Christiaan Luycks Paintings & Artwork for Sale | Christiaan Luycks Art Value Price Guide

Sep. 26, 2024
CHRISTIAN LUYCKX, AUCH „CHRISTIAAN LUYCKS“, 1623 ANTWERPEN – 1657 EBENDA
Est: €25,000 - €30,000
STILLLEBEN MIT SCHMUCKKÄSTCHEN, KARTENSPIEL, KORALLE, SCHNECKEN UND EINER STATUE Öl auf Leinwand. 34 x 44 cm. Für die Zuweisung an den genannten Künstler ist Dr. Fred G. Meijer zu danken. In einem Innenraum mit zur linken Seite gerafftem türkisfarbenen Vorhang sind auf einem mit malvenfarbiger Decke drapierten Tisch die prachtvollen und nuanciert wiedergegebenen Objekte sorgsam angeordnet. Zu diesen gehören auch noch eine gefaltete Urkunde mit zwei über den Tischrand herabhängenden Siegeln, ein Tintenfass mit Federkiel und die helle italienische Steinskulptur eines nackten Jungen. Die Koralle und die Schnecken deuten auf einen wohlhabenden Sammler hin, der diese Schätze sammelte und für seine sogenannte Wunderkammer wohl von den Reisen mit nach Hause brachte. Anmerkung: Carstian Luyckx, auch bekannt als Monogrammist KL war ein flämischer Maler, der sich auf Stillleben in verschiedenen Subgenres spezialisiert hatte, darunter Blumenstillleben, Fischstillleben und Prunkstillleben. Er studierte Malerei bei Philips de Marlier (ca. 1600-1668), einem Stilllebenspezialisten, 1645 unter Frans Francken III. In diesem Jahr wurde er auch Meister der Antwerpener Sankt Lukasgilde. (1410957) (18) Christian Luyckx, also known „Christiaan Luycks“, 1623 Antwerp – 1657 ebenda STILL LIFE WITH JEWELLERY BOX, CARD GAME, CORAL, SNAILS AND A STATUE Oil on canvas. 34 x 44 cm. We would like to thank Dr Fred G. Meijer for the attribution to the aforementioned artist. Notes: Carstian Luyckx, also known as the “Monogrammist KL” was a Flemish painter who specialized in still lifes in various subgenres, including flower still lifes, fish still lifes, and sumptuous still lifes. He studied painting under Philips de Marlier (ca. 1600-1668), a still life specialist, in 1645 under Frans Francken III. He became a master of the Antwerp Guild of Saint Luke in the same year.
Hampel Fine Art Auctions
Nov. 22, 2023
Carstiaen LUYCKS Anvers, 1623 - 1658 Gentilhomme chasseur avec sa meute de chiens et ses trophées de chasse Huile sur toile
Est: €80,000 - €120,000
Carstiaen LUYCKS Anvers, 1623 - 1658 Gentilhomme chasseur avec sa meute de chiens et ses trophées de chasse Huile sur toile Signée des initiales 'KL' en bas à droite (Micro-soulèvements, petites pertes de matière) Gentleman hunter with his pack of dogs and his hunting trophies, oil on canvas, signed with initals, by C. Luyckx h: 168 w: 237,50 cm Provenance : Collection Paul della Faille de Waerloos en 1935 ; Collection particulière, Belgique Expositions : 'Antwerpsche Propagandaweken', Anvers, 21 avril- 19 mai 1935, , p. 27, n° 56 (comme " Jan Fijt, Landschap met jager, valk, honden en wild. 1,67 x 2,30 m, Doek. Olieverf. Verz. M. Paul della Faille de Waerloss "), une étiquette au verso Commentaire : La découverte du monogramme " KL " a permis de rendre ce tableau très ambitieux au corpus du peintre anversois Carstiaen Luycks. Chef d'œuvre de l'artiste, incroyable par sa taille, son ambition et son état de conservation, cette toile bouleverse la connaissance du peintre et enrichi son corpus d'une œuvre majeure. Élève de Philip de Marlier, Luycks travailla également dans l'atelier de Frans Francken III. Il est enregistré comme maître peintre à la guilde d'Anvers en 1645 et sa présence est attestée dans la ville jusqu'en 1658. Très proche de Jan Fyt, tant pour le style que la technique, il s'inscrit au sein de la génération de peintres anversois de natures mortes composée de Guilliam Gabron, David de Koninck, Nicasius Bernaerts et Pieter Boel. Ces deux derniers quittant les Flandres pour Paris contribuèrent à la création du genre au sein de l'école française de peinture, formant notamment Alexandre-François Desportes. L'artiste signe de différentes manières, de son nom entier ou abrégé, ou d'un monogramme CL ou KL, comme dans notre tableau et dans la nature morte du Herzog-Ulrich Museum de Braunschweig. Luycks peint habituellement des bouquets de fleurs, des natures mortes diverses, des 'memento mori' et des faucons et autres animaux liés à la chasse. Il se surpasse dans cette grande toile qui est sans aucun doute une commande du chasseur représenté, modèle