Charles Paris Sold at Auction Prices

Presentation copy to Charles Darwin.- Carret (Jules) Le Déplacement Polaire, first edition, signed presentation inscription from the author to Charles Darwin, Paris, F. Savy, 1877

Presentation copy to Charles Darwin.- Carret (Jules) Le Déplacement Polaire, first edition, signed presentation inscription from the author to Charles Darwin 'A notre illustre maitre Ch. Darwin, Hommage de profond respect' to half-title, small pencil notes to margin, rear endpaper and pastedown, three neat single-line markings to margins, folded colour map at rear (torn, most of page loose), some foxing, original printed cloth, spine sunned, very lightly rubbed in places, Paris, F. Savy, 1877. *** A rare example of a book from Darwin’s library, with an interesting scientific association. Jules Carret (1844-1912) here presents his 1877 work to Charles Darwin, with a friendly respectful inscription.  Books from Darwin’s library are extremely rare to the market, the vast majority of the library having been removed to Cambridge University by his son Francis in 1908. Both the neat pencil single line markings to margins and the endpaper notes (page numbers accompanied by the odd comment), are consistent with markings found in other books from Darwin’s library [many digitised on the Biodiversity Heritage Library]. The primary interest of the scattered entries here present seems to be coral and coral reefs. For example, on p.85 the pencil line marks a question posed by Carret which follows a reference to ‘M. Darwin’ -  asking how is that atolls [a ring-shaped coral reef] rise above sea level, develop vegetation and become habitable? And the pencil note on the rear pastedown likewise refers back to p.85. Meanwhile the rear endpaper note also points to, ‘coral reefs 200’. Letters between Darwin and his son, George Howard, from November 1878, reveal their correspondence and presumable acquaintance with Carret. Writing directly onto an offprint of Carret's May 1878 paper on the causes of polar displacement, Darwin wrote 'If the author has not sent you this you may possibly like to have it', while George replied that he had received the pamphlet 'both from himself [Carret] & you, & I don’t think his ideas will work at all—tho’ he must be a cleverish man to get so deep' [letters accessible online at the Cambridge University 'Darwin Correspondence Project']. With overlap on certain research points, both George Darwin and Carret were also publicly referencing each other around this time.

Charles Jourdan, Paris: Black Leather High Kitten Heel Olivia Pumps

Charles Jourdan, Paris: Black Leather High Kitten Heel Olivia Pumps, good condition, some rubbing to toes & back of heels, wear to soles & heel tabs, original box

Charles Jourdan, Paris: Black Suede High Kitten Heel Olivia Pumps

Charles Jourdan, Paris: Black Suede High Kitten Heel Olivia Pumps, good condition, some rubbing to toes & back of heels, wear to soles & heel tabs, original box

Charles Jourdan, Paris: Dark Marine Blue Leather High Kitten Heel Isabelle Pumps

Charles Jourdan, Paris: Dark Marine Blue Leather High Kitten Heel Isabelle Pumps, good used condition, some wear to interior & soles & heel tabs, original box

Charles Voisin Pillar Skeleton Clock, Paris, six brass columns support the time-only chain-fusee movement with skeletonized plates powered by a coil spring, enamelled dial marked "Charles Voisin, A Paris," all on a Belgian slate base...

Charles Voisin Pillar Skeleton Clock, Paris, six brass columns support the time-only chain-fusee movement with skeletonized plates powered by a coil spring, enamelled dial marked "Charles Voisin, A Paris," all on a Belgian slate base, under a glass dome, has pendulum but no key, untested, approx 52cm H

Charles Kellner Impressionist Autumn Landscape Oil Painting Chicago NY Paris Illinois Artist

Described By: Michelle CNX 1563 7958 Title: Charles Kellner Impressionist Autumn Landscape Oil Painting Chicago NY Paris Illinois Artist Description: Charles Kellner Impressionist Autumn Landscape Oil Painting Chicago NY Paris Illinois Artist. Original, period or vintage bronze gilt frame molding Signature: Lower right Condition: A little dirty and darkened, craquelure, moderate scuff upper center sky,scattered frame wear Stretcher Size 26 X 32 inches Frame size: 31 X 37 X 2 inches Estimated Weight: Approx. 7 lbs Shipping Info: We are not able to ship this item from our facilities. Please use the below link and the dimensions provided above to receive a quote for pickup, packing, and delivery of your purchase. Of course, if you would like to make arrangements to pick up your purchase in person, you are most welcome to make an appointment at the following address. 1131 4th St. N. St. Petersburg, FL 33701. CLICK HERE FOR A SHIPPING QUOTE F.A.Q.s: Commonly Asked Questions

