Nicolaes van Veerendael Paintings & Artwork for Sale | Nicolaes van Veerendael Art Value Price Guide

Nov. 15, 2024
Nicolaes van Veerendael (Nachfolge) (1640 - Antwerpen - 1691) – Blumengirlande (Flower garland)
Est: €5,000 - €6,000
Oil on canvas, relined. (2nd half of the 17th century). 46.5 x 62.5 cm. Framed.
Karl & Faber
Sep. 20, 2024
NICOLAES VAN VERENDAEL
Est: CHF70,000 - CHF100,000
NICOLAES VAN VERENDAEL (1640 Antwerp 1691) Bouquet of flowers in a glass vase with butterfly, caterpillar and snail. Oil on copper. 41.5 × 31.5 cm. Provenance: - With Leggatt Brothers, London. - European private collection. This outstanding painting by Nicolaes van Verendael is of an exceptional and brilliant quality. It shows a sumptuous bouquet of colourful flowers in a stone alcove. The detailed depiction of the different flower species allows them to be identified. A carnation, some pink roses, a peony and several blue bindweed plants, probably painted using precious lapis lazuli, are clearly recognisable. All were highly prized flower species that were collected and traded in Flanders and the Netherlands at the time. The small format of the artwork allows the art enthusiast to hold it in their hands and look closely at the finely painted detail, such as the structure of the petals or the butterfly wings. Many of the plants are depicted in various stages of flowering, from the buds bursting open, to flowers in full bloom, to wilted petals, creating a link between the different stages of life and death, a common theme in 17th century Dutch still life painting. The transparent vase, which allows a view of the flower stems, demonstrates Van Verendael's virtuoso hand, with this masterly rendering of the materiality of the glass. He has even incorporated the reflection of a window, which is located in the same room as the niche, as if the artist had a real bouquet of flowers before him that he is contemplating in his studio. However, this painting depicts flowers that do not bloom at the same time of year, thus confirming this to be an artistic composition with a lifelike depiction of elements from nature, which the Flemish painter has ennobled through his art. Nicolaes van Verendael was born in 1640 and is listed in the Guild of St Luke in Antwerp in the years 1656–57. He established his career in his native city of Antwerp, which was an important artistic centre for still life painters. The regular mention of paintings by Van Verendael in the Antwerp inventories testifies to his popularity during his lifetime. Dr Fred G. Meijer, who has confirmed the authenticity of this painting and whom we thank for his expertise, dates it to the first half of the 1670s. ------------------------------------------------- NICOLAES VAN VERENDAEL (1640 Antwerpen 1691) Blumenstrauss in einer Glasvase mit Schmetterling, Raupe und Schnecke. Öl auf Kupfer. 41,5 × 31,5 cm. Provenienz: - Kunsthandel, Leggatt Brothers, London. - Europäische Privatsammlung. Dieses herausragende Gemälde von Nicolaes van Verendael ist von aussergewöhnlicher und brillanter Qualität. Es zeigt einen üppigen Strauss bunter Blumen in einer Steinnische. Die detaillierte Wiedergabe der Blumenarten ermöglicht ihre Identifizierung. So lassen sich eine Nelke, einige rosa Rosen, eine Pfingstrose und mehrere blaue Windengewächse, die wahrscheinlich mit dem kostbaren Lapislazuli gemalt sind, erkennen. Alle diese Arten waren kostbare Blumen, die zu jener Zeit in Flandern und den Niederlanden gesammelt und gehandelt wurden. Das kleine Format des Kunstwerkes ermöglicht es Kunstliebhabern, dieses in den Händen zu halten und die fein gemalten Details, wie z. B. die Struktur der Blumenblätter oder die Schmetterlingsflügel genau zu betrachten. Viele Pflanzenarten sind in verschiedenen Stadien ihrer Blüte dargestellt, vom Aufbrechen der Knospen bis hin zu den verwelkten Blütenblättern und stellen so eine Verbindung zwischen den verschiedenen Lebensphasen bis zum Tod her, ein gängiges Thema in der niederländischen Stillebenmalerei des 17. Jahrhunderts. Die transparente Vase, die den Blick auf die Blumenstängel freigibt, zeigt die virtuose Hand von Verendael, der die Materialität des Glases meisterhaft wiedergibt. Er hat sogar die Spiegelung des Fensters aufgegriffen, das sich im selben Raum wie die Nische befindet, als ob der Künstler einen echten Blumenstrauss vor Augen hat, den er in seinem Atelier studiert. Dieses Gemälde stellt jedoch Blumen dar, die nicht zu denselben Jahreszeiten blühen und bestätigt damit die künstlerische Komposition der naturgetreu dargestellten Natur, die der flämische Maler durch seine Kunst veredeln konnte. Nicolaes van Verendael wurde 1640 geboren und ist in den Jahren 1656–57 in der St. Lukas-Gilde in Antwerpen verzeichnet. Er begründete seine Karriere in seiner Geburtsstadt Antwerpen, die ein wichtiges künstlerisches Zentrum für Stilllebenmaler war. Die regelmässige Erwähnung von Gemälden seiner Hand in den Antwerpener Inventaren zeugt von seiner Popularität zu seinen Lebzeiten. Dr. Fred G. Meijer bestätigt die Eigenhändigkeit anhand einer Fotografie, wofür ihm danken. Er bezeichnet die Arbeit als ein exzellentes Beispiel von Nicolaes van Verendael und datiert es in die erste Hälfte der 1670er-Jahre.