aujourd'hui anonyme du Tartarin de Tarascon anversois du XVIIe siècle. L'heureux chasseur à l'air bonhomme et enjoué, fier sans être arrogant, est entouré d'une abondance de chiens de races différentes, de lièvres, perdrix, faucon, fusil, besace, sifflets, trompe, canne et autres accessoires. Des chardons, plantes résistantes et vivaces qui symbolisent la bravoure, sont également représentés. Pour cette composition audacieuse, Luycks s'est librement inspiré d'œuvres de Jan Fyt, notamment pour la mise en scène à l'abri d'un arbre avec une ouverture sur le paysage à gauche, qui peut être rapprochée de 'La Chasse' (Madrid, Museo Lazaro Galdiano). Luycks livre ici le parangon du chasseur ravi de sa performance et heureux de sa condition. Il excelle dans la représentation de la figure humaine, tout en conservant tous les mérites propres à ses natures mortes : une grande dextérité technique au service d'un rendu des matières d'une grande précision. Estimation 80 000 - 120 000 €
Artcurial
May. 03, 2023
Christiaan Luycks
Est: €25,000 - €35,000
(Antwerp 1623 – after 1653) A Kunstkammer with cards, shells, coral and a sculpture of a child, oil on canvas, 34.5 x 44 cm, framed Provenance: European collection, Belgium We are grateful to Fred Meijer for confirming the attribution on the basis of high-resolution photographs. The present diverse and richly rendered assortment of objects, arrayed on a table covered in luxurious green and mauve velvet drapes, is a typically refined example of Antwerp still life painting, from the hand of one of the city’s most enigmatic masters, Christiaan Luycks. The crimson coral from the tropics, along with the China-trade lacquer chest to the right, offset by the delicate Italian figurine, reflect both Antwerp’s mercantile success and the general attendant air of Baroque exuberance. The trading hub’s wealthy collectors, and humanist thinkers, revelled in the treasures and natural phenomena brought from around the world, which they conserved in so-called ‘wunderkammers’ as evidenced here by varied tones of the seashells set on the table in the present picture. These works also played with concepts of perception, and so also the brilliance of painting as a liberal art, able to imitate and rival nature. Also known as Carstian Luycks and originally simply known as the ‘Monogrammist KL’, the artist was a central painter of the Antwerp sub-genres of pronkstillevens, vanitas and hunting scenes. Trained under Frans Francken III and Philips de Marlier, Luycks later created collaborative works with David Teniers II, one the most renowned and versatile painters of his age, as in Kitchen still life with vase of flowers, dead birds, fish and a cat conserved in the Gemäldegalerie Alte Meister, Dresden.
Dorotheum
Sep. 23, 2022
CARSTIAN LUYCKS
Est: CHF40,000 - CHF60,000
CARSTIAN LUYCKS (1623 Antwerp after 1658) Still life with playing cards and coral. Oil on canvas. 34.4 × 44 cm. Provenance: European collection. Our thanks to Dr Fred G. Meijer who has confirmed the authenticity of this work having examined it in the original. --------------- CARSTIAN LUYCKS (1623 Antwerpen nach 1658) Stillleben mit Kartenspiel und Koralle. Öl auf Leinwand. 34,4 × 44 cm. Provenienz: Europäische Sammlung. Die Werke des in Antwerpen geborenen und später in Frankreich tätigen Malers Carstian Luyckx, aus dessen Œuvre hauptsächlich Vanitas-Stillleben bekannt sind, wurden ehemals dem französischen Maler Simon Renard de Saint-André (um 1613–1677) zugeschrieben, was durch Dr. Fred G. Meijer widerlegt werden konnte. Das hier angebotene Stillleben hat einen besonders hohen dekorativen Wert und sticht durch seine originelle Zusammensetzung von Stilllebenelementen im Œuvre dieses faszinierenden Künstlers hervor. Dr. Fred G. Meijer bestätigt die Eigenhändigkeit nach Prüfung des Originals, wofür wir ihm danken. ---------------
Koller Auctions
Jul. 20, 2021
Attributed to Christiaan Luycks (Flemish, 1623â€“after 1658)
Est: $10,000 - $15,000
Attributed to Christiaan Luycks (Flemish, 1623â€“after 1658) Still Life with Game, Fish, Flowers and Vegetables, with a Monkey and a Hound, circa 1670 oil on canvas 28 3/4 x 32 inches. Note: We thank Dr. Fred G. Meijer for confirming the attribution of this work to Christiaan Luycks on the basis of photographs and dating the work to circa 1670.
