Ozias Humphry Sold at Auction Prices

Attributed to Ozias Humphry, British (1742- 1810)

Attributed to Ozias Humphry, British (1742- 1810) Large Painting Oil on Canvas. "Portrait of a Nobleman". Apparently Unsigned. In Original Early 19th C. Frame. Condition: Small, Old Repair in One Area. There Are Some Writings & Numbers on the Verso. Dimensions: Sight-21" x 17". Frame-27" x 23". Provenance: From a New York City Estate. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.

Humphry Ozias

Portrait eines Knaben mit pinkfarbenem Kostüm Ausführung um 1775. Vergoldeter Metallrahmen mit Farbstein-Entourage. Im- und Export unterliegen der Int. Konvention CITES. Sammlung Dr. Erika Pohl-Ströher; Sotheby's, London, 4 October 1982, lot 72 Gerahmt Ausrufdatum: 31.05.2024 Ungefähre Ausrufzeit: 10:45

Humphrey (Ozias, 1742-1810). Edward Leveson Gower, 1782, coloured chalks, signed

Humphrey (Ozias, 1742-1810). Edward Leveson Gower, 1782, coloured chalks, signed * Humphrey (Ozias, 1742-1810). Portrait of Edward Leveson Gower, 1782, coloured chalk on paper, inscribed and dated by the artist to verso in pen and brown ink with his monogram OH and ‘Master Edward Leveson Gower : 1782’ (visible in window mount on the backboard), laid onto the mount, oval top, the artist's ink inscription on verso faintly visible on the recto, 17.8 x 15.3 cm (7 x 6 ins), remargined, full sheet size 21.2 x 15.5 cm (8 3/4 x 6 1/8 ins), framed and glazed, Thos. Agnew & Sons Ltd. label to verso, with stock number 10336, extensive annotations to verso probably by Arthur Jaffé, including provenance notes, and Leveson-Gower family tree QTY: (1) NOTE: Provenance: The artist; bequeathed by him to a member of the Longman family; collection of A. G. Fisher Esquire, 23 George Street, Hanover Square, London; with Thomas Agnew & Sons Ltd. (their label stock number 10336 on reverse); collection of Arthur Jaffé OBE (1880–1954); thence by descent. Exhibited: Agnew’s, 66th Annual Exhibition, February to March 1939, number 116. Literature: George C. Williamson, Life and Works of Ozias Humphrey, R.A., 1918, p. 240 (illustrated). According to Williamson, this work was one of a collection of drawings, mostly signed inscribed and dated, which were given by the artist to the Longman family, and subsequently passed on to Mr A. G. Fisher of George Street, Hanover Square. Williamson also states that the work is a preparatory drawing for a painting.

OZIAS HUMPHRY (BRITISH 1742-1810), PORTRAIT OF A LADY WITH A BONNET

OZIAS HUMPHRY (BRITISH 1742-1810)PORTRAIT OF A LADY WITH A BONNET Pastel49.5 x 38cm (19¼ x 14¾ in.)

OZIAS HUMPHRY R.A. (BRITISH 1742-1810)

OZIAS HUMPHRY R.A. (BRITISH 1742-1810) OZIAS HUMPHRY R.A. (BRITISH 1742-1810) Portrait of a young English gentleman watercolour on ivory, gold locket. oval 46mm (in length) PROVENANCE: Morphets Bonhams, 19.11.2014, Lot 62 With Philip Mould, 2015 Private collection

J. SINGLETON (18th) after HUMPHRY (*1742), George Earl of Macartney, 1796, Stipple engraving

Joseph Singleton (18th century) after Ozias Humphry (1742 - 1810 ): George Earl of Macartney against a cloudy sky, with coat of arms, illustration from: 'European Magazine', 1796, Stipple engraving Technique: Stipple engraving on Paper, mounted on Paper Date: 1796 Description: Unter der Darstellung signiert: 'Ozias Humphry R. A. pinxt. / Portrait Painter in Crayons to his Majesty. / Joseph Singleton sculpt.' Keywords: 18th century, Classicism, Portraits, United Kingdom,

Ozias Humphry, RA (1742-1810)

Ozias Humphry, RA (1742-1810) Portrait miniature of a lady in a purple dress with blue ribbon and a pink rose at her corsage, her hair upswept beneath a white lace cap watercolour on ivory, oval, in a gold frame with brooch pin attachment 5cm Provenance: Bonhams, London, 30 May 2013, lot 38, when acquired by the late Barry Lock (1934-2021) This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 8J1AA67M. Examined out of frame. Ivory very slightly warped along the sides. Some fading near the sitter's face and visible discoloured retouching on the right near her neck.

