Loading Spinner

Giovanni Paolo Pannini Sold at Auction Prices

b. 1692 - d. 1765

See Artist Details

0 Lots

Sort By:

Categories

    Auction Date

    Seller

    Seller Location

    Price Range

    to
    • GIOVANNI PAOLO PANNINI (1691 Piacenza - 1765 Rom)
      Jul. 07, 2024

      GIOVANNI PAOLO PANNINI (1691 Piacenza - 1765 Rom)

      Est: -

      GIOVANNI PAOLO PANNINI (1691 Piacenza - 1765 Rom) Öl auf Leinwand (doubliert), "Figuren in römischer Ruinenlandschaft mit Obelisk" (wohl 1750), unten rechts in rot signiert "G.P. Pannini", ortsbezeichnet "Roma" und undeutlich datiert "MDCCL" (berieben), ca. 123x173cm, in vergoldetem Rahmen (132,5x184cm), Firnis, umfangreiche und größere Retuschen, stark craqueliert, Nässeschaden (Leinwand stockig, Rahmen stark porös und bestoßen), Galerieton

      Auktionshaus Rotherbaum OHG
    • Giovanni Paolo Pannini, Piacenza 1691 - 1765 Rome, attributed, Joseph is sold by his brothers
      Jul. 02, 2024

      Giovanni Paolo Pannini, Piacenza 1691 - 1765 Rome, attributed, Joseph is sold by his brothers

      Est: €4,000 - €8,000

      Giovanni Paolo Pannini Piacenza 1691 - 1765 Rome, attributed Joseph being sold by his brothers Oil on canvas, relined 72.5 x 98 cm, with frame 97 x 112.5 Inscribed on the reverse Giovanni Paolo Pannini was a famous Italian painter and architect of the Baroque period. He was initially trained in his home town before moving to Rome, where he enjoyed great success and became one of the leading figures of the Roman art scene. Pannini's works were characterised by their intricate detail and skilful use of perspective, earning him widespread recognition and the patronage of prominent figures of his time. This painting depicts a scene from the biblical tale of Joseph being sold by his brothers. Set against a backdrop of ancient ruins, the painting captures the dramatic moment with impressive realism and emotional depth. In the foreground, a young Joseph stands in front of a well, his figure characterised by vulnerability and innocence, in stark contrast to the scheming faces of his brothers, who sit on the left. The surrounding ruins in the manner of a capriccio's architectural fantasy, including a monumental arch with fragments of a temple and towering Ionic columns, convey a sense of the transience of human endeavour. On the right-hand side of the painting is a group of people on horseback and with camels, presumably trying to buy Joseph. Their presence lends the scene an aspect of urgency and impending doom, as the boy's fate hangs in the balance. In the distance, a mountainous landscape stretches out, poignantly evoking the vastness of the world beyond the limits of the moment. The masterful composition and his meticulous attention to detail bring the biblical story to life and invite the viewer to reflect on themes such as betrayal, redemption, and the complexity of human nature. Through skilful brushwork and a deep understanding of light and space, the artist creates a timeless masterpiece that continues to captivate audiences centuries after its creation.

      Tiberius Auctions
    • Giovanni Paolo Pannini o Panini (Piacenza 1691 - Roma 1765) bottega/allievo di
      May. 14, 2024

