Pieter Van Laer Paintings & Artwork for Sale | Pieter Van Laer Art Value Price Guide

Nov. 23, 2024
Laer, Pieter van (zugeschrieben) | wohl 1599 Haarlem, Niederlande - 1642 Ebenda
Est: -
Laer, Pieter van (zugeschrieben) wohl 1599 Haarlem, Niederlande - 1642 Ebenda Schlafender Ziegenhirte Öl auf Leinwand auf Holz · 30,7 x 33,5 cm. Nicht signiert. Vorne auf dem Rahmen beschriftet: PETER VAN LAER. Rückseitig auf dem Rahmen altes Etikett mit Beschriftung: Lord ... | Italian peasant with goats. Rest. Rahmen.
GAILER Kunstauktionshaus am Chiemsee
Oct. 19, 2024
PIETER VAN LAER : Die Schafhirtin mit der Spindel zwischen den Ziegen.
Est: €80 - €100
PIETER VAN LAER vor 1599 - Haarlem - 1641 oder 1654 Die Schafhirtin mit der Spindel zwischen den Ziegen. Blatt 5 aus einer Folge von verschiedenen Tieren. Radierung. Bartsch und Hollstein 5. - Auf Bütten mit Wasserzeichen: Wappen (?). 11,5 x 16,9 cm (Blatt). Unter teilweisem Verlust der Einfassungslinie beschnitten und schwach gebräunt. Ecken mit durchscheinenden Kleberesten. [bg]
Winterberg-Kunst
Apr. 18, 2024
Pieter van Laer - A hunter with his hounds - 1636
Est: €320 - €380
A hunter with his hounds. A male figure at left and holding a staff, bending to stroke one of the seven dogs with his right hand, two dogs sleeping in lower left, a cat sleeping on a window-sill at upper right; first state before number; from a series of eight etchings called 'various Animals' made by Pieter van Laer in 1636.
Old Master Print
Jun. 29, 2023
Pieter van Laer, gen. Il Bamboccio, Art des A travelling cobbler in front of the city
Est: €2,500 - €3,000
Pieter van Laer, gen. Il Bamboccio, Art des 1599 Haarlem - 1642 (?) A travelling cobbler in front of the city Inscribed on an old adhesive label on the frame verso. Oil auf canvas. 48.5 x 65 cm. Relined. Restored. Minor damage. Damage to frame (66 x 83 cm). Auf dem rückseitigen Klebeetikett wird das Gemälde verglichen mit einem heute Pieter van Laer nicht mit abschließender Sicherheit zuzuschreibenden Gemälde im Besitz der Bayerischen Staatsgemäldesammlungen. Es handelt sich dabei um die "Spielenden Facchini" (Inv.-Nr. 7265, nicht ausgestellt), die ursprünglich aus der Markgräflichen Galerie in Ansnach stammen. provenance: owned by Bavarian nobility.
Neumeister
May. 25, 2023
Laer, Pieter van
Est: €160 - €240
(1582 Haarlem 1642). Vieh mit Hirte. Radierung. 1601-1650. Blgr. 12,8 x 18 cm. Bis auf Plattenrand beschnitten. - Titelblatt: Herde aus Kühen, Ziegen und Pferd an einem Brunnen, Fernando Afán de Ribera Enríquez gewidmet. Radierung. 1636. 12,7 x 17,8 cm. Namenszug i.d.Pl. - Ho. X.4.1. - Die Spinnerin und der Hufschmied. Radierung. 9,8 x 8 cm. - Ho. LV.81.6. ╔Dabei: Szenen mit Pferden.╗ 6 Radierungen. ca. 8,3 x 9,8 - 10 cm, monogr. R
Kiefer Buch- und Kunstauktionen
Apr. 27, 2023
PIETER VAN LAER (Haarlem, 1599 ca. - 1642 ca.)
Est: €3,500 - €5,500
Oil on canvas, cm. 31x26,5. Framed This lot is the pendant of the previous lot. PROVENANCE: Private collection, Rome
Bertolami Fine Art s.r.l.
Apr. 27, 2023
PIETER VAN LAER (Haarlem, 1599 ca. - 1642 ca.)
Est: €3,500 - €5,500
Cobbler Oil on canvas, cm. 31x26,5. Framed This lot is the pendant of the next lot. PROVENANCE: Private collection, Rome
Bertolami Fine Art s.r.l.
