Carl Julius Emil Ludwig Sold at Auction Prices

CARL JULIUS LUDWIG (1839-1901), GERMAN

Carl Julius Ludwig (1839-1901), German landscape painter of the Munich School. Landscape with watermill and staffage figures, oil on wood signed lower left, 22 x 32 cm, framed 34 x 45 cm

Karl Ludwig Scheins, attr., Mondscheinlandschaft

Karl Ludwig Scheins, attr., Mondscheinlandschaft abendliche sommerliche Mondscheinlandschaft mit Bauersleuten auf dem Nachhauseweg, einer Brücke neben einer alten Mühle zustrebend, eventuell handelt es sich bei vorliegendem Gemälde um das unter Nummer 19 bei Boetticher registrierte Gemälde "Mondschein. Westfäl. Drahtmühle", welches 1872 auf der Dresdner Kunstausstellung ausgestellt war, stimmungsvoll-romantische, lasierende Landschaftsmalerei mit wenigen pastosen Partien, Öl auf Leinwand, um 1870, unsigniert, rückseitig Zettel mit Zuschreibung "Scheins, Karl Ludwig Landschaftsmaler 1808–1879 Düsseldorf ... ", Craquelure, doubliert, etwas restauriert, im prächtigen Goldstuckrahmen gerahmt, Falzmaße ca. 55,5 x 79,5 cm. Künstlerinfo: eigentlich Carl (Karl) Ludwig Scheins, dt. Landschaftsmaler (1808 Aachen bis 1879 Düsseldorf), Vertreter der Düsseldorfer Malerschule, Kindheit in Aachen, studierte 1829–37 an der Düsseldorfer Akademie bei Heinrich Christoph Kolbe und 1834–37 bei Johann Wilhelm Schirmer, anschließend freischaffend in Düsseldorf, 1848 Gründungsmitglied des Düsseldorfer Künstlervereins "Malkasten", dem er 1848–53 und 1863–76 angehörte, beschickte Ausstellungen in Berlin, Braunschweig, Dresden, Leipzig, Köln, Hannover, Magdeburg, Metz und Prag, tätig in Düsseldorf, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Müller-Singer, Seubert, Müller-Klunzinger, Bruckmann "Lexikon der Düsseldorfer Malerschule", Nagler, Boetticher, Schülerlisten der Düsseldorfer Akademie, Schweers und Wikipedia. Karl Ludwig Scheins, attr., Moonlit Landscape Evening summer moonlit landscape with peasants on their way home, walking towards a bridge next to an old mill, the present painting is possibly the painting "Mondschein. Westfäl. Drahtmühle", which was exhibited at the Dresden art exhibition in 1872, atmospheric, romantic, glazed landscape painting with a few impasto areas, oil on canvas, c. 1870, unsigned, label on the reverse with attribution "Scheins, Karl Ludwig Landschaftsmaler 1808-1879 Düsseldorf ... ", craquelure, relined, somewhat restored, framed in a magnificent gilt stucco frame, dimensions approx. 55.5 x 79.5 cm. Artist information: actually Carl (Karl) Ludwig Scheins, German landscape painter. Landscape painter (1808 Aachen - 1879 Düsseldorf), representative of the Düsseldorf school of painting, childhood in Aachen, studied 1829-37 at the Düsseldorf academy under Heinrich Christoph Kolbe and 1834-37 under Johann Wilhelm Schirmer, then freelance in Düsseldorf, 1848 founding member of the Düsseldorf artists' association "Malkasten", of which he was a member from 1848-53 and 1863-76, organised exhibitions in Berlin, Braunschweig, Dresden, Leipzig, Cologne, Hanover, Magdeburg, Metz and Prague, active in Düsseldorf, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Müller-Singer, Seubert, Müller-Klunzinger, Bruckmann "Lexikon der Düsseldorfer Malerschule", Nagler, Boetticher, student lists of the Düsseldorf Academy, Schweers and Wikipedia.

Karl Ludwig Hassmann Illustration

Karl Ludwig Hassmann (Austrian, 1869-1933). Mixed media with pen & ink and watercolor illustration, soldier on horseback. Signed and dated 1908 lower left. 9 1/2" x 7" (with frame 16 1/2" x 14"). Discoloration to mat.

