and features of the County In which he resided. He was a great admirer and imitator of Gainsborough, and possessed some paintings and drawings by him, notably "The Mall", of which he executed a careful copy when in his 77th year. He was also a close friend of John Constable. His employment at Ipswich caused him to limit his subjects to that town and its neighbourhood, and he was little known elsewhere.

George Frost (1754-1821) - Pencil sketch - Rear view of pony in harness, cream octagonal paper 6.5ins x 5.25ins, apparently unsigned, in modern moulded frame and glazed Provenance: Stephen Somerville - Purchased 1st July 1993

George Frost (1754-1821) - Pencil sketch - Rear view of pony in harness, cream octagonal paper 6.5ins x 5.25ins, apparently unsigned, in modern moulded frame and glazed Provenance: Stephen Somerville - Purchased 1st July 1993

GEORGE FROST

GEORGE FROST (1720 – 1796) American seaman, jurist, and statesman, a delegate for New Hampshire to the Continental Congress from 1777 to 1779. A.L.S., 2pp. 8vo., Falmouth, Mar. 17, 1763 to his brother. Wide-ranging content mentioning a hogshead of wine left in storage, pumpkin seeds for planting, and supplying lumber to ship captains, presumably for the repair of their vessels. Fine.

GEORGE FROST

GEORGE FROST (1720 – 1796) American seaman, jurist, and statesman, a delegate for New Hampshire to the Continental Congress from 1777 to 1779. A.L.S., 2pp. 8vo., Falmouth, Mar. 17, 1763 to his brother. Wide-ranging content mentioning a hogshead of wine left in storage, pumpkin seeds for planting, and supplying lumber to ship captains, presumably for the repair of their vessels. Fine.

George Frost (1754 - 1821), pencil drawing - Cane Hall Hill, Ipswich, in glazed frame, 11.5cm x 16cm

George Frost (1754 - 1821), pencil drawing - Cane Hall Hill, Ipswich, in glazed frame, 11.5cm x 16cm

George Frost (1754 - 1821), collection of works including: black chalk - p

George Frost (1754 - 1821), collection of works including: black chalk - plough team, horse's head in harness, plant study, chalk and watercolour sketch of figures in landscape and others, all in glazed frames (8)

Attributed to George Frost (1754-1821). - Wooded Hillside with Sheep Grazing,

black chalk on paper, sheet size 213 x 203 mm (8.4 x 8 ins), framed and glazed

George Frost (1754 - 1821), collection of works including: black chalk - p

George Frost (1754 - 1821), collection of works including: black chalk - plough team, horse's head in harness, plant study, chalk and watercolour sketch of figures in landscape and others, all in glazed frames (8)

George Frost (1754 - 1821), pencil - Boat building on the Deben, collector'

George Frost (1754 - 1821), pencil - Boat building on the Deben, collector's mark (lower right), 13cm x 17cm, in glazed frame. Provenance: Somerville Galleries, Saxmundham, Exhibition of Drawings by George Frost, 8th May - 27th May 1972, cat no. 39, described in the catalogue as from the collection of William Esdaile Esq., his mark lower right

George Frost (1754 - 1821), black chalk - Stoke Church, Ipswich, 31cm x 39c

George Frost (1754 - 1821), black chalk - Stoke Church, Ipswich, 31cm x 39cm, in glazed frame. N.B. The present drawing bears close comparison and may be a sketch for the painting of the same subject illustrated in Frank Brown's 1895 publication 'Frosts' drawings of Ipswich, plate XIV

GEORGE FROST (1754-1821) British Donkey Study Pencil on laid paper 14 x 11

GEORGE FROST (1754-1821) British Donkey Study Pencil on laid paper 14 x 11 cm, framed and glazed

George Frost (1754 - 1821), black chalk - cattle below trees, 21cm x 15cm,

George Frost (1754 - 1821), black chalk - cattle below trees, 21cm x 15cm, in glazed frame

George Frost (1754 - 1821), watercolour - study of plants, 13cm x 10cm, ins

George Frost (1754 - 1821), watercolour - study of plants, 13cm x 10cm, inscribed verso 'White and red, H'dale', together with two further pencil sketches of fauna, by the same hand, one with Exhibition label verso for Gainsborough's House, Sudbury 1974 (3)

George Frost (1754 - 1821), chalk - horseman beneath trees, 17cm x 21cm, in

George Frost (1754 - 1821), chalk - horseman beneath trees, 17cm x 21cm, in glazed frame. N.B. Inscribed verso 'From an album belonging to Thomas Green and later the artist Thomas Smythe'

George Frost (1754 - 1821), chalk - wooded landscape with cart, 38cm x 28cm

George Frost (1754 - 1821), chalk - wooded landscape with cart, 38cm x 28cm, in glazed frame

George Frost (1754 - 1821), black chalk - plough team, 8cm x 15cm, together

George Frost (1754 - 1821), black chalk - plough team, 8cm x 15cm, together with two further works by the same hand - study of a cart; horse's head in harness, all in glazed frames (3)

George Frost (1754 - 1821), watercolour - horse's head, 9cm x 10cm, togethe

George Frost (1754 - 1821), watercolour - horse's head, 9cm x 10cm, together with a small watercolour of a plough team by the same hand, both in glazed frames

George Frost (1754 - 1821), black and red chalks - The water cart, 19cm x 2

George Frost (1754 - 1821), black and red chalks - The water cart, 19cm x 23cm, in glazed frame. Provenance: Somerville Galleries, Saxundham, Exhibition of Drawings by George Frost, 8th May - 27th May 1972, cat no. 7, described in the catalogue as from the collection of William Esdaile Esq

George Frost (1754 - 1821), pencil studies - A Pig, A Deer, A Sheep, A Cow

George Frost (1754 - 1821), pencil studies - A Pig, A Deer, A Sheep, A Cow - four works, 12cm x 8cm and smaller, in glazed frames (4)

George Frost (1754 - 1821), watercolour - cart horses, man and dog resting

George Frost (1754 - 1821), watercolour - cart horses, man and dog resting in a field, 15cm x 20cm, in glazed frame. Exhibited: Waveney Society - Thomas Churchyard and George Frost, The Minories, Colchester, Oct. 1971

George Frost (1754 - 1821), pencil - Boat building on the Deben, collector'

George Frost (1754 - 1821), pencil - Boat building on the Deben, collector's mark (lower right), 13cm x 17cm, in glazed frame. Provenance: Somerville Galleries, Saxmundham, Exhibition of Drawings by George Frost, 8th May - 27th May 1972, cat no. 39, described in the catalogue as from the collection of William Esdaile Esq., his mark lower right

George Frost (1754 - 1821), pencil - Carters with horse team, 9cm x 17cm, i

George Frost (1754 - 1821), pencil - Carters with horse team, 9cm x 17cm, in glazed frame. Provenance: Somerville Galleries, Saxmundham, Exhibition of Drawings by George Frost, 8th May - 27th May 1972, cat. no. 43, described in the catalogue as from the collection of William Esdaile Esq

George Frost (1754 - 1821), black chalk - Stoke Church, Ipswich, 31cm x 39c

George Frost (1754 - 1821), black chalk - Stoke Church, Ipswich, 31cm x 39cm, in glazed frame. N.B. The present drawing bears close comparison and may be a sketch for the painting of the same subject illustrated in Frank Brown's 1895 publication 'Frosts' drawings of Ipswich, plate XIV

*Attributed to George Frost (1754-1821). Wooded Hillside with Sheep Grazing,

*Attributed to George Frost (1754-1821). Wooded Hillside with Sheep Grazing, black chalk on paper, sheet size 213 x 203 mm (8.4 x 8 ins), framed and glazed (1)

Follower of George Frost, British 1754-1821-

Follower of George Frost, British 1754-1821- Church landscape with cattle; charcoal highlighted in white on grey, 13.6x12.5cm: Follower of Thomas William King, British c.1790-c.1840- "Garganey"; watercolour, bears signature, dated 1819 and titled, 13x18cm: together with a number of other watercolours by various hands, 19th century and later, (a lot) (unframed)

George Frost (1754-1821), Sketch of bushes,

George Frost (1754-1821), Sketch of bushes, pencil, 16cm x 21cm. Provenance: Shepher Gallery Associates, New York

George Frost (British, 1754-1821) Windmill and figures at Stoke

Windmill and figures at Stoke inscribed to a label verso: 'Bought at the sale of the late Mr Trent's effects, whose father was companion to Mr Frost August 15th 1901, at the lecture hall Ipswich, Garrod & Turner, Ipswich', also inscribed in pencil: 'The mill was last occupied by a miller named Goodchild and was pulled down about 1880, it stood on Stoke Hill Ipswich near by the railway tunnel', pen and ink and wash, 30 x 40cm (11 13/16 x 15 3/4in).

GEORGE FROST (1754-1821) WOODED LANDSCAPE WITH

GEORGE FROST (1754-1821) WOODED LANDSCAPE WITH FIVE FIGURES black chalk on laid paper, 31 x 24.5cm Provenance: William Esdaile (1758-1837).

Frost, George (1754-1821). A Set of Four Animal

Frost, George (1754-1821). A Set of Four Animal Pencil Sketches on Paper, depicting a donkey, horse, rams and a cow. Mounted in glazed gilt wood frames approximately 11 ins x 10 ins (28 cms x 26 cms). [Friend of John Constable, from Stanhope Shelton].

George Frost (British, 1754-1821) 31 x 40cm, (unframed)

Country road through woodland Black chalk, watermark 1802 31 x 40cm, (unframed) And a river landscape, inscribed 'A. Stix'

Attributed to George Frost (British, 1754-1821) Lot of Two Landscapes: The Edge of the Meadow ...

Attributed to George Frost (British, 1754-1821) Lot of Two Landscapes: The Edge of the Meadow and Hog Island. Unsigned, former with sketch on the reverse. Charcoal on laid paper, 18 1/2 x 13 1/4 in., unframed. Condition: Toning, hinged to backing mats, pigment displacement. Provenance: The estate of Sir Edwin A.G. Manton.

George Frost (attributed to)

George Frost (attributed to) British (1754-1821) HOUSE WITH CATTLE pencil, framed, unsigned, inscribed: verso of frame, George Frost (1754-1821) sight size: H5 1/4" W7 1/2"

George Frost

George Frost British (1754-1821) A THATCHED COTTAGE BY A STREAM pencil, framed unsigned; inscribed: lower right, WE sight size: H9 7/8" W11" *Provenance: William Esdaile(1758-1837), British banker and print collector, inscribed his collector's mark in the lower right corner, EB

George Frost (1754-1821) Landscape with Cottages 27.5 x 38 cm