Koller Auctions
Sep. 20, 2024
NICOLAES VAN VERENDAEL
Est: CHF8,000 - CHF12,000
NICOLAES VAN VERENDAEL (1640 Antwerp 1691) Still life of flowers, with roses, anemones and a parrot tulip in a vase on a stone plinth. Oil on canvas. 34.5 × 27.5 cm. Provenance: - Probably sale Galliera, Paris, 9.12.1960. - Probably sale Fischer, Lucerne, 4.11.1980, Lot 2991. - With P. de Boer, Amsterdam, 1984. - European private collection. - Sale Koller, Zurich, 24.3.1995, Lot 16. - Private collection, Switzerland. Our thanks to Dr Fred G. Meijer who has confirmed the authenticity of this work on the basis of a photograph. ------------------------------------------------- NICOLAES VAN VERENDAEL (1640 Antwerpen 1691) Blumenstillleben mit Rosen, Anemonen und einer Papageientulpe in einer Vase auf einer Steinplinthe. Öl auf Leinwand. 34,5 × 27,5 cm. Provenienz: - Wohl Auktion Galliera, Paris, 9.12.1960. - Wohl Auktion Fischer, Luzern, 4.11.1980, Los 2991. - Kunsthandel P. de Boer, Amsterdam, 1984. - Europäische Privatsammlung. - Auktion Koller, Zürich, 24.3.1995, Los 16. - Schweizer Privatbesitz. Dr. Fred G. Meijer bestätigt die Eigenhändigkeit anhand einer Fotografie, wofür wir ihm danken.
Koller Auctions
Apr. 24, 2024
Nicolaes van Veerendael
Est: €20,000 - €30,000
(Antwerp 1640–1691) A red and white tulip, roses, carnations, bindweeds, blackberries, an azalea, and other flowers in a glass vase together with butterflies and other insects, on a stone ledge, oil on canvas, 45 x 36.5 cm, framed We are grateful to Fred Meijer for confirming the attribution of the present painting on the basis of a photograph. He dates the work in the first half of the 1670s. The present work is a refined example of the highly popular floral still life that flourished in the seventeenth century Low Countries and remained popular in both the Dutch Republic and the Spanish Netherlands. On a stone ledge a small round vase is placed against a dark background. Amongst the colourful array of flowers, two pink roses and a red and white tulip stand out. At the time of the painting’s execution, the extraordinary high prices for the tulip bulbs, creating the first speculative bubble, better known as the ‘tulip mania’ had long passed. However, the flower remained highly sought after. Amidst the floral splendour, we see various insects flying or crawling amongst the flowers, referring to the lurking possible decay of the bouquet. There are no records of the Antwerp artist Nicolaes van Veerendael sojourning abroad or working in different European cities other than his birthplace. Trained by his father, Willem van Veerendael, Nicolaes joined the Guild of St Luke in 1657. Mostly known and appreciated for his flower still lifes, the artist painted allegorical scenes with monkeys in the style of Jan Brueghel I and David Teniers II as well. In his early career, Veerendael’s flower arrangements are smaller in size and represent elegantl flower bouquets in vases. Collaborating with artists such as Erasmus Quellinus and Jan Davidsz. De Heem, the latter in particular was especially influential in Veerendael’s later works. From 1670 onwards, insects and elements of vanities are included in the artist’s compositions, reminiscent of the works of De Heem. The present painting is a fine example of this development.
Dorotheum
Mar. 20, 2024
Nicolaes van VEERENDAEL Anvers, 1640 - 1691 L'atelier du singe coiffeur Huile sur panneau
Est: €15,000 - €20,000
Nicolaes van VEERENDAEL Anvers, 1640 - 1691 L'atelier du singe coiffeur Huile sur panneau Signé 'N. V. Veerendael' dans le bas Sans cadre The workshop of the hairdresser monkey, oil on panel, signed, by N. van Veerendael h: 30 w: 22,50 cm Provenance : Acquis par Arthur Martin à Bruxelles en 1926 ; Puis par descendance ; Collection particulière, Belgique Bibliographie : Pierre Bautier, "Les tableaux des singeries attribués à Teniers", in 'Extrait des Annales de la Société Royale d'Archéologie de Bruxelles', tome 32, Wetteren, 1926, p. 8 Estimation 15 000 - 20 000 €
Artcurial
Mar. 20, 2024
Nicolaes van VEERENDAEL Anvers, 1640 - 1691 L'atelier du singe peintre Huile sur panneau
Est: €15,000 - €20,000
Nicolaes van VEERENDAEL Anvers, 1640 - 1691 L'atelier du singe peintre Huile sur panneau Signé et daté 'N. V. Veerendael 169(...)' dans le bas au centre (Usures) Sans cadre The workshop of the painter monkey, oil on panel, signed and dated, by N. van Veerendael h: 22,50 w: 29,50 cm Provenance : Acquis par Arthur Martin à Bruxelles en 1926 ; Puis par descendance ; Collection particulière, Belgique Bibliographie : Pierre Bautier, "Les tableaux des singeries attribués à Teniers", in 'Extrait des Annales de la Société Royale d'Archéologie de Bruxelles', tome 32, Wetteren, 1926, p. 8 Commentaire : Au sein de la peinture de genre flamande du XVIIe siècle, les singes sont parfois substitués aux personnages pour symboliser la bêtise et les mœurs débridés des humains. Les intérieurs aux singes buveurs, fumeurs ou joueurs de cartes, peintres, sculpteurs ou ici barbiers se multiplièrent dans la production d'artistes tels que Jan Brueghel le Jeune, Ferdinand van Kessel, David et Abraham Teniers et de manière plus inédite ici avec le peintre de fleurs Nicolas van Veerendael. On connaît de Nicolaes van Veerendael deux autres tableaux de singerie, l'un conservé aux musées des Beaux-Arts de Bruxelles (Joyeuse compagnie, n° d'inv. 4615) et l'autre au staatliche kunstsammlungen de Dresde (Banquet de singes daté 1686, Gal.- Nr. 1229). Estimation 15 000 - 20 000 €
Artcurial
Oct. 18, 2023
NICOLAES VAN VERENDAEL (ANTWERP 1640-1691) A swag of roses, peonies, anemo
Est: $15,000 - $20,000
NICOLAES VAN VERENDAEL (ANTWERP 1640-1691) A swag of roses, peonies, anemones, snowballs, carnations and other flowers... oil on canvas 25 x 20 in. (63.5 x 50.8 cm.)
Christie's
Feb. 25, 2023
Van Verendael, Nicolaes (1640-1691, attr. to): Floral still life in urn with butterfly, oil on canvas
Est: €6,000 - €12,000
Dim.: 81 x 71 cm (the frame) Dim.: 60 x 51cm (the work) He was much more appreciated in his younger years and worked with Teniers, Luyckx and De Heem, but his financial rewards were poor; he had the reputation of being a slow worker. Dated works between 1659 and 1690: in Munich a vanitas still life by Jan Davidsz de Heem with flowers by Van Verendael, a vanitas still life in Venice by Hendrick Andriessen with flowers by Van Verendael (Willigen/Meijer 2003, p. 205); in Duverger 1984-2004, Verendael's paintings are cited in Antwerp inventories on a regular basis, attesting to his popularity. (source: RKD) Provenance: - A Belgian private collection.
Rob Michiels Auctions
Jan. 27, 2023
NICOLAES VAN VEERENDAEL (ANTWERP 1640-1691) A tulip, roses, iris and other flowers in a glass vase on a stone plinth NICOLAES VAN VEERENDAEL (ANTWERP
Est: $200,000 - $300,000
NICOLAES VAN VEERENDAEL (ANTWERP 1640-1691) A tulip, roses, iris and other flowers in a glass vase on a stone plinth NICOLAES VAN VEERENDAEL (ANTWERP 1640-1691) A tulip, roses, iris and other flowers in a glass vase on a stone plinth oil on panel 15 x 11 in. (38 x 28 cm.)
Christie's
Dec. 08, 2021
NICOLAES VAN VERENDAEL (ANTWERP 1640-1691) Flowers in a glass vase, in a ni
Est: £30,000 - £50,000
NICOLAES VAN VERENDAEL (ANTWERP 1640-1691) Flowers in a glass vase, in a niche oil on canvas 16 x 12 ¾ in. (40.8 x 32.7 cm.)
