Hélio Oiticica Paintings & Artwork for Sale | Hélio Oiticica Art Value Price Guide

Nov. 16, 2023
Metaesquema 58
Est: $120,000 - $180,000
Property from the Collection of Donna and Howard Stone Hélio Oiticica 1937 - 1980 Metaesquema 58 titled and inscribed Projecto Ho N 261 (on the reverse) gouache on board 17¾ by 21¼ in. 45 by 53.8 cm. Executed in 1957-58. This work is accompanied by a certificate of authenticity from the Projeto Hélio Oiticica signed by César Oiticica and dated 4 April 2013.
Sotheby's
Nov. 16, 2023
Grupo Frente 24
Est: $100,000 - $150,000
Property from the Collection of Donna and Howard Stone Hélio Oiticica 1937 - 1980 Grupo Frente 24 inscribed Projeto Ho 24 GFR 020 (on the reverse) gouache on board image: 7⅞ by 7⅞ in. 20 by 20 cm. overall: 11⅞ by 12¼ in. 30.2 by 31.1 cm. Executed in 1955.
Sotheby's
Apr. 25, 2023
HÉLIO OITICICA (1937-1980) Seja marginal, seja herói screenprint on fabric
Est: €8,000 - €12,000
HÉLIO OITICICA (1937-1980) Seja marginal, seja herói screenprint on fabric 95 x 115cm.
Christie's
Sep. 30, 2022
Hélio Oiticica (1937-1980) Metaesquema no 69 gouache on paper 17 3/4 x 21 1
Est: $120,000 - $180,000
Hélio Oiticica (1937-1980) Metaesquema no 69 gouache on paper 17 3/4 x 21 1/8 in. (45.1 x 53.8 cm.)
Christie's
May. 24, 2018
Hélio Oiticica (1937-1980) - Metaesquema
Est: $50,000 - $70,000
Hélio Oiticica (1937-1980) Metaesquema gouache on heavy paper 4 ¾ x 7 in. (12.1 x 17.8 cm.)
Christie's
May. 23, 2018
Hélio Oiticica (1937-1980) - Metaesquema
Est: $250,000 - $350,000
Hélio Oiticica (1937-1980) Metaesquema gouache on heavy paper 17 3/8 x 20 5/8 in. (44 x 52.4 cm.)
Christie's
May. 16, 2018
HÉLIO OITICICA - Metaesquema
Est: $40,000 - $60,000
HÉLIO OITICICA - Metaesquema
Phillips
Nov. 21, 2017
HÉLIO OITICICA - Metaesquema 193
Est: $150,000 - $250,000
HÉLIO OITICICA - Metaesquema 193
Phillips
May. 24, 2017
HÉLIO OITICICA - Metaesquema
Est: $200,000 - $300,000
HÉLIO OITICICA - Metaesquema
Phillips
May. 24, 2017
HÉLIO OITICICA AND NEVILLE D'ALMEIDA - 21/CC1 (Trashiscapes / Cosmococa Programa-in-Progress)
Est: $12,000 - $18,000
HÉLIO OITICICA AND NEVILLE D'ALMEIDA - 21/CC1 (Trashiscapes / Cosmococa Programa-in-Progress)
Phillips
Nov. 22, 2016
HÉLIO OITICICA (1937-1980) | Metaesquema 169
Est: $180,000 - $220,000
gouache on cardboard
Sotheby's
Jul. 07, 2016
ƒ Hélio Oiticica (1937-1980) Metaesquema Gouache sur carton Signé et daté au dos Date de création : 1958 47,5 × 59 cm Pr...
Est: €150,000 - €250,000
ƒ Hélio Oiticica (1937-1980) Metaesquema Gouache sur carton Signé et daté au dos Date de création : 1958 47,5 × 59 cm Provenance : collection Jones et Paula Bergamin, Rio de Janeiro
Piasa
May. 24, 2016
HÉLIO OITICICA (1937-1980) | Metaesquema
Est: $80,000 - $120,000
gouache on heavy paper
Sotheby's
May. 23, 2016
HÉLIO OITICICA - Jeff wearing p31 parangolé cape 24, New York, 1972
Est: $10,000 - $15,000
HÉLIO OITICICA - Jeff wearing p31 parangolé cape 24, New York, 1972
Phillips
May. 23, 2016
HÉLIO OITICICA - Metaesquema, 1958
Est: $250,000 - $350,000
HÉLIO OITICICA - Metaesquema, 1958
Phillips
Nov. 25, 2014
Hélio Oiticica(1937-1980)
Est: $175,000 - $225,000
Hélio Oiticica(1937-1980)
Sotheby's
May. 29, 2014
Hélio Oiticica
Est: $120,000 - $180,000
Metaesquema Signed and dated "Hélio Oiticica 57" on the reverse. This work is accompanied by a certificate of authenticity issued by Projeto Hélio Oiticica.