Feb. 18, 2023
Laer, Pieter van
Est: €200 - €300
(1582 Haarlem 1642). Vieh mit Hirte. Radierung. 1601-1650. Blgr. 12,8 x 18 cm. Bis auf Plattenrand beschnitten. - Titelblatt: Herde aus Kühen, Ziegen und Pferd an einem Brunnen, Fernando Afán de Ribera Enríquez gewidmet. Radierung. 1636. 12,7 x 17,8 cm. Namenszug i.d.Pl. - Ho. X.4.1. - Die Spinnerin und der Hufschmied. Radierung. 9,8 x 8 cm. - Ho. LV.81.6. ╔Dabei: Szenen mit Pferden.╗ 6 Radierungen. ca. 8,3 x 9,8 - 10 cm, monogr. R
Kiefer Buch- und Kunstauktionen
Dec. 17, 2022
Laer, Pieter van
Est: €240 - €360
(1582 Haarlem 1642). Vieh mit Hirte. Radierung. 1601-1650. Blgr. 12,8 x 18 cm. Bis auf Plattenrand beschnitten. - Titelblatt: Herde aus Kühen, Ziegen und Pferd an einem Brunnen, Fernando Afán de Ribera Enríquez gewidmet. Radierung. 1636. 12,7 x 17,8 cm. Namenszug i.d.Pl. - Ho. X.4.1. - Die Spinnerin und der Hufschmied. Radierung. 9,8 x 8 cm. - Ho. LV.81.6. ╔Dabei: Szenen mit Pferden.╗ 6 Radierungen. ca. 8,3 x 9,8 - 10 cm, monogr. R
Kiefer Buch- und Kunstauktionen
Nov. 17, 2022
Pieter van de Laer, Horse Drinking and Pissing Horse, Two Etchings
Est: $500 - $700
Artist: Pieter van de Laer, Dutch (1599 - 1642) Title: Horse Drinking and Pissing Horse Year: 1642 Medium: Two Etchings, signed PDL in the plate Size: 16 x 11 in. (40.64 x 27.94 cm)
RoGallery
Oct. 22, 2022
PIETER VAN LAER vor 1599 - Haarlem - 1641 oder 1654: Die Schafhirtin mit der Spindel zwischen den Ziegen. Blatt 5 aus einer Folge von verschiedenen Tieren.
Est: - €140
PIETER VAN LAER vor 1599 - Haarlem - 1641 oder 1654 Die Schafhirtin mit der Spindel zwischen den Ziegen. Blatt 5 aus einer Folge von verschiedenen Tieren. Radierung. Bartsch und Hollstein 5. - Auf Bütten mit Wasserzeichen: Wappen (?). 11,5 x 16,9 cm (Blatt). Unter teilweisem Verlust der Einfassungslinie beschnitten und schwach gebräunt. Ecken mit durchscheinenden Kleberesten. [bg]
Winterberg-Kunst
May. 21, 2022
Il Bamboccio Pieter Bodding Van Laer (attribuito_a) (Christened 1599-Haarlem 1641 ca) - Horses and riders at the source, Late '600 / early' 700
Est: -
Oil painting on canvas Painting without frame. Work restored and relined. Small defects of color. Attributed to Pieter Bodding Van Laer, known as "il Bamboccio", Dutch painter and engraver active in Rome for over 10 years, where he had gone in 1625. He gained notoriety for the paintings of scenes of genre and animals in landscapes located around Rome, where he worked assiduously becoming a member of the "Bentuveghels", an association of Flemish and Dutch artists. He was nicknamed the "Bamboccio" for an allusion to his rather clumsy physical appearance. Through the works he created in Rome, Pieter Van Laer initiated the "Bambocciante" genre, a new style of painting, which took its title from his nickname. He was known primarily for his genre scenes set in Italian landscapes often featuring animals and characters. The Bambocciante style had the ambition to offer the true portrait of Rome and its popular life without variation or alteration. His pictorial style was openly not appreciated by eminent Italian painters such as Reni, Albani, Sacchi etc., but despite all his paintings were highly sought after and well paid even by illustrious clients. ASORstudio
ArtLaRosa
Feb. 22, 2022
ESCUELA FLAMENCA, S.XVII. SEGUIDOR DE PIETER VAN LAER "IL BAMBOCCIO". PAISAJE CON FIGURAS.
Est: €2,500 - €3,000
Escuela flamenca, s.XVII. Seguidor de Pieter van Laer "Il Bamboccio" (Haarlem, 1599-1642) Paisaje con figuras. Óleo sobre lienzo. Firmado P. de Laer. Reentelado. 43 x 37 cm.
