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Johann Jakob von Sandrart Sold at Auction Prices

Etcher, copperplate engraver

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    • J. SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching
      Aug. 17, 2024

      J. SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching

      Est: €150 - €200

      Johann Jakob von Sandrart (1655 Regensburg - 1698 Nuremberg) after Unknown (17th century): Templum Pietatis, 19th century, Etching Technique: Etching on Paper, mounted on Cardboard Inscription: Entitled "Templum Pietatis Virtutis et Honoris" in the cartouche at the top within the depiction, signed "Fürer inv. / J.J. de Sandrart del." at the bottom within the depiction and inscribed by a free hand on the support: "Johann Jakob von Sandrart, Zeichnet, Radierer, Kupferstecher, mehrere Folgen röm. Prospekte und Baulichkeiten nach eigenen Vorlagen, auch "Ovid" (Nagler, Le Blanc). ThB XXIX, 398". Trained by his father, Sandrart worked in Nuremberg from 1680 after travelling to Venice and Rome. His extensive artistic oeuvre spans the entire field of graphic art; he was significantly involved in Joachim the Elder's "Teutsche Academie" (Nuremberg 1675). Date: 19th century Keywords: 19th century, Figurative, Architecture, Germany, Size: Paper: 35,0 cm x 23,5 cm (13,8 x 9,3 in)

      Fichter Kunsthandel
    • Johann Jacob von Sandrart (1655 - 1698) Carolus Sebastianus Pfinzing
      Jun. 17, 2024

      Johann Jacob von Sandrart (1655 - 1698) Carolus Sebastianus Pfinzing

      Est: -

      Gravure, naar een werk van Johann Murrer - vlekken, scheurtjes, vouwen en enkele stukjes papier ontbreken. B/C 40.5 x 29 cm / niet ingelijst.

      Veilinghuis Onder de Boompjes
    • J. SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching
      Feb. 10, 2024

      J. SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching

      Est: €150 - €200

      Johann Jakob von Sandrart (1655 Regensburg - 1698 Nuremberg) after Unknown (17th century): Templum Pietatis, 19th century, Etching Technique: Etching on Paper, mounted on Cardboard Inscription: Titled "Templum Pietatis Virtutis et Honoris" in the cartouche at the top, signed "Fürer inv. / J.J. de Sandrart del." at the bottom of the image, and inscribed on the backing in a free hand: "Johann Jakob von Sandrart, Zeichnet, Radierer, Kupferstecher, mehrere Folge röm. Prospekte und Baulichen nach eigenen Vorlagen, auch "Ovid" (Nagler, Le Blanc). ThB XXIX, 398". Trained by his father, Sandrart worked in Nuremberg since 1680 after journeys to Venice and Rome. His extensive artistic œuvre spanned the entire field of graphic art; he was substantially involved in the "Teutsche Academie" (Nuremberg 1675) of Joachim the Elder. Date: 19th century Keywords: 19th century, Figurative, Architecture, Germany,

      Fichter Kunsthandel
    • J. SANDRART (*1655) after SANDRART (*1606), Italian Renaissance artist, around 1683, Etching
      Dec. 30, 2023

      J. SANDRART (*1655) after SANDRART (*1606), Italian Renaissance artist, around 1683, Etching

      Est: €300 - €400

      Johann Jakob von Sandrart (1655 Regensburg - 1698 Nuremberg) after Joachim von Sandrart sen. (1606 - 1688 ): 6 Portraits of Italian Renaissance Artists, c. 1683, Etching Technique: Etching on Paper Inscription: Signed at lower left and right in the printing plate. The print is from the 'Academia Nobilissimae Artis Pictoriae', 1683. Date: c. 1683 Description: Portraits of Salviati, Baccio, Taddeo Zuchero, Michelangelo, Marcantonio of Bologne, Primaticcio. Each artist is portrayed in front of a blank background. Each inscribed above with Latin name. Engraving from Teutsche Academie, a comprehensive encyclopaedia of art by Joachim von Sandrart, published in 1675 and illustrated with engravings in 1683. Keywords: 17th century, Renaissance, Portraits, Italy,

      Fichter Kunsthandel
    • Sandrart (Johann Jacob von, 1655-1698). The fire in the Borgo 1682, after Raphael
      Dec. 13, 2023

      Sandrart (Johann Jacob von, 1655-1698). The fire in the Borgo 1682, after Raphael

      Est: £300 - £500

      Sandrart (Johann Jacob von, 1655-1698). The fire in the Borgo 1682, after Raphael * Sandrart (Johann Jacob von, 1655-1698). The fire in the Borgo 1682, after Raphael, monochrome engraving, the image was originally designed by Raphael for the fresco by the same name completed in 1514, plate number upper right, sheet size 41.5 x 32.5 cm, repair and a hole upper left, laid on card with gilt mount, unframed, together with Bettelini (Pietro, 1763-1829), Sibylla Persica and Sibylla Cumaea 1797, after Francisci Barbieri, a pair of monochrome engravings, sheet size, 71 x 50 cm, some spotting, unframed, a set of twelve engravings after Londinio (Francesco, 1723-1783), bucolic / pastoral scenes showing shepherds and flock, damp stains, sheet size 45.5 x 57 cm, unframed, plus a set of four monochrome prints by Benedikt Piringer, after Claude Lorrain, Le Matin, Le Midi, Le Soir, La Nuit, damp stains and relined, sheet size, 53 x 68 cm, oak frames, glazed, frame size 64 x 78 cm QTY: (19) NOTE: Provenance: From the library of Alan Clutton-Brock (1904-1976), thence by descent.