Hindman
Oct. 26, 2019
Francken, Frans III./Luycks, Christian:
Est: -
Francken, Frans III./Luycks, Christian: : Die Anbetung der Könige im Blumenkranz. Öl/Holz, unsigniert, um 1650. 63,5 x 49 cm, schwarz-goldener Rahmen 76 x 62 cm. Die Szene aus der Passion Jesu, fein ausgeführt vom flämischen Kabinettsmaler Francken mit der thronenden Maria vor dem Stall mit dem Knaben auf dem Schoß, vor dem die drei Könige in herrlichen Gewändern erscheinen. Gerahmt wird das kleine Kabinettstück von einer Blumengirlande aus Rosen, Nelken, Tulpen und Chrysanthemen des Blumenmalers Luycks. Eine charakteristische Zusammenarbeit der Antwerpener Kabinettsmalerei dieser Zeit. Restauriert. n Frans Francken III.: Flämischer Maler (1607 Antwerpen - 1667 ebd.), Mitglied und zeitweise Dekan der Lukasgilde in Antwerpen. n Christian Luycks: Flämischer Blumenmaler (1623 Antwerpen - 1653 ebd.), Schüler von Frans Francken III. n Thieme/Becker. n Anbei Gutachten von Julius Müller Hofstede. ABB.B 264
Auktionshaus Wendl
Jun. 25, 2019
CARSTIAN LUYCKX (ANVERS 1623 - APRÈS 1657) Chaton tapi sur la gauche jouant avec gibier de plumes, raisins et pêches ;... huile sur panneau parqueté 33,5 x 41 cm. (13 1/8 x 16 1/8 in.), une paire (2)
Est: €30,000 - €50,000
CARSTIAN LUYCKX (ANVERS 1623 - APRÈS 1657) Chaton tapi sur la gauche jouant avec gibier de plumes, raisins et pêches ; Chaton tapi sur la droite jouant avec gibier de plumes, raisins et pêches Les deux signés 'Caarstian Luycks' (en bas vers la gauche) huile sur panneau parqueté 33,5 x 41 cm. (13 1/8 x 16 1/8 in.), une paire (2)2
Christie's
Oct. 19, 2016
SPANISH SCHOOL, 19TH CENTURY
Est: -
ESCUELA ESPAÑOLA, S. XIX Bodegón con un perro y un gato Según el original conservado en el Museo del Prado, atribuido históricamente a Jan Fyt, discípulo de Frans Snyders, y que en fecha reciente ha sido restituido a Christiaan Luycks (Amberes, 1623-Amberes, 1653). 74 x 104 cm Óleo sobre lienzo
Isbilya Subastas
Dec. 10, 2015
CARSTIAN LUYCKX | A still life of tulips, roses, daffodils and other flowers, with butterflies, in a glass vase on a stone ledge
Est: £40,000 - £60,000
oil on oak panel
Sotheby's
Sep. 04, 2014
Christiaan Luycks (Belgian, 1623-1658)
Est: $25,000 - $35,000
View on AspireAuctions.com
Aspire Auctions Fine Art & Antiques
Oct. 16, 2013
CHRISTIAAN LUYCKX (ANVERS 1623-1653)
Est: €30,000 - €50,000
CHRISTIAAN LUYCKX (ANVERS 1623-1653) Faucons et milans huile sur toile 71 x 57 cm. (28 x 22¼ in.), agrandis (anciennement 63 x 53 cm., 24¾ x 21 in.), une paire (2)
Christie's
Sep. 20, 2013
Attributed to LUYCKS, CHRISTIAAN(1623 Antwerp
Est: CHF6,000 - CHF8,000
Attributed to LUYCKS, CHRISTIAAN (1623 Antwerp after 1653) Forest with snakes and frogs. Oil on canvas. 52 x 64.5 cm. Our thanks to Fred G. Meijer from the RKD, The Hague, for the attribution to Cartiaen Luyckx (Christiaan Luycks) made on the basis of a photograph. LUYCKS, CHRISTIAAN (ZUGESCHRIEBEN) (1623 Antwerpen nach 1653) Waldstück mit Schlangen und Fröschen. Öl auf Leinwand. 52 x 64,5 cm. Wir danken Fred G. Meijer vom RKD, Den Haag, für die vorgeschlagene Zuschreibung an Cartiaen Luyckx (Christiaan Luycks) anhand einer Fotografie. Meijer weist zudem darauf hin, dass der Frosch in unserem Gemälde in zwei weiteren Stillleben des Künstlers aufgegriffen wird (RKD Archiv Nr. 7451 und 21737).