      Giovanni Paolo Pannini o Panini (Piacenza 1691 - Roma 1765) bottega/allievo di

      Est: €9,000 - €14,000

      Giovanni Paolo Pannini o Panini (Piacenza 1691 - Roma 1765) bottega/allievo di Capriccio con i Templi di Adriano e della Fortuna Virile Olio su tela 69 x 112 cm Riportiamo quanto scrive Ferdinando Arisi nella didascalia dedicata all'opera originale (pag. 409, scheda 357 dal volume Gian Paolo Panini e i fasti della Roma del '700): In collezione privata romana è conservata una versione firmata e datata 1735 che si deve considerare il prototipo. E' un dipinto, che vivo Panini, doveva essere fondamentale, se fu replicato almeno due volte, con lievi varianti e copiato da allievi parecchie volte senza varianti di rilievo. Studiò inizialmente nella sua città natale scenografia teatrale, passando poi a Roma, nel 1711, nella bottega di Benedetto Luti. Affascinato dai resti dell'antica Roma, prese a modello altri protagonisti della scena romana, formandosi una personale produzione artistica, ove le rovine erano testimoni di scena tratte da testi sacri o di letteratura antica. Le sue quinte architettoniche, quanto le sue vedute, non sono allusioni al tempo e alla caducità dell'uomo ma luoghi di cristallina bellezza che esalta la grandezza del tempo antico e la bellezza della città eterna. Ebbe l'intelligenza di usare la sua straordinaria tecnica in temi a lui congeniali dopo aver osservato e meditato quanto avessero dipinto altri interpreti della cultura pittorica romana a lui affini, come Alberto Carlieri, Stefano Orlandi, Gaspare Vanvitelli, Jan Frans van Bloemen e Andrea Locatelli e soprattutto di Giovanni Ghisolfi. Ebbe molto successo sia di pubblico sia accademico, nel 1718 fu ammesso alla Congregazione dei Virtuosi al Pantheon, ed insegnò sia all’Accademia di San Luca sia all’Académie de France. Nella sua bottega si formarono numerosi artisti, tra i quali Giovanni Niccolò Servandoni, Antonio Ioli, Charles-Louis Clérisseau, Claude-Joseph Vernet, Jean-Honoré Fragonard e, soprattutto, Hubert Robert, che fu il suo miglior allievo. Giovanni Paolo Pannini or Panini (Piacenza 1691 - Rome 1765) workshop/pupil of Capriccio With the Temples of Hadrian and Virile Fortune Oil on canvas 69 x 112 cm We report what Ferdinando Arisi writes in the caption dedicated to the original artwork (page 409, form 357 of the book Gian Paolo Panini e i fasti della Roma del '700): In a private Roman collection a version signed and dated 1735 is preserved must be considered the prototype. It is a painting, which Panini lived, must have been fundamental if it was replicated at least twice, with slight variations and copied by students several times without significant variations.

      Lucas Aste
    • Italian School (follower of? Giovanni Paolo Pannini, 1691 Piacenza - 1765 Rome) - Capriccio with Pyramid of Cestius and Borghese Vase
      Mar. 31, 2022

      Italian School (follower of? Giovanni Paolo Pannini, 1691 Piacenza - 1765 Rome) - Capriccio with Pyramid of Cestius and Borghese Vase

      Est: €2,200 - €2,500

      Danish adhesive labels on the stretcher verso, including a reference to Palazzo Braschi, Rome and an auction, January 1975 as well as a restoration in June 2009. Oil on canvas. 37 x 28 cm. Relined. Restored. Craquelure. Minor damage to frame (47 x 40.5 cm).

      Neumeister
    • Giovanni Paolo Pannini, 1691 Piacenza – 1765 Rom, zugeschrieben
      Mar. 31, 2022

      Giovanni Paolo Pannini, 1691 Piacenza – 1765 Rom, zugeschrieben

      Est: €18,000 - €25,000

      PASTORALE LANDSCHAFT MIT ANTIKER ARCHITEKTURSTAFFAGE Öl auf Leinwand. Doubliert. 68 x 86 cm. In barockisierendem bronziertem Rahmen mit Fassungsverlusten. Pastorale Eindrücke werden mit gut eingefangenen im Gegenspiel befindlichen Staffagefiguren kombiniert. Von links herein ragen Ruinenfragmente mit Ionischen Säulen, einem von Vegetation bewachsenem Architrav und ein Löwenrelief mit dahinter stehendem Statuenfragment auf Podest. Rest. (†) (12901458) (13) Giovanni Paolo Pannini, 1691 Piacenza – 1765 Rom, attributed PASTORAL LANDSCAPE WITH ANCIENT ARCHITECTURE STAFFAGE Oil on canvas. Relined. 68 x 86 cm. (†)

      Hampel Fine Art Auctions
    • GIOVANNI PAOLO PANNINI (1691-1765) GALLERY WITH VIEWS
      Apr. 11, 2021

      GIOVANNI PAOLO PANNINI (1691-1765) GALLERY WITH VIEWS

      Est: $100 - $200

      Giovanni Paolo Pannini (1691-1765) Gallery with Views of Rome 1758 Framed Canvas Print Linen Mat. W62" x H48.5" Good vintage condition, small smudges on linen mat, chipping on red frame tier NAVIS Pack and Ship will be handling the shipping of all items from this auction. Go to: http://blockauction.gonavis.com/ for a shipping quote or: Email: MI1053@gonavis.com with a link to the lot that you would like to bid on along with your zip code.