Charles LE ROY à Paris Montre à gousset en or jaune, émail et pierrerie à décor d'un portait de fe

Charles LE ROY à Paris Montre à gousset en or jaune, émail et pierrerie à décor d'un portait de femme de qualité dans un entourage d'une frise végétale en relief. Cadran émaillé à chiffres arabes et romains, aiguilles ajourées ornées de pierreries. Coq ajouré et platine signée "Chls le Roy Paris 6787" Haut. 50mm Poids : 33.2g Accidents et manques. XVIIIe siècle On y joint une clé de remontage en or jaune (2.5g)

FINE CARVED & GILT PLEIN AIR PAINTING FRAME

A finely carved and gilt painting frame. The frame has a plein air design and exhibits some art nouveau influence. Measures: 30 1/2" x W 24 1/2" Rabbet: 26 1/4" x 20"

CHARLES NICOISE PAINTING OF PARIS ON PORCELAIN

Charles Nicoise (Italian, Mid-20th Century) oil on porcelain tile painting depicting a European street scene. The frame is wood with a gilt inner liner. The frame is labeled with the artist's name. Measurements: Frame: 10 3/4'' Work: 5 1/2''

CHARLES OUDIN, PARIS BELLE ET ELEGANTE MONTRE DE DAME "AMAZONE CURVEX"

CHARLES OUDIN, PARIS BELLE ET ELEGANTE MONTRE DE DAME "AMAZONE CURVEX" En or gris, carrure de forme rectangulaire galbée, entièrement pavée de diamants et agrémentée de fleurs en rubis, saphirs navettes et tsavorites, verre saphir, cadran argenté guilloché, index chiffres arabes peints en noir. Mouvement à quartz, calibre basé Eta 976.001, 6 rubis. Bracelet satin avec boucle ardillon en or gris sertie de diamants. Vers 2008 Cadran, boîtier et mouvement signés. Réf : 203W-AMA-WGD. A very fine blue and pink sapphire-set and diamond-set rectangular curved quartz lady’s wristwatch by Charles Oudin. Paris. Circa 2008. RC : Numérotée CO/02/51263. Dim. 46 x 23 mm. Ep. 8 mm.

Charles Jourdan Paris Black Purse Made In France

Top Of Strap To Bottom. 18" Long. 11" By 7"

Charles Jourdan Actif Paris Bag & Small Bag

Marked: Charles Jourdan. Actif Paris. 11.5" X 13.5" Bag With 6" X 7" Pouch.

Charles Cerny Paris Painting On Canvas. Trompe L’oeil. Scientific Laboratory. 1954. Purchased from RoGallery NY

Charles Cerny Paris Painting On Canvas. Trompe L’oeil. Scientific Laboratory. 1954. Purchased from RoGallery NY. Dimensions: Image Size: H: 16 inches: W: 13 inches --- -- This painting is from the collection of over 80 works curated by Matthew Siegel. Matthew is an MIT educated nuclear engineer who traveled the world and resided in London, San Diego, Chicago, Connecticut and Philadelphia. Mr Siegel was drawn to paintings of industrial facilities, workmen, sports, movement and genre paintings depicting the building of our world. His philosophy was to choose an artist who had good form and a grasp of movement, over and above the size of the painting or previous sales value. Each painting will include a letter that it was part of his collection.

Charles Dumont Paris watch multiple dials

Large Charles Dumont wristwatch with clear stones around entire watch - wide band and 3 additional dials plus regular watch. Marked band that matches watch and may need cleaning . Watch head is about 1 1/2 inches across.

[PARIS]. NODIER (CHARLES).