Koller Auctions
Jul. 07, 2011
CARSTIAN LUYCKX
Est: £30,000 - £40,000
ANTWERP 1623 - ? AFTER 1657 A STILL LIFE OF ROSES, DAFFODILS, JONQUILS AND OTHER FLOWERS IN A GLASS VASE IN A MARBLE NICHE oil on oak panel 49.2 by 38.5 cm.; 19 3/8 by 15 1/8 in.
Sotheby's
Jul. 08, 2010
CIRCLE OF CARSTIAN LUYCKX
Est: £6,000 - £8,000
CIRCLE OF CARSTIAN LUYCKX LANDSCAPE WITH EXOTIC BIRDS, DEAD GAME AND AN EAGLE ATTACKING A HEN oil on canvas 84.5 by 114.4 cm.; 33 1/4 by 45 in.
Sotheby's
May. 18, 2010
CARSTIAN LUYCKX
Est: €30,000 - €40,000
CARSTIAN LUYCKX ANTWERP 1623 - ? AFTER 1657 A SWAG OF ROSES AND THISTLE-LEAF, TIED WITH A BLUE RIBBON, BEFORE A BLUE VELVET DRAPERY ON A SCULPTED TABLE, TOGETHER WITH A RED ADMIRAL AND A CABBAGE BUTTERFLY, A LANDSCAPE BEYOND oil on canvas 61.5 by 50.4 cm.
Sotheby's
Jan. 28, 2010
CARSTIAN LUYCKX
Est: $100,000 - $200,000
STILL LIFE OF A BASKET OF FRUIT, FLOWERS IN A GILT VASE, A NAUTILUS SHELL AND OTHER OBJECTS ON A DRAPED TABLE NEAR AN OPEN WINDOW, A LANDSCAPE BEYOND
Sotheby's
Jun. 09, 2009
Carstiaen Luyckx , Anversa 1623 - dopo il 1658 Natura morta con frutta, aragosta, ostriche ed altri oggetti su un tavolo olio su tela
Est: €20,000 - €30,000
firmato a sinistra sul tavolo: Lu... olio su tela
Sotheby's
Apr. 24, 2008
Carstian Luyckx , Antwerp 1623 - after 1658 A still life with plums, grapes, peaches and a pomegranate tied with a blue ribbon oil on panel
Est: £12,000 - £18,000
oil on panel
Sotheby's
Jul. 06, 2007
A lobster on a blue and white porcelain platter, oysters, a shrimp, a plum and a fig on a pewter plate, a bread roll, a pewter tazza , a gold stand and grapes on a partly-draped wooden table
Est: £18,000 - £25,000
Carstiaen Luyckx (Antwerp 1623-?1653) A lobster on a blue and white porcelain platter, oysters, a shrimp, a plum and a fig on a pewter plate, a bread roll, a pewter tazza , a gold stand and grapes on a partly-draped wooden table signed 'arstiaen. L' (on the ledge, lower left) oil on copper 14¾ x 20¼ in. (37.5 x 51.4 cm.)
Christie's
Apr. 19, 2007
Roses, narcissus and anemone in a glass vase, set within a marble niche, a festoon behind
Est: $80,000 - $120,000
Carstiaen Luyckx Antwerp 1623-after 1658 Roses, narcissus and anemone in a glass vase, set within a marble niche, a festoon behind oil on panel 19½ x 15 1/8 in. 49.5 x 38.5 cm.
