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Gluck Sold at Auction Prices

Flower painter, Porträtmaler

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  • λ GLUCK (BRITISH 1895-1976), SULKY SPRING, SOUTHEASE
    Oct. 23, 2024

    λ GLUCK (BRITISH 1895-1976), SULKY SPRING, SOUTHEASE

    Est: £5,000 - £7,000

    λ GLUCK (BRITISH 1895-1976)SULKY SPRING, SOUTHEASE Oil on board Signed (lower left)26 x 36.5cm (10 x 14¼ in.)Presented in artist's three tier painted frame. Provenance:The Fine Art Society Ltd., London (by December 1937) Exhibited:London, The Fine Art Society Ltd., 1937, no. 23London, The Fine Art Society Ltd., Memorial Exhibition, 1980-81, no. 33Literature:Diana Souhami, Gluck, Her Biography, London,1988, p.175 In February 1937 Gluck and Nesta Obermer visited Southease, a village in East Sussex in the valley of the river Ouse. The pair had a picnic from the car as Gluck began painting the vast landscape. Gluck captured the point at which the river changes its course and flows onwards to the sea. Gluck designed and painted many of her frames including the one used in the present lot. Gluck's distinctive 3 stepped symmetrical painted panels were designed to match the colour of the wall on which they were hung. It was also encouraged that the outer step could be covered in the same wallpaper to match the walls. This effect was patented in 1932 and used in all of her subsequent exhibitions. The concept became known as 'The Gluck Room'.

    Dreweatts 1759 Fine Sales
  • LARGE HANNAH GLUCKSTEIN NUDE PAINTING
    Aug. 17, 2024

    LARGE HANNAH GLUCKSTEIN NUDE PAINTING

    Est: $800 - $1,200

    GLUCKSTEIN, Hannah, English, 1895-1976): Abstract Reclining Nude, Oil/Canvas, 36" x 48", signed, framed, 45" x 57.5"

    Burchard Galleries Inc
  • Gluck (British, 1895-1976) The Old Stable, Bolton House, Hampstead, 1930
    Dec. 14, 2023

    Gluck (British, 1895-1976) The Old Stable, Bolton House, Hampstead, 1930

    Est: $5,000 - $7,000

    Gluck (British, 1895-1976) The Old Stable, Bolton House, Hampstead, 1930 oil on canvas in Artist's frame signed Gluck and dated (lower right) 10 x 8 inches.  Provenance: The Fine Art Society, London Exhibited: London, England, The Fine Art Society, Diverse Paintings, November 1932, no. 23 (as The Old Studio) London, England, The Fine Art Society, Gluck, April 30 - May 18, 1973, no. 21 Literature: Diana Souhami, Gluck, 1895-1978: Her Biography, New York University Press, New York, 1989, pp. 78, illus. Amy De La Haye and Martin Pel, Gluck: Art and Identity, Yale University Press, New Haven, 2017, pp. 119, 130 Lot Essay: No prefix, suffix, or quotes. - Gluck Gluck (British, 1895-1978), born Hannah Gluckstein to an aristocratic family, shed their name down to a single syllable as they crafted their identity as a pioneering figure in British modern art. Known for their strikingly androgenous appearance and subversive fashion, they used their work to explore themes of crucial importance to their identity -- famously through reflections of gender and sexuality through vibrant biomorphic and geometric forms -- but also, here, a space held particularly dear to them. Though disapproving of both their personal and professional endeavors, Gluck's father bought them a home with its own studio in 1926, a three-story red brick Georgian building called Bolton House in Hampstead Village, of which The Old Stable, Bolton House, Hampstead, was painted. This painting represents a unique bookend to Gluck's storied exhibition history. Retained by the artist throughout their career, it was exhibited in two major solo exhibitions with The Fine Art Society, first in 1932 and then in 1973. For the first show, Gluck-a trailblazer in all aspects-- was able to patent their "Gluck Frame" for the exhibition. Designed in three tiers and specially produced by the artist's approved frame-maker, Louis Koch, the frames gave the illusion that they were an extension of a room's architecture, becoming an integral part of Modernist and Art Deco interiors. 1932 also marked the beginning of Gluck's romantic and collaborative relationship with society florist and designer Constance Spry, after the pair was introduced by a mutual friend. Spry decorated the Fine Art Society galleries for Gluck's exhibition, the paneled walls of each room featuring Spry's arrangements. Their relationship ended in 1936; Gluck tossed letters, diaries, and paintings into a bonfire at Bolton House. Gluck rejected forenames and honorifics, once resigning from an art society who referred to them as "Miss Gluck" on their letterhead. Homosexuality was illegal for men and unclassified for women at this time. Gluck's work featured bouquets and flora, spellbinding landscapes, and portraits – frequently of their lovers – and these emotional, intimate depictions challenged a society that scorned the very idea, becoming a distinctive voice in early modern British art. Affiliating themselves with no artistic school or movement, Gluck showed only in solo exhibitions, before abruptly stopping their practice at the height of their fame to wage a "paint war" to improve the quality of available materials. After a long and all-consuming campaign lobbying for the use of cold-pressed oil and hand-ground pigments, Gluck succeeded in persuading the British Standards Institution to create a new standard for oil paints. They returned to painting in their seventies, mounting a well-received solo show in 1973 of fifty-two paintings spanning their entire oeuvre, their first since 1944 and also their last, in which The Old Stable, Bolton House, Hampstead was included. Even with a relatively small body of work throughout their life, Gluck's enduring influence on the art historical cannon through their unapologetic embrace of queer identity, particularly through the championing of their own identity, cannot be overstated. In this example, a small-scale landscape, invitingly cropped and telescopically focused with the help of the Gluck Frame, offers a brief glimpse of the personal life and identity of this fascinating artist at home.

    Hindman
  • Gluck (Hannah Gluckstein) (British, 1895-1978) The Cheat 26 x 30.5 cm. (10 1/4 x 12 in.)
    Nov. 22, 2023

    Gluck (Hannah Gluckstein) (British, 1895-1978) The Cheat 26 x 30.5 cm. (10 1/4 x 12 in.)

    Est: £6,000 - £8,000

    Gluck (Hannah Gluckstein) (British, 1895-1978) The Cheat signed 'GLUCK' (lower right) oil on canvas 26 x 30.5 cm. (10 1/4 x 12 in.)

    Bonhams
  • Gluck (Hannah Gluckstein) (British, 1895-1978) The Unofficial Jury - Rouse Trial 20.3 x 25.3 cm. (8 x 10 in.)
    Nov. 22, 2023

    Gluck (Hannah Gluckstein) (British, 1895-1978) The Unofficial Jury - Rouse Trial 20.3 x 25.3 cm. (8 x 10 in.)

    Est: £6,000 - £8,000

    Gluck (Hannah Gluckstein) (British, 1895-1978) The Unofficial Jury - Rouse Trial oil on canvas 20.3 x 25.3 cm. (8 x 10 in.)

    Bonhams
  • § Gluck (Hannah Gluckstein) (British 1895-1978) Five Studies, circa 1968-70
    Oct. 27, 2023

    § Gluck (Hannah Gluckstein) (British 1895-1978) Five Studies, circa 1968-70

    Est: £2,500 - £3,500

    § Gluck (Hannah Gluckstein) (British 1895-1978) Five Studies, circa 1968-70 comprising Coastal Landscape; Rosapenna, Donegal; Downings Bay, Donegal; The Raising of Lazarus and Still Life of Flowers, three signed Gluck, two dated 1968 and Oct/69, and three titled, pencil and coloured crayons (the largest 23cm x 17cm (9in x 6 3/4in)) Provenance The Fine Art Society Limited, London; Private Collection, London. Exhibited The Fine Art Society Limited, London, Gluck, 6 - 28 February 2017. The studies are in a Gluck Frame, formed of three symmetrically stepped panels, as deisgned by the artist.

    Lyon & Turnbull
  • GLUCK (HANNAH GLUCKSTEIN) (1895-1978) Cottage with Cat oil on board, in the
    Oct. 19, 2023

    GLUCK (HANNAH GLUCKSTEIN) (1895-1978) Cottage with Cat oil on board, in the

    Est: £6,000 - £8,000

    GLUCK (HANNAH GLUCKSTEIN) (1895-1978) Cottage with Cat oil on board, in the artist's frame 8 x 9 ½ in. (20 x 24.5 cm.)

    Christie's
  • Gluck (Hannah Gluckstein) (1895-1978) - Landscape with Tower
    Nov. 21, 2019

    Gluck (Hannah Gluckstein) (1895-1978) - Landscape with Tower

    Est: £1,000 - £1,500

    Gluck (Hannah Gluckstein) (1895-1978) Landscape with Tower ink on blue paper 4 ¾ x 4 ¾ in. (12.1 x 12.1 cm.)

    Christie's
  • Gluck (Hannah Gluckstein) (1895-1978) - Cornish Landscape
    Nov. 21, 2019

    Gluck (Hannah Gluckstein) (1895-1978) - Cornish Landscape

    Est: £3,000 - £5,000

    Gluck (Hannah Gluckstein) (1895-1978) Cornish Landscape oil on panel 4 7/8 x 7 1/8 in. (12.3 x 18.1 cm.)

    Christie's
  • GLUCK | La Romanche, Hautes Alpes, Dauphine
    Feb. 05, 2019

    GLUCK | La Romanche, Hautes Alpes, Dauphine

    Est: £3,000 - £5,000

    pencil, watercolour, wash and gouache on paper

    Sotheby's
  • GLUCK | Flora's Cloak
    Feb. 05, 2019

    GLUCK | Flora's Cloak

    Est: £80,000 - £120,000

    oil on canvas, presented in the Gluck Frame

    Sotheby's
  • ATTRIBUTED TO HANNAH GLUCKSTEIN (1895-1978)
    Oct. 17, 2018

    ATTRIBUTED TO HANNAH GLUCKSTEIN (1895-1978)

    Est: £100 - £150

    ATTRIBUTED TO HANNAH GLUCKSTEIN (1895-1978) A COSTUME DESIGN signed l.r.: GLUCK watercolour and pencil 31.0 x 19.0cm / 12.0 x 7.0in unframed

    Olympia Auctions
  • •HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978) A SKETCHBOOK OF DRAWINGS
    Mar. 17, 2016

    •HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978) A SKETCHBOOK OF DRAWINGS

    Est: £150 - £200

    •HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978) A SKETCHBOOK OF DRAWINGS Comprising approximately 35 pages of drawings, including views of London, studies of a ship, steam engine, figure studies; pencil, some pages with watercolour 18cm by 13cm by 1cm; 7in by 5in by 1/3in ++stains to the edges of some sheets, generally in decent condition bearing in mind its use as a sketchbook

    Olympia Auctions
  • HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978) STUDY FOR A PORTRAIT OF WILFRED ARTHUR LORD GREENE, MASTER OF THE ROLLS
    Mar. 17, 2016

    HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978) STUDY FOR A PORTRAIT OF WILFRED ARTHUR LORD GREENE, MASTER OF THE ROLLS

    Est: £100 - £150

    HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978) STUDY FOR A PORTRAIT OF WILFRED ARTHUR LORD GREENE, MASTER OF THE ROLLS signed and dated l.l.: Gluck /1949, oil on canvas 40cm by 34.5cm; 15 3/4in by 13 1/2in ++generally in good condition, could benefit from a light clean

    Olympia Auctions
  • HANNAH GLUCKSTEIN GLUCK (1895-1978) A hilltop view in Sussex, signed, oils on canvas, 30.5 x 46
    Mar. 09, 2016

    HANNAH GLUCKSTEIN GLUCK (1895-1978) A hilltop view in Sussex, signed, oils on canvas, 30.5 x 46

    Est: £600 - £800

    HANNAH GLUCKSTEIN GLUCK (1895-1978) A hilltop view in Sussex, signed, oils on canvas, 30.5 x 46cm, unframed For a similar but smaller work by the same artist see Christies sale 20 Oct 2005 Lot 72

    Mallams
  • Gluck (Hannah Gluckstein) (1895-1978) The Report Post oil on canvas-board,
    Nov. 20, 2014

    Gluck (Hannah Gluckstein) (1895-1978) The Report Post oil on canvas-board,

    Est: £8,000 - £12,000

    Gluck (Hannah Gluckstein) (1895-1978) The Report Post oil on canvas-board, in the artist's frame 10 x 12 in. (25.4 x 30.5 cm.)

    Christie's
  • Gluck (Hannah Gluckstein) (1895-1978) Eighth Army Canteen oil on canvas, i
    Nov. 20, 2014

    Gluck (Hannah Gluckstein) (1895-1978) Eighth Army Canteen oil on canvas, i

    Est: £8,000 - £12,000

    Gluck (Hannah Gluckstein) (1895-1978) Eighth Army Canteen oil on canvas, in the artist's frame 10 x 14 in. (25.4 x 35.6 cm.)

    Christie's
  • HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978)
    Feb. 27, 2013

    HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978)

    Est: £2,500 - £4,000

    HANNAH GLUCKSTEIN, CALLED GLUCK (1895-1978) Craig in Cornwall, 1919 signed and dated 'Gluck 19' (lower right) oil on board 9½ x 13½ in. (24 x 34 cm.)

    Christie's
  • Gluck (Hannah Gluckstein) (1895-1978)
    Nov. 13, 2012

    Gluck (Hannah Gluckstein) (1895-1978)

    Est: $300 - $500

    Self Portrait signed and inscribed Self-Portrait gelatin silver print laid down on paper in original artist-designed frame 5 1/2 x 4 1/4 in. 14 x 10.8 cm.

    Bonhams
  • Attribué à Hannah GLUCK (1895-1978) Hall de gare.
    Mar. 19, 2012

    Attribué à Hannah GLUCK (1895-1978) Hall de gare.

    Est: €1,500 - €2,000

    Attribué à Hannah GLUCK (1895-1978) Hall de gare. Huile sur panneau 37 x 35 cm

    Millon & Associes
  • Style of Hannah Gluckstein (1895-1976) "ALGERIA" -
    Mar. 22, 2011

    Style of Hannah Gluckstein (1895-1976) "ALGERIA" -

    Est: £400 - £800

    Style of Hannah Gluckstein (1895-1976) "ALGERIA" - A VIEW FROM THE VERGE OF A DUSTY ROAD TOWARDS AND HILLSIDE SETTLEMENT signed "Gluck" and dated 1964 oil on canvas 69.5 x 100cms; 27 1/4 x 39 1/4in. See illustration

    Anderson-Garland
  • 20th Century School: Continental landscape with
    Dec. 15, 2010

    20th Century School: Continental landscape with

    Est: £200 - £300

    20th Century School: Continental landscape with buildings, bears signature 'Gluck' and the date '1964', oil on canvas, 27" x 39 1/2 "

    Mallams
  • Gluck (Hannah Gluckstein) (1895-1978)
    Nov. 11, 2010

    Gluck (Hannah Gluckstein) (1895-1978)

    Est: £80,000 - £120,000

    Gluck (Hannah Gluckstein) (1895-1978) The Three Nifty Nats signed 'GLUCK' (lower right) oil on canvas, in the artist's 'Gluck' frame 19½ x 15½ in. (49.5 x 39.5 cm.) Painted in 1926.

