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Ogata Korin Sold at Auction Prices

b. 1658 - d. 1716

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        • Ogata Korin, 1658-1716, Flying Geese & Three Cranes, Woodblock Print
          Dec. 06, 2024

          Ogata Korin, 1658-1716, Flying Geese & Three Cranes, Woodblock Print

          Est: $200 - $400

          Ogata Korin 1658-1716 Flying Geese & Three Cranes Woodblock Print Both signed in pencil l.r. Together with a woodblock print titled "Snipe in Marsh" by Seiko. 3 pieces

          Nye & Company
        • A RINPA-STYLE INLAID THREE-CASE GOLD LACQUER INRO WITH PRUNUS BLOSSOMS
          Dec. 06, 2024

          A RINPA-STYLE INLAID THREE-CASE GOLD LACQUER INRO WITH PRUNUS BLOSSOMS

          Est: €800 - €1,500

          A RINPA-STYLE INLAID THREE-CASE GOLD LACQUER INRO WITH PRUNUS BLOSSOMS Style of Ogata Korin (1658-1716), inscribed Seisei Korin zo with kakihan Japan, 17th-18th century, Edo period (1615-1868) Bearing a fine kinji ground sparsely sprinkled with gold and black flakes, inlaid with mitsuda (pewter) and aogai, with details in gold hiramaki-e, depicting gnarled prunus branches issuing iridescent blossoms. The interior of kinji, the top case inscribed to the interior Seisei KORIN zo with a kakihan. With a globular lacquer ojime and a 17th-century netsuke carved as a sage seated on an ox. HEIGHT 6 cm, LENGTH 5.1 cm Condition: Good condition with wear, minor rubbing, minute nibbles around cord holes. The netsuke with natural age cracks, minor losses, the horns restored. Auction comparison: Compare a related Rinpa-style gold lacquer three-case inro, signed Seisei Korin, dated 17th-18th century, at Bonhams, The Edward Wrangham Collection of Japanese Art, 9 November 2010, New Bond Street, lot 203 (sold for GBP 1,680).

          Galerie Zacke
        • A RINPA STYLE INLAID FOUR-CASE INRO DEPICTING A YAMAYURI (MOUNTAIN LILY)
          Dec. 06, 2024

          A RINPA STYLE INLAID FOUR-CASE INRO DEPICTING A YAMAYURI (MOUNTAIN LILY)

          Est: €800 - €1,500

          A RINPA STYLE INLAID FOUR-CASE INRO DEPICTING A YAMAYURI (MOUNTAIN LILY) Style of Ogata Korin (1658-1716), signed Korin zo Japan, 18th-19th century, Edo period (1615-1868) Of upright rectangular form and oval section, the four case inro bearing a fine kinji ground and inlaid with mitsuda (pewter) to depict a yamayuri, the blossom and bud inlaid in aogai. The interior compartments lacquered in black and with gold fundame rims. Ínscribed to the underside KORIN zo [made by Korin]. HEIGHT 7.7 cm, LENGTH 4.2 cm Condition: Very good condition with minor wear. Provenance: English private collection. Three old labels to the interior. Rinpa is a modern term that refers to a distinctive style of Japanese pictorial and applied arts that arose in the early seventeenth century and has continued through modern times. Literally meaning ‘school of Korin,’ Rinpa derives its name from Ogata Korin (1658–1716), a celebrated painter from Kyoto. It embraces art marked by a bold, graphic abbreviation of natural motifs, frequent reference to traditional court literature and poetry, the lavish use of expensive mineral and metallic pigments, incorporation of calligraphy into painting compositions, and innovative experimentation with new brush techniques. Transmitted by means of pattern books and manuals, the work of the Ogata Korin inspired numerous other craftsmen.

          Galerie Zacke
        • Japanese Red Crowned Cranes Woodblock after O. Korin
          Dec. 04, 2024

          Japanese Red Crowned Cranes Woodblock after O. Korin

          Est: $1 - $1,000

          An exquisite Japanese woodblock print after Korin Ogata (Japanese, 1658 - 1716 ). Featuring three red crowned cranes, symbols of longevity and good fortune in Japanese culture. The artist captures the elegance of the crane with delicate brush strokes, emphasizing its graceful posture and intricate feather details. The subtle tones and fluid technique highlight the serenity of the scene, bringing a harmonious balance to the composition. Signed by the artist upper right corner as well as on verso and titled that says "In the style of Ogata Korin, Seal = Seisei. This piece exemplifies traditional Japanese artistry celebrating Asian art and nature. Art presented in a light blonde colored rectangular wooden frame. Work Size: 9.5 x 13.25 in. Dimensions: 16.25 X 20 X .75 in. Condition: Good overall condition having normal age related surface wear. Brown spots seen on the work. Storage wear to the edges and the corners of the frame. Estate fresh to the market. Shipping: MiddleManBrokers Inc. offers in-house ground contiguous USA domestic shipping, for $65 plus insurance. We will refer third party shippers for international buyers. Purchaser pick up available upon request.