      Dominic Winter Auctions
    • J. SANDRART (*1655) after SANDRART (*1606), Italian Renaissance artist, around 1683, Etching
      Nov. 11, 2023

      J. SANDRART (*1655) after SANDRART (*1606), Italian Renaissance artist, around 1683, Etching

      Est: €300 - €400

      Johann Jakob von Sandrart (1655 Regensburg - 1698 Nuremberg) after Joachim von Sandrart sen. (1606 - 1688 ): 6 Portraits of Italian Renaissance Artists, c. 1683, Etching Technique: Etching on Paper Inscription: Signed at lower left and right in the printing plate. The print is from the 'Academia Nobilissimae Artis Pictoriae', 1683. Date: c. 1683 Description: Portraits of Salviati, Baccio, Taddeo Zuchero, Michelangelo, Marcantonio of Bologne, Primaticcio. Each artist is portrayed in front of a blank background. Each inscribed above with Latin name. Engraving from Teutsche Academie, a comprehensive encyclopaedia of art by Joachim von Sandrart, published in 1675 and illustrated with engravings in 1683. Keywords: 17th century, Renaissance, Portraits, Italy,

      Fichter Kunsthandel
    • J. SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching
      Oct. 14, 2023

      J. SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching

      Est: €150 - €200

      Johann Jakob von Sandrart (1655 Regensburg - 1698 Nuremberg) after Unknown (17th century): Templum Pietatis, 19th century, Etching Technique: Etching on Paper, mounted on Cardboard Inscription: Titled "Templum Pietatis Virtutis et Honoris" in the cartouche at the top, signed "Fürer inv. / J.J. de Sandrart del." at the bottom of the image, and inscribed on the backing in a free hand: "Johann Jakob von Sandrart, Zeichnet, Radierer, Kupferstecher, mehrere Folge röm. Prospekte und Baulichen nach eigenen Vorlagen, auch "Ovid" (Nagler, Le Blanc). ThB XXIX, 398". Trained by his father, Sandrart worked in Nuremberg since 1680 after journeys to Venice and Rome. His extensive artistic œuvre spanned the entire field of graphic art; he was substantially involved in the "Teutsche Academie" (Nuremberg 1675) of Joachim the Elder. Date: 19th century Keywords: 19th century, Figurative, Architecture, Germany,

      Fichter Kunsthandel
    • J. SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching
      May. 06, 2023

      J. SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching

      Est: €300 - €400

      Johann Jakob von Sandrart (1655 Regensburg - 1698 Nuremberg) after Unknown (17th century): Templum Pietatis, 19th century, Etching Technique: Etching on Paper, mounted on Cardboard Inscription: Titled "Templum Pietatis Virtutis et Honoris" in the cartouche at the top, signed "Fürer inv. / J.J. de Sandrart del." at the bottom of the image, and inscribed on the backing in a free hand: "Johann Jakob von Sandrart, Zeichnet, Radierer, Kupferstecher, mehrere Folge röm. Prospekte und Baulichen nach eigenen Vorlagen, auch "Ovid" (Nagler, Le Blanc). ThB XXIX, 398". Trained by his father, Sandrart worked in Nuremberg since 1680 after journeys to Venice and Rome. His extensive artistic œuvre spanned the entire field of graphic art; he was substantially involved in the "Teutsche Academie" (Nuremberg 1675) of Joachim the Elder. Date: 19th century Keywords: 19th century, Figurative, Architecture, Germany,

      Fichter Kunsthandel
    • J.SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching
      Aug. 07, 2022

      J.SANDRART (*1655) after Unknown (17th), Templum Pietatis, Etching

      Est: €300 - €400

      Johann Jakob von Sandrart (1655 Regensburg - 1698 Nuremberg) after Unknown (17th century): Templum Pietatis, 19th century, Etching Technique: Etching on Paper, mounted on Cardboard Inscription: Titled "Templum Pietatis Virtutis et Honoris" in the cartouche at the top, signed "Fürer inv. / J.J. de Sandrart del." at the bottom of the image, and inscribed on the backing in a free hand: "Johann Jakob von Sandrart, Zeichnet, Radierer, Kupferstecher, mehrere Folge röm. Prospekte und Baulichen nach eigenen Vorlagen, auch "Ovid" (Nagler, Le Blanc). ThB XXIX, 398". Trained by his father, Sandrart worked in Nuremberg since 1680 after journeys to Venice and Rome. His extensive artistic œuvre spanned the entire field of graphic art; he was substantially involved in the "Teutsche Academie" (Nuremberg 1675) of Joachim the Elder. Date: 19th century Keywords: 19th century, Figurative, Architecture, Germany,