KHNLE, KARL LUDWIG (1900-1981), Autumn Bees,

KHNLE, KARL LUDWIG (1900-1981), "Herbst Böen", Watercolour on paper, monogrammed "KLK" on the lower right. HxW: 41/58 cm (50/67 cm with frame). Slight traces of age, framed behind glass. Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the adult education centre and the municipal gallery in Herrenberg and chairman of the European Cultural Community e.V.

LUDWIG, CARL JULIUS

(Römhild 1839–1901 Berlin) "Schloss Rochlitz". 1891. Öl auf Leinwand. Unten rechts signiert, datiert und betitelt. 46,5x65 cm. Gerahmt.

Ludwig, Carl Julius

(Römhild 1839–1901 Berlin) "Schloss Rochlitz". 1891. Öl auf Leinwand. Unten rechts signiert, datiert und betitelt. 46,5x65 cm. Gerahmt.

Ludwig, Carl

Ludwig, Carl 1839 Römhild - 1901 Berlin Die Kräuterhexe. Signiert. Öl/Lwd., 97 x 78 cm.

Temminck - Carnivorous: Pitcher Plant; Nepenthes Phyllamphora

This folio botanical lithograph is from Coenraad Jacob Temminck's Verhandelingen over de Natuurlijke Geschiedents der Nederlandsche oberzeesche bezittingen... The work was published in Leiden by J. Luchtmans and C.C. Van der Hoek between 1839 and 1842. This was part of the "publication(s) of the scientific results of the explorations of the Natural History Commission of the Netherlands Indies, under the general editorship of Temminck." (Landwehr) Coenraad Jacob Temminck (1778-1858)was a Dutch aristocrat and zoologist. He was the first director of the National Natural History Museum in Leiden. He was an accomplished ornithological publisher with 47 species named after him, 20 of which are birds. He also produced this lovely Indonesian botanical work presented here.

Temminck - Carnivorous: Pitcher Plant; Nepenthes Gymnamphora

This folio botanical lithograph is from Coenraad Jacob Temminck's Verhandelingen over de Natuurlijke Geschiedents der Nederlandsche oberzeesche bezittingen... The work was published in Leiden by J. Luchtmans and C.C. Van der Hoek between 1839 and 1842. This was part of the "publication(s) of the scientific results of the explorations of the Natural History Commission of the Netherlands Indies, under the general editorship of Temminck." (Landwehr) Coenraad Jacob Temminck (1778-1858)was a Dutch aristocrat and zoologist. He was the first director of the National Natural History Museum in Leiden. He was an accomplished ornithological publisher with 47 species named after him, 20 of which are birds. He also produced this lovely Indonesian botanical work presented here.

LUDWIG, CARL JULIUS

(Römhild 1839–1901 Berlin) Hochgebirgslandschaft. 1883. Öl auf Karton. Unten links signiert und unten rechts datiert 27/8 83 und ortsbezeichnet Weissenstein. Verso auf Etikett der Galerie Arnold, Dresden, betitelt. 44,5x46 cm.

Carl Ludwig (1839 Römhild near Hildburghausen - 1901 Berlin) - In the Veitshöchheim palace garden

Signed lower left. Inscribed on remnants of an old adhesive label and numbered 612 on a label verso. Oil on canvas. 67 x 94.5 cm. Minor restoration. Damage to frame.

Karl Ludwig Friedrich Wagner

Karl Ludwig Friedrich Wagner 1839 Karlsruhe - 1923 Düsseldorf Holländische Hafenansicht. Öl auf Leinwand, restauriert, verso Gewebepflaster. Signiert unten links. 98 x 142 cm. Gerahmt.

Karl Ludwig Prinz; Farm in the Pragser valley, Dolomites

Karl Ludwig Prinz (Wien 1875-1944 Wien) Farm in the Pragser valley, Dolomites, c. 1915 oil on cardboard; 17 x 21.5 cm (cut-out) signed on the lower right: Karl. Ludwig. Prinz label Künstlerhaus Vienna on the reverse: 1915/41 (confirmed by Mag. Paul Rachler, Künstlerhaus archive, Vienna) Provenance private collection, Austria

Karl Ludwig Prinz; Cottage with prospering garden

Karl Ludwig Prinz (Wien 1875-1944 Wien) Cottage with prospering garden oil on panel; 28 x 32 cm signed on the lower right: Karl Ludwig Prinz Provenance private collection, Vienna

Ludwig, Carl Julius Emil: Sommerliche Waldlandschaft mit auf einem Weg entlangfahrender Kutsche

Sommerliche Heidelandschaft mit Zweispänner auf einer Sandstraße. Öl auf Leinwand. 74 x 108 cm. Unten links signiert und datiert "Carl Ludwig. 1872." - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Karl Ludwig Meier, Schmied

Karl Ludwig Meier, Schmied um 1900, signiert, Stempelmarke BS im Kreis, Bronze verschiedenfarbig patiniert, Darstellung eines weit mit dem Hammer ausholenden Schmiedes mit nacktem Oberkörper, gut erhalten, H ca. 50 cm.