Christie's
Jun. 18, 2021
Attributed To Nicolaes Verendael (1640-1691)
Est: $3,000 - $5,000
Floral Still Life Painting. // Medium: Oil On Canvas // Unsigned // Heavy Craquelure Throughout The Canvas, Has Had Prior Repairs, Some Small Areas Of Delamination Has Occurred. Please Refer To Photos. // Has Wax Stamps On The Back Of The Frame (view Photos) // Measurements: Art 15 In. X 12 In. Frame 18.5 In. X 15.5 In. // From The Estate Of Fran And Ed Elliot // (24)
EJ'S Auction & Appraisal
Jun. 16, 2021
Nicolaes van Veerendael – Blumenbouquet mit Rosen und Tulpen in steinerner Nische (Bouquet of roses and tulips in a stone niche)
Est: €40,000 - €50,000
Oil on canvas. (Mid-1670s). 61 x 51 cm. Framed. We are thankful to Dr. Fred Meijer, Amsterdam, for kindly confirming the authenticity of this painting on the basis of a digital photograph.
Karl & Faber
May. 08, 2021
Nicolaes van Veerendael (Antwerpen 1640 - Antwerpen 1691), circle of. Still Life with Tulips.
Est: -
Oil/canvas, 48,5 x 38 cm, some rest., relined. - Flemish still life painter. Nothing is known about V.'s education. In 1656 he allegedly became a master of the Antwerp Guild of St. Luke. He painted still lifes of all kinds, but especially flower paintings. Mus.: St. Petersburg (Hermitage), Florence (Uffizi), Berlin, Brussels a. others. Lit.: Thieme-Becker.
Auktionshaus Stahl
Oct. 21, 2020
Circle of Nicolaes van Veerendael (Antwerp 1640-1691) A garland of roses, tulips, convolvulus and other flowers before a stone niche
Est: £3,000 - £5,000
Circle of Nicolaes van Veerendael (Antwerp 1640-1691) A garland of roses, tulips, convolvulus and other flowers before a stone niche oil on canvas, a fragment 57.5 x 66.2cm (22 5/8 x 26 1/16in). For further information on this lot please visit the Bonhams website
Bonhams
Jun. 16, 2020
NICOLAS VAN VERENDAEL
Est: CHF12,000 - CHF18,000
NICOLAS VAN VERENDAEL (1640 Antwerp 1691) A pair: Bouquets of flowers with roses and carnations in stone niches. Oil on canvas. Each 35.5 × 30.2 cm. Dr. Fred G. Meijer has confirmed the authenticity of these paintings by Nicolas van Verendael on the basis of a photograph and dates this pair of works to the 1680s. The floral motifs can be stylistically compared with the flower still-life featuring an antique bust in the Royal Museum of Fine Arts in Antwerp (Inv. No. 4628), which was created around 1689-90. The minimalised composition is a rarity in this artist's oeuvre. --------------- NICOLAS VAN VERENDAEL (1640 Antwerpen 1691) Gegenstücke: Blumensträusse mit Rosen und Nelken in Steinnischen. Öl auf Leinwand. Je 35,5 × 30,2 cm. Dr. Fred G. Meijer bestätigt die Eigenhändigkeit Nicolas van Verendaels anhand einer Fotografie und datiert diese Gegenstücke in die 1680er-Jahre. Die Blumenmotive lassen sich stilistisch mit dem um 1689–90 entstandenen Blumenstillleben mit einer antiken Büste im Koninklijke Musea voor Schone Kunsten Antwerpen (Inv.-Nr. 4628) vergleichen. Dabei stellt die reduzierte Komposition eine Seltenheit im Oeuvre des Künstlers dar.