          MiddleManBrokers
        • HOKKYO KORIN: A THREE-CASE RINPA STYLE LACQUER INRO
          Nov. 08, 2024

          HOKKYO KORIN: A THREE-CASE RINPA STYLE LACQUER INRO

          Est: €2,000 - €4,000

          HOKKYO KORIN: A THREE-CASE RINPA STYLE LACQUER INRO Style of Ogata Korin (1658-1716), signed Hokkyo Korin 法橋光琳 zo 造 and kakihan Japan, 18th century, Edo period (1615-1868) The wide-bodied three-case inro bearing a fine gold-sprinkled ground, boldly designed in thick takamaki-e with an ox resting with its head reared towards two large aogai and mitsuda inlaid cartwheels attached to him. With a coral ojime and a walnut netsuke carved with a butterfly and kiku. Signed to the top case Hokkyo KORIN zo [made by Hokkyo Korin] and with the artist’s kakihan. HEIGHT 6 cm, LENGTH 7 cm Condition: Very good condition, attractively worn, some light discoloration mostly along the edges. Presenting beautifully. Provenance: Spink and Son Ltd., London, 1971. Ex-collection Edward Wrangham, collection no. 1061, acquired from the above. Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published. Sold at Bonhams, The Edward Wrangham Collection of Japanese Art Part I, 9 November 2010, London, lot 200 (sold for GBP 6,240). A European private collection, acquired from the above. Ogata Korin (1658-1716), who earned the title of Hokkyo, was a follower and the greatest exponent of the versatile artist and craftsman, Hon’ami Koetsu (1558-1637). Rinpa is a modern term that refers to a distinctive style of Japanese pictorial and applied arts that arose in the early seventeenth century and has continued through modern times. Literally meaning ‘school of Korin,’ Rinpa derives its name from Ogata Korin (1658–1716), a celebrated painter from Kyoto. It embraces art marked by a bold, graphic abbreviation of natural motifs, frequent reference to traditional court literature and poetry, the lavish use of expensive mineral and metallic pigments, incorporation of calligraphy into painting compositions, and innovative experimentation with new brush techniques. Transmitted by means of pattern books and manuals, the work of the Ogata Korin inspired numerous other craftsmen and it is said that the artist almost never signed his work, and examples bearing his signature exist from the 18th century to the early 20th century, the present inro certainly belongs to the former, likely made by a highly-talented 18th-century Rinpa artist, perhaps even a contemporary of Korin.

          Galerie Zacke
        • OGATA KORIN (1658-1716), AFTER, RIM
          Jun. 24, 2024

          OGATA KORIN (1658-1716), AFTER, RIM

          Est: -

          Ogata Korin (1658-1716), after, Rimpa School, deer and blossoming fruit tree against a gold ground, mixed media on older paper (probably watercolor, gouache over woodcut?), probably a 19th century (?) work after Korin's screen in the Prado, signed/inscribed lower left and stamped in red, paper with slight creases, 21 x 24 cm, behind passepartout 25 x 28 cm

          Historia Auctionata
        • Coppia di pescatori
          Feb. 15, 2024

          Coppia di pescatori

          Est: €100 - €200

          Rifilata. Incollata su due punti al margine sinistro a passe-partout moderno.

          DAMS Casa d'Aste
        • A RARE MITSUDA INLAID FOUR-CASE BLACK LACQUER INRO WITH A ROBED FIGURE ON HORSEBACK, ATTRIBUTED TO OGATA KORIN (1658-1716)
          Jan. 17, 2024

          A RARE MITSUDA INLAID FOUR-CASE BLACK LACQUER INRO WITH A ROBED FIGURE ON HORSEBACK, ATTRIBUTED TO OGATA KORIN (1658-1716)

          Est: €800 - €1,600

          A RARE MITSUDA INLAID FOUR-CASE BLACK LACQUER INRO WITH A ROBED FIGURE ON HORSEBACK, ATTRIBUTED TO OGATA KORIN (1658-1716) Unsigned Japan, Edo period (1615-1868) Of upright rectangular form and oval sectional, the four-case inro bearing a fine roiro ground and decorated in gold hiramaki-e, mitsuda (pewter), and aogai to depict a mounted robed figure against a foliate brocade pattern designed to simulate textile. The interior compartments of nashiji with gold fundame edges. HEIGHT 8.5 cm, LENGTH 6.7 cm Condition: Good condition with minor wear, light surface scratches and typical losses, particularly to the pewter-inlaid horse, some with gold-lacquered 'kintsugi' repairs. Provenance: Van Stockum Gallery, The Hague, April 7, 1959. Collection of Robert and Isabelle de Strycker, acquired from the above. An old collector's label to the interior, 'L,548' and '13'. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Universite Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France's post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven's museum for an exhibition titled Oude kunst in Leuvens Privebezit ('Old Art in Private Collections in Leuven'), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen ('Japanese Art in Belgian Private Collections'). Rinpa is a modern term that refers to a distinctive style of Japanese pictorial and applied arts that arose in the early seventeenth century and has continued through modern times. Literally meaning 'school of Korin,' Rinpa derives its name from Ogata Korin (1658-1716), a celebrated painter from Kyoto. It embraces art marked by a bold, graphic abbreviation of natural motifs, frequent reference to traditional court literature and poetry, the lavish use of expensive mineral and metallic pigments, incorporation of calligraphy into painting compositions, and innovative experimentation with new brush techniques. Transmitted by means of pattern books and manuals, the work of the Ogata Korin inspired numerous other craftsmen. Auction comparison: Compare a closely related four-case gold lacquer inro depicting two thatched shelters among bamboo, by Hara Yoyusai, with similarly rendered Rinpa style inlay in mitsuda and aogai, also taken from Korin Hyakuzu , at Bonhams, The Edward Wrangham Collection of Japanese Art, 15 May 2012, London, lot 290 (sold for GBP 22,500).