Ensemble quatre ouvrages. Paris, au bureau de la publication, 1836. In-8, chagrin noir, fers dorés entrelacés sur les plats, dos lisse orné, tranches dorées Édition originale, illustrée de 46 vues hors texte et 8 vignettes dans le texte d'après Marville et Foussereau, auxquelles s'ajoutent 4 cartes repliées. Manque "La L Seine et ses bords" dans le titre. On joint deux ouvrages : NODIER (Charles) et Louis LURINE. Les Environs de Paris. Paysage, histoire, monuments, mœurs, chroniques et traditions. Paris, P. Boizard et G. Kugelmann, s.d. [1844]. In-4, demi-veau vert, dos lisse orné. Édition originale de ce « très beau livre documentaire sur les environs de Paris », écrit Carteret. L'illustration, en premier tirage, se compose de 28 figures hors texte et de nombreuses vignettes gravées sur bois d'après Baron, Célestin Nanteuil et d'autres. Quelques rousseurs. LURINE (Louis). Les Rues de Paris, Paris ancien et moderne. Origines, histoire, monuments, costumes, mœurs, chroniques et traditions. Paris, Kugelmann, 1844. 2 volumes in-8, demi-chagrin noir, dos ornés (Reliure de l'époque). Ouvrage illustré de 300 compositions en noir.

CHARLES JOURDAN PARIS WHITE LEATHER HANDBAG

CHARLES JOURDAN PARIS WHITE LEATHER HANDBAG

Charles Bigonet, 1877 Paris – 1931

ZOHRA, FEMME ARABE ACCROUPIE (AUCH: JEUNE FEMME NUE ASSISE À MÊME LE SOL), 1924 Höhe: 44 cm. Signatur auf der Sockeloberseite, daneben Gießermarke „CIRE PERDUE / SIOT“. Die hier vorliegende Bronzeplastik zeigt den Mädchenakt auf mitgegossenem hohem Plinthensockel, das linke Bein angezogen, der Kopf mit enganliegendem Tuch nach rechts gerichtet. Die Körperformen zeigen den Einfluss etwa von Aristide Maillol (1861-1944). Neben dieser Ausführung in Bronze ist auch eine in Ton oder Stein bekannt geworden. Die Mehrzahl der Plastiken des Künstlers thematisieren das Bild der Frau im Orient. So schuf er bereits 1908 seine „Femme Kabyle“, 1913 „Femme Ouled-Naíl“, „Berger algérien“ von 1915 oder 1926 eine „Mauresqeu au bain“. Diese orientalischen Sujets resultieren nicht zuletzt aus seinen Aufenthalten in Algerien, nachdem er 1912 den Abd-el-Tif-Preis erhielt, ein französischer Kunstpreis, der jährlich von 1907 bis 1961 verliehen wurde, um es nach dem Vorbild des Prix de Rome französischen Künstlern zu ermöglichen, in Rom zu bleiben, gestiftet von Léonce Bénédite, Kurator des Musée du Luxemburg und Charles Jonnart, Generalgouverneur von Französisch Algerien. Sein bildhauerisches Werk zeigt neben Steinfiguren, wie „Femme ouled naíl“ vor allem Bronzewerke, wie den stehenden Frauenakt „Une jeune femme nue“ von 1913. A. R. Literatur: Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker (AKL), Bd. 10: Berrettini-Bikkers, Berlin/Boston 1995. (1291012) (11) Charles Bigonet, 1877 Paris – 1931 ZOHRA, FEMME ARABE ACCROUPIE (OR: JEUNE FEMME NUE ASSISE À MÊME LE SOL), 1924Height: 44 cm. Signature on top of base with foundry mark “CIRE PERDUE / SIOT”. The majority of the artist's sculptures make a subject of the image of women in the Orient. In 1908 he created his “Femme Kabyle”, in 1913 “Femme Ouled-Naíl”, “Berger algérien” from 1915 and 1926 a “Mauresqeu au bain”. These oriental subjects result not least from his stays in Algeria, after he received the Abd-el-Tif prize in 1912, a French art prize that was awarded annually between 1907 and 1961. It was modelled on the Prix de Rome, a scholarship that enabled French artists to stay in Rome. The award was devised by Léonce Bénédite, curator of the Museum of Luxembourg and Charles Jonnart, governor-general of French Algeria. Literature: Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker (AKL), vol. 10: Berrettini-Bikkers, Berlin/Boston 1995.

RENÉ-HIS, CHARLES EDMOND: Am schattigen Flussufer.