Christie's
Jan. 26, 2007
CARSTIAN LUYCKX ANTWERP 1623 - AFTER 1658 A FESTOON OF FRUITS, INCLUDING PEACHES, GRAPES, PLUMS AND HAZELNUTS, SUSPENDED BY BLUE RIBBONS BEFORE A MARBLE NICHE, WITH A MELON RESTING ON A LEDGE BELOW 28 by 23 in.; 71.1 by 58.4 cm. signed lower right on
Est: $50,000 - $70,000
CARSTIAN LUYCKX ANTWERP 1623 - AFTER 1658 A FESTOON OF FRUITS, INCLUDING PEACHES, GRAPES, PLUMS AND HAZELNUTS, SUSPENDED BY BLUE RIBBONS BEFORE A MARBLE NICHE, WITH A MELON RESTING ON A LEDGE BELOW 28 by 23 in.; 71.1 by 58.4 cm. signed lower right on the edge of the niche CL in monogram oil on panel Catalogue Note: Luyckx returned to this handsome subject of a festoon of flowers and fruit suspended before a niche throughout his career. The present picture is most similar to A Swag of Roses and Other Flowers in a Marble Niche, sold New York, Christie's, June 2, 1988, lot 94. The reddish-brown marble and shape of the niche are virtually the same in both pictures. Another similar "festoon" picture, where the artist used almost identical blue ribbons and brass rings from which to suspend a heavy arrangement of flowers, was sold New York, Sotheby's, January 26, 2006 lot 11, for $204000.
Sotheby's
Jan. 25, 2007
CARSTIAN LUYCKX ANTWERP 1623 - AFTER 1658
Est: $50,000 - $70,000
PROPERTY OF A PRIVATE COLLECTOR, NEW YORK A FESTOON OF FRUITS, INCLUDING PEACHES, GRAPES, PLUMS AND HAZELNUTS, SUSPENDED BY BLUE RIBBONS BEFORE A MARBLE NICHE, WITH A MELON RESTING ON A LEDGE BELOW measurements note 28 by 23 in.; 71.1 by 58.4 cm. signed lower right on the edge of the niche CL in monogram oil on panel NOTE Luyckx returned to this handsome subject of a festoon of flowers and fruit suspended before a niche throughout his career. The present picture is most similar to A Swag of Roses and Other Flowers in a Marble Niche, sold New York, Christie's, June 2, 1988, lot 94. The reddish-brown marble and shape of the niche are virtually the same in both pictures. Another similar "festoon" picture, where the artist used almost identical blue ribbons and brass rings from which to suspend a heavy arrangement of flowers, was sold New York, Sotheby's, January 26, 2006, lot 11, for $204,000.
Sotheby's
Jul. 06, 2006
CARSTIAN LUYCKX ANTWERP 1623 - AFTER 1658
Est: £30,000 - £40,000
THE PROPERTY OF A GENTLEMAN A FEMALE STONE BUST SET IN A STONE CARTOUCHE, SURROUNDED BY A GARLAND OF FLOWERS INCLUDING ROSES, PARROT TULIPS, ROSES, A POPPY AND THISTLES measurements note 86.6 by 62.7 cm.; 34 1/8 by 24 3/4 in. bears signature lower right: J.P. Van ThiELEN oil on canvas NOTE We are grateful to Dr Fred Meijer for confirming the attribution to Carstian Luyckx on the basis of photographs and for sugesting that it is a late work by the artist.
Sotheby's
Jan. 26, 2006
CARSTIAN LUYCKX ANTWERP 1623 - AFTER 1658
Est: $50,000 - $70,000
PROPERTY FROM A PRIVATE COLLECTION STILL LIFE OF A LOBSTER IN A WANLI 'KRAAK' PORCELAIN BOWL, WITH PEACHES, GRAPES, BREAD, OYSTERS, GLASSES OF WINE, A KINGFISHER, GOLDCREST AND OTHER SONGBIRDS, ARRANGED UPON A TABLE DRAPED WITH A GREEN CLOTH measurements note 48.4 by 63.8 cm.; 19 by 25 1/7 in. oil on oak panel, the reverse branded with the stamp of the panelmaker Lambrecht Steens: LS NOTE For the attribution, compare with a signed still life by the artist of a similar overall composition, sold London, Christie's, July 10, 2002, lot 28. We are grateful to Fred Meijer of the Rijksbureau voor Kunsthistorische Documentatie, The Hague for endorsing the attribution to Carstian Luyckx, following first hand inspection, and for suggesting that this is a relatively early work by the artist.