      Block Auction House
    • 18th Century Italian Old Master Oil Painting Entitled "King Solomon’s Court"
      Dec. 03, 2017

      18th Century Italian Old Master Oil Painting Entitled "King Solomon’s Court"

      Est: $7,500 - $15,000

      Large 18th Century Italian oil painting attributed to School of Giovanni Paolo Pannini (1691 - 1765) | Italian Baroque Style | Entitled King Solomon’s Court | Measures 24 x 55 inches | Very Good Condition considering age, signs of professional restoration. Remarkable Baroque Italian painting from 18th century | The Oil on Canvas painting depicts the Christian Old Testament story of King Soloman’s Court (1 Kings 3:16 – 28). 1 Kings 3:16–28 recounts that two mothers living in the same house, each the mother of an infant son, came to Solomon. One of the babies had died, and each claimed the remaining boy as her own. Calling for a sword, Solomon declared his judgment: the baby would be cut in two, each woman to receive half. One mother thought the ruling fair, but the other begged Solomon, “Give the baby to her, just don’t kill him!” The king declared the second woman the true mother, as a mother would even give up her baby if that was necessary to save its life. This judgment became known throughout all of Israel and was considered an example of profound wisdom. This Painting is of excellent pictorial quality. Housed in a more recent contemporary wooden frame | The work is painted with bright and vibrant colors, rich in detail and characters | The painting is in excellent state of conservation.

      Worthington Galleries
    • Maler des 19. Jahrhunderts in der Nachfolge von Giovanni Paolo Pannini, 1691/ 92 - 1765
      Dec. 10, 2015

      Maler des 19. Jahrhunderts in der Nachfolge von Giovanni Paolo Pannini, 1691/ 92 - 1765

      Est: €6,000 - €8,000

      BLICK AUF DEN PETERSPLATZ IN ROM MIT ST. PETER IM HINTERGRUND Öl auf Kupfer. 31,5 x 47 cm. Gerahmt. (10305210) (12) 19th-century painter in the following of Giovanni Paolo Pannini 1691/ 92 - 1765 VIEW OF ST PETER'S SQUARE IN ROME WITH ST PETER'S BASILICA IN THE BACKGROUND Oil on copper. 31.5 x 47 cm.

      Hampel Fine Art Auctions
    • Giovanni Paolo Pannini (Piacenza 1691/92-1765)
      Nov. 11, 2015

      Giovanni Paolo Pannini (Piacenza 1691/92-1765)

      Est: €15,000 - €20,000

      Paulus en Ananias, Handelingen 5:1-11 / Paul the Apostle and Ananias olieverf op doek, 130x60 cm -------- De toeschrijving is bevestigd door Charles Beddington op basis van foto's. Hij meent dat het om vroege werken van de kunstenaar gaat, die oorspronkelijk mogelijk deel uit maakten van een serie ter decoratie van een interieur. Het smalle hoge formaat zou verband kunnen houden met de plaatsing tussen ramen. The attribution to Pannini is confirmed by Charles Beddington on the basis of photographs. Beddington believes the painting to be an early work of the artist, possibly created as part of an interior decoration. The high, narrow format might suggest that the work was placed between windows. ---------- * De kavels 347 en 348 zullen eerst apart - daarna in combinatie - geveild worden. * Lot numbers 347 and 348 will be auctioned together. In this case the single lot numbers are only bid under reserve and are afterwards recalled again with the total surcharge sum.

      Venduehuis der Notarissen
    • After Giovanni Paolo Pannini (Italian, 1691-1765)
      May. 30, 2015

      After Giovanni Paolo Pannini (Italian, 1691-1765)

      Est: $150 - $200

      Ruins of Ancient Rome/Ruines de l'Ancienne Rome. Hand colored etching. Sheet size 13 1/8 x 17 1/8 inches. Unframed. Notice to bidders: Condition reports and additional photographs are provided by request as a courtesy to our clients, as such any condition report is only an opinion and should not be treated as a statement of fact. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, restoration, wear and tear, or the effects of aging. Capo Auction shall have no responsibility for any error or omission, additionally all lots are sold 'As Is' and in accordance with the conditions of sale.

      Capo Auction
    • ATTRIBUTED TO GIOVANNI PAOLO PANNINI (1691-1765)
      Oct. 13, 2014

      ATTRIBUTED TO GIOVANNI PAOLO PANNINI (1691-1765)

      Est: €8,000 - €12,000

      ATTRIBUTED TO GIOVANNI PAOLO PANNINI (1691-1765) Figures Among Classical Ruins Oil on canvas, 66 x 105.5cm

      Adam's
    • after Giovanni Paolo PANNINI Italian 1691-1765 A
      Mar. 17, 2014

      after Giovanni Paolo PANNINI Italian 1691-1765 A

      Est: R70,000 - R90,000

      after Giovanni Paolo PANNINI Italian 1691-1765 A View of the Roman Forum oil on canvas 89,5 by 94cm

      Strauss & Co
    • Attributed to Giovanni Paolo Pannini, (Italian, 1691-1765), Capriccio of Roman Ruins
      Dec. 12, 2012

      Attributed to Giovanni Paolo Pannini, (Italian, 1691-1765), Capriccio of Roman Ruins

      Est: $1,000 - $2,000

      Attributed to Giovanni Paolo Pannini (Italian, 1691-1765) Capriccio of Roman Ruins pen and brown ink, gray wash on paper 12 3/4 x 8 inches.

