Rachel Lachowicz Sold at Auction Prices

b. 1964 -

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    • Rachel Lachowicz, Pink Fetus
      Nov. 30, 2023

      Rachel Lachowicz, Pink Fetus

      Est: $1,500 - $3,000

      Rachel Lachowicz Pink Fetus c. 1992 cosmetic compound with face powder and hydrocal binder 3.75 h x 7 w x 3.125 d in (10 x 18 x 8 cm) This work is unique. Provenance: The Artist | Collection of Frances R. Dittmer | Christie's, New York, First Open: Summer Edition, 24 July 2014, Lot 189 | Private Collection This work will ship from Chicago, Illinois.

      Los Angeles Modern Auctions
    • Rachel Lachowicz, Pink Fetus
      Apr. 20, 2023

      Rachel Lachowicz, Pink Fetus

      Est: $3,000 - $5,000

      Rachel Lachowicz Pink Fetus c. 1992 cosmetic compound with face powder and hydrocal binder figure: 3.75 h x 7 w x 3.125 d in (10 x 18 x 8 cm) box: 3.75 h x 8.625 w x 8.625 d in (10 x 22 x 22 cm) This work is unique. Provenance: The Artist | Collection of Frances R. Dittmer | Christie's, New York, First Open: Summer Edition, 24 July 2014, Lot 189 | Acquired from the previous by the present owner This work will ship from Chicago, Illinois.

      Wright
    • Rachel Lachowicz (b. 1964) Hornet (Stella Sculpture), 2004 Cast paper, felt, ink
      Nov. 17, 2022

      Rachel Lachowicz (b. 1964) Hornet (Stella Sculpture), 2004 Cast paper, felt, ink

      Est: $4,000 - $6,000

      Rachel Lachowicz (b. 1964) Hornet (Stella Sculpture), 2004 Cast paper, felt, ink, wax, and aluminum 5 x 5-1/2 x 6 inches (12.7 x 14.0 x 15.2 cm) Property from the Collection of Judith Vida-Spence and Stuart Spence PROVENANCE: Charity auction benefitting Ocean Charter School, Los Angeles, California; Acquired by the present owner from the above, 2008. HID01801242017

      Heritage Auctions
    • Rachel Lachowicz (B. 1964) House of Cards (after Richard Serra's House of Cards), 1991
      Feb. 15, 2020

      Rachel Lachowicz (B. 1964) House of Cards (after Richard Serra's House of Cards), 1991

      Est: $10,000 - $15,000

      Rachel Lachowicz (B. 1964) House of Cards (after Richard Serra's House of Cards), 1991 wood, plaster, felt, leather and acrylic, in 46 parts overall: 37 1/8 x 55 x 36 in. (94.2 x 139.7 x 91.4 cm.) installation dimensions variable For further information on this lot please visit the Bonhams website

      Bonhams
    • Rachel Lachowicz (b. 1964) - Conscious/Unconscious
      Mar. 01, 2018

      Rachel Lachowicz (b. 1964) - Conscious/Unconscious

      Est: $20,000 - $30,000

      Rachel Lachowicz (b. 1964) Conscious/Unconscious lipstick, resin, wax and cloth, in three parts seated figure: 16 x 20 ½ x 16 ½ in. (40.6 x 52.1 x 41.9 cm.) standing figure: 25 x 12 ½ x 20 ½ in. (63.5 x 31.8 x 52.1 cm.) kneeling figure: 13 ¾ x 13 x 26 ¼ in. (34.9 x 33 x 66.7 cm.) installation dimensions variable

      Christie's
    • 3D Stella, not dated
      Nov. 14, 2008

      3D Stella, not dated

      Est: $4,000 - $6,000

      3D Stella, not dated Eyeshadow compacts and steel (in two parts).   Wall-mounted element: 40 3/4 x 40 3/4 in. (103.5 x 103.5 cm); floor-standing element: 21 1/2 x 18 3/4 x 19 in. (54.6 x 47.6 x 48.3 cm).  Signed "Rachel Lachowitz" on the reverse of the wall-mounted element. 

      Phillips
    • Rachel Lachowicz (b. 1964)
      Jan. 11, 2005

      Rachel Lachowicz (b. 1964)

      Est: $10,000 - $15,000

      Color Chart Flat #1, 1993 eye shadow in aluminum pans mounted on aluminum panel 47 3/4 x 46 3/4 in. (121.3 x 118.7 cm.)

      Christie's
    • Rachel Lachowicz (b. 1964)
      Nov. 16, 2001

      Rachel Lachowicz (b. 1964)

      Est: $10,000 - $15,000

      Untitled (lipstick urinals) three elements--lipstick, wax and hyrocal each: 15 x 9 x 6 in. (38.1 x 22.8 x 15.2 cm.) Executed in 1992. This work is from an edition five plus one artist's proof. PROVENANCE Shoshana Wayne Gallery, Santa Monica EXHIBITION University of California at Los Angeles, Wright Art Gallery, Bad Girls West, January-March 1992, p. 122 Newport Harbor Museum, New California Art: Rachel Lachowicz, October-November 1992, no.2 (illustrated; another example exhibited) NOTES "Literal-even blunt- and humorous, Rachel Lachowicz's sculptures are most easily undestood for their didactic content, seen as feminist parodies of past movements, especially 1960s Minimalist or Minimalist-derived works. Her art critique, however, has implications for society at large-for Lachowicz, the political is always personal. She looks as carefully at her own role in social relationships as she does at that of men who are often seen as opressors. An erotic charge in much of her work admits to an attraction to as well as a repulsion from the styles she appropriates. There is a fascination with power: the objectification of women by men, and vice versa, Lachowicz implies, may be inherent in sexuality. Sensual in the extreme, infused with desire and memory, these works are as seductive as they are satirical" (L. Zelevansky, Sense and Sensibility: Women Artists and Minimalism in the Ninties, p. 18). Lipstick Urinals superimposes Lachowicz's own sensuous corporeal mouth forms reference over the male precedents of Duchamp's and Gober's urinal forms, producing a feminist statements which transforms male dominated culture rather than competing with it.

      Christie's
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