Koller Auctions
Mar. 29, 2019
NICOLAES VAN VERENDAEL
Est: CHF10,000 - CHF15,000
NICOLAES VAN VERENDAEL (1640 Antwerp 1691) Still life of flowers Oil on canvas. Part of a signature centre left: ...ndael. 53 x 41 cm. Provenance: - Christie's, Paris, 14.9.2016, Lot 22. - European private collection. The painting is registered at RKD, The Hague as by the hand of Nicolaes van Verendael (No. 292359). --------------- NICOLAES VAN VERENDAEL (1640 Antwerpen 1691) Blumenstillleben. Öl auf Leinwand. Links mittig Teile einer Signatur: ...ndael. 53 x 41 cm. Provenienz: - Auktion Christie's, Paris, 14.9.2016, Los 22. - Europäischer Privatbesitz. Das Gemälde ist im RKD, Den Haag als ein eigenhändiges Werk von Nicolaes van Verendael registriert (Nr. 292359). Nicolaes van Verendael, der vermutlich bei seinem Onkel oder Vater Willem (1640 – 1691) seine künstlerische Ausbildung erhielt, war ab 1657 in der Antwerpener Lukas-Gilde als Sohn eines Meisters aufgenommen. Er verblieb in der flämischen Handelsmetropole bis zu seinem Tod und war besonders in seinen jungen Jahren sehr angesehen. Koproduktionen sind mit David Teniers d. J. (1610 – 1690), Christiaan Luyckx (1623 – um 1675) und Jan Davisdz. de Heem (1606 – 1684) bekannt. Das hier angebotene Blumenstillleben zeigt die für ihn so charakteristische Blumenpracht, wobei es ihm gelingt, die Blüten in ihrer individuellen Erscheinung lebendig und farbenfroh wiederzugeben. Vergleichbare Werke finden sich im Metropolitan Museum of Art in New York City (Inv. Nr. 81.1.652), im Musée Fabre in Montpellier (Inv. Nr. 837-1-90) und im Kunst- und Geschichtsmuseum in Genf (Inv. Nr. CR 137).
Koller Auctions
Jun. 21, 2018
NICOLAES VAN VERENDAEL | A still life of a red and white tulip, a carnation, roses, forget-me-nots, dwarf morning glory, nasturtiums and other flowers in a glass vase together with butterflies and other insects, all on a stone ledge with a watch and a key on a blue satin ribbon
Est: €80,000 - €120,000
Oil on copper
Sotheby's
Oct. 25, 2017
DUTCH SCHOOL, Still Life. Oil on canvas
Est: -
Jarrón con con claveles, rosas y girasoles ESCUELA HOLANDESA, S.XVII Jarrón con con claveles, rosas y girasoles Importante obra muy cercana a los trabajos de Nicolás van Verendael, (Amberes, 1640-1691), pintor flamenco especializado en este tipo de representaciones que, debido a su éxito, fueron exportadas a toda Europa.
Isbilya Subastas
May. 25, 2017
Nicolaes van Veerendael Flemish, 1640-1691 Still Life of Roses, Peony, Semper Augustus Tulip, Morning Glories and other Flowers on a...
Est: $5,000 - $8,000
Nicolaes van Veerendael Flemish, 1640-1691 Still Life of Roses, Peony, Semper Augustus Tulip, Morning Glories and other Flowers on a Ledge Signed Veerendael and dated 1671 on the ledge (lr) Oil on canvas 16 x 11 3/4 inches (40.7 x 30 cm) C Estate of a New York Lady
DOYLE Auctioneers & Appraisers
Sep. 14, 2016
NICOLAES VAN VEERENDAEL (ANVERS 1640-1691)
Est: €10,000 - €15,000
NICOLAES VAN VEERENDAEL (ANVERS 1640-1691) Bouquet de fleurs huile sur toile 53,3 x 40,8 cm. (21 x 16 in.)
Christie's
May. 23, 2016
Nicolaes van Veerendael (Antwerp 1640-1691)
Est: €5,000 - €7,000
A Flower Still Life with Roses, a Carnation, a Parrot Tulip and Other Flowers, All in a Glass Vase Oil on canvas, a fragment 42.5 by 37 cm. Fred Meijer has kindly confirmed the attribution to Van Verendael (e?mail communication to the present owner, November 2015). In his opinion this work is a fragment, with the glass vase possibly added at a later stage (perhaps already in the early 18th Century). A comparable, characteristic work is for example a signed Cartouche decorated with flowerfestoons, of circa 1671?1675, in the Staatliche Kunsthalle Karlsruhe; the handling of the flowers is very similar.
