Henry Liverseege Sold at Auction Prices

HENRY LIVERSEEGE (Attr.le), Scena storica, Olio su tela

HENRY LIVERSEEGE (Attr.le) (Manchester 1802 - 1832) Scena storica Olio su tela Firma sul cartiglio a sinistra Cornice in legno e pastiglia dorata Provenienza: Nobile famiglia siciliana. cm 113 x 150.

HENRY LIVERSEEGE (1802-1832) PORTRAIT OF ALFRED GOMERSAL VICKERS

HENRY LIVERSEEGE (1802-1832) PORTRAIT OF ALFRED GOMERSAL VICKERS Oil on canvas laid to board Provenance: By descent in the Vickers family. Purchased at Abbott & Holder in 1976. (20cm x 15cm)

Henry Liverseege (British, 1803-1832) The Cobbler or The Weekly Register, together with another (2) (Unframed, the other: British School (19th Century)A pickled man in a cellarOil on panel20.3 x 25.4cm (8 x 10in). (2))

Henry Liverseege (British, 1803-1832) The Cobbler or The Weekly Register, together with another (2) Oil on panel 22.8 x 32.4cm (9 x 12 3/4in). Unframed, the other: British School (19th Century) A pickled man in a cellar Oil on panel 20.3 x 25.4cm (8 x 10in). (2) For further information on this lot please visit the Bonhams website

Henry Liverseege (1803-1832)

Henry Liverseege (1803-1832) - '...looking towards Paris, distant sketch of the Bois d'Aulnay, now called Robinson', watercolour, 22.5 x 28 cm Prov - Spring Exhibition 1983, Caroline Stroude English Watercolours

HENRY LIVERSEEGE (BRITISH 1803-1832), THE COBBLER OF THE WEEKLY REGISTER

HENRY LIVERSEEGE (BRITISH 1803-1832) THE COBBLER OR THE WEEKLY REGISTEROil on canvasSigned and dated 1830 (lower centre)20.7 x 25.7cm (8 x 10 in.)Exhibited:British Institution 1830 - a larger versionEngraved:W.GillerHenry Liverseege's exhibited first at the Royal Manchester Institution, but by 1828 was exhibiting both at the Society of British Artists in London and at the Royal Academy, where he is said to have been greatly encouraged by Sir Thomas Lawrence. A few portraits are recorded, but genre scenes, both contemporary and historical, seem to have been his subjects of choice. His work found its way into a number of notable collections, including that of The Dukes of Devonshire at Chatsworth. In his obituaries he was described as The English Wilkie, comparing him to the great Scottish genre painter Sir David Wilkie.In this present painting Liverseege puts forward as a mildly humorous but perspicacious genre scene. He shows us a cobbler surrounded by the tools of his trade, his shutter open for business. He is seen straining his eyes to get to grips with the famous weekly publication of the time The Political Register. The Weekly Register as it was commonly known was a political publication published by the redoubtable William Cobbett (1763-1835), journalist and pamphleteer, best remembered today for his Rural Rides. It appeared almost every week from 1802 until Cobbett's death in 1835. Liverseege's picture must have hit a popular note at the time as we are here dealing with a slightly smaller version of the one he exhibited in the British Institution in 1830.

HENRY LIVERSEEGE (1803-1832)

"Falstaff and Bardolph" oil on canvas 17 1/2 x 13 1/2 inches. unsigned / identified on a presentation plaque which is dated 1829. framed 25 x 20 1/2 inches.

Antique Framed Oil On Canvas Don Quixote

Don Quixote, n.d., unsigned oil on canvas, 12 inches H x 9 inches W. Attributed to Henry Liverseege (British, b. 1803-d. 1832) whose work was exhibited at the Royal Academy, The British Institution, Manchester Museum, and the Victoria and Akbert Museum. Condition -lined. Property of a Greenwich estate.

Henry Liverseege (1803-1832) British. Falstaff in an Interior Scene, Watercolour, Signed and Dated 1831, 9.5" x 7.75".

Henry Liverseege (1803-1832) British. Falstaff in an Interior Scene, Watercolour, Signed and Dated 1831, 9.5" x 7.75".

Henry Liverseege. 1803 Manchester - 1832 London.

{Henry Liverseege. 1803 Manchester - 1832 London.} Sign. und 1830 dat. Rs. bet. "Lucy Ashton" ("The Bride of Lammermoor" von Sir Walter Scott). Ehem. Collection John Hick Esq. Ausstellungsetiketten 1857 und 1862. Öl/Holz. 53 x 42 cm. R

HENRY LIVERSEEGE (British 1803-1832), 'Interior with Figures, Gentleman wit

HENRY LIVERSEEGE (British 1803-1832), 'Interior with Figures, Gentleman with Hawk and Seated Lady,' oil on canvas, 58cm x 43cm, framed.

THE RECRUIT BY HENRY LIVERSEEGE (ENGLISH, 1803-1832).

THE RECRUIT BY HENRY LIVERSEEGE (ENGLISH, 1803-1832). Oil on canvas, unsigned. Depicts soldiers and a young man corresponding with a woman in a tavern-like setting. Imperfections. 15"h. 19"w., in a later frame, 21.5"h. 26"w.

Henry Liverseege [1802-1832]- Two women on a

Henry Liverseege [1802-1832]- Two women on a balcony:- signed and dated 1831 watercolour, 13.5 x 9cm.

HENRY LIVERSEEGE (1803-1832) A cobbler seated at

HENRY LIVERSEEGE (1803-1832) A cobbler seated at his shop window, signed lower centre and dated 1830, oil on canvas, 8" x 10.5", in a giltwood frame.