Aletheia Subastas
Jan. 29, 2022
Il Bamboccio Pieter Bodding Van Laer ( Allegedly by) (Christened 1599-Haarlem 1641 ca) - Horses and riders at the source
Est: €1,200 - €999,999
Late '600 / early' 700 Painting without frame. Work restored and relined. Small lack of color. Attributed to Pieter Bodding Van Laer, known as "il Bamboccio", Dutch painter and engraver active in Rome for over 10 years, where he had gone in 1625. He gained notoriety for the paintings of scenes of genre and animals in landscapes located around Rome, where he worked assiduously becoming a member of the "Bentuveghels", an association of Flemish and Dutch artists. He was nicknamed the "Bamboccio" for an allusion to his rather clumsy physical appearance. Through the works he created in Rome, Pieter Van Laer initiated the "Bambocciante" genre, a new style of painting, which took its title from his nickname. He was mainly known for his genre scenes set in Italian landscapes often featuring animals and characters. The Bambocciante style had the ambition to offer the true portrait of Rome and its popular life without variation or alteration. His pictorial style was openly not appreciated by eminent Italian painters such as Reni, Albani, Sacchi etc., but despite all his paintings were highly sought after and well paid even by illustrious clients.
ArtLaRosa
Sep. 18, 2021
J.CHABERT (19th), Portrait of Pieter Laer (1599-1642), around 1850, Lithography
Est: €30 - €50
Jean Claude Chabert (19th century), Portrait of Pieter Laer (1599-1642), c. 1850, Lithography Technique: Lithography on Paper Date: c. 1850 Description: Portrait of the painter Pieter van Laer called Bamboche (1599 - 1642). He was a painter of the Dutch School. Lithograph by Chabert. From the series: Pictures of the Flemish, Dutch and German School (ECOLE FLAMANDE, HOLLANDAISE ET ALLEMANDE). Inscribed: lmp. lith. de Chabert, rue Cassette, N. 20. Title: Pierre de Laar. Dit Bamboche. Separate text sheet in French. Person: Pieter van Laer (1599 Haarlem-1642 Haarlem) Was a Dutch painter and engraver. He was in Rome for more than a decade and was known for his genre scenes, animal paintings and landscapes around Rome. Il Bamboccio was his nickname. Keywords: , 19th century, Baroque, Portraits, France, Size: 48,7 cm x 32,0 cm, Depiction: 29,3 cm x 22,6 cm Condition: The motif shows minor age spots. The sheet shows stronger age spots especially at the margins. The lower margin is frayed. The text sheet is in good quality. It shows only age spots and isolated fringes at the margins.
Fichter Kunsthandel
May. 08, 2021
Laer, Pieter van
Est: €70 - €100
(1582 Haarlem 1642) nach. Der Überfall am Hohlweg. Radierung n. J.Visscher auf Bütten mit WZ "Traube im Kreis". 36,5 x 48,5, Blgr. 39 x 50 cm. Mit den Namensz. u. Ortsbez. "Romae" i.d. Platte. An 3 Seiten mit schmalem Rändchen um die Plattenkante, unt. innerhalb ders. geschn. - Stellenw. etw. flau. R
Kiefer Buch- und Kunstauktionen
Mar. 19, 2021
Pieter van Laer (1599-1642) Twee rammen, ets, r.o. mogelijk later gesigneerd - zeer krappe marg
Est: €50 - €80
Pieter van Laer (1599-1642) Twee rammen, ets, r.o. mogelijk later gesigneerd - zeer krappe marges (B/C). 10. 5 x 12.8 cm / 14.5 x 19 cm
Veilinghuis Onder de Boompjes
Apr. 16, 2019
Pieter van Laer - A man's head on a grindstone
Est: €800 - €1,200
17th c. Drawing in Sepia pen and blue grey wash, inscription “P. De Laer dit Bamboche” and another drawing on verso. Popular scene representing 2 figures sharpening the head of a man on a grindstone, with other figures standing around. On verso, portrait of a standing man receiving a letter, sepia pen. Attrib. to P. Van Laer (Haarlem c. 1599-Italy 164? 2)
Old Master Print
Oct. 30, 2018
Attributed to Pieter van Laer (Haarlem 1599-1641)
Est: $8,000 - $12,000
Attributed to Pieter van Laer (Haarlem 1599-1641) A white horse before the entrance to a cave oil on panel 9 7/8 x 15 ¼ in. (25 x 38.6 cm.)
Christie's
Oct. 19, 2017
Pieter van de Laer, Drinking Horse and Pissing Horse, Two Etchings
Est: $600 - $800
Artist: Pieter van de Laer, Dutch (1599 - 1642) Title: Drinking Horse and Pissing Horse Year: 1642 Medium: Two Etchings, signed PDL in the plate Size: 16 x 11 in. (40.64 x 27.94 cm)
RoGallery
Nov. 30, 2012
Laer, Pieter van - Umkreis Die Belagerung von
Est: - €3,800
Laer, Pieter van - Umkreis Die Belagerung von Antwerpen Umkreis. Die Belagerung von Antwerpen. Öl auf Holz. 46,5 x 63 cm. Rückseitig verschiedene alte Wachssiegel und altes Klebeetikett mit der Angabe Laar Peter de / genannt Bamboccio / Belagerung von Antwerpen. Die Darstellung schildert den Kampf zwischen spanischen und niederländischen Truppen um die Stadt Antwerpen in den Jahren 1584/85, die schließlich in der Eroberung durch Alexander Farnese endete. Vor der Silhouette Antwerpens mit der Liebfrauenkathedrale sind im Vordergrund die Truppen und Geschützstellungen der Niederländer zu sehen, die versuchten den Belagerungsring aufzubrechen, den die Spanier zuvor um die Stadt gezogen hatten. Namentlich bei der abwechslungsreichen Behandlung der Figuren zeigt die Darstellung enge Bezüge zu gesicherten Gemälden van Laers, von dem bekannt ist, dass er neben den römischen Straßenszenen auch historische Darstellungen geschaffen hat (siehe Ausst. Kat. I Bamboccianti, Mailand 1991, S. 188). Provenienz: Süddeutscher Privatbesitz.
