Francisco (1564) Pacheco Paintings & Artwork for Sale | Francisco (1564) Pacheco Art Value Price Guide

Dec. 12, 2024
Attributed to FRANCISCO DE PACHECO (Sanlúcar de Barrameda, 1564 - Seville, 1644) - Immaculate Conception with Donor
Est: €3,500 - €7,000
Oil on canvas. Measurements: 74 x 58 cm.
Templum Fine Art Auctions
Oct. 09, 2024
ATTRIBUTED TO FRANCISCO PACHECO (Sanlúcar de Barrameda, 1564 - Seville, 1644) - Exceptional Santa Bárbara with Baroque frame from the same period, 17th century
Est: €14,000 - €15,000
Oil on canvas, measurements: 150 x 100 cm, framed measurements: 185 x 140 cm. Provenance: important private collection from Seville, Spain
Templum Fine Art Auctions
Sep. 12, 2024
Attributed to FRANCISCO DE PACHECO (Sanlúcar de Barrameda, 1564-Seville, 1644) - Magnificent Immaculate in Glory with Donor
Est: €10,000 - €12,000
Sevillian school from the 16th century to the beginning of the 17th century. Father-in-law of the universal Master of the Spanish Baroque Don Diego de Velázques, his painting, sweetly made and undoubtedly Mannerist that drank from the flamenco artistic currents that arrived in Seville at the time, softened somewhat after his trip to Madrid, El Escorial and Toledo, in 1611. The knowledge of the royal collections and the painting of El Greco had to influence the improvement of the treatment of the coloring and the modeling of his works, allowing its preponderance in the Seville of the time until shortly before 1630. It was at those times when Pacheco's art entered into clear decline as he could not compete with the new painters who dominated the Sevillian scene, such as Zurbarán or Herrera the Elder Measurements: 65 x 50 cm, measurements with frame: 75 x 60 cm. Provenance: important Andalusian private collection (lots 148 to 175).
Templum Fine Art Auctions
Sep. 12, 2024
ATTRIBUTED TO FRANCISCO PACHECO (Sanlúcar de Barrameda, 1564 - Seville, 1644) - Exceptional Santa Bárbara with Baroque frame from the same period, 17th century
Est: €14,000 - €15,000
Oil on canvas, measurements: 150 x 100 cm, framed measurements: 185 x 140 cm. Provenance: important private collection from Seville, Spain
Templum Fine Art Auctions
Jul. 25, 2024
Attributed to FRANCISCO DE PACHECO (Sanlúcar de Barrameda, 1564-Seville, 1644) - Magnificent Immaculate in Glory with Donor
Est: €10,000 - €12,000
Sevillian school from the 16th century to the beginning of the 17th century. Father-in-law of the universal Master of the Spanish Baroque Don Diego de Velázques, his painting, sweetly made and undoubtedly Mannerist that drank from the flamenco artistic currents that arrived in Seville at the time, softened somewhat after his trip to Madrid, El Escorial and Toledo, in 1611. The knowledge of the royal collections and the painting of El Greco had to influence the improvement of the treatment of the coloring and the modeling of his works, allowing its preponderance in the Seville of the time until shortly before 1630. It was at those times when Pacheco's art entered into clear decline as he could not compete with the new painters who dominated the Sevillian scene, such as Zurbarán or Herrera the Elder Measurements: 65 x 50 cm, measurements with frame: 75 x 60 cm. Provenance: important Andalusian private collection (lots 148 to 175).
Templum Fine Art Auctions
Jul. 25, 2024
ATTRIBUTED TO FRANCISCO PACHECO (Sanlúcar de Barrameda, 1564 - Seville, 1644) - Exceptional Santa Bárbara with Baroque frame from the same period, 17th century
Est: €14,000 - €15,000
Oil on canvas, measurements: 150 x 100 cm, framed measurements: 185 x 140 cm. Provenance: important private collection from Seville, Spain
Templum Fine Art Auctions
Dec. 19, 2023
Circle of Francisco Pacheco (1564-1644)
Est: €15,000 - €20,000
Scenes from the life of Saint Clare Oil on canvas 87,5x130 cm