Art Europe Auctions
Apr. 29, 2015
NICOLAES VAN VERENDAEL | Still life of pink roses, lobelia, apple blossom, cornflowers, a daffodil, a carnation, and blue convolvulus in a glass vase, with a grey beetle and a magpie moth, all upon a stone ledge
Est: £50,000 - £70,000
oil on canvas
Sotheby's
Mar. 22, 2013
VEERENDAEL, NICOLAES VAN(1640 Antwerpen
Est: CHF30,000 - CHF40,000
VEERENDAEL, NICOLAES VAN (1640 Antwerpen 1691) Blumenbouquet mit Rosen und Tulpen. Öl auf Leinwand. 40,3 x 30,5 cm. Provenienz: - Auktion Sotheby's, London, 25.1.2001, Los 161. - Sammlung Wolfgang Joop. Dieses Gemälde ist im RKD, Den Haag, unter der Nummer 103013 archiviert und gehörte einst mit den vorherigen drei Losen einer Gesamtkomposition von vier Blumenfestons an (siehe RKD Archivnr. 38000). Dieses sowie die drei vorherigen Werke (Lose 3042, 3043, 3044) sind charakteristische Beispiel des Antwerpener Stilllebenmalers Nicolaes van Veerendael, der sich auf die Darstellung von Blumen spezialisierte und die sich zu seinen Lebzeiten grosser Beliebtheit erfreuten. Obwohl undatiert, können diese vier Kompositionen in den Zeitraum um 1660-69 platziert werden und lassen sich stilistisch und kompositorisch sowie in der Farbwahl mit dem 1662 datierten Stillleben im Metropolitan Museum of Art, New York (Inv. Nr. 81.1.652), vergleichen. Veerendael reiht sich in die Antwerpener Blumenstilllebenmalerei, die von Daniel Seghers (1590-1661) und Jan Brueghel d. Ä. (1563-1625) eingeleitet und von Jan Davidsz. de Heem (1606-1683) fortgesetzt wurde, mit dem Veerendael ebenfalls gemeinsam arbeitete, wie das Blumenstillleben mit Kruzifix in der Alten Pinakothek in München (Inv. Nr. 568) belegt. VEERENDAEL, NICOLAES VAN (1640 Antwerp 1691) Bouquet of flowers with roses and tulips. Oil on canvas. 40.3 x 30.5 cm. Provenance: Sotheby's, London, 25.1.2001, Lot 161. This painting is registered at the RKD, The Hague, under number 103013
Koller Auctions
Mar. 22, 2013
VEERENDAEL, NICOLAES VAN(1640 Antwerpen
Est: CHF35,000 - CHF50,000
VEERENDAEL, NICOLAES VAN (1640 Antwerpen 1691) Blumenbouquet mit Rosen und Tulpen. Öl auf Leinwand. Unten mittig auf der Steinplinthe signiert: Nicolaes van Veerendael. 48,5 x 32,3 cm. Provenienz: - Auktion Sotheby's, London, 25.1.2001, Los 161. - Sammlung Wolfgang Joop. Dieses Gemälde ist im RKD, Den Haag, unter der Nummer 103011 archiviert und dort aus stilistischen Gründen um 1660-1669 datiert. Es gehörte einst mit den beiden vorherigen Losen und dem folgenden einer Gesamtkomposition von vier Blumenfestons an (siehe RKD Archivnr. 38000). Siehe auch Katalogeintrag zu Los 3045. VEERENDAEL, NICOLAES VAN (1640 Antwerp 1691) Bouquet of flowers with roses and tulips. Oil on canvas. Signed centre bottom on the stone plinth: Nicolaes van Veerendael. 48.5 x 32.3 cm. Provenance: Sotheby's, London, 25.1.2001, Lot 161. This painting is registered at the RKD, The Hague, under number 103011 and for stylistic reasons is dated to circa 1660-1669
Koller Auctions
Mar. 22, 2013
VEERENDAEL, NICOLAES VAN(1640 Antwerpen
Est: CHF35,000 - CHF50,000
VEERENDAEL, NICOLAES VAN (1640 Antwerpen 1691) Blumenbouquet mit Rosen und Tulpen. Öl auf Leinwand. 48 x 31 cm. Provenienz: - Auktion Sotheby's, London, 25.1.2001, Los 161. - Sammlung Wolfgang Joop. Dieses Gemälde ist im RKD, Den Haag, unter der Nummer 103010 archiviert und dort aus stilistischen Gründen um 1660-1669 datiert. Es gehörte einst mit dem vorherigen und den beiden folgenden Losen einer Gesamtkomposition von vier Blumenfestons an (siehe RKD Archivnr. 38000). Siehe auch Katalogeintrag zu Los 3045. VEERENDAEL, NICOLAES VAN (1640 Antwerp 1691) Bouquet of flowers with roses and tulips. Oil on canvas. 48 x 31 cm. Provenance: Sotheby's, London, 25.1.2001, Lot 161. This painting is registered at the RKD, The Hague, under number 103010 and for stylistic reasons is dated to circa 1660-1669
Koller Auctions
Mar. 22, 2013
VEERENDAEL, NICOLAES VAN(1640 Antwerpen
Est: CHF30,000 - CHF40,000
VEERENDAEL, NICOLAES VAN (1640 Antwerpen 1691) Blumenbouquet mit Rosen und Tulpen. Öl auf Leinwand. 40 x 30,5 cm. Provenienz: - Auktion Sotheby's, London, 25.1.2001, Los 161. - Sammlung Wolfgang Joop. Dieses Gemälde ist im RKD, Den Haag, unter der Nummer 103012 archiviert und dort aus stilistischen Gründen um 1660-1669 datiert. Es gehörte einst mit den folgenden drei Losen einer Gesamtkomposition von vier Blumenfestons an (siehe RKD Archivnr. 38000). Siehe auch Katalogeintrag zu Los 3045. VEERENDAEL, NICOLAES VAN (1640 Antwerp 1691) Bouquet of flowers with roses and tulips. Oil on canvas. 40 x 30.5 cm. Provenance: Sotheby's, London, 25.1.2001, Lot 161. This painting is registered at the RKD, The Hague, under number 103012 and for stylistic reasons is dated to circa 1660-1669
Koller Auctions
Jan. 30, 2013
Nicolaes van Veerendael (Antwerp 1626-1640)
Est: $200,000 - $400,000
Nicolaes van Veerendael (Antwerp 1626-1640) Flowers in a glass vase with a butterfly and beetle on a stone ledge oil on canvas 17 x 12¼ in. (43.2 x 31.1 cm.)