          Galerie Zacke
        • A RARE MITSUDA INLAID FOUR-CASE BLACK LACQUER INRO WITH A ROBED FIGURE ON HORSEBACK, ATTRIBUTED TO OGATA KORIN (1658-1716)
          Dec. 01, 2023

          A RARE MITSUDA INLAID FOUR-CASE BLACK LACQUER INRO WITH A ROBED FIGURE ON HORSEBACK, ATTRIBUTED TO OGATA KORIN (1658-1716)

          Est: €1,000 - €2,000

          A RARE MITSUDA INLAID FOUR-CASE BLACK LACQUER INRO WITH A ROBED FIGURE ON HORSEBACK, ATTRIBUTED TO OGATA KORIN (1658-1716) Unsigned Japan, 17th-18th century, Edo period (1615-1868) Of upright rectangular form and oval sectional, the four-case inro bearing a fine roiro ground and decorated in gold hiramaki-e, mitsuda (pewter), and aogai to depict a mounted robed figure against a foliate brocade pattern designed to simulate textile. The interior compartments of nashiji with gold fundame edges. HEIGHT 8.5 cm, LENGTH 6.7 cm Condition: Good condition with minor wear, light surface scratches and typical losses, particularly to the pewter-inlaid horse, some with gold-lacquered ‘kintsugi’ repairs. Provenance: Van Stockum Gallery, The Hague, April 7, 1959. Collection of Robert and Isabelle de Strycker, acquired from the above. An old collector’s label to the interior, ‘L,548’ and ‘13’. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven’s museum for an exhibition titled Oude kunst in Leuvens Privébezit (‘Old Art in Private Collections in Leuven’), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen (‘Japanese Art in Belgian Private Collections’). Rinpa is a modern term that refers to a distinctive style of Japanese pictorial and applied arts that arose in the early seventeenth century and has continued through modern times. Literally meaning ‘school of Korin,’ Rinpa derives its name from Ogata Korin (1658–1716), a celebrated painter from Kyoto. It embraces art marked by a bold, graphic abbreviation of natural motifs, frequent reference to traditional court literature and poetry, the lavish use of expensive mineral and metallic pigments, incorporation of calligraphy into painting compositions, and innovative experimentation with new brush techniques. Transmitted by means of pattern books and manuals, the work of the Ogata Korin inspired numerous other craftsmen. Auction comparison: Compare a closely related four-case gold lacquer inro depicting two thatched shelters among bamboo, by Hara Yoyusai, with similarly rendered Rinpa style inlay in mitsuda and aogai, also taken from Korin Hyakuzu , at Bonhams, The Edward Wrangham Collection of Japanese Art, 15 May 2012, London, lot 290 (sold for GBP 22,500).

          Galerie Zacke
        • Les 100 illustrations de (Ogata) Korin (1658-1716) Edition en 2 volumes, K
          Sep. 18, 2023

          Les 100 illustrations de (Ogata) Korin (1658-1716) Edition en 2 volumes, K

          Est: CHF150 - CHF200

          Les 100 illustrations de (Ogata) Korin (1658-1716) Edition en 2 volumes, Kyoto, 1891, introduction par Tani Bunch?, 1826

          Geneve Encheres
        • Large framed Japanese print, Cranes, Ogata Korin,1658-1716. 98cm W, 44cm H.
          Jul. 18, 2023

          Large framed Japanese print, Cranes, Ogata Korin,1658-1716. 98cm W, 44cm H.

          Est: -

          Large framed Japanese print, Cranes, Ogata Korin,1658-1716.

          Bargain Hunt Auctions
        • A LARGE AND RARE RINPA-STYLE INLAID AND LACQUERED KISERUZUTSU DEPICTING DRAGONFLIES
          Apr. 28, 2023