Henry Liverseege (1803-1832)

Henry Liverseege (1803-1832) Companions signed and dated 'H. Liverseege Pinxt. 1825' (lower right) oil on canvas 9½ x 12¾ in. (24.1 x 32.4 cm.)

HENRY LIVERSEEGE (1803 - 1832) The Ghost of

HENRY LIVERSEEGE (1803 - 1832) The Ghost of Banquo, a scene from Macbeth, signed and dated 1831, watercolour, 10.25" x 8.75"

Henry Liverseege (1803-1832), The Merry Monk,

Henry Liverseege (1803-1832), The Merry Monk, signed and dated 1827, oil on panel, in elaborate gilt frame, 29.5 x 26cm.; 11.75 x 10.25in.

Henry Liverseege (1803-1832), The Merry Monk,

Henry Liverseege (1803-1832), The Merry Monk, signed and dated 1827, oil on panel, in elaborate gilt frame, 29.5 x 26cm.; 11.75 x 10.25in.

Henry Liverseege (1803-1832); oil on board, study

Henry Liverseege (1803-1832); oil on board, study of an inebriated monk, signed lower left, 29.5 x 25.5cm, in ornate gilt frame. Henry Liverseege was born in Manchester in 1803. He was the son of a mechanic and was brought up from the age of thirteen by his uncle, a wealthy mill owner who encouraged his talent for sketching and his love of literature and amateur dramatics. As a young man he painted in silhouettes and portraits but in 1827 he showed at The Royal Manchester Institution three small pictures of bandits. In the following five years he painted many cabinet sized and genre literary subjects, mainly from Scott, Shakespeare and Cervantes. In 1828, he unsuccessfully attempted to gain admission to the Royal Academy Schools.

Henry Liverseege (1803-1832) "The Recruit"

Henry Liverseege (1803-1832) "The Recruit" Inscribed on an exhibition label verso, pencil and watercolour with scratching out, 29cm by 37cm Provenance: Richard Ivor, London

Henry Liverseege (1803-1832); oil on board, study

Henry Liverseege (1803-1832); oil on board, study of an inebriated monk, signed lower left, 29.5 x 25.5cm, in ornate gilt frame. Henry Liverseege was born in Manchester in 1803. He was the son of a mechanic and was brought up from the age of thirteen by his uncle, a wealthy mill owner who encouraged his talent for sketching and his love of literature and amateur dramatics. As a young man he painted in silhouettes and portraits but in 1827 he showed at The Royal Manchester Institution three small pictures of bandits. In the following five years he painted many cabinet sized and genre literary subjects, mainly from Scott, Shakespeare and Cervantes. In 1828, he unsuccessfully attempted to gain admission to the Royal Academy Schools (Illustrated).

Henry Liverseege 1803-1832- "The Page"; oil on

Henry Liverseege 1803-1832- "The Page"; oil on panel, signed with initials and dated 1830, bears inscribed label attached to the reverse, 30x24cm., (unframed)

CIRCLE OF HENRY LIVERSEEGE (British, 1803-1832)

CIRCLE OF HENRY LIVERSEEGE (British, 1803-1832) The Bethrothed, oil on canvas, 22 1/2" x 17" (see illustration)

Circle of HENRY LIVERSEEGE (1803-1882) The

Circle of HENRY LIVERSEEGE (1803-1882) The Betrothed oil on canvas 23 x 17in (58.4 x 43.2cm) A number of versions of this subject are known. One originally owned by the Bolton industrialist Benjamin Dobson, was sold by Lawrence Fine Art of Crewkerne, 28th April, 1988 Lot 65. A smaller autograph version is in the City of Manchester Gallery, and another version is in the Astley Cheetham Art Gallery, Stalybridge. A further version is in a private Rotterdam Collection. The subject was engraved by William Giller in 1833

Henry Liverseege (1803-1832). Carousing, guards in

Henry Liverseege (1803-1832). Carousing, guards in an interior, signed and dated 1827, indistinctly inscribed with a title . . . carousing and exhibition number on a label attached to the reverse, oilon canvas. 30 x 25cm.

*LIVERSEEGE, HENRY Mann mit Vogel. Öl auf Papier. 20 x 15,5 cm.

*LIVERSEEGE, HENRY (Manchester 1803 - 1832 London) Mann mit Vogel. Öl auf Papier. Im Podest links signiert und datiert: Henri Liverseege Dee 18. 20 x 15,5 cm. CHF 700.- / 1 000.- € 450.- / 650.-

Henry Liverseege (1803-1832)

Trepanning a recruit oil on canvas 14 x 18 in. (35.5 x 45.7 cm.)

Henry Liverseege (British, 1803-1832)

Fertile eggs; and The beginning of the night both with inscription 'H. LIVERSEEGE 1830' (on the reverse) oil on metal 11 1/4 x 9 1/4 in. (28.6 x 23.5 cm.) a pair (2)

Henry Liverseege (1803-1832)

An elegant figure seated at a table reading a book, with symbols of the active and contemplative lives oil on panel, with the label of Roberson and Miller, 51 Long Acre, London 11 7/8 x 9 7/8 in. (30.2 x 25.1 cm.)

Henry Liversege (British 1803-1832) Head of a King Charles Spaniel 7 1/4 x 6 3/4 inches (18.5 x 17.5 cm.)

Henry Liversege (British 1803-1832) Head of a King Charles Spaniel inscribed on reverse 'portrait of my mother's dog painted by Henry Liverseege. Elizth S Benson. March 1865' on old label on reverse oil on board 7 1/4 x 6 3/4 inches (18.5 x 17.5 cm.)

Henry Liverseege (1803-1832)

The scholar signed and dated 'H Liverseege 1831' (lower right) oil on canvas 24 x 20 in. (60.8 x 50.8 cm.)

Henry Liverseege, (British, 1803-1832) Falstaff