Christie's
May. 10, 2011
NICOLAES VAN VEERENDAEL
Est: €5,000 - €7,000
NICOLAES VAN VEERENDAEL ANTWERP 1640 - 1691 A GARLAND OF FLOWERS SURROUNDING A CARTOUCHE WITH THE VIRGIN AND CHILD oil on canvas, a fragment 39.5 by 50.5 cm.
Sotheby's
Jan. 27, 2011
NICOLAES VAN VEERENDAEL
Est: $60,000 - $80,000
NICOLAES VAN VEERENDAEL ANTWERP 1640 - 1691 STILL LIFE OF A SWAG OF FLOWERS IN FRONT OF A STONE NICHE oil on canvas 22 1/4 by 16 in.; 56.5 by 40.6 cm.
Sotheby's
Jan. 27, 2010
Nicolaes van Veerendael (Antwerp 1640-1691)
Est: -
Nicolaes van Veerendael (Antwerp 1640-1691) A tulip, roses, iris and other flowers in a glass vase on a ledge oil on panel 15 x 11 in. (38 x 28 cm.)
Christie's
Jan. 28, 2009
Nicolaes van Veerendael Antwerp 1640-1691
Est: $600,000 - $800,000
Nicolaes van Veerendael Antwerp 1640-1691 Peonies, tulips, morning glory and other flowers in a blue glass vase, with a rose on a stone ledge; and Peonies, tulips, carnations and other flowers in a blue glass vase, with a hydrangea on a stone ledge The first signed and dated 'N. van Veerendael fe./1670' (on the table, lower left); The second signed 'Ni. V. Veerendael fec.' (on the table, lower right) oil on canvas The first 22¾ x 16 5/8 in. 57.8 x 42.2 cm.; The second 22 3/8 x 15¾ in. 56.6 x 40 cm. a pair (2)
Christie's
Dec. 17, 2008
Vase de fleurs avec un papillon et une branche de ronces posé sur un entablement recouvert d un drapé rouge, avec un escargot
Est: €60,000 - €80,000
Vase de fleurs avec un papillon et une branche de ronces posé sur un entablement recouvert d un drapé rouge, avec un escargot Nicolas van VERENDAEL (Anvers, 1640 - Anvers, 1691) Vase de fleurs avec un papillon et une branche de ronces posé sur un entablement recouvert d un drapé rouge, avec un escargot
Piasa
Nov. 16, 2006
Nicolaes van Verendael (Antwerpen 1640-1691)
Est: €5,000 - €7,000
Roses, tulips, poppies and other flowers with butterflies: a fragment oil on canvas laid down on panel 32 x 27.3 cm.
Christie's
Jan. 26, 2006
NICOLAES VAN VERENDAEL ANTWERP 1640 - 1691
Est: $200,000 - $300,000
THE PROPERTY OF DAVID KOETSER GALLERY FLOWERS IN A VASE measurements note 29 3/4 by 24 3/4 in.; 75.5 by 63 cm. signed lower left on the ledge N.V. Verendael f. oil on canvas PROVENANCE Viscount Clifden, Lanhydrock, Bodmin, Cornwall; With Leonard Koetser, London, 1967; Private collection, Scotland, from whom purchased by David Koetser Gallery. NOTE Verendael's flower arrangements are among the most harmonious and life-like among the long and prolific tradition of still life painting that unfolded from the 16th century onwards. Verendael's works are difficult to date inasmuch as the artist remained faithful to the formulae he adopted early on in his career, including a preference for dark backgrounds, and his characteristic juxtaposition of red and pink. It is his white flowers, however, which have inspired some of the highest praise from scholars. For example, Peter Mitchell states "the petals are like the thinnest kind of tissue paper, finely crinkled, yet to employ the word paper is inadequate: a fine chiffon silk would be perhaps a fairer guide to the extraordinary fragile beauty of these whites" (see P. Mitchell, European Flower Painting, London 1973, p. 252). The finesse described by the author is perfectly exemplified in the present picture's three different varieties of white roses, which Verendael chose to place at the center of the composition, as if to suggest that they are the source of light the painting.
Sotheby's
Dec. 13, 2005
Attribuito a Nicolaes van Veerendael (Anversa 1640-1691)
Est: €15,000 - €18,000
Tulipani, ciclamini, campanule, garofani, rose in un vaso di vetro su un piano di pietra ed una farfalla olio su tela, senza cornice 41 x 26.5 cm. (il formato attuale è di 41 x 32.5 cm., che comprende due fasce laterali aggiunte, larghe 3 cm. ciascuna)
Christie's
Jul. 05, 2005
NICOLAES VAN VEERENDAEL ANTWERP 1640 - 1691 A STILL LIFE OF VARIEGATED TULIPS, A ROSE, CARNATION,
Est: £100,000 - £150,000
NICOLAES VAN VEERENDAEL ANTWERP 1640 - 1691 A STILL LIFE OF VARIEGATED TULIPS, A ROSE, CARNATION, AN IRIS AND OTHER FLOWERS IN A GLASS VASE, RESTING ON A STONE LEDGE DRAPED WITH A CLOTH, TOGETHER WITH A BUTTERFLY oil on canvas PROVENANCE The Earl of Plymouth; With Leonard Koetser Gallery, London, 1950 (Witt Library mount); Graham Baron Ash, Esq., Wingfield Castle, Diss, Norfolk; His sale ("Property removed from Wingfield Castle"), London, Christie's, 4 October 1967, lot 128, for 780 gns. to Leggatt's; With Leggatt Bros., London. EXHIBITED London, Royal Academy of Arts, Flemish Art 1300-1700, Winter Exhibition 1953-4, no. 341. LITERATURE AND REFERENCES Flemish Art 1300-1700, exhibition catalogue, London, Royal Academy of Arts, Winter Exhibition 1953-4, cat. no. 341, reproduced p. 60. CATALOGUE NOTE Veerendael was one of the most important flower painters active in Antwerp during the second half of the 17th Century. His paintings show a remarkable attention to detail and the artist was much admired for this even in his own day. Indeed the 18th-century biographer Weyerman wrote of Veerendael that it sometimes took him four days to finish painting a single flower (see De Levensbeschryvingen der Nederlandse Konstschilders en Konstschilderessen, vol. III, 1729, pp. 234-6). Here the highly naturalistic rendering of droplets in the foreground and reflection in the glass vase is remarkable for its verisimilitude. When the painting appeared at auction in 1967 another still life by Veerendael, of the same dimensions but on panel, signed and dated 1677, was sold as the subsequent lot (lot 129). Chronology of Veerendael's oeuvre is difficult to establish but a comparison between that picture and the present canvas would suggest that a dating in the second half of the 1670s for the present work seems reasonable. This is further substantiated by a comparison with another picture by Veerendael, also signed and dated 1677, belonging to the Winn family and on loan to Nostell Priory, National Trust (see G. Gordon, in Masterpieces from Yorkshire Houses. Yorkshire Families at Home and Abroad 1700-1850, exhibition catalogue, York, York City Art Gallery, 29 January - 20 March 1994, p. 104, cat. no. 66, reproduced). We are grateful to Fred G. Meijer for endorsing the attribution to Veerendael on the basis of a colour transparency.
Sotheby's
May. 26, 2005
PROPERTY FROM THE ESTATE OF MARIE H. ANKENY, MINNEAPOLIS, MINNESOTA NICOLAES VAN VERENDAEL ANTWERP
Est: $40,000 - $60,000
PROPERTY FROM THE ESTATE OF MARIE H. ANKENY, MINNEAPOLIS, MINNESOTA NICOLAES VAN VERENDAEL ANTWERP 1640-1691 STILL LIFE OF ROSES, TULIPS, CARNATIONS AND OTHER FLOWERS IN A GLASS VASE, RESTING ON A TABLE signed indistinctly lower right oil on canvas PROVENANCE With Thos. Agnew & Sons, Ltd., London. CATALOGUE NOTE We are grateful to Fred Meijer of the Rijksbureau voor Kunsthistorische Documentatie, The Hague, for confirming the present painting to be by Verendael, based on photographs.
Sotheby's