Veritas Art Auctioneers
Nov. 29, 2023
Very Important Saint Agnes in oil on panel, school of Francisco Pacheco (1564-1644), Sevillian Mannerist master of the 16th century
Est: €22,500 - €25,000
Large oil on panel: 140 x 75 cm, possibly for an altarpiece that connects with the models of the master of Sevillian mannerism and father-in-law of Velázquez Francisco Pacheco (1564-1644). A work of the same name offered at auction and which has been part of the royal collections of the Prado since 1829 belonged to the altarpiece of Doña Francisca de León from the Seville convent of Santo Ángel. Inventory number: 1022, measurements: 165 x 83 cm. Provenance: important private collection from Barcelona. Bibliography: Valdivieso, Enrique, Francisco Pacheco ISBN 84-505-9715-3.
Templum Fine Art Auctions
Nov. 29, 2023
Sevillian Baroque School, Workshop of Francisco de Pacheco (Sanlúcar de Barrameda, 1564-Seville, 1644), Virgin Mary Appearing to Saint Anne
Est: €4,500 - €5,500
Oil on canvas measurements: 60 x 45, framed measurements: 140 x 50 cm. Provenance: important Andalusian private collection, Sevillian palace, Seville, Andalusia, Spain.
Templum Fine Art Auctions
Jul. 06, 2023
Very important and unpublished Appearance of the Virgin to Saint Ildefonso, Sevillian school from the end of the 16th century, style of Francisco de Pacheco (Sanlúcar de Barrameda, 1564-Seville, 1644)
Est: €60,000 - €80,000
Oil on canvas, canvas measures: 126 x 101 cm, framed measures: 147 x 122 cm. We are faced with a work undoubtedly by a master and clearly framed in the Sevillian school of the late 16th century, halfway between a late Mannerism characteristic of the Sevillian school and the emergence of the Baroque. With a loving gesture, we observe the Blessed Virgin Mary with the Child in her arms on a half moon and Saint Ildefonso, prostrate before her and with his hands in a prayerful gesture, with the miter and the Holy Bible in the lower left corner. Francisco Pacheco (Sanlúcar de Barrameda, 1564-Seville, 1644) was a leading painter of Sevillian Mannerism. His real name was Francisco Pérez del Río, but he adopted as his own the name of his uncle, the lawyer and canon Francisco Pacheco. He was a teacher and father-in-law of Velázquez, as well as teacher of Alonso Cano and Francisco López Caro. Velázquez's father-in-law and father of what he would become his future wife, On November 17, 1611, Pacheco signed the contract whereby he received Velázquez as an apprentice, who had been in his house for a few months. In 1618 he consented to the marriage of the young painter with his daughter Juana Pacheco (Seville, June 1, 1602-Madrid, August 10, 1660), a not unusual event at the time, where the master married his daughters with the most advanced students of him. He arranged for Velázquez to travel to Madrid and introduced him to the Count-Duke of Olivares, which would turn his career upside down. Bibliography: García Rodríguez, José Carlos (1991). Francisco Pacheco, painter, poet and art dealer. Sanlúcar de Barrameda: The Four Winds; Valdivieso, Enrique, Francisco Pacheco ISBN 84-505-9715-3.
Templum Fine Art Auctions
May. 18, 2023
Attributed to Francisco Pacheco (Sanlúcar de Barrameda, Cadiz, 1564 - Seville, 1644) "Saint Ildefonso and Saint Catherine of Siena"
Est: €2,000 - €3,000
Attributed to Francisco Pacheco (Sanlúcar de Barrameda, Cadiz, 1564 - Seville, 1644) "Saint Ildefonso and Saint Catherine of Siena" Drawing 26 x 24 cm 2.000 - 3.000 €
Greco Subastas
Dec. 15, 2022
FRANCISCO PACHECO (SANLUCAR DE BARRAMEDA 1564-SEVILLE 1664)
Est: €15,000 - €20,000
FRANCISCO PACHECO (SANLUCAR DE BARRAMEDA 1564-SEVILLE 1664) VIERGE DE L’IMMACULEE CONCEPTION Toile Cadre ancien, travail espagnol de la première moitié du XVIIe siècle Immaculate Conception, canvas, in 1st half 17th century old Spanish work 66 x 49 cm - 26 x 19,3 in.