          A LARGE AND RARE RINPA-STYLE INLAID AND LACQUERED KISERUZUTSU DEPICTING DRAGONFLIES

          Est: €2,000 - €4,000

          A LARGE AND RARE RINPA-STYLE INLAID AND LACQUERED KISERUZUTSU DEPICTING DRAGONFLIES After Ogata Korin (1658-1716), signed Seisei shirushi kizamu 青々讖刻 Japan, Edo (Tokyo), 18th-19th century, Edo period (1615-1868) The unusually large kiseruzutsu of muso-zutsu type, designed for either a very long pipe or as part of a yatate, the grooved pipe case imitating woven rattan lacquered burgundy-red and superbly decorated in gold and black takamaki-e with pewter inlays lacquered in hiramaki-e to depict two dragonflies with large round eyes, delicate limbs and feelers, finely veined wings, and long slender bodies. The shibuichi neck mount with a gilt loop himotoshi. The reverse signed in fine calligraphy SEISEI shirushi kizamu [this is engraved by Seisei] in gold lacquer on a rectangular, black-lacquered reserve. The art name Seisei, which literally means “blue and blue”, was used by Ogata Korin and his followers. LENGTH 26.5 cm Condition: Good condition, minor wear, one dragonfly with touchups to tail and one wing. Ogata Korin (1658-1716) was a famous and highly influential Japanese landscape illustrator, lacquerer, painter, and textile designer of the Rinpa School. Korin is best known for his byobu folding screens, such as Irises and Red and White Plum Blossoms (both registered National Treasures), and his paintings on ceramics and lacquerware produced by his brother Kenzan (1663-1743). Also a prolific designer, he worked with a variety of decorative and practical objects, such as round fans, maki-e writing boxes, or inro medicine cases. He is also credited with reviving and consolidating the Rinpa school of Japanese painting, fifty years after its foundation by Hon'ami Koetsu (1558-1637) and Tawaraya Sotatsu (c. 1570-c. 1640). In fact the term ‘Rinpa’, coined in the Meiji period, means ‘school of [Ko]rin’. In particular he had a lasting influence on Sakai Hoitsu (1761-1828), who replicated many of his paintings and popularized his work, organizing the first exhibition of Korin's paintings at the hundredth anniversary of his death. Literature comparison: Compare a related lacquered kiseruzutsu by Maeyama Koshin, with a similar grooved design imitating woven rattan, dated c. 1900, illustrated in Sydney L. Moss (2010) they are all fire and every one doth shine. The Elly Nordskog Collection of Japanese Inro, Pipecases and Netsuke, p. 316-317, no. 85. Museum comparison: Compare a related lacquered letter box depicting dragonflies with similar pewter inlays, dated 18th century, in the Cleveland Museum of Art, accession number 1972.165.

          Galerie Zacke
        • Ogata Korin Signed Watercolor On Paper
          Apr. 08, 2023

          Ogata Korin Signed Watercolor On Paper

          Est: -

          Titled: ‘ Pigeons’, Signed In Bottom Right Corner, Frame Measuring Approximately 12.5x16.5 Inches, Art Measuring 9x14 Inches, Light Wear Present To Frame. Bh14810 Js

          EJ'S Auction & Appraisal
        • KORIN: A RINPA STYLE LACQUER SUZURIBAKO WITH UME FRUIT AND BLOSSOMS
          May. 27, 2022

          KORIN: A RINPA STYLE LACQUER SUZURIBAKO WITH UME FRUIT AND BLOSSOMS

          Est: €1,500 - €3,000

          KORIN: A RINPA STYLE LACQUER SUZURIBAKO WITH UME FRUIT AND BLOSSOMS After Ogata Korin (1658-1716), inscribed Hokkyo Korin with kakihan Japan, late 18 th to early 19 th century, Edo period (1615-1868) Of rectangular form with rounded corners, the overhanging cover bearing a roiro ground decorated in gold hiramaki-e and pewter and aogai takazogan to depict a gnarled plum tree bearing fruits, blossoms, and buds of different sizes, the interiors of the box and cover bearing a silver ground decorated in gold and black hiramaki-e with a stylized swirling stream, the box fitted with an inkstone and suiteki (waterdropper) of rectangular form, the recess for the ink stone with the inscription Hokkyo Korin with a kakihan. SIZE 24.2 x 22 x 4.7 cm Condition: Very good condition with minor surface wear and few minuscule nicks, the base with some scratches. Provenance: Dutch collection. With a wood storage box. Auction comparison: Compare a related gold-lacquer and pewter-inlaid suzuribako, described as “Style of Ogata Korin” and also dated late 18 th to early 19 th century, 4.5 by 23 by 25 cm, at Bonhams, Fine Japanese Art, 12 May 2016, London, lot 565 ( sold for 3,750 GBP).

          Galerie Zacke
        • D'après Ogata KORIN (1658-1716)
          Jan. 25, 2022

          D'après Ogata KORIN (1658-1716)

          Est: €1,000 - €2,000

          Les Grues Technique mixte sur papier signée en haut à gauche 47 x 100 cm - 18.50 x 39.37 in. Mix technique on paper signed upper left

          Maison Verneuil
        • OGATA KORIN STYLE, ONO NO KOMACHI
          Dec. 04, 2021

          OGATA KORIN STYLE, ONO NO KOMACHI

          Est: €500 - €1,000

          OGATA KORIN STYLE, ONO NO KOMACHI Japan, 19th century Ink and color on silk, framed and under glass. 26x19 cm. The picture depicts a seated portrait of Ono no Komachi, a Japanese waka poet in the early Heian period, wearing spectacular clothes. The paper is yellowed, partially damaged. Provenance: From a private collection in Southern Germany. 尾形光琳风格 小野小町 镜心 日本,19世纪 设色绢本。画面描绘小野小町着华服坐像。纸张有泛黄。26x19。