Phillips
May. 29, 2014
Hélio Oiticica
Est: $120,000 - $180,000
Metaesquema Inscribed "5" on the reverse. This work is accompanied by a certificate of authenticity issued by Projeto Hélio Oiticica.
Phillips
May. 29, 2014
Hélio Oiticica
Est: $30,000 - $50,000
Seja marginal seja herói (Be an Outlaw Be a Hero) Titled, inscribed, numbered and dated by César Oiticica "Seja Marginal Seja Herói 1968 2012 8/10 Hélio Oiticica" on the reverse. This work is number 8 from an edition of 10. This work is accompanied by a certificate of authenticity issued by Projeto Hélio Oiticica.
Phillips
May. 28, 2014
HÃ©lio Oiticica(1937-1980)
Est: $90,000 - $120,000
gouache on cardboard,20 3/8 by 17 in.,51.8 by 43.1 cm,Executed in 1957.
Sotheby's
May. 29, 2013
Hélio Oiticica (Brazilian 1937-1980)
Est: -
Hélio Oiticica (Brazilian 1937-1980) Metaesquema 193 inscribed 'PROJETO HO N. 473 MET 193' (on the verso) gouache on cardboard 11½ x 12 7/8 in. (29.2 x 32.7 cm.) Executed in 1958.
Christie's
Nov. 20, 2012
HÉLIO OITICICA & NEVILLE D'ALMEIDA
Est: $12,000 - $8,000
BRAZILIAN 28/CC3 (Marilyn/ Cosmococa Program-in-Progress) This work is numberthree from an edition of 12.
Phillips
Nov. 20, 2012
HÉLIO OITICICA
Est: $200,000 - $300,000
BRAZILIAN Metaesquema 167 Signed, titled, inscribed, and numbered by César Oiticica "Cesar O Projeto HO N 446 MET 167" on the reverse. This work is accompanied by a certificate of authenticity signed by César Oiticica.
Phillips
Nov. 18, 2010
Hélio Oiticica (Brazilian 1937-1980)
Est: -
Hélio Oiticica (Brazilian 1937-1980) Metaesquema (Dois brancos) signed, dated and titled 'Helio Oiticica, DOIS BRANCOS, 1958' (on the verso) gouache on cardboard 18 x 21 5/8 in. (45.7 x 55 cm.) Executed in 1958.
Christie's
Nov. 17, 2010
Hélio Oiticica (Brazilian 1937-1980)
Est: $80,000 - $120,000
Hélio Oiticica (Brazilian 1937-1980) Metaesquema (Dois brancos) signed, dated and titled 'Helio Oiticica, DOIS BRANCOS, 1958' (on the verso) gouache on cardboard 18 x 21 5/8 in. (45.7 x 55 cm.) Executed in 1958.
Christie's
May. 27, 2010
HELIO OITICICA (1937-1980)
Est: $12,000 - $18,000
HELIO OITICICA (1937-1980) 21/CC1 (TRASHICAPES/COSMOCOCA-PROGRAMA-IN-PROGRESS), (collaboration with Neville D'Almeida) c-print 30 by 44 3/4 in. 76.2 by 113.7 cm Executed in 1973/2003.
Sotheby's
Apr. 23, 2010
Hélio Oiticica
Est: £60,000 - £80,000
Limite-Lumificaças Signed, titled, and dated in Portuguese 'Helio Oiticica Limite-Lumificaças 1958'.
Phillips
Apr. 23, 2010
Hélio Oiticica
Est: £20,000 - £30,000
Omar Salomão wearing P31 Parangolé Cape 24 'Escrerbuto' Signed on the verso. This work is unique.
Phillips
Apr. 23, 2010
HÉLIO OITICICA
Est: £20,000 - £30,000
Romero Cavalcanti wearing P32 Parangolé Cape 25, New York Signed, inscribed and annotated extensively on the verso. This work is from an ediiton of 4.
Phillips
Nov. 17, 2009
Helio Oiticica (Brazilian 1937-1980)
Est: $60,000 - $80,000
Helio Oiticica (Brazilian 1937-1980) Metaesquema ink on cardboard 17 x 20¼ in. (43 x 51 cm.) Executed in 1957.