      Hindman
    • Pannini, Giovanni Paolo 1692 Piacneza - 1765 Rome
      Nov. 16, 2012

      Pannini, Giovanni Paolo 1692 Piacneza - 1765 Rome

      Est: €6,000 - €8,000

      Pannini, Giovanni Paolo 1692 Piacneza - 1765 Rome - artist's circle - artist's school The Marriage at Cana. Oil on canvas. Relined. 90 x 108cm. Framed. German Text Pannini, Giovanni Paolo 1692 Piacneza - 1765 Rom - Umkreis - Schule Die Hochzeit zu Kanaa. Öl auf Leinwand. Doubliert. 90 x 108cm. Rahmen.

      Van Ham Kunstauktionen
    • Giovanni Paolo Pannini 1691-1765-circle,Travellers
      Oct. 23, 2012

      Giovanni Paolo Pannini 1691-1765-circle,Travellers

      Est: €1,500 - €2,000

      Giovanni Paolo Pannini 1691-1765-circle,Travellers in landscape at classical ruins, oil on Canvas 43x60 cm

      Deutsch Auktionen
    • Giovanni Paolo Pannini Capriccio architettonico
      May. 15, 2012

      Giovanni Paolo Pannini Capriccio architettonico

      Est: €40,000 - €50,000

      Giovanni Paolo Pannini Capriccio architettonico con rovine e fontane Olio su tela cm 73x97 I due dipinti raffigurano rovine romane con fontane e scherzi d'acqua animati da piccole figurine. Sono due inediti e straordinari capolavori del grande pittore piacentino Giovanni Paolo Pannini (1692-1765). Il Pannini, che fu anche architetto, si recò a Roma nel 1717 e divenne autore di celebrate vedute dell'Urbe, dando origine ad un genere, quello delle rovine o vedute ideate, destinato ad un larghissimo successo europeo. In questi due dipinti interpreta fantasticamente testimonianze della Roma antica caratterizzate da una eccezionale spazialità e da tonalità intense e fortemente chiaroscurate. E' auspicabile che i due dipinti siano oggetto di ulteriori studi.

      Casa d' Aste della Rocca
    • Giovanni Paolo Pannini Capriccio architettonico
      May. 15, 2012

      Giovanni Paolo Pannini Capriccio architettonico

      Est: €40,000 - €50,000

      Giovanni Paolo Pannini Capriccio architettonico con rovine e fontane Olio su tela cm 73x97 I due dipinti raffigurano rovine romane con fontane e scherzi d'acqua animati da piccole figurine. Sono due inediti e straordinari capolavori del grande pittore piacentino Giovanni Paolo Pannini (1692-1765). Il Pannini, che fu anche architetto, si recò a Roma nel 1717 e divenne autore di celebrate vedute dell'Urbe, dando origine ad un genere, quello delle rovine o vedute ideate, destinato ad un larghissimo successo europeo. In questi due dipinti interpreta fantasticamente testimonianze della Roma antica caratterizzate da una eccezionale spazialità e da tonalità intense e fortemente chiaroscurate. E' auspicabile che i due dipinti siano oggetto di ulteriori studi

      Casa d' Aste della Rocca
    • Attributed to Giovanni Paolo Pannini, (Italian, 1691-1765), Capriccio of Roman Ruins
      May. 02, 2012

      Attributed to Giovanni Paolo Pannini, (Italian, 1691-1765), Capriccio of Roman Ruins

      Est: $1,000 - $2,000

      Attributed to Giovanni Paolo Pannini (Italian, 1691-1765) Capriccio of Roman Ruins pen and brown ink, gray wash on paper 12 3/4 x 8 inches.

      Hindman
    • 18th Century English Copper Engraving after: Giovanni Paolo Pannini Italian (1691-1765), "Inside the Pantheon at Rome". Unsigned. Losses to Paper, Crease, Toning and Foxing Otherwise Good Condition. Measures Approximately 10-3/4 Inches Tall and 8
      Feb. 15, 2012

      18th Century English Copper Engraving after: Giovanni Paolo Pannini Italian (1691-1765), "Inside the Pantheon at Rome". Unsigned. Losses to Paper, Crease, Toning and Foxing Otherwise Good Condition. Measures Approximately 10-3/4 Inches Tall and 8

      Est: $200 - $300

      18th Century English Copper Engraving after: Giovanni Paolo Pannini Italian (1691-1765), "Inside the Pantheon at Rome". Unsigned. Losses to Paper, Crease, Toning and Foxing Otherwise Good Condition. Measures Approximately 10-3/4 Inches Tall and 8 Inches Wide, by sight, Frame Measures 17-5/8 Inches Tall and 15-1/4 Inches Wide. Shipping $64.00

      Kodner Galleries
    • Italian School, 19th Century, in the Manner of Giovanni Paolo Pannini (Italian, 1691 -1765. Military Procession to a Mountaintop For...
      Apr. 13, 2011

      Italian School, 19th Century, in the Manner of Giovanni Paolo Pannini (Italian, 1691 -1765. Military Procession to a Mountaintop For...

      Est: $500 - $700

      Italian School, 19th Century, in the Manner of Giovanni Paolo Pannini (Italian, 1691 -1765. Military Procession to a Mountaintop Fortification. Inscribed indistinctly "...Milano...anno 1784..." along the bottom edge. Oil on canvas mounted to Masonite, 36 3/4 x 26 in., framed. Condition: Old creases and repairs, retouch, abrasions, craquelure, rippling, surface irregularities, surface grime.

      Skinner
    • After Giovanni Paolo Pannini (Italian, 1691-1765), View of St. Peter's Square, Rome, Unsigned., Condition: Retouch, surface grime.N.B.
      Jan. 28, 2011

      After Giovanni Paolo Pannini (Italian, 1691-1765), View of St. Peter's Square, Rome, Unsigned., Condition: Retouch, surface grime.N.B.

      Est: $1,500 - $2,000

      After Giovanni Paolo Pannini (Italian, 1691-1765) View of St. Peter's Square, Rome Unsigned. Oil on canvas, 25 x 30 in. (63.5 x 76.0 cm), framed. Condition: Retouch, surface grime. N.B. The painting at hand is based on Giovanni Paolo Pannini's Departure of the Duc de Choiseul from the Piazza di San Pietro, painted in 1754 and now in the collection of the Staatliche Museen, Berlin, Germany.

      Skinner
    • Circle of Giovanni Paolo Pannini (Piacenza 1691-1765 Rome)
      Dec. 11, 2009

      Circle of Giovanni Paolo Pannini (Piacenza 1691-1765 Rome)

      Est: £700 - £1,000

      Circle of Giovanni Paolo Pannini (Piacenza 1691-1765 Rome) Figures conversing in a vaulted building black chalk, pen and brown ink, grey wash, losses 5 1/8 x 4 in. (13 x 10 cm.); and A figure in a landscape, attributed to Marco Ricci (2)

      Christie's
    • Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rom)
      Jun. 16, 2009

      Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rom)

      Est: €10,000 - €12,000

      Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rom) Werkstatt Römisches Architekturcapriccio mit dem Saturntempel, den Tempeln des Antoninus Pius und der Faustina, der Maxentiusbasilika, dem Titusbogen und dem Kolosseum, im Vordergrund ein ägyptischer Obelisk, Öl auf Leinwand, 88 x 157 cm, gerahmt

      Dorotheum
    • STUDIO OF GIOVANNI PABLO PANNINI 1692-1765
      Apr. 18, 2002

      STUDIO OF GIOVANNI PABLO PANNINI 1692-1765

      Est: $10,000 - $15,000

      Oil on canvas. This work repeats with differences Panini's composition illustrated in F. Arisi's catalogue of the artist's work, no. 317, illus.

      Sotheby's
    • GIOVANNI PAOLO PANNINI (1692-1765) FIGURE STUDIES.
      May. 20, 1994

      GIOVANNI PAOLO PANNINI (1692-1765) FIGURE STUDIES.

      Est: $905 - $1,207

      Pen and brown ink and wash over black chalk. Drawn on the verso of a fragment of a letter. 76 by 143 mm. Provenance: Thomas Agnew & Sons Ltd. Dr. Ferdinando Arisi, who saw the drawing when it was at Agnews, dated it to the early part of Pannini's career and compared it with three similar sheets of figure studies in the Louvre (no.6716), in the Uffizi (no.5405) and at Marseilles.

      Sotheby's
    Lots Per Page: