Hans (1894) Spiegel Sold at Auction Prices

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  • Spiegel, Hans
    Sep. 25, 2024

    Spiegel, Hans

    Est: €1,000 - €2,000

    Spiegel, Hans Münnerstadt, 1893 - Überlingen, 1966 71 x 54 cm, R. Street, c. 1920. Oil on cardboard. Monogrammed. Collection Fischer, Stuttgart. Collection Bunte. Exhibition: "Hermann Stenner - Erst ordentlich zeichnen lernen", Kunstforum Hermann Stenner, Bielefeld 2019/2020. Spiegel, Hans Münnerstadt, 1893 - Überlingen, 1966 71 x 54 cm, R. Straße, um 1920. Öl auf Karton. In Öl unten links monogrammiert. Sammlung, Fischer, Stuttgart. Sammlung Bunte. Ausstellung: "Hermann Stenner - Erst ordentlich zeichnen lernen", Kunstforum Hermann Stenner, Bielefeld 2019/2020.

    Nagel Auction
  • HANS SPIEGEL (Münnerstadt 1894 - 1966 Stuttgart)
    May. 19, 2022

    HANS SPIEGEL (Münnerstadt 1894 - 1966 Stuttgart)

    Est: €12,000 - €18,000

    HANS SPIEGEL* (Münnerstadt 1894 - 1966 Stuttgart) In the Champagne Bar, around 1923 oil/canvas, 75 x 64 cm monogrammed H.S. exhibited at Castle Halbthurn "Bei Geniessern zu Gast", Burgenland 2021 and depicted in Expressiver Realismus in Deutschland, Vienna 2017, p 4, N. 2 Provenance: Griesebach auctions Berlin, Fine Arts Widder ESTIMATE °€ 12.000 - 18.000 German artist of the 20th century. Studied at the Munich Academy with Gabriel von Hackl and Angelo Jank, and from 1918 with Christian Landenberger in Stuttgart. In 1919, together with his fellow students Oskar Schlemmer, Willi Baumeister and Albert Mueller, founded the Üecht Group. In 1919 he exhibited in Stuttgart, 1920 participation in the exhibition of the Novembergruppe in Berlin. Jury member of the Stuttgart Secession, 1925 professor and 1932 to 1943 director at the Stuttgart Academy. 1929 Founded Group 29 together with Adolf Walschmidt, Gottfried Graf and Albert Mueller. Strong influence of Cubism, round organic, also human forms in interplay with geometric forms. The mysterious, almost androgynous figure in the champagne bar reveals a subtle color chord of red and blue tones and a charming play with the angular shapes of the fan and the round shapes of the glasses, each of which is repeated in the soft, round clothing of the lady and the radiant background. Spiegel studied at the Munich Academy with Gabriel von Hackl and Angelo Jank. After 1918 he continued his artistic training with Christian Landenberger in Stuttgart. Among his fellow students were Oskar Schlemmer, Willi Baumeister and Albert Mueller. The Stuttgart "Üecht Group" emerged from their intensive exchange in 1919. In 1919 he took part in the exhibition of the German Association of Artists in Stuttgart, and in 1920 he took part in the show of the Berlin "November Group" in Rome. As a representative of the Stuttgart local group, he exhibited in 1921, 1922 and 1923 at the Great Berlin Art Exhibition. From 1924 to 1928 Spiegel was a jury member of the "Stuttgart Secession". In 1925 he received a professorship at the Stuttgart Academy, of which he was director from 1932 to 1943. In 1929 the artist received the Württemberg State Prize and in the same year he founded the "Group 29" Stuttgart together with Adolf Walschmidt, Gottfried Graf and Albert Mueller. Spiegel's early work was almost completely destroyed by air raids during World War II. Hans Spiegel studied at the Munich Art Academy with the animal painter Angelo Jank and the Piloty student Gabriel von Hackl, with whom painters as diverse as Albin Egger-Lienz, Max Slevogt, Wilhelm Thöny and Franz Marc also received their artistic training. In 1918 Spiegel moved to the Stuttgart Art Academy to work with Christian Landenberger, whose artistic intentions must have appealed to Spiegel much more, as the painting in the champagne bar from around 1923 suggests. Like Landenberger, Spiegel primarily relies on a realistically painted genre motif that we know only too well from the motif repertoire of the 1920s. The woman and seductress having fun alone in a bar or some other establishment on the fringes of the bourgeois. In Spiegel's painting she is represented by a woman dressed in bright red against a blue background. She partially hides her face behind a fan, but her eyes are turned curiously to the viewer. She wears the striking short haircut typical of the so-called Golden Twenties, with which US actress Colleen Moore achieved her breakthrough in the 1923 film "Flaming Youth". Josephine Baker, on the other hand, popularized the lard curls that were styled into the face and glued to the head in a glossy finish. Like Landenberger, Spiegel does not build his picture on parts of reality, but exclusively on the colourfulness. Like his teacher, Spiegel remained within the framework of what characterized 19th-century painting, despite cubist tendencies towards abstraction. Incidentally, for this portrait, Spiegel uses a portrait head painted in 1918, which reveals the confrontation with Cézanne and Cubism even more vividly. Again and again one discovers areas of color in his composition, which at first seems so realistic, which have little to do with what is depicted and only serve the color effect and thus also emphasize its "modernity". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. The mandatory sales tax of 13% is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • HANS SPIEGEL (Münnerstadt 1894 - 1966 Stuttgart)
    May. 19, 2022

    HANS SPIEGEL (Münnerstadt 1894 - 1966 Stuttgart)

    Est: €10,000 - €15,000

    HANS SPIEGEL* (Münnerstadt 1894 - 1966 Stuttgart) Still Life with Masks oil/wood, 92 x 122 cm monogrammed H.S. depicted in Expressiver Realismus in Deutschland, Vienna 2017, p. 5, N. 5 Provenance: Nagel auctions Stuttgart, private property Austria ESTIMATE € 10.000 - 15.000 German artist of the 20th century. Studied at the Munich Academy with Gabriel von Hackl and Angelo Jank, and from 1918 with Christian Landenberger in Stuttgart. In 1919, together with his fellow students Oskar Schlemmer, Willi Baumeister and Albert Mueller, founded the Üecht Group. In 1919 he exhibited in Stuttgart, 1920 participation in the exhibition of the Novembergruppe in Berlin. Jury member of the Stuttgart Secession, 1925 professor and 1932 to 1943 director at the Stuttgart Academy. 1929 Founds Group 29 together with Adolf Walschmidt, Gottfried Graf and Albert Mueller. Strong influence of Cubism, round organic, also human forms in interplay with geometric forms. Early works such as the still life with masks, potted plant, pears, books and a jug are only a few survived. Spiegel studied at the Munich Academy with Gabriel von Hackl and Angelo Jank. After 1918 he continued his artistic training with Christian Landenberger in Stuttgart. Among his fellow students were Oskar Schlemmer, Willi Baumeister and Albert Mueller. The Stuttgart "Üecht Group" emerged from their intensive exchange in 1919. In 1919 he took part in the exhibition of the German Association of Artists in Stuttgart, and in 1920 he took part in the show of the Berlin "November Group" in Rome. As a representative of the Stuttgart local group, he exhibited in 1921, 1922 and 1923 at the Great Berlin Art Exhibition. From 1924 to 1928 Spiegel was a jury member of the "Stuttgart Secession". In 1925 he received a professorship at the Stuttgart Academy, of which he was director from 1932 to 1943. In 1929 the artist received the Württemberg State Prize and in the same year he founded the "Group 29" Stuttgart together with Adolf Walschmidt, Gottfried Graf and Albert Mueller. Spiegel's early work was almost completely destroyed by air raids during World War II. Hans Spiegel's "Still life with masks", fueled by expressionism, points to a special direction of modernity. It is one of the allegorically exaggerated mask still lifes that we know from artists as diverse as James Ensor, Emil Nolde, Karl Hofer, Anton Kolig or Sergius Pauser and means more than the usual realistic studio study with the arrangement mostly made of flowers and fruits. The piled up clownesque masks with long noses, together with the fruit plate placed at a steep angle on the table, the red jug, goblet, flower stick and books, form the props, so to speak, for a theatrical performance situated on the border between reality and hallucination. It's about the game of hide-and-seek behind the masks, about the possibilities of stepping out of normal life for a while and trying to be someone else. The curtain on the left edge of the picture underlines this theatrical dimension. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. The mandatory sales tax of 13% is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Spiegel, Hans Münnerstadt, 1893 - Stuttgart, 1966
    Jun. 26, 2013

    Spiegel, Hans Münnerstadt, 1893 - Stuttgart, 1966

    Est: - €2,800

    Spiegel, Hans Münnerstadt, 1893 - Stuttgart, 1966 38 x 30 cm,R.

    Nagel Auction
  • Spiegel, Hans: Abstrakte Komposition
    May. 28, 2011

    Spiegel, Hans: Abstrakte Komposition

    Est: €1,600 - €1,800

    Abstrakte Komposition. Collage und Mischtechnik auf Velin. 39 x 19,5 cm. Oben links mit Bleistift signiert und datiert. (19)22. Hans Spiegel studierte zunächst an der Münchener Akademie bei Gabriel von Hackl und Angelo Jank, bis er 1918 an die Stuttgarter Akademie zu Christian Landenberger wechselte. Aus dem intensiven inhaltlichen Austausch der Studenten firmierten Oskar Schlemmer, Willi Baumeister, Albert Mueller und Hans Spiegel 1919 die sogenannte Uecht-Gruppe. In den folgenden Jahren bis zu seiner Ernennung zum Professor an der Stuttgarter Akademie 1925 nahm er an zahlreichen Ausstellungen teil, unter anderem im Rahmen der Stuttgarter Sezession oder der Berliner Novembergruppe. 1929 gründete er zusammen mit Adolf Waldschmidt, Gottfried Graf und Albert Mueller die Stuttgarter "Gruppe 29". Ab 1932 war Hans Spiegel schließlich Direktor der Stuttgarter Akademie. Ähnlich seinen Zeitgenossen schließt er formale Elemente des Kubismus in seine Werke ein, wie in dieser frühen Arbeit besonders deutlich wird. Aus einem Wechselspiel von runden, organischen Formen und geometrischen Flächen artikulieren sich drei menschliche Figuren. Der komplementäre Kontrast von nuancenreichen warmen Rot- und Orangetönen vor dem schwarz-blauen Hintergrund verleiht den Körpern Lebendigkeit. Arbeiten dieser Zeit sind von größter Seltenheit, da durch die massiven Bombenangriffe nahezu das gesamte Frühwerk des Künstlers zersört wurde. Provenienz: Privatsammlung München

    Galerie Bassenge
  • Hans Spiegel Münnerstadt 1894 - 1966 Stuttgart
    May. 31, 2008

    Hans Spiegel Münnerstadt 1894 - 1966 Stuttgart

    Est: €4,000 - €6,000

    Hans Spiegel Münnerstadt 1894 - 1966 Stuttgart FRAU MIT FÄCHER Around 1923. Oil on canvas. 29 1/2 x 25 1/4 in..

    Grisebach
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