Sotheby's
Jan. 26, 2006
CARSTIAN LUYCKX ANTWERP 1623 - AFTER 1658
Est: $30,000 - $40,000
A FESTOON OF FLOWERS SUSPENDED BY BLUE RIBBONS BEFORE A NICHE, WITH A PEELED LEMON, CHERRIES, AN ORANGE AND A PLUM RESTING ON A LEDGE BELOW measurements note 25 1/4 by 19 3/8 in., 64.2 by 49.2 cm. signed in monogram KL upper center and inscribed upper center J. D. de Heem fecit/1657 oil on panel NOTE We are grateful to Fred Meijer of the Rijksbureau voor Kunsthistorische Documentatie, The Hague for confirming this painting to be by Luyckx, on the basis of photographs. The still life at the bottom is a later addition by another hand, inspired by 1650s works by Jan Davidsz. de Heem.
Sotheby's
Dec. 08, 2005
CARSTIAN LUYCKX ANTWERP 1623 -- AFTER 1658
Est: £40,000 - £60,000
A STILL LIFE OF LEMONS, GRAPES AND PEACHES, WITH A BREAD ROLL AND A SILVER POKAL ON A PARTLY DRAPED TABLE measurements note 35 by 49.4 cm.; 13 3/4 by 19 1/2 in. signed lower left: cars. Luckx. fc oil on oak panel PROVENANCE With Lorenzelli, Bergamo, 1971; With J. Rosenthal, Amsterdam, 1973; Private collection, France; With Enneking, Amsterdam, from whom bought by the Herwegs before 1983. EXHIBITED Bergamo, Galleria Lorenzelli, 1971, La Natura in Posa, no. 10; Amsterdam, Kunsthandel P. de Boer, 22 April - 30 May 1983 and Brunswick, Herzog-Anton-Ulrich Museum, 15 June - 31 July 1983, A Fruitful Past....., no. 32; Utrecht, Centraal Museum, Jan Davidsz de Heem en zijn Kring, 16 February - 15 April 1991, and Brunswick, Herzog-Anton-Ulrich Museum, Jan Davidsz. de Heem und sein Kreis, 9 May - 7 July 1991. LITERATURE I. Bergström, in Natura in Posa, exhibition catalogue, Bergamo 1971, no. 10, illustrated in colour; E. Greindl, Les Peintures Flamands de Nature Morte au XVIIe Siècle, Sterrebeeck 1983, p. 368, no. 1; S. Segal, A Fruitful Past..., exhibition catalogue, Amsterdam 1983, pp. 67, 118, no. 32, reproduced (German edition entitled Niederländische Stilleben von Breughel bis Van Gogh, pp. 72, 124, no. 32, reproduced); S. Segal and L. Helmus, Jan Davidsz de Heem en zijn Kring, exhibition catalogue, Utrecht 1991, p. 209, cat. no. 42, reproduced p. 111, fig. 42 (and in the German language addition). NOTE Carstiaen Luyckx lived in Antwerp all his life, apart from a brief sojourn in Lille, and he trained under Philips de Marlier and Frans Francken III. Much of his output consists of game still lifes influenced by Frans Snyders and especially by Jan Fyt, but at some point (none of his pictures are dated) he came under the influence of Jan Davidsz. de Heem, presumably after the latter moved from Utrecht to Antwerp in the early 1650s. The Herweg picture is an excellent example of Luyckx' response to De Heem: like his fellow Antwerp painter Willem Gabron, he responded to De Heem's style in his own idiosyncratic manner rather than imitating him, as did, for example, Joris van Son.
Sotheby's
Apr. 09, 2003
Carstiaen Luyckx (Antwerp 1623-?1653)
Est: $18,960 - $28,440
A garland of roses, carnations, snowdrops, honeysuckle, morning glory and other flowers around a stone cartouche with a coat-of-arms oil on canvas, unframed 36 x 29 in. (91.5 x 73.6 cm.) NOTES We are grateful to Mr. Fred Meijer of the RKD for the attribution, given on the basis of photographs; he dates the work to fairly late in the artist's career, following the artist's presumed departure from Antwerp in the 1650s, and possibly painted in France. The coat-of-arms would appear to be a later addition, presumably painted over another image.
Christie's