LUDWIG, Carl (1839 Römhild - 1901 München). "Voralpenlandschaft".

LUDWIG, Carl(1839 Römhild - 1901 München) "Voralpenlandschaft" Öl/Malkarton. Rechts unten monogrammiert. Datiert: 24/9 (18)74. 26 x 45 cm. Gerahmt : 45 x 65 cm. Bergige Landschaft mit Fluss unter blauem Himmel . Deutscher Landschaftsmaler, Schüler Pilotys. Literatur: Thieme/Becker.

Karl (Carolus) Ludwig Goetjes Frieden". 1959.

Karl (Carolus) Ludwig Goetjes 1905 Erfurt – 1961 Thal, Thueringen Gouache auf Hartfaser. Signiert "Carolus Goetjes", ortsbezeichnet "Thal" sowie datiert u.li. In einer breiten Holzleiste mit goldfarbenen inneren Profil gerahmt.

LARGE CARL LUDWIG WENDELSTEIN DRAMATIC PAINTING

LUDWIG, Carl Julius Emil, (German, 1839-1901): Dramatic View of Wendelstein above the Clouds, with Orthodox Cross, Oil/Canvas, 27.5'' X 45'', signed lower right, carved wood frame,34'' X 52''. Wendelstein is a mountain in the Bavarian Alps in South Germany.

LARGE CARL LUDWIG WENDELSTEIN DRAMATIC PAINTING

LARGE CARL LUDWIG WENDELSTEIN DRAMATIC PAINTING

LUDWIG, Carl Julius Emil, (German, 1839-1901): Dramatic View of Wendelstein above the Clouds, with Orthodox Cross, Oil/Canvas, 27.5'' X 45'', signed lower right, carved wood frame,34'' X 52''. Wendelstein is a mountain in the Bavarian Alps in South Germany.

KARL LUDWIG LINCKE

KARL LUDWIG LINCKE (Berlin 1822 - Ebda 1886) COASTAL LANDSCAPE WITH BRIDGE AND FIGURES Oil on canvas, cm. 29 x 44 Signed and dated 1868, bottom right PROVENANCE Roman family FRAME Frame in gilded wood and plaster, with floral decorums, of the 19th century

LARGE CARL LUDWIG WENDELSTEIN DRAMATIC PAINTING

LUDWIG, Carl Julius Emil, (German, 1839-1901): Dramatic View of Wendelstein above the Clouds, Oil/Canvas, 27.5" X 45", signed lower right, carved wood frame,34" X 52".

Carl Julius Ludwig

Carl Julius Ludwig, 1839 Römhil-1901, pupil ofPiloty, first professor at the academy in Munich and later on in Stuttgart, here: shepherd with his herd at the edge of the forest, oil / wood, signed at the bottom on the right, ca. 27x35cm, Frame . German Description: Carl Julius Ludwig, 1839 Römhil-1901, Schüler von Piloty, Professor an der Akademie erst in München, später in Stuttgart, hier: Schäfer mit seiner Herde am Waldrand, Öl/ Holz, rechts unten signiert, ca. 27x35cm, R.

Carl Julius Emil Ludwig. 1839 Römhild - 1901 Berlin.

{Carl Julius Emil Ludwig. 1839 Römhild - 1901 Berlin.} Sign. Prachtvolles Alpenpanorama. Im Vordergrund Hirten mit ihrer Herde beim Almabtrieb. Stimmungsvoll beleuchtetes Massiv an einem späten Sommermorgen. Öl/Lwd. 106 x 152 cm. R

ANIMATED SCENERY

ANIMATED SCENERY oil on canvas. Signed. Rcanvased. German school of the 19th century. With a tag at the back attributing it to Karl Ludwig, dt. Maler (1839-1901). Dimension: 55x68.5 cm.

Ludwig, Carl

Ludwig, Carl 1839 Römhild b. Hildburghausen - 1901 Berlin, zugeschrieben Baumbestandene Bachlandschaft Studie. Öl auf dünnem Malkarton auf Lwd. 39,5 x 33 cm. Min. besch. Rest. Rahmen besch.