RENÉ-HIS, CHARLES EDMOND (Colombes 1877 - 1960 Paris) : Am schattigen Flussufer; Öl auf Leinwand, doubliert; 59x80 cm; sig. u.r.

CHARLES JOURDAN PARIS WHITE LEATHER HANDBAG

CHARLES JOURDAN PARIS WHITE LEATHER HANDBAG

CHARLES JOURDAN PARIS LEATHER WEAVE HANDBAG

CHARLES JOURDAN PARIS LEATHER WEAVE HANDBAG

HENRI MATISSE (1869-1954) - Charles Vildrac, Cinquante dessins, Henri Matisse, Paris, 1920

HENRI MATISSE (1869-1954) Charles Vildrac, Cinquante dessins, Henri Matisse, Paris, 1920 Overall: 12 1/8 x 8 ½ x 1 in. (308 x 216 x 25 mm.)

Charles Consigny Coaching pour une prise de parole en public. Onzième Secrétaire à la Conférence des avocats au barreau de Paris,...

Charles Consigny Coaching pour une prise de parole en public. Onzième Secrétaire à la Conférence des avocats au barreau de Paris, chroniqueur de l'émission de radio Les Grandes Gueules chaque semaine sur RMC, Charles Consigny est écrivain. Il vient de créer son cabinet d'avocats : Consigny Monclin Bellour. ©Louis Decamps

CHARLES NICOISE PAINTING OF PARIS ON PORCELAIN

Charles Nicoise (Italian, Mid-20th Century) oil on porcelain tile painting depicting a European street scene. The frame is wood with a gilt inner liner. The frame is labeled with the artist's name. Measurements: Frame: 10 3/4'' Work: 5 1/2''

CHARLES NICOISE PAINTING OF PARIS ON PORCELAIN

Charles Nicoise (Italian, Mid-20th Century) oil on porcelain painting depicting a Parisian street scene. The frame is wood with a gilt inner liner. The work is unsigned but the frame is labeled with the artist's name. Measurements: 10 1/4'' frame, 5 1/2'' work

Charles Jourdan Paris made in France black patent …

Charles Jourdan Paris made in France black patent evening purse. Bag, 18 x 24 cm, good condition

Charles Jourdan Paris made in France vintage petit…

Charles Jourdan Paris made in France vintage petite leather and suede handbag, 18 x 24 cm

Lucien Charles Edouard Alliot (Paris 1877 - ebd. 1967). A Chryselephantine Figure 'Danseuse aux cymbales'.

Around 1920. Gilt bronze and carved ivory. Stepped and green speckled marble base, sign. to the front side 'L. ALLIOT' (incised and gilt). Repaired. H. 20,5 cm (figure), h. 12 cm (base). - French sculptor, grew up in a family of artists and was taught at the Paris Beaux Arts Academy by Louis Moureau, E. Barrias and M. Coutan. Style and themes of his works are versatile including classical genre scenes, religious items as well as Art Nouveau and Art déco themes. He first exhibited 1896 at the Salon des Artistes Français and was still present in them until 1951. Lit.: Saur, AKL, vol. 2, S. 539. RefMod11920 RefDec11920

Charles RUDHARDT à PARIS : PORTE-CANNE en faïence polychrome à décor dans le goût de la Renaissance

Charles RUDHARDT à PARIS : PORTE-CANNE en faïence polychrome à décor dans le goût de la Renaissance d’animaux fantastiques, couronnes, têtes de dauphins et mascarons dans des médaillons, signé (un trou d’écoulement d’eau naturel dans le fond). Epoque fin XIXème siècle. Haut. 34,5 cm. Vers 1878, la manufacture d'Huard de Longwy confie au céramiste Charles Rudhard le soin de diriger son atelier d'art .

LUCIEN CHARLES EDOUARD ALLIOT (PARIS 1877 - EBD. 1967). A CHRYSELEPHANTINE FIGURE 'DANSEUSE AUX CYMBALES'.