          Hargesheimer Kunstauktionen Düsseldorf
        • After OGATA KORIN 尾形光琳 (Japan, 1658-1716) Screen with Iris Two (2) oban tata-e / woodblock prints Circa 1970-1980 Publisher: Tanseisha Carver: Uetani Sadao (1940-) Printer: Yoneda Kurazo (1930- )
          Nov. 23, 2021

          After OGATA KORIN 尾形光琳 (Japan, 1658-1716) Screen with Iris Two (2) oban tata-e / woodblock prints Circa 1970-1980 Publisher: Tanseisha Carver: Uetani Sadao (1940-) Printer: Yoneda Kurazo (1930- )

          Est: €200 - €400

          After OGATA KORIN 尾形光琳 (Japan, 1658-1716) Screen with Iris Two (2) oban tata-e / woodblock prints Circa 1970-1980 Publisher: Tanseisha Carver: Uetani Sadao (1940-) Printer: Yoneda Kurazo (1930- )

          Adam's
        • Konvolut Holzschnitte mit Vögeln
          May. 08, 2021

          Konvolut Holzschnitte mit Vögeln

          Est: -

          Japan, Papier, alle altersgemäß sehr guter Zustand 1) Biho Takahashi (1873 - ?), Hahn und Henne, um 1910, 24 x 25 cm (HxB) 2) Ohara Koson (1877 - 1945), "Teichhuhn, Wasserläufer und Blumen", 35 x 19 cm (HxB) 3) Ogata Korin (1658 - 1716), Hahn, 1. Hälfte 20. Jh., umseitig: nachgedruckt von Shimbi Shorin, eines Verlages und Druckerei, die auf qualitätvolle Nachdrucke von Holzschnitten spezialisiert war, 35 x 15 cm (HxB); Mixed lot of woodcuts with birds, Japan, paper, all in very good age-appropriate condition 1) Biho Takahashi (1873 -?), Cock and hen, around 1910 2) Ohara Koson (1877 - 1945), "Moorhen, water bug and flowers" 3) Ogata Korin (1658 - 1716 ), Hahn, 1st half of the 20th century, verso bottom: reprinted by Shimbi Shorin, a publisher and printer specializing in high-quality reprints of woodcuts

          Kunst- und Auktionshaus Quedlinburg
        • Autumn grasses and flowers Edo Period (1615-1868), mid-19th century
          Dec. 15, 2020

          Autumn grasses and flowers Edo Period (1615-1868), mid-19th century

          Est: $3,000 - $5,000

          Autumn grasses and flowers Edo Period (1615-1868), mid-19th century A pair of mid-sized eight-panel screens, Rinpa school type each screen bearing the seal of 'Ogata Korin' (1658-1716); ink, color, and gold on paper, mounted. 17 x 132 (43.1 x 335.2cm) each For further information on this lot please visit the Bonhams website

          Bonhams
        • Ogata Korin (1658-1716). Korin Hyakuza. Vol. 1 and 2, no.2. Three (of 4) parts ehon, 1897, w. num. w
          May. 28, 2020

          Ogata Korin (1658-1716). Korin Hyakuza. Vol. 1 and 2, no.2. Three (of 4) parts ehon, 1897, w. num. w

          Est: €70 - €90

          Ogata Korin (1658-1716). Korin Hyakuza. Vol. 1 and 2, no.2. Three (of 4) parts ehon, 1897, w. num. woodcut ills. after OGATA KORIN, orig. wr. w. mounted title. - A few lvs. w. wormholes. Without the first part of vol. 2. AND with a duplicate of the first volume in 2 parts, also published in 1897.

          Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
        • Ogata Korin (1658-1716). Korin Hyakuza. Vol. 1 and 2, no.2. Three (of 4) pa
          Nov. 28, 2019

          Ogata Korin (1658-1716). Korin Hyakuza. Vol. 1 and 2, no.2. Three (of 4) pa

          Est: €100 - €150

          Ogata Korin (1658-1716). Korin Hyakuza. Vol. 1 and 2, no.2. Three (of 4) parts ehon, 1897, w. num. woodcut ills. after OGATA KORIN, orig. wr. w. mounted title. - A few lvs. w. wormholes. Without the first part of vol. 2. AND with a duplicate of the first volume in 2 parts, also published in 1897.

          Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
        • Ogata Korin School; Shinto God on Gold Paper
          Oct. 27, 2019

          Ogata Korin School; Shinto God on Gold Paper

          Est: $100 - $200

          Ogata Korin School; Shinto God Image in gouache on Gold Paper; signed and stamped; mounted Japanese screen Style and framed. Appears in good condition, not examined out of frame. Height of art 22 inches (56 cm.) X width of art 25 3/4 inches (65.5 cm.). NOTE: A label to the front identifies this god as Fujin in green after a 17 Century folding screen, "Wind God, Thunder God" in the Tokyo National Museum of Japan. NOTE: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Eddie's Auction shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging.