Carl Ludwig Fahrnbach 1835 Heidelberg- 1902 Dusseldorf

Carl Ludwig Fahrnbach 1835 Heidelberg- 1902 Dusseldorf, studied under Schirmer in Karlsruhe, then in Munich and Dusseldorf, participated regularly at the major art exhibitions in Berlin, Dresden, Munich and Vienna, works in numerous museums, field study, the forest, oil / wood, unsigned, inscribed old, about 48.5x33cm, frame,#painting/picture/image/old/art/fine/century . German Description: Carl Ludwig Fahrbach, 1835 Heidelberg- 1902 Düsseldorf, studierte unter Schirmer in Karlsruhe, dann in München und Düsseldorf, beteiligte sich regelmässig an den grossen Kunstausstellungen in Berlin, Dresden, München und Wien, Werke in zahlreichen Museen, hier: Studie, Am Waldrand,Öl/Holz, unsigniert, alt bezeichnet, ca. 48.5x33cm, Rahmen

Beni provenienti dall'eredità rilasciata di Bettino Craxi: Carl Ludwig Hoffmeister View of Palazzo Ducale

Carl Ludwig Hoffmeister (Vienna 1790-1843) Veduta di Palazzo Ducale, 1832 Firmato e datato al centro in basso: C.L. Hoffmeister Wien 1832 F Olio su metallo, cm 43,5x58,5 Nel dipinto è inserito un quadrante di orologio, movimento non verificato, suoneria e richiamo. € 4.000,00

Carl Ludwig Fahrnbach 1835 Heidelberg - 1902 Dusseldorf

Carl Ludwig Fahrnbach 1835 Heidelberg - 1902 Dusseldorf, studied under Schirmer in Karlsruhe, then in Munich and Dusseldorf, participated regularly at the major art exhibitions in Berlin, Dresden, Munich and Vienna, works in numerous museums, here: study, near the forest, oil / wood, unsigned, inscribed old, 48,5x33 cm, frame

Carl Ludwig

(1839 Römhild - 1901 Berlin) Felsiger Bach im Mittelgebirge Öl/Lwd., auf Holztafel kaschiert. Verso montierte Echtheitheitsbestätigung des Neffen Dr. Arthur Ludwig, dass dieses Gemälde aus dem Nachlass seines Onkels stamme, Nachlasstempel; alter Klebeztettel mit undeutl. Betitelung u. Dat. 1859. 47 cm x 64 cm. Rahmen. Rocky stream in low mountains. Oil on canvas, mounted on panel. Certificate of authenticty by the artist's nephew with estate stamp on the reverse, original label with indistint title and date 1859.

Ludwig, Carl Julius Emil: Sommerliche Waldlandschaft mit auf einem Weg entlangfahrender Kutsche

Sommerliche Heidelandschaft mit Zweispänner auf einer Sandstrasse. Öl auf Leinwand. 74 x 108 cm. Unten links signiert und datiert "Carl Ludwig. 1872."

Poster by Karel E. Ludwig (photo) - Bedriska Seidlova

Bedriska Seidlova - 63x95,5, ca. 1940 by Karel E. Ludwig (photo)

LUDWIG, CARL JULIUS EMIL(Römhild 1839 - 1901

LUDWIG, CARL JULIUS EMIL (Römhild 1839 - 1901 Berlin) Landscape at Lake Lucerne. Oil on canvas. Signed and inscribed centre bottom: C. Ludwig. Düsseldorf. 46 x 63.3 cm. LUDWIG, CARL JULIUS EMIL (Römhild 1839 - 1901 Berlin) Landschaft am Vierwaldstättersee. Öl auf Leinwand. Unten mittig signiert und bezeichnet: C. Ludwig. Düsseldorf. 46 x 63,3 cm.

Ludwig, Carl Julius E.1839 Römhild - 1901 Berlin Winter in great mountains.

Ludwig, Carl Julius E. 1839 Römhild - 1901 Berlin Winter in great mountains. Signed lower left: Carl Ludwig. Oil on canvas. Relined. 65 x 95cm. Framed.