Tajan
Oct. 19, 2022
Circle of Francisco Pacheco (1564-1644)
Est: €15,000 - €20,000
Circle of Francisco Pacheco (1564-1644) Scenes from the life of Saint Clare Oil on canvas
Veritas Art Auctioneers
Oct. 13, 2022
FRANCISCO PACHECO (Sanlúcar de Barrameda, Cádiz, 1564 – Seville, 1644). and workshop Saint Edward the Martyr, King of England. Oil on canvas. Keep the original fabric.
Est: €6,000 - €7,000
FRANCISCO PACHECO (Sanlúcar de Barrameda, Cádiz, 1564 - Seville, 1644). and workshop "Saint Edward Martyr, King of England". Oil on canvas. The original canvas is preserved. Attached is an expert report issued by Don Enrique Valdivieso. It presents restorations, repites and shows perforation. Measurements: 130 x 80 cm; 156 x 104 cm (frame). This image shows the image of Saint Edward the Martyr, who in his portrait appears crowned and with a sword stuck to the hilt in his chest. His arms are crossed in symbolic acceptance of his martyrdom, a gesture that intensifies the serene expression of his face, turned upwards. The following text appears on the moulding: In fraude circunvenientium affuit illi (In fraud circumvenientium affuit illi. (He assisted him in the crime of those who deceived him. Wisdom 10). The cartouche bears the following inscription: S. Eduardus Anglia rex a noverca ex insidie interfectus. Obiit die 18 Marta anno Dñi 981. (St. Edward King of England was killed by his stepmother. He died on the 18th of March in the year of our Lord 981). It can be noted that the face of this monarch clearly coincides with the expression shown in the Saint Sebastian that was in the Hospital of Aléala de Guadaira and which was destroyed in 1936'. Aesthetically the work is close to Pacheco's painting, and in the article "A Series of Holy Kings of England by Francisco Pacheco, the art historian Enrique Valdiveso investigates the creation of a series of eight portraits dedicated to the English holy kings, which was commissioned from the painter in around 1630. Francisco Pacheco was a Mannerist painter and art treatise writer chiefly remembered for his role as a teacher of Velázquez, whose father-in-law he was. Although he was born in Sanlúcar de Barrameda, before 1580 he was already in Seville, where his uncle was a canon of the cathedral. He soon became part of the cultured and artistic circles of the city while training as a painter in the workshop of Luis Fernández. Qualified as an independent master in 1585, he enjoyed a wide clientele due to his good relations with the clergy, the aristocracy and the municipal authorities of Seville. With the arrival of the new century Pacheco established himself as the foremost painter of the Sevillian school, although he was soon eclipsed by the Flemish Juan de Roelas, who remained in the city between 1604 and 1616. Between 1610 and 1611 he travelled to Madrid and visited El Escorial and Toledo, where he had dealings with El Greco. That same year, 1611, Diego Velázquez joined his workshop as an apprentice. His literary production included the "Libro de descripción de verdaderos retratos de ilustres y memorables varones", an incomplete collection of almost seventy portraits accompanied by short biographical sketches of the main intellectuals in his circle, as well as other outstanding artists and writers. In the last years of his life he devoted himself to writing the artistic treatise "Arte de la pintura", completed in 1641 and published posthumously in 1649. Pacheco's works are currently held in important collections such as the Museo del Prado, the Academia de San Fernando in Madrid, the Museo de Bellas Artes in Seville, the Seville Cathedral (among other Seville churches), the Uffizi Gallery in Florence and the Museo Lázaro Galdiano in Madrid, among others.
Setdart Auction House
Sep. 23, 2022