      Fichter Kunsthandel
    • SANDRART, JOHANN JAKOB VON
      Sep. 22, 2017

      SANDRART, JOHANN JAKOB VON

      Est: CHF400 - CHF600

      SANDRART, JOHANN JAKOB VON (Regensburg 1655 - 1698 Nuremberg) Portrait of Joachim von Sandrart the Younger, accompanied by allegories. Circa 1691. Copperplate engraving. Engraved signature below the image: Joh. Jacob de Sandrart invent et fecit. 31 x 19,.5 cm (sheet size: 42 x 28 cm). Hollstein 110 II. - Splendid, deep-black impressionof the finished state with the name of the artist. With broad margin around the platemark. Mounted at points on old backing sheet and there with old numbering: 2279. Occasional stains. In very good condition. - Rare. Provenance: - Conrad Baumann v. Tischendorf collection, (2nd half of the 19th century). - Private collection, Switzerland. --------------- SANDRART, JOHANN JAKOB VON (Regensburg 1655 - 1698 Nürnberg) Bildnis Joachim von Sandrart d.J. begleitet von Allegorien. Um 1691. Kupferstich. Unterhalb der Darstellung gestochen signiert: Joh. Jacob de Sandrart invent et fecit. 31 x 19,5 cm (Blattgrösse: 42 x 28 cm). Hollstein 110 II. - Prachtvoller, tiefschwarzer Druck vom vollendeten Zustand mit dem Namen des Künstlers. Mit breitem Rand um die Plattenkante. Punktuell auf alten Unterlagenbogen fixiert und dort alt nummeriert: 2279. Einzelne Fleckchen. In sehr guter Erhaltung. - Selten. Provenienz: - Sammlung Conrad Baumann v. Tischendorf, (2. H. 19. Jh). - Privatbesitz Schweiz.

      Koller Auctions
    • Sandrart, J.J. von (1655-1698). Fortitude. Engraving after W. SCHUPERT VON EHRENBERG, from the serie
      May. 27, 2016

      Sandrart, J.J. von (1655-1698). Fortitude. Engraving after W. SCHUPERT VON EHRENBERG, from the serie

      Est: €150 - €250

      Sandrart, J.J. von (1655-1698). Fortitude. Engraving after W. SCHUPERT VON EHRENBERG, from the series of 12 Allegories concerning the House of Habsburg, 10,2x9 cm., engr. "Wilhelm Schupert von Ehrenberg del.", "F" and "I.I. von Sandrart fecit Norimb" below the image. = Hollstein 98, 2nd state (of 2).

      Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
    • JOHANN JACOB VON SANDRART Regensburg 1655 - 1698
      Nov. 05, 2011

      JOHANN JACOB VON SANDRART Regensburg 1655 - 1698

      Est: -

      JOHANN JACOB VON SANDRART Regensburg 1655 - 1698 Nürnberg Die Zerstörung der griechischen Kultur und deren Wiederauferstehung in Rom. Kupferstich nach Joachim von Sandrart aus "Iconologia Deorum" um 1680. New Hollst. 316. - Mit den Namenszügen der Künstler in der Platte. 31,5 x 21 cm. Mit schmalem Rändchen um die Einfassungslinie bzw. Text sowie mit winzigen Beschädigungen aufgezogen. Schwach fleckig. Beiliegt: Johann Sigismund Haller von Hallerstein. Kupferstich, vermutlich von Jacob von Sandrart nach D. Preissler um 1670. Mit den Namenszügen der Künstler, lat. Titel, Text und Bezeichnungen in der Platte. 26,5 x 18,2 cm (Blatt). Meist bis zur Darstellung beschnitten und am linken Rand aufgezogen. Sammlung Fürst zu Liechtenstein, Wien mit der gestempelten Nummer "400" (nicht bei Lugt). [bg] geschätzter Preis: 450,00 EUR

      Winterberg-Kunst
    • Sandrart, Johann Jakob von (Regensburg 1655 - 1698
      Mar. 14, 2008

      Sandrart, Johann Jakob von (Regensburg 1655 - 1698

      Est: -

      Sandrart, Johann Jakob von (Regensburg 1655 - 1698 Nürnberg). Mariae Himmelfahrt. Kupferstich im Rund nach dem Deckengemälde von Giovanni Lanfranco (Parma 1582 - 1647 Rom) in der Kirche S. Agostino in Rom. Plattengröße ca. 48,5

      Venator & Hanstein
    • Johann Jakob von Sandrart (Regensburg 1655-1698 Nuremberg)
      Jul. 06, 2004

      Johann Jakob von Sandrart (Regensburg 1655-1698 Nuremberg)

      Est: £1,000 - £1,500

      An allegory of the river Rhine surrounded by putti, a siren holding a coat-of-arms inscribed 'Ausführle Beschre Des Ganzen RHEIN-STROM' (in reverse) pen and grey ink, grey wash heightened with white, pen and grey ink framing lines, the outlines incised 4 7/8 x 5 in. (124 x 143 mm.)

      Christie's
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