Joseph Vaudechamp Paintings & Artwork for Sale | Joseph Vaudechamp Art Value Price Guide

Jan. 24, 2025
Jean Joseph Vaudechamp, French/Louisiana 1790-1866, "Portrait of a Lady", oil on canvas, 32 x 25 1/2 in. (81.3 x 64.8 cm.), Frame: 39 5/8 x 33 1/2 x 3 1/2 in. (100.6 x 85.1 x 8.9 cm.)
Est: $4,000 - $6,000
† Jean Joseph Vaudechamp French/Louisiana, 1790-1866 "Portrait of a Lady" oil on canvas 1834, signed and dated upper left, "Ottoz, Paris" canvas stamp en verso, framed.
Neal Auction Company
Dec. 03, 2023
Jean Joseph Vaudechamp, (French, 1790-1866; active New Orleans 1831-1839), "Portrait d'Homme"
Est: $2,000 - $4,000
Jean Joseph Vaudechamp (French, 1790-1866; active New Orleans 1831-1839) "Portrait d'Homme", 1827 oil on canvas signed and dated upper right. Period gilt frame. 25-1/2" x 21-1/4", framed 32" x 28" Provenance: Private collection, France. Notes: While studying at Ecole des Beaux-Arts in Paris, Jean Joseph Vaudechamp apprenticed in the studio of Anne-Louis Girodet. An accomplished artist, Girodet was a student of the renowned Neoclassical painter Jacques-Louis David. Favoring portraiture, Vaudechamp's paintings reflect his talents at refined draftsmanship and capturing the sophistication of his sitters. In 1832, Vaudechamp began to make annual trips for over a decade to New Orleans where his portraits were highly regarded and came to define the prosperous merchants and planters of French descent. Dated 1827, "Portrait d'Homme" was painted while Vaudechamp was still in France and is among his earliest portrait works. The skillfully rendered portrait reflects the elements that would become representative of Vaudechamp's work in Louisiana including the elegantly dressed sitter depicted in a bust-length view. Interestingly, Vaudechamp employed a simple olive brown background here that he would favor in his later Louisiana portraits.
New Orleans Auction Galleries
Jul. 30, 2023
Jean Joseph Vaudechamp, (French, 1790-1866