Attributed to FRANCESCO PACHECO
Est: CHF700 - CHF900
Attributed to FRANCESCO PACHECO (Sanlúcar de Barrameda 1564–1654 Seville) Mary as the Immaculate Conception on a crescent moon. Pen and grey-brown ink, traces of black chalk. 26.5 x 14 cm. --------------- FRANCESCO PACHECO, zugeschrieben (Sanlúcar de Barrameda 1564–1654 Sevilla) Maria als unbefleckte Empfängnis auf einer Mondsichel schwebend. Feder in Graubraun, Spuren von schwarzer Kreide. 26,5 x 14 cm. ---------------
Koller Auctions
Nov. 04, 2021
FRANCISCO PACHECO (1564 / 1644) "Santa Catalina de Siena", c. 1620
Est: €13,500 - €18,000
This beautiful panel depicting Saint Catherine of Siena is an excellent example of Francisco Pacheco's work. Its attribution to the Sevillian master is based on the total coincidence of composition, drawing and colouring with other works by this artist and, especially, with another Saint Catherine belonging to a private collection in Madrid (E. Valdivieso, Pintura Barroca Sevillana, 2003, p. 124, plate 114). Similarly, this same model of a saint with a gesture of mystical rapture is also practically identical in the Museo Nacional del Prado's Saint Catherine and Saint Agnes, which once formed part of the altarpiece of Doña Francisca de León in the church of the Sevillian convent of Santo Ángel. The saint appears in this work with her usual iconographic symbols such as the crown of thorns on her head and the elements she holds in her hands: on the left a heart from which a crucifix emerges, a witness to the enormous devotion and love she felt for the person of Christ, and on the right a bouquet of lilies symbolising her virginal purity. His mastery of drawing and chromaticism is typical of his work: the figure of the saint is perfectly cut out against a greenish-grey background in which the black and white of the Dominican habit stand out. The beauty of the painting, its state of preservation and the scarcity of the painter's works on the market make it an important piece for collectors. Attached is a report by Enrique Valdivieso González, issued in Seville on 13 September 2021. . Oil on panel. 55 x 50,5 cm.
Ansorena
Oct. 14, 2021
PRAYER IN THE GARDEN, SEVILLIAN SCHOOL OF THE S. XVI, ENVIRONMENT OF FRANCISCO PACHECO (SANLÚCAR DE BARRAMEDA, 1564-SEVILLE, 1644)
Est: €2,200 - €3,500
Oil on panel, measurements (with frame): 79 x 62 cm
Templum Fine Art Auctions
Nov. 14, 2014
PACHECO, FRANCISCO - 1564 Sanlúcar de Barrameda - 1644 Sevilla - attributed Saint Agnes.
Est: €6,000 - €8,000
PACHECO, FRANCISCO 1564 Sanlúcar de Barrameda - 1644 Sevilla - attributed Saint Agnes. Oil on canvas. Relined. 179 x 98,5 cm. Inscribed lower left: Pacheco Rosa. Framed.
Van Ham Kunstauktionen
Nov. 16, 2013
Follower of Francisco Pacheco (1564-1644) The
Est: £2,000 - £3,000
Follower of Francisco Pacheco (1564-1644) The Death of the Virgin Oil on canvas, 159cm by 106cm Sold on behalf of Ampleforth Abbey Trust In overall good original, untouched condition. The surface of the canvas is covered in a thick layer of dirt and discoloured varnish a few very minor paint losses and surface abrasions. Not examined with a UV light.
Tennants
Mar. 02, 2012
Manner of Francisco Pacheco (Spanish, 1564-1654)
Est: $1,000 - $1,500
Manner of Francisco Pacheco (Spanish, 1564-1654) "Travelers on a Road", oil on canvas, unsigned, 22" x 15-1/2". Presented in a Baroque style giltwood frame.
New Orleans Auction Galleries
Apr. 13, 2011
Circle of Francisco Pacheco (Sanlúcar de Barrameda 1564-1644 Seville) The Nativity
Est: £2,000 - £3,000
The Nativity oil on leather, laid down on canvas 99.2 x 76.9cm (39 1/16 x 30 1/4in).
Bonhams
Dec. 09, 2004
FRANCISCO PACHECO SANLÚCA DE BARRAMEDA 1564 - 1654 SEVILLE
Est: £8,000 - £12,000
signed with monogram and dated on the base of the column: FP 1638 oil on canvas
Sotheby's