    Christie's
  • Gluck (Hannah Gluckstein) (1895-1978)
    Nov. 11, 2010

    Gluck (Hannah Gluckstein) (1895-1978)

    Est: £70,000 - £100,000

    Gluck (Hannah Gluckstein) (1895-1978) Medallion signed 'Gluck' (lower right) oil on canvas 12 x 14 in. (30.5 x 35.6 cm.) Painted in 1936.

    Christie's
  • GLUCK (HANNAH GLUCKSTEIN)
    Nov. 11, 2009

    GLUCK (HANNAH GLUCKSTEIN)

    Est: £3,000 - £5,000

    STILL LIFE signed

    Sotheby's
  • Hannah Gluckstein (1895-1978)
    Jan. 06, 2009

    Hannah Gluckstein (1895-1978)

    Est: £500 - £800

    Hannah Gluckstein (1895-1978) Sunrise signed and dated 'Gluck 1964' (lower left) oil on canvas 8 x 10 in. (20.3 x 25.3 cm.)

    Christie's
  • GLUCK (HANNAH GLUCKSTEIN), 1895-1978
    Nov. 23, 2006

    GLUCK (HANNAH GLUCKSTEIN), 1895-1978

    Est: £800 - £1,200

    TAMARA TOUMANOVA 33.5x25.5cm.; 13¼x10in. signed and dated 1944 black conté and white chalk

    Sotheby's
  • GLUCK (HANNAH GLUCKSTEIN), 1895-1978
    May. 25, 2006

    GLUCK (HANNAH GLUCKSTEIN), 1895-1978

    Est: £1,000 - £1,500

    LANDSCAPE AT DUSK 21x26cm.; 8¼x10¼in. signed and dated 1964 oil on canvas board

    Sotheby's
  • Gluck (Hannah Gluckstein) (1895-1976)
    Nov. 24, 2005

    Gluck (Hannah Gluckstein) (1895-1976)

    Est: £4,000 - £6,000

    Ernest Thesiger signed 'Gluck' (lower right) oil on canvas 14 x 10 in. (35.6 x 25.4 cm.) Painted circa 1925.

    Christie's
  • Gluck (Hannah Gluckstein) (1895-1978)
    May. 11, 2005

    Gluck (Hannah Gluckstein) (1895-1978)

    Est: £2,000 - £3,000

    Craig in Cornwall signed and dated 'Gluck 19' (lower right) oil on board 10 x 14 in. (25.4 x 35.6 cm.)

    Christie's
  • Gluck (Hannah Gluckstein) (1895-1978)
    Nov. 22, 2002

    Gluck (Hannah Gluckstein) (1895-1978)

    Est: $15,500 - $23,250

    Bank Holiday Monday signed 'GLUCK' (lower left) oil on canvas, in the artist's frame 10 x 8 in. (25.4 x 20.3 cm.) Painted circa 1937 LITERATURE E. Lucie-Smith, Art Deco Painting, Oxford, 1990, pp. 106-110, illustrated. EXHIBITION London, Fine Art Society, Gluck, November-December 1937, no. 28. London, Fine Art Society, Gluck, April-May 1973, no. 31. NOTES Gluck's exhibition in the autumn of 1937 at the Fine Art Society was, as a result of her mother's remarkably persuasive powers, attended by two Queens; Queen Elizabeth and Queen Mary, each having a page to Herself in Gluck's Visitors' Book. Her next exhibition at the Fine Art Society, held in 1973 five years before her death, was her swansong. The present work is sold in the artist's own frame, a style she designed in 1932 and of which she was extremely proud, considering it suitable to become part of any wall in a modern room. She found heavy gold frames out of place and created her own model, as she explains, 'This consisted of steps, imitating the costly panelled effect for setting pictures in a wall, but steps of such character that the usual essence of all frames was reversed and instead of the outer edge dominating, it was made to die away into the wall and cease to be a separate feature' (Gluck, Notes on The Gluck Frame, undated). (See D. Souhami, Gluck her biography, London, 1988, p. 103).

    Christie's
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