          Eddie's Auction
        • OGATA KORIN (JAPAN, 1658-1716) THREE DEER 31 x 18 ½ in. (79 x 47 cm.), excl
          Mar. 21, 2019

          OGATA KORIN (JAPAN, 1658-1716) THREE DEER 31 x 18 ½ in. (79 x 47 cm.), excl

          Est: $30,000 - $40,000

          OGATA KORIN (JAPAN, 1658-1716) THREE DEER 31 x 18 ½ in. (79 x 47 cm.), excluding mount

          Christie's
        • Korin Ogata woodblocks
          Dec. 08, 2018

          Korin Ogata woodblocks

          Est: $100 - $200

          after Korin Ogata (Japanese 1658-1716)- Various Kachoga- 5 woodblocks in color; together with after Hiroshige Utagawa- Bird and Fish in Rain- woodblock in color. 5 1/2 x 3 1/2'' ea. (5); 11 x 4''

          Rachel Davis Fine Arts
        • A GOLD-LACQUER AND PEWTER-INLAID SUZURIBAKO AND COVER Style of Ogata Korin (1658-1716), Edo period, late 18th/early 19th century
          May. 15, 2018

          A GOLD-LACQUER AND PEWTER-INLAID SUZURIBAKO AND COVER Style of Ogata Korin (1658-1716), Edo period, late 18th/early 19th century

          Est: £2,000 - £3,000

          A GOLD-LACQUER AND PEWTER-INLAID SUZURIBAKO AND COVER Style of Ogata Korin (1658-1716), Edo period, late 18th/early 19th centuryThe writing box with overhanging lid of shaped square form, decorated to the exterior in gold lacquer with blades of grass and willowy flowers in front of a rising full moon against a deep black ground, the interior of the lid with a hare against a red and gold ground, signed Seisei Korin; the interior of the box with fitted ink stone and white metal water dropper.22.2cm (8 3/4in) x 19.5cm (7 5/8in) (2).

          Bonhams
        • Vintage Japanese Framed Print by Korin Ogata
          Apr. 08, 2018

          Vintage Japanese Framed Print by Korin Ogata

          Est: $100 - $200

          Vintage Japanese Framed Print by Korin Ogata. Titled Yoro Fall. Framed, signed and with red seal stamp. Measures 16.5 x 12 inches.

          Greenwich Auction
        • SIX JAPANESE PRINTED BOOKS
          Mar. 24, 2018

          SIX JAPANESE PRINTED BOOKS

          Est: $700 - $900

          SIX JAPANESE PRINTED BOOKS Some with woodblock prints and some written in Chinese, including Han Chinese (Shen Yi) Clothing (Ancient Chinese Nobel Clothing) , After Kitao Masayoshi (1764-1824): Landscape Painting Examples, After Katsushika Hokusai (1760-1849): Paintings, and After Ogata Korin (1658-1716): Paintings Volume I. The largest 11 3/4 x 7 3/4 in.

          STAIR
        • Circle of Ogata Korin (Japanese, 1658-1715)- Ink
          Mar. 18, 2018

          Circle of Ogata Korin (Japanese, 1658-1715)- Ink

          Est: -

          Circle of Ogata Korin, "Thunder," ink and watercolor on paper mounted to brocade, depicting the god Fujin in green, after the original 17th century folding screen "Wind God and Thunder God," in the Tokyo National Museum of Japan, signed lower right corner. Image: 22" H X 25.25" W; frame: 23.25" X 27.25".

          Auctions at Showplace
        • Japanese Lacquer Writing Box, Korin
          Jan. 21, 2018

          Japanese Lacquer Writing Box, Korin

          Est: $2,000 - $4,000

          Japanese lacquer writing box, Edo period, peonies heightened with mother-of-pearl inlay on the lid, interior of the lid with butterflies and a moth in takamakie, bearing signature Korin (Ogata Korin, 1658-1716) and his Hoetsu seal, the interior of box with nashiji in dark brown and copper colors, fitted with a water dropper in the shape of a sheep and a gilt rimmed inkstone, approx. 2"h x 9.5"l x 8.5"w

          Clars Auctions
        • Japanese Lacquer Writing Box, Korin
          Dec. 17, 2017

          Japanese Lacquer Writing Box, Korin

          Est: $4,000 - $6,000

          Japanese lacquer writing box, Edo period, the peonies heightened with mother-of-pearl inlay on the lid, interior of the lid with butterflies and a moth in takamakie, bearing signature Korin (Ogata Korin, 1658-1716) and his Hoetsu seal, the interior of box with nashiji in dark brown and copper colors, comprising a water dropper in the shape of a sheep and a gilt rimmed inkstone, approx. 2"h x 9.5"l x 8.5"w

          Clars Auctions
        • Sotatsu Tawaraya (active circa 1600-40) and Ogata Korin (1658-1716), A Pair of Framed Japanese Screen Prints, 10.4 x 12.4 in — 26.5 x 31.5 cm (2 Pieces)
          Dec. 07, 2017

          Sotatsu Tawaraya (active circa 1600-40) and Ogata Korin (1658-1716), A Pair of Framed Japanese Screen Prints, 10.4 x 12.4 in — 26.5 x 31.5 cm (2 Pieces)

          Est: $50 - $100

          SOTATSU TAWARAYA (ACTIVE CIRCA 1600-40) AND OGATA KORIN (1658-1716), A PAIR OF FRAMED JAPANESE SCREEN PRINTSModern reproduction, unexamined out of frame, 10.4 x 12.4 in — 26.5 x 31.5 cmEstimate: $50—100

          Waddington's
        • Japanese woodblock print, after Ogata Korin.
          Sep. 16, 2017

          Japanese woodblock print, after Ogata Korin.

          Est: $100 - $200

          A Japanese woodblock print. After Korin, Ogata (Japanese, 1658-1716). Early 20th century copy. Deer and maple. Sight: 11 1/2"h x 71/2"w. Frame: 17 1/2"h x 13 1/2"w.

          Quinn's Auction Galleries
        • Attributed to Ogata Korin (1658-1716) Woodblock "Deer"
          Jun. 24, 2017

          Attributed to Ogata Korin (1658-1716) Woodblock "Deer"

          Est: $1,000 - $1,500

          Attributed to Ogata Korin Wodblock "Deer": Lovely early woodblock print attributed to Ogata Korin. Titled "Deer" matted and framed and measures 18 x 14.25. There is foxing and toning.

          Fusco Auctions
        • OGATA, KÔRIN1658 - 1716 - attributed.
          Dec. 08, 2016

          OGATA, KÔRIN1658 - 1716 - attributed.

          Est: €700 - €900

          OGATA, KÔRIN 1658 - 1716 - attributed.Cherry blossoms (sakura). Japan. Edo period. About 17th/18th c. Colors on silk. 121 x 42cm. Next to the trunk of the blossoming cherry tree the red sun disk in the haze. Below are growing spring herbs with dandelion (tanpopo). Inscription on the wooden box inside: Sakura, Kôrin hitsu (cherry blossoms, painted by Kôrin). Sign.: Hokkyô Kôrin. Seal: Kôrin. Mounted as a hanging scroll. Condition A/B. Supplement: Two matching wooden boxes.

          Van Ham Kunstauktionen
        • Sotatsu Tawaraya (active circa 1600-40) and Ogata Korin (1658-1716), PAIR OF FRAMED JAPANESE SCREEN PRINTS, 10.4" x 12.4" — 26.5 x 31.5 cm. (2 Pieces)
          Sep. 29, 2016

          Sotatsu Tawaraya (active circa 1600-40) and Ogata Korin (1658-1716), PAIR OF FRAMED JAPANESE SCREEN PRINTS, 10.4" x 12.4" — 26.5 x 31.5 cm. (2 Pieces)

          Est: -

          SOTATSU TAWARAYA (ACTIVE CIRCA 1600-40) AND OGATA KORIN (1658-1716)PAIR OF FRAMED JAPANESE SCREEN PRINTSModern reproduction, unexamined out of frame, 10.4" x 12.4" — 26.5 x 31.5 cm.Estimate: $50—100

          Waddington's
        • OGATA KORIN (Japanese, 1658-1716)
          Sep. 10, 2015

          OGATA KORIN (Japanese, 1658-1716)

          Est: $20 - $30

          Small woodblock print, early 20th century; Depicting mice (unframed); 3" x 4 1/8" (sheet)

          Rago Arts and Auction Center
        • After Maruyama Okyo (1738-1795), Ogata Korin (1658
          May. 14, 2015

          After Maruyama Okyo (1738-1795), Ogata Korin (1658

          Est: -

          After Maruyama Okyo (1738-1795), Ogata Korin (1658-1716) and others Early to mid 19th century

          Bonhams
        • FLYING GOOSE AND AUTUMN GRASS
          May. 27, 2014

          FLYING GOOSE AND AUTUMN GRASS

          Est: Kč40,000 - Kč68,000

          Japan, c. 1700. 26.5 x 60.5 cm. Ink and colours on silk. Fan mounted on silk as a hanging scroll.Round seal: gó Iryó.

          Arcimboldo Auctions
        • Korin, Ogata (1658-1716). (Crane standing near a
          Nov. 28, 2013

          Korin, Ogata (1658-1716). (Crane standing near a

          Est: €100 - €150

          Korin, Ogata (1658-1716). (Crane standing near a tree with red leaves). Col. woodcut on gold ground, signed Hokkyo Korin w. artist's seal, 21x23,4 cm.

          Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
        • Japanese Four-Panel Screen Irises
          Aug. 10, 2013

          Japanese Four-Panel Screen Irises

          Est: $300 - $500

          Japanese four-panel folding screen (byobu), irises on a gold foiled ground, ink and color on paper, in the style of 'Irises and Bridge' by Ogata Korin (Japanese, 1658-1716) each panel: 55"h x 20" w

          Clars Auctions
        • After Ogata Korin (1658 - 1716) - After a Fan Painting - Autumn Grasses 36 x 25cm
          Feb. 08, 2013

          After Ogata Korin (1658 - 1716) - After a Fan Painting - Autumn Grasses 36 x 25cm

          Est: $200 - $300

          After Ogata Korin (1658 - 1716) After a Fan Painting - Autumn Grasses woodblock print 36 x 25cm

          Lawsons
        • Ogata Korin (1658-1716) Peinture en hauteur, encre et polychromie sur papier, le poète Hitomaro assis, surmonté d'un poème
          Dec. 20, 2012

          Ogata Korin (1658-1716) Peinture en hauteur, encre et polychromie sur papier, le poète Hitomaro assis, surmonté d'un poème

          Est: €1,800 - €2,500

          Ogata Korin (1658-1716) Peinture en hauteur, encre et polychromie sur papier, le poète Hitomaro assis, surmonté d'un poème. Cachet Sei. 27 x 23,5 cm Montée en kakemono. Dans une boîte. Provenance : Ancienne collection du marquis Sakai à Osaka. Achat chez Gisèle Croës en 1978.

          Piasa
        • Peintures Peinture en hauteur, encre et polychromie sur papier, le poète Hitomaro assis, surmonté d'un poème
          Jun. 14, 2012

          Peintures Peinture en hauteur, encre et polychromie sur papier, le poète Hitomaro assis, surmonté d'un poème

          Est: €4,000 - €5,000

          Peintures Peinture en hauteur, encre et polychromie sur papier, le poète Hitomaro assis, surmonté d'un poème. Cachet Sei. Ogata Korin (1658-1716) 27 x 23,5 cm Montée en kakemono. Dans une boîte. Provenance : Ancienne collection du marquis Sakai à Osaka. Achat chez Gisèle Croës en 1978.

          Piasa
        • Boite laquée pour pierre à encre et réservoir à
          May. 23, 2012

          Boite laquée pour pierre à encre et réservoir à

          Est: €550 - €650

          Boite laquée pour pierre à encre et réservoir à eau (suzuribako). Couvercle décoré de fleurs en laque maki-e et incrusté de nacre dans le style du célèbre peintre de style Rinpa, céramiste et artisan-laqueur Ogata Korin (1658-1716) sur un fond de nashiji (laque saupoudrée de poudre d'or). Papillons au revers du couvercle. Dans sa boite d'origine signée : Korei du magasin Koreiya. Période Taisho. L. : 24 cm, l. : 22,8 cm, H. : 4,4 cm.

          Boisgirard-Antonini
        • Boite laquée pour pierre à encre et réservoir à
          Dec. 02, 2011

          Boite laquée pour pierre à encre et réservoir à

          Est: €800 - €1,000

          Boite laquée pour pierre à encre et réservoir à eau (suzuribako). Couvercle décoré de fleurs en laque maki-e et incrusté de nacre dans le style du célèbre peintre de style Rinpa, céramiste et artisan-laqueur Ogata Korin (1658-1716) sur un fond de nashiji (laque saupoudrée de poudre d'or). Papillons à l'intérieur du couvercle. Dans sa boite d'origine signée : Korei du magasin Koreiya. Période Taisho.

          Boisgirard-Antonini
        • Kôrin Ogata (1658-1716) Korin Gafu Album de
          Oct. 16, 2010

          Kôrin Ogata (1658-1716) Korin Gafu Album de

          Est: -

          Kôrin Ogata (1658-1716) Korin Gafu Album de dessins de Kôrin 2 volumes complets couvertures bleues avec étiquettes de titres jaunes imprimées en noir, étui blanc en carton avec étiquettes...

          Pierre Bergé & Associés
        • Kôrin Ogata (1658-1716) copié par Minwa Aikawa (?-1821)
          Sep. 18, 2010

          Kôrin Ogata (1658-1716) copié par Minwa Aikawa (?-1821)

          Est: -

          Kôrin Ogata (1658-1716) copié par Minwa Aikawa (?-1821) Kôrin Gashiki Méthode de dessins de Kôrin 1 volume complet, couverture olive, avec étiquette beige de titre imprimée en noir, 29 feuilles numérotées, 56 pages d'illustrations...

          Pierre Bergé & Associés
        • Ogata Kôrin (Japanese, 1658-1716)
          May. 23, 2010

          Ogata Kôrin (Japanese, 1658-1716)

          Est: $200 - $400

          DESCRIPTION: Ogata Kôrin (Japanese, 1658-1716). Six prints from paintings on gold paper ground, mounted as screens. Includes: White Chrysanthemums And Flowering Grass, Raging Waves, Deer, Crane, Purple Iris and Purple Iris. Signed in the plate on all. In ivory silk mats with black and gold wood frames and glazed. With paper leaves describing the image and numbering the prints. Kôrin was a Kyoto born painter and lacquerer who was an artist from the Rinpa School and was known for his gold-foil folding screens. Instead of painting nature realistically, he worked in an abstract manner. The rounded appearance of the petals is characteristic of Kôrin. MEASUREMENTS: 8-1/8" x 9". Overall with frame 15-3/8" x 14-1/2". CONDITION: Information sheets included with slight water damage, yellowing of the edges, and with holes from where bound previously in a publication.

          Cordier Auctions & Appraisals
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