Attributed to Ozias Humphry R.A. (Honiton 1742-1810 London) Portrait of a girl, traditionally identified as Miss Frances Laver, in a white dress seated by a column in a landscape and holding a book

Attributed to Ozias Humphry R.A. (Honiton 1742-1810 London) Portrait of a girl, traditionally identified as Miss Frances Laver, in a white dress seated by a column in a landscape and holding a book oil on canvas 76.5 x 63cm (30 1/8 x 24 13/16in).

OZIAS HUMPHRY R.A. (BRITISH 1742-1810)

OZIAS HUMPHRY R.A. (BRITISH 1742-1810) OZIAS HUMPHRY R.A. (BRITISH 1742-1810) Portrait of a young English Gentleman watercolour on ivory, gold locket. oval 46mm (in length) PROVENANCE: Morphets Bonhams, 19.11.2014, Lot 62 With Philip Mould, 2015 Private collection

Ozias Humphry (1742-1810)

Ozias Humphry (1742-1810) Portrait miniature of a gentleman in a scarlet coat and powdered wig signed with a monogram (lower right) watercolour on ivory, oval, in a gold frame, the reverse engraved 'O. Humphries/ 1775 [sic]' 4cm Provenance: Ellison Fine Art, from whom acquired in 2011 by the late Barry Lock (1934-2021) This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. Z6QYET1Y.

Attr. to OZIAS HUMPHRY (English, 1742-1810).

Attributed to Ozias Humphry 9/10ct gold framed portrait of Lionel Earl of Middlesex. Inscribed verso, "Lionel Earl of Middlesex" with several additional stickers/labels including one stating, "Portrait of Lionel 3rd and Last Earl of Middlesex. By Ozias Humphrey. R.A. 1742-1810. Watercolor. Gold Frame". From a Hollis, NY estate. Dimensions: frame measures approx. 4.25" h x 3.675" w.

Attributed to Ozias Humphry R.A. (Honiton 1742-1810 London) Portrait of a girl, traditionally identified as Miss Frances Laver, in a white dress seated by a column in a landscape and holding a book

Attributed to Ozias Humphry R.A. (Honiton 1742-1810 London) Portrait of a girl, traditionally identified as Miss Frances Laver, in a white dress seated by a column in a landscape and holding a book oil on canvas 76.5 x 63cm (30 1/8 x 24 13/16in). For further information on this lot please visit the Bonhams website

J.SINGLETON (18th) after HUMPHRY (*1742), George Earl of Macartney, 'European Magazine', 1796, Stip

Joseph Singleton (18th century) after Ozias Humphry (1742 - 1810 ): George Earl of Macartney against a cloudy sky, with coat of arms, illustration from: 'European Magazine', 1796, Stipple engraving Technique: Stipple engraving on Paper, mounted on Paper Date: 1796 Description: Unter der Darstellung signiert: 'Ozias Humphry R. A. pinxt. / Portrait Painter in Crayons to his Majesty. / Joseph Singleton sculpt.' Keywords: 18th century, Classicism, Portraits, United Kingdom,

Ozias Humphry (British, 1752-1810), after Michelangelo The Prophet Daniel (together with 6 other copies of Old Masters by the same hand, each signed and inscribed on the reverse and all but one dated, all unframed (7))

Ozias Humphry (British, 1752-1810), after Michelangelo The Prophet Daniel inscribed, signed and dated 'from Michael angelo, in the Capella Sistina - Ozias Humpry fecit/ 1776' (on the verso) black chalk heightened with white on paper 51.1 x 39.9cm (20 1/8 x 15 11/16in). together with 6 other copies of Old Masters by the same hand, each signed and inscribed on the reverse and all but one dated, all unframed (7) For further information on this lot please visit the Bonhams website

λ OZIAS HUMPHREY RA (BRITISH 1742-1810)

λ OZIAS HUMPHREY RA (BRITISH 1742-1810) λ OZIAS HUMPHREY RA (BRITISH 11742-1810) Portrait miniature of a young man dressed in Van Dyck costume with a large black hat adorned with a white plume and pink ribbon, doublet, lace collar and pink cloak watercolour on ivory gilt-metal frame oval, 46mm (high) This item may require Export or CITES licences in order to leave the UK or the European Union. It is the buyer's responsibility to ensure that lots have the relevant licences before shipping.