Christie's
May. 28, 2009
Helio Oiticica (Brazilian 1937-1980)
Est: $60,000 - $80,000
Helio Oiticica (Brazilian 1937-1980) Metaesquema 19 inscribed by an unknown hand '20' (on the verso) gouache on board 17¾ x 21 in. (45 x 53.3 cm.) Executed in 1957-1958.
Christie's
Nov. 20, 2006
HELIO OITICICA (1937-1980)
Est: $8,000 - $10,000
MANGÚE BANGÚE MANGÚE BANGÚE measurements 17 5/8 by 15 5/8 in. alternate measurements (44.8 by 39.7 cm) serigraph signed and dated Mar. 31, 72 NYK on the reverse; also inscribed excerto de 'homage to father' on the reverse PROVENANCE Acquired directly from the artist NOTE Made while the artist was living in New York, Mangue Bangue was designed as a poster to accompany the film of the same title by noted experimental Brazilian filmmaker Neville D'Almeida. The two artists were frequent collaborators on a number of projects, including Oiticica's breakthrough series of multimedia environmental installations titled Cosmococas also created during these years.
Sotheby's
Nov. 20, 2002
H‚lio Oiticica (1937-1980)
Est: $10,000 - $15,000
Untitled inscribed with 'Projeto HO N. 112' on the verso tempera on cardboard 14 5/8 x 111/2cm. (37.1 x 29.2cm.) Painted in 1956 PROVENANCE Projecto Helio Oiticica, Rio de Janeiro NOTES Heavily invested in the constructivist tendencies that swept Brazil in fifties, Oiticica joined the activities of the Grupo Frente in 1995. He had studied painting with Ivan Serpa since 1954, and Serpa's students constituted the bulk and core of the group. This Untitled painting of 1956 coincides with a year of great activity in Oiticica's career as he participated in at least four exhibitions of contemporary, mostly abstract art. The dismissal of illusionistic devices such as shadowing, the lack of tonality in the application of color, the destruction of composition in favor of all-overness, and the geometric configuartion of the painting, were formal devices cultivated by Oiticica and the Concrete artists of Brazil in their effort to break free from the straightjacket of nationalistic iconography and the present lot.
Christie's
May. 28, 2002
Helio Oiticica (1937-1980)
Est: $20,000 - $25,000
Pinturas neoconcretas tempera on paper each: 6 7/8 x 43/4in. (17.4 x 12cm.) Painted in 1960 PROVENANCE Gift from the artist to present owner LITERATURE H‚lio Oiticica, Centro de Arte H‚lio Oiticica, Rio de Janeiro, 1997, p. 34-43. NOTES Searching for the possibility of creating new orders through art, Oiticica looks back at the work by Piet Mondrian and Kasimir Malevich. From this research, Oiticica departs into his own quest for the achievement of a structural order that will affect both time and space while implying the active involvement of the body. In the 50s, his investigations were related to the search of the object-painting through the creation of rigorously constructed works. As his quest became increasingly involved with the body and tri-dimensional space, the pictoric surface was transformed into an intrusive construction that demanded the active participation of the spectator in the artistic experience. The present drawings are considered seminal in the artist's work since they were executed as a result of his direct involvement with the Neo-Concrete movement, preceding by a very short period of time the first bilaterais.
Christie's
Nov. 19, 2001
H‚lio Oiticica (1937-1980)
Est: $60,000 - $80,000
Parangol‚ de aqua cloth and pigment variable dimensions LITERATURE Centro de Arte H‚lio Oiticica & et.all. H‚lio Oiticica, Rio de Janeiro, Sep. 30, 1996-Jan. 30, 1997, p. 85-107, n.n. (another one illustrated). This exhibition also traveled to Rotterdam, Witte de With, Center for Contemporary Art, Feb. 22-April 26, 1992; Paris, Galerie nationale du Jeu de Paume, June 8-Aug. 23, 1992; Barcelona, Fundaci¢ Antoni T pies, Oct. 1-Dec. 6, 1992; Lisboa, Centro de Arte Moderna da Funda‡ao Calouste Gulbenkian, Jan. 20-March 20, 1993; Minneapolis, Walker Art Center, Oct. 31, 1993-Feb. 20, 1994. EXHIBITION Rio de Janeiro, Universidad Federal do Rio de Janeiro. NOTES Oiticica's Parangol‚s, initiated in 1964, developed out of a dialogue with color and were shaped in the manner of capes, tents and banners, at times featuring text and photographs, that could be worn by others in movement.
Christie's