LUDWIG, CARL (1839-1901). Cloudy landscape in high

LUDWIG, CARL (1839-1901). Cloudy landscape in high mountains. Oil/canvas, signed, verso on the canvas stamped "No. 2452 der Königl. Gemälde-Galerie zu Dresden 1913". 92 x 135 cm

Ludwig, Carl Julius Emil. Römhild 1839 - Berlin 1901 Nightfall in the Forest

Ludwig, Carl Julius Emil. Römhild 1839 - Berlin 1901 Nightfall in the Forest Oil/canvas, 95,5 x 69 cm, sign. lo. le. Carl Ludwig, verso exhibition label V.B.K. München 1899. - Mus.: Berlin (Nat.-Gal.), Dresden, Leipzig, Königsberg, München, Prag, Wiesbaden, Würzburg, Stuttgart, Melbourne. - Lit.: Boetticher, Thieme-Becker, Bénézit.

Ludwig, Carl Italienische Landschaft

Ludwig, Carl Italienische Landschaft Signed lower left: Carl Ludwig

[ Master Drawings, Prints before 1900,

[ Master Drawings, Prints before 1900, Watercolours, Miniatures ] Carl Ludwig Philippot

CARL LUDWIG (1839 Romhild - 1901 Berlin)

CARL LUDWIG (1839 Romhild - 1901 Berlin) "Waldburg". Originaltitel burgruine mit rastendem Ziegenhirten. Bleistift/Papier. R. u. sign.; Unterhalb v. Kunstler bez. 180,-

Ludwig, Carl Julius (1839 Römhild-Berlin 1901)

Ludwig, Carl Julius (1839 Römhild-Berlin 1901) Mutter mit ihren Kindern an einem Bachlauf, im Hintergrund Wassermühle. Öl/Holz, li.u.sign., 21x32 cm. R.

LUDWIG, CARL

477. CARL LUDWIG (1816-1895) German physician and physiologist, invented devices to record arterial blood-pressure changes, measure blood flow, and separate gases from blood (which established their role in blood purification). He was the first to keep animal organs alive outside the body and determined that the kidneys played a role in filtering blood. Scarce A.L.S. "C. Ludwig", 2pp. 8vo., Liepzig, July 21, 1894, in German. Untranslated, but with a mention of philosophy within the text. $300-400

MAXFIELD PARRISH (1870-1966)

L'ALLEGRO signed with initials " MP," l.r. - - inscribed " "Straight mine eyes hath caught new pleasures" etc., " l.c. - - signed " Maxfield Parrish " and dated " "The Oaks", Windsor, Vermont, " May of 1901 on the reverse - - inscribed with title on the stretcher - - oil on paper 17 x 21 1/2 in. (43.2 x 54.5 cm.) PROVENANCE Helen Hay Whitney, New York Vose Galleries, Boston The Sardoni Family EXHIBITED Chadds Ford, Brandywine River Museum, " Maxfield Parrish: Master of Make- Believe, " May-Sept. 1974, p. 35, no. 73 LITERATURE J. Milton, "L'Allegro", " Century Magazine, " December 1901, p. 162. Illus. C. Ludwig, " Mixfield Parrish, " New York, 1973, p. 75, no. 50, illus. Maxfield Parrish spent the winter of 1900-1901 at Saranac Lake, New York. Among the paintings made there were those to illustrate A. T. Quiller- Couch's " Phoebus on Halzaphron " and John Milton's " L'Allegro. " Having been disappointed with some earlier attempts to reproduce his paintings with a color halftone technique, the process used then by most publishers for color illustrations in magazines, Parrish decided to utilize a rather subdued color scheme for the " Phoebus on Halzaphron " and " L'Allegro " illustrations. He suggested that he might do the colored drawings for " L'Allegro " in only two or three tints, so they would reproduce well in color or in black and white, should the publisher care to eliminate color altogether. When the color reproductions of the " L'Allegro " paintings appeared in " Century Magazine, " December 1901, Augustus Saint-Gaudens sent Parrish an enthusiastic letter about his work: The three drawings for Milton's " Allegro " you have done for the " Century " are superb, and I want to tell you how they impressed me. They are big and on looking at them I feel that choking sensation that one has only in the presence of the really swell thing. The shepherds on the hill, the Poet in the valley are great in composition and with the blithesome maid are among the most beautiful things I have ever seen... It is always an astonishment to me how after all the fine things that have been done and which seem to have exhausted all the possibilities of beauty, some man like you will come along and strike another note just as distinctive and just as fine. It is encouraging and stimulating. The artist Cecilia Beaux also sent word of her admiration for the " L'Allegro " pictures.