Attributed to Ozias Humphry (British, 1742-1810)

Attributed to Ozias Humphry (British, 1742-1810) Portrait of a Woman pastel on paper 30 x 25 inches. Property of an Estate, Pasadena, California

* Humphrey, Ozias (1742-1810), Portrait of Edward Leveson Gower, 1782, pencil, chalks and charcoal

* Humphrey, Ozias (1742-1810), Portrait of Edward Leveson Gower, 1782, pencil, chalks and charcoal Humphrey (Ozias, 1742-1810). Portrait of Edward Leveson Gower, 1782, pencil, red and black chalks and charcoal on paper, inscribed and dated by the artist in pen and brown ink ‘Master Edward Leveson Gower AO:1782’ to verso (visible in window mount on the backboard), laid onto the mount, the paper incised to make an oval at top and incised to just beneath the inscription verso, discoloured under the mount, pen and ink inscription faintly visible recto, 17.8 x 15.3 cm (7 x 6 ins) where incised, full sheet size 21.2 x 15.5 cm (8 3/4 x 6 1/8 ins), framed and glazed Qty: (1) Footnote: Provenance: The artist; bequeathed by him to a member of the Longman family; collection of A.G. Fisher Esq., 25 George Street, Hanover Square, London; with Thomas Agnew & Sons Ltd. (their label stock number 10336 on reverse); collection of Arthur Jaffé OBE (1880–1954), and thence by descent. Exhibited: Agnew’s, 66th Annual Exhibition, February to March 1939, number 116. Literature: George C. Williamson, Life and Works of Ozias Humphrey, R.A., 1918, p. 240 (illustrated). According to G.C. Williamson, this work was one of a collection of drawings, mostly signed, inscribed and dated, which were given by the artist to the Longman family, and subsequently passed on to Mr A.G. Fisher of George Street, Hanover Square. Williamson also states that the work is a preparatory drawing for a painting.

* Humphrey, Ozias (1742-1810), Portrait of Edward Leveson Gower, 1782, pencil, chalks and charcoal

* Humphrey (Ozias, 1742-1810). Portrait of Edward Leveson Gower, 1782, pencil, red and black chalks and charcoal on paper, inscribed and dated by the artist in pen and brown ink ‘Master Edward Leveson Gower AO:1782’ to verso (visible in window mount on the backboard), laid onto the mount, the paper incised to make an oval at top and incised to just beneath the inscription verso, discoloured under the mount, pen and ink inscription faintly visible recto, 17.8 x 15.3 cm (7 x 6 ins) where incised, full sheet size 21.2 x 15.5 cm (8 3/4 x 6 1/8 ins), framed and glazed Qty: (1)

HUMPHREY Ozias (1742-1810) attribué à : « Portrait de Mary BARNES à la robe de soie verte nouée »,

HUMPHREY Ozias (1742-1810) attribué à : « Portrait de Mary BARNES à la robe de soie verte nouée », HST marouflée dans un beau cadre en bois sculpté, portant cartouche en laiton gravé du nom de l’artiste, annotée sur le châssis « Mary BARNES born 16th nov.1757 Ozias HUMPHREY Prix 21.ap 1783 died 17.september 1810 », porte une étiquette d’exposition au dos, notée à deux endroits du cadre et du châssis « Ozias HUMPHREY » (pas de restauration visible à la lampe de Wood » - 61 x 51 cm. Dim. totale avec le cadre 88 x 78 cm.

OZIAS HUMPHRY R.A. (1742 Ð 1810)

Portrait of a young lady seating outside. Pencil, chalk heightened with wash. Signed with Monogram and dated 1782. Provenance: Co. Westmeath, one owner, Private collection

OZIAS HUMPHRY (1742-1810), King George III triptych. The central panel showing George III and The Prince of Wales reviewing the troops

OZIAS HUMPHRY (1742-1810), King George III triptych. The central panel showing George III and The Prince of Wales reviewing the troops, circa 1797 (after William Beechey). Portraits of Queen Charlotte and a seated King George III (after ZOFFANY, circa 1771) adorn each side. hand-painted on ivory panels, signed lower right in the centre panel, original carved bone, mother of pearl and ivory frame, 41 x 63cm overall

Ozias Humphrey (1742-1810)

Ozias Humphrey (1742-1810) PORTRAIT OF A YOUNG GENTLEMAN, BUST LENGTH, IN A GREY COAT AND WHITE STOCK Miniature on ivory Oval, 3.3 x 2.6cm, in a gold frame, inscribed verso 'By Ozias Humphries, 1780'

OZIAS HUMPHRY, R.A. (BRITISH, 1742-1810) Oval, 38 mm. high, gilt-metal frame

OZIAS HUMPHRY, R.A. (BRITISH, 1742-1810) A gentleman in purple coat On ivory Oval, 38 mm. high, gilt-metal frame

OZIAS HUMPHRY (BRITISH 1742–1810)

The Property of a Connoisseur, London OZIAS HUMPHRY (BRITISH 1742–1810) Portrait of a Gentleman Pencil and crayon on wove paper Oval, 13.5 x 11.5cm (5 1/4 x 4 1/4in)

OZIAS HUMPHRY, R.A. | Portrait of Asaf-ud-Daula, Nawab Wazir of Oudh (1748-1797)

Watercolour and bodycolour on ivory, turned black lacquered wood frame; signed and dated verso: Asoph Ul Dowlah / Nabob Vizier, 1786./ painted from Nature / at Lucknow by Oz. Humphry / No. 7

OZIAS HUMPHRY, R.A. | Portrait of Sir George Yonge, 5th Bt. (1731-1812)

Pastel on paper, laid down on canvas

OZIAS HUMPHRY, R.A. | Portrait of Suliman Aga Le Luna 

Watercolour and bodycolour on ivory, gold frame; signed verso: Suliman Aga Le Lun, Capitaine du Bey de Tripoli. Peint en Angleterre par ordre de la Duchesse de Richmond en 1782 par O.H

OZIAS HUMPHRY, R.A. (HONITON 1742-1810 LONDON) Portrait of a gentleman, half-length,

OZIAS HUMPHRY, R.A. (HONITON 1742-1810 LONDON) Portrait of a gentleman, half-length, in a black coat and white stock pastel on buf paper, on the original canvas support and stretcher 23 1/4 x 19 1/4 in. (59 x 49 cm.)

OZIAS HUMPHRY, RA (ENGLISH, 1742-1810)

Portrait of Mary Nesbitt seated in a landscape setting Pencil, charcoal and watercolour Inscribed on the reverse 'Mrs Nesbitt O.H. 1782 Norwood Common' Enclosed in a carved giltwood Ribbon frame Ozias Humphry, RA (English, 1742-1810) was a portrait painter, firstly working in miniature and later in oil paint, pastel and pencil. He was born in Honiton, Devon. He first studied in Bath before moving to London on the encouragement of Sir Joshua Reynolds, PRA (1723-1792) in 1764. (He first met Mary Nesbitt at Reynolds's Studio in Leicester Square, where he lodged for some months.) In 1773 he travelled to Italy with his friend, George Romney (1734-1802), remaining there until 1777. From 1785 to 1787 he worked in India portraying the rulers. He was elected a member of the Royal Academy in 1787. He was a friend of George Stubbs (1724-1806) and Thomas Gainsborough, (1727-1788). His works can be seen at The National Portrait Gallery, London; The Tate; and The National Maritime Museum, Greenwich. Mary Davis (1743-1825) began her career as a society model to Sir Joshua Reynolds. His portraits of her can be seen at The Wallace Collection, London and the Smith College Museum of Art, Northampton, Massachusetts. She married a wealthy merchant banker, Alexander Nesbitt, in 1768. She was a confidante of King George III (1738-1820) and an intimate friend of the 3rd Earl of Bristol. They lived together at Norwood House, Norwood Common. On the Earl's death he bequeathed to her this house and an estate at Lessingham, Lincolnshire. In the 1790s she is rumoured to have been recruited by the Prime Minister, William Pitt the Younger (1759-1806), to act as a government spy in Europe, working to re-establish the monarchy in France after the revolution. She remained living in Europe, mostly in Paris. In 1808 she met Madame Tussaud (1761-1850) and bought her a house in Crystal Palace, London. Mary Nesbitt was a life-long friend of Humphry. She is portrayed in numerous miniatures and drawings by him. See for example Sotheby's sale of 1846, Lot 423: "Mrs Nesbitt of Norwood, highly finished by Humphry." Some of their correspondence is held in the Archives of the Royal Academy, London. In one letter Humphry writes, "Do not forget that it was on the day of my arrival in London that Sir Joshua Reynolds first introduced you to me." In another he writes of her "innumerable kindnesses" to him and of "the delight he felt in her society."

Antique Ozias Humphry Lady Portrait Oil Painting

Antique original oil on board portrait painting attributed to Ozias Humphry (1742-1810 England). Depicts a gorgeous court lady in a white dress. Most well known for his court portrait miniature paintings, larger works by Mr. Humphry are highly sought after when hitting the open market. Attribution plaque attached to frame lower center. Housed in an ornate antique gold gilt frame. Oval opening measures 10 1/4" x 8 3/4". Frame measures 16 1/2" x 17 1/2". Good condition with craquelure and ambered surface. Frame has wear and losses. In house USA domestic shipping $125 plus insurance.

Ozias Humphry R.A. (Honiton 1742-1810 London) Portrait of Anne Woodgate; and Portrait of Sarah Woodgate (2)

Ozias Humphry R.A. (Honiton 1742-1810 London) Portrait of Anne Woodgate; and Portrait of Sarah Woodgate a pair, red and black chalk on paper, oval 21.2 x 16.2cm (8 3/8 x 6 3/8in). (2) Footnotes Rev. William Humphry, brother of Ozias, married Elizabeth Woodgate of Pembury in Kent so the present studies no doubt depict members of her family.

Manner of Ozias Humphry, (British, 1742-1810), Portrait of Miss Keppell

Manner of Ozias Humphry (British, 1742-1810) Portrait of Miss Keppell oil on canvas 34 x 29 3/4 inches.

Ozias Humphry, RA (British, 1742-1810) Portrait of a gentleman inscribed "12 September"

Ozias Humphry, RA (British, 1742-1810) Portrait of a gentleman inscribed "12 September" pencil and charcoal heightened with white, on buff paper, in a fine 18th Century carved giltwood frame| h:31 w:24 cm Provenance: From an Irish country house. We are grateful to Hugh Belsey for kindly confirming the attribution. The sitter's high collar may indicate either a military or naval sitter, also he appears to have epaulettes.

OZIAS HUMPHRY | Portrait of Mrs Fulke Greville, neé Frances Macartney (circa 1724-1789)

black and red chalks

A PORTRAIT MINIATURE OF HENRIETTA VERNON, COUNTESS OF WARWICK (1760-1838), BY OZIAS HUMPHRY RA (1742-1810), CIRCA 1776

A PORTRAIT MINIATURE OF HENRIETTA VERNON, COUNTESS OF WARWICK (1760-1838), BY OZIAS HUMPHRY RA (1742-1810), CIRCA 1776 after a portrait by George Romney (1734-1802), her piled hair tied with ribbons, wearing a blue dress, on ivory, titled later gilt-metal frame 8.2cm, surface mould and bloom Henrietta Vernon (1760-1838) became the second wife of the 2nd Earl of Warwick. The 2nd Earl is principally remembered for his acquisition of what became known as the Warwick vase, as well as for his passion for portraiture. He commissioned Romney to paint a number of his family including another portrait of his wife with their children. The portrait after which this miniature was painted is untraced, but for a print of the portrait, see British Museum No. 1902,1011.5072.

Attributed to Ozias Humphry (1742-1810) Portrait

Attributed to Ozias Humphry (1742-1810) Portrait of Catherine, Wife of Richard Owen Cambridge, Oil on canvas, Unframed, 76 x 63cm (30 x 24 3/4 in)

Henry Bone, R.A. (British, 1755-1834), after Ozias Humphry, RA (British, 1742-1810)

'The Little Man of Kent', wearing white open chemise, supporting a fern green saddle bag on his back with his right hand, his blond curling hair worn loose (cracked). Enamel, signed on the obverse HBone, signed and inscribed on the reverse Painted by Henry/ Bone after a Picture/ in Crayons by Ozias/ Humphry R. A/ Crayon Painter to his/ Majesty. March 1796., gilt-mounted on papier-mâché frame bearing handwritten label K.E. Houston Collection 152. Rectangular, 94mm (3 11/16in) high Literature: R. Walker, Henry Bone's Pencil Drawings, The Walpole Society, 1999, cat. no.592, p.88.

Circle of Ozias Humphry, RA (British, 1742-1810)

A Gentleman, wearing red coat and waistcoat edged with gold embroidery, teal sash and breast star, white chemise and frilled lace cravat, black stock, his powdered wig worn en queue. Watercolour on ivory, gold frame. Oval, 70mm (2 3/4in) high

Circle of Ozias Humphry, RA (British, 1742-1810)

A Gentleman, wearing red coat and waistcoat edged with gold embroidery, teal sash and breast star, white chemise and frilled lace cravat, black stock, his powdered wig worn en queue. Watercolour on ivory, gold frame. Oval, 70mm (2 3/4in) high

Ozias Humphry, RA (British, 1742-1810)

A Lady, wearing blue dress, white lace chemise and pearl choker, her hair partially upswept and falling over her left shoulder, dressed with strands of ribbon and pearls beneath a striped handkerchief. Gold bracelet clasp mount. Oval, 41mm (1 5/8in) high

Ozias Humphry, RA (British, 1742-1810)

A Lady, wearing purple dress, her white lace fichu secured at her corsage with blue ribbon and a single pink rose, her dark hair upswept beneath a white lace cap dressed with a matching blue ribbon bow. Gold frame with brooch pin attachment to the reverse. Oval, 52mm (2 1/16in) high

Ozias Humphry (Honiton 1742-1810 London) Portrait of a lady, half-length, in a lavender and white dress, playing a lyre oil on canvas 29 7/8 x 24½ in. (75.8 x 62.2 cm.)

OZIAS HUMPHERY - Honiton 1742-1810 London - Nach - Bildnis der Sarah Villiers, Countess of Jersey

OZIAS HUMPHERY Honiton 1742-1810 London Nach Bildnis der Sarah Villiers, Countess of Jersey Trägt seitlich die Signatur "Ozias Humphry" und die Datierung "1790". Rückseitig auf dem Karton bezeichnet "Sarah Villiers Yicountess of Jersey, Princess Estherhazy". Gouache auf Elfenbein, 9,4 x 7,8 cm, gerahmt

Ozias Humphry R.A. (British, 1742-1810)

A Gentleman, wearing blue coat, white chemise and stock, his powdered wig worn en queue and tied with a black ribbon bow. Gilt-metal frame. Oval, 48mm (1 7/8in) high

ATTRIBUTED  TO  OZIAS  HUMPHRY,  R.A.

HONITON,  DEVON  1742  -  1810  LONDON PORTRAIT  OF  CATHERINE  (C.1716–1806),  WIFE  OF  RICHARD  OWEN  CAMBRIDGE oil  on  canvas,  unlined 76  by  63.5  cm.;  30  by  25  in.

Bildnis der Sarah Villiers, Countess of Jersey

OZIAS HUMPHERY Bildnis der Sarah Villiers, Countess of Jersey Nach Honiton 1742-1810 London Trägt seitlich die Signatur "Ozias Humphry" und die Datierung "1790". Rückseitig auf dem Karton bezeichnet "Sarah Villiers Yicountess of Jersey, Princess Estherhazy". Gouache auf Elfenbein, 9,4 x 7,8 cm, gerahmt

Ozias Humphry R.A. (British, 1742-1810) A Gentleman, wearing blue coat, white chemise and stock, his powdered wig worn en queue and tied with a black ribbon bow

A Gentleman, wearing blue coat, white chemise and stock, his powdered wig worn en queue and tied with a black ribbon bow. Gilt-metal frame. Oval, 48mm (1 7/8in) high

ATTRIBUTED TO OZIAS HUMPHRY, R.A.

HONITON, DEVON 1742 - 1810 LONDON PORTRAIT OF CATHERINE (C.1716–1806), WIFE OF RICHARD OWEN CAMBRIDGE oil on canvas, unlined 76 by 63.5 cm.; 30 by 25 in.