Galerie Bassenge
Nov. 25, 2011
Laer, Pieter van - Nachfolge: Wilde Pferde in einer weiten Landschaft
Est: €400 - €600
Nachfolge. Wildpferde in einer weiten Landschaft. Öl auf Leinwand. 52 x 92,5 cm. Verso in Rot mit alter Galerie-Inventarnummer " 25" . Aus dem Nachlass Albrecht Sizzo Graf zu Solms-Wildenfels.
Galerie Bassenge
Apr. 16, 2011
Laer gen. Bamboccio, Pieter van Haarlem, um 1592 - Haarlem 1642attr. Resting Horsemen in a Court
Est: €2,800 - €3,360
Laer gen. Bamboccio, Pieter van Haarlem, um 1592 - Haarlem 1642attr. Resting Horsemen in a Court Oil/wood, 73 x 61 cm, on the reverse old collection seal.
Auktionshaus Stahl
Sep. 26, 2009
Laer, Pieter van: (1582 Haarlem 1642) nach. Bauer
Est: - €100
Laer, Pieter van: (1582 Haarlem 1642) nach. Bauer zu Pferd auf einem Weg. Tuschfederskizze, 19. Jh. 13 x 19,7 cm. Re. unten bez. "P.V.LAER". Unter Passep. mont. - Etw. fingerfl. Einige rest. Läsuren u. Dünnst.
Kiefer Buch- und Kunstauktionen
May. 06, 2009
Circle of Pieter van Laer, called Il Bamboccio (Haarlem 1599-1642 ?)
Est: €5,000 - €7,000
Circle of Pieter van Laer, called Il Bamboccio (Haarlem 1599-1642 ?) Peasants eating outside a town in an Italianate landscape with signature 'P.v. Laer.' (lower right) oil on canvas 49.9 x 68.5 cm.
Christie's
Mar. 31, 2009
Pieter van Laer (Laaren bei Haarlem 1599 -1642)
Est: €3,000 - €4,000
Pieter van Laer (Laaren bei Haarlem 1599 -1642) zugeschrieben Ein Reiter auf einem Maultier, ╓l auf Leinwand, 26 x 22 cm, gerahmt, (Wo)
Dorotheum
Dec. 11, 2002
THE PROPERTY OF A EUROPEAN FAMILY
Est: $62,801 - $94,201
Thomas Wyck (Beverwijk 1616-1677 Haarlem) A washerwoman by a well with a vegetable stall nearby, cobblers at work by a stairway, townhouses and a campanile beyond signed 'Twyck' (lower left) oil on canvas 132 x 109 cm. (52 x 42 7/8 in.) A sketch for the present composition is in the Historisch Museum, Amsterdam. Thomas Wyck was probably in Italy by 1640, the year in which a 'Tommaso fiammingo, pittore' is recorded as living in Rome in the Via della Fontanella. By 1642, however, he had returned to Haarlem and given the lack of dated works by the artist it is difficult to ascertain which paintings he executed in Rome, since even after his return to his homeland he painted Italianate themes that were based on the black chalk and wash drawings which he made in Italy, a large number of which have survived. Although Wyck's compositions show an awareness of the works of his fellow Dutchmen working in Rome, Andries Both and Pieter van Laer (il Bamboccio), his lively figures do not distract the viewer's attention from their setting, his approach being more that of a landscapist than a Bambocciante. As in the present work, the figures are of little consequence when compared with the artist's overwhelming interest in the urban environment. This environment was, in the words of Ludovica Trezzani 'a "minor" Rome, a lesser Rome made up of small piazzettas and courtyards, of laundry hung out to dry and of geraniums blossoming on window sills, of pergolas and of branches that had grown their way through cracks in walls whitened by the sun...A city, in fine, where the tiny figures of washerwomen Wijck liked so much move with utter naturalness, as do also the women selling eggs or vegetables who enliven his first Roman scenes." (G. Briganti, L.Trezzani and L.Laureati, The Bamboccianti, Rome 1983, p.227).
Bonhams