Around 1920. Gilt bronze and carved ivory. Stepped and green speckled marble base, sign. to the front side 'L. ALLIOT' (incised and gilt). Rest. to the left forefoot. H. 20,5 cm (figure), h. 12 cm (base). - French sculptor, grew up in a family of artists and was taught at the Paris Beaux Arts Academy by Louis Moureau, E. Barrias and M. Coutan. Style and themes of his works are versatile including classical genre scenes, religious items as well as Art Nouveau and Art déco themes. He first exhibited 1896 at the Salon des Artistes Français and was still present in them until 1951. Lit.: Saur, AKL, vol. 2, S. 539.

Art Nouveau gold plated vessel with two tints, nymph and vegetal motifs, ca 1900

Art Nouveau gold plated vessel with two tints, nymph and vegetal motifs, ca 1900

Set of Charles Harleux silver, consisting of a teapot, milk ladle and sugar basin, approx. 1900

Charles Hour, Paris, for Bigelow, Kennard, & Co., Boston, crystal regulator

Charles Hour, Paris, for Bigelow, Kennard, & Co., Boston, crystal regulator, 8 day, time and strike, spring driven pendule de Paris movement with Brocot escapement and compensating pendulum in an oval form glazed gilt brass case with cream colored enamel dial with arabic numerals and blued steel hands. 1900

7 Vols. Percier, Charles, et al. Restaurations des Monuments Antiques. Paris, 1877-1890.

(Architecture) 7 Vols. (L'Academie de France a Rome). (Percier, Lesueur, Labrouste, Dubut, Villain, Garnier, Paulin, et alii). Restaurations des Monuments Antiques par les architectes pensionnes de l'Academie de France a Rome depuis 1788 jusqu'a nos jours. Paris: Firmin-Didot, 1877-1890. Folios in contemporay half-calf and green cloth, 590 mm x 410 mm; wear to exteriors of all volumes in varying degrees of severity, all rather scuffed, chipped, and generally distressed, some with loss of back strips, etc. With altogether 81 numbered plates (i.e. 73 leaves of plates, some with two numbered plates per sheet), re-guarded at the time of an early re-backing. Series includes: [Volume One]: Percier, Charles. Colonne Trajane. Paris, 1877. With 13 numbered plates, as per index. * [Volume 2]: Lesueur, Jacques Philippe. Basilique Ulpienne. Paris, 1877. With 6 numbered plates, as per index. * [Volume 3]: Labrouste, Henri. Temples de Paestum. Paris, 1877. With 21 numbered plates, as per index. * [Volume 4]: Dubut, Louis-Ambrose and Coussin, J-A. Temple de la Pudicite... Temple de Veste. Paris, 1879. With 8 numbered plates, as per index. * [Volume 5]: Villain, Alexandre. Temple de Marc-Aurele (Temple de Neptune). Paris, 1881. With 7 numbered plates, as per index. * [Volume 6]: Garnier, Charles. Temple de Jupiter Panhellenien a Egine. Paris, 1884. With 13 numbered plates as per index, five of them chromolithographic. * [Volume 7]: Paulin, Edmond. Thermes de Diocletien. Paris, 1890. With 13 numbered plates as per index, one of them chromolithographic. Internally very bright and clean, though some sheet edges are brittle and some margins may be smudged. All ex-library, caveat emptor: this series, while to all appearances complete, houses plates which have been marked at margins with library perforations, some (but not all) of which may encroach upon or traverse the plate mark. (Percier's double-page plate VIII-IX in "Colonne Trajan" is an exception to this). There are perforations to the title pages of each volume, accession numbers ink-stamped at foot of half-titles, library bookplates on pastedowns, etc. Sold with all faults.

Charles Jourdan – Paris

Full leg wrap shoe ties on neat but fairly basic design shoes. Made in France, size 7, need a good clean but otherwise no defects.

Charles Lindbergh New York to Paris banner

circa 1927; brightly printed silk banner with Lindbergh's portrait and plane "The Spirit of St. Louis" and words "New York to Paris," with original lavender fringe, 17 x 18 1/2 in.

Charles Jourdan Paris Pumps

Made In Spain. Leather. Size 7 1/2.

Charles Jourdan Paris Bone Leather Pumps

Size 7 1 /2.