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Francisco (1564) Pacheco Sold at Auction Prices

Painter, Porträtmaler, b. 1564 - d. 1644

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Attributed to FRANCISCO DE PACHECO (Sanlúcar de Barrameda, 1564 - Seville, 1644) - Immaculate Conception with Donor

ATTRIBUTED TO FRANCISCO PACHECO (Sanlúcar de Barrameda, 1564 - Seville, 1644) - Exceptional Santa Bárbara with Baroque frame from the same period, 17th century

Attributed to FRANCISCO DE PACHECO (Sanlúcar de Barrameda, 1564-Seville, 1644) - Magnificent Immaculate in Glory with Donor

ATTRIBUTED TO FRANCISCO PACHECO (Sanlúcar de Barrameda, 1564 - Seville, 1644) - Exceptional Santa Bárbara with Baroque frame from the same period, 17th century

Attributed to FRANCISCO DE PACHECO (Sanlúcar de Barrameda, 1564-Seville, 1644) - Magnificent Immaculate in Glory with Donor

ATTRIBUTED TO FRANCISCO PACHECO (Sanlúcar de Barrameda, 1564 - Seville, 1644) - Exceptional Santa Bárbara with Baroque frame from the same period, 17th century

Circle of Francisco Pacheco (1564-1644)

Very Important Saint Agnes in oil on panel, school of Francisco Pacheco (1564-1644), Sevillian Mannerist master of the 16th century

Sevillian Baroque School, Workshop of Francisco de Pacheco (Sanlúcar de Barrameda, 1564-Seville, 1644), Virgin Mary Appearing to Saint Anne

Very important and unpublished Appearance of the Virgin to Saint Ildefonso, Sevillian school from the end of the 16th century, style of Francisco de Pacheco (Sanlúcar de Barrameda, 1564-Seville, 1644)

Attributed to Francisco Pacheco (Sanlúcar de Barrameda, Cadiz, 1564 - Seville, 1644) "Saint Ildefonso and Saint Catherine of Siena"

FRANCISCO PACHECO (SANLUCAR DE BARRAMEDA 1564-SEVILLE 1664)

Circle of Francisco Pacheco (1564-1644)

FRANCISCO PACHECO (Sanlúcar de Barrameda, Cádiz, 1564 – Seville, 1644). and workshop Saint Edward the Martyr, King of England. Oil on canvas. Keep the original fabric.

Attributed to FRANCESCO PACHECO

FRANCISCO PACHECO (1564 / 1644) "Santa Catalina de Siena", c. 1620

PRAYER IN THE GARDEN, SEVILLIAN SCHOOL OF THE S. XVI, ENVIRONMENT OF FRANCISCO PACHECO (SANLÚCAR DE BARRAMEDA, 1564-SEVILLE, 1644)

PACHECO, FRANCISCO - 1564 Sanlúcar de Barrameda - 1644 Sevilla - attributed Saint Agnes.

Follower of Francisco Pacheco (1564-1644) The

Manner of Francisco Pacheco (Spanish, 1564-1654)

Circle of Francisco Pacheco (Sanlúcar de Barrameda 1564-1644 Seville) The Nativity

FRANCISCO PACHECO SANLÚCA DE BARRAMEDA 1564 - 1654 SEVILLE

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Painter, Porträtmaler, b. 1564 - d. 1644

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