Charles Spenten, Paris etching

Charles Spenten, "Night on the Town", 20"h x 22,75"w (frame size), matted and framed under glass

Charles Oudin, Paris, miniature Caryatides style carriage clock, the silvered case with caryatid corners, masks and detailed foliate ornament, case top with handle, and beveled glass allowing observation of the oscillating balance, Roman numeral,

Charles Oudin, Paris, miniature Caryatides style carriage clock, the silvered case with caryatid corners, masks and detailed foliate ornament, case top with handle, and beveled glass allowing observation of the oscillating balance, Roman numeral, dead white silvered dial, blued steel hands, 8 day timepiece movement with lever platform, the case bottom signed "Cles. Oudin 52 Palais Royal Paris"

Charles Paris | 1911 - 1994 Blue Knight

Charles Paris | 1911 - 1994 Blue Knight Signed l/r: Charles Paris Oil on panel 12 by 16 inches

Paris, Charles S. (American, 1911-1994) Sight size of each 16 1/4 x 21 1/2 inches.

Paris, Charles S. (American, 1911-1994) Two hand colored lithographs Bucking Brahma and Bareback Bronco, signed Charley Paris (one lower right, one lower left). Sight size of each 16 1/4 x 21 1/2 inches.

Charles Aubry (Paris 1811-1877) Malven, ca. 1865,

Charles Aubry (Paris 1811-1877) Malven, ca. 1865, albumen, signed and numbered in the negative, 38 x 25,7 cm, on card mounted on, with frame, (EK) For more than 30 years, Charles Aubry designed patterns for fabrics, carpets, and wall coverings. In 1864 he founded a society that took plaster impressions and photographs of plants. In its first year, Aubry produced ca. 150 negatives of plants turning himself into a master of the botanical still life. In 1865, a bank heist forced him to close his studio and move to a town near Paris, where he continued his photographic work. On his return to Paris in 1872, his activity as a photographer became only occasional.

Lucien Charles Édouard Alliot París 1877 - Nanteuil- lès-Meaux 1967 "Cotillon" Pareja de esculturas en bronce dorado con peanas en m...

Lucien Charles Édouard Alliot Paris 1877 - Nanteuil-lès-Meaux 1967 ""Cotillon"" Pair of gilt-bronze sculptures with marble pedestalsSigned. Titles on a front plaque 15 cm high Lucien Charles Édouard Alliot París 1877 - Nanteuil- lès-Meaux 1967 "Cotillon" Pareja de esculturas en bronce dorado con peanas en mármol Firmadas. Tituladas en una placa frontal 15 cm alt

Charles Verbrugghe (Brugges 1877 - Paris 1974)

La Seine, Villeneuve St Georges - Signed l.l. - Titled on the reverse side - Oil on board, 27 x 41.3 cm

VERBRUGGHE, CHARLES (Bruges 1877 - 1974 Paris)

VERBRUGGHE, CHARLES (Bruges 1877 - 1974 Paris) River scene with fishing boats. La Marne-Créteil. Oil on masonite. Signed lower left: CH. Verbrugghe. Inscribed verso: Barques de Pêche. La Marne-Créteil. 24 x 35 cm. VERBRUGGHE, CHARLES (Brügge 1877 - 1974 Paris) Flussszene mit Fischerbooten. La Marne-Créteil. Öl auf Hartfaserplatte. Unten links signiert: CH. Verbrugghe. Rückseitig bezeichnet: Barques de Pêche. La Marne-Créteil. 24 x 35 cm. VERBRUGGHE, Charles. Barques de pêche. La Marne-Créteil. Signé en bas à gauche. 24x34.5 cm.

His, Rene Charles Edmond, 1877 Colombes-1960,

His, Rene Charles Edmond, 1877 Colombes-1960, Landschaftsmaler in Paris, Schüler von J. Lefebre, T.Robert-Fleury und L.Tanzi, seit 1897 im Salon der Soc. d.Arts franc. vertreten, hier: Bauern bei der Ernte, die Kinder pflücken Blumen, Öl/Lwd, re. u. sign., ca. 27x19cm, R.

Charles Paris (1877- 1968) Composition Feutre sur

Charles Paris (1877- 1968) Composition Feutre sur papier Signé en bas à droite 38 x 28 cm

[ Poster ]

Dupin, Leon 1898 - 1971:Soufre Gré (Wein): Druck: Charles, Paris: (A-) minimale Einrisse, schwache Bräunungen am linken Rand: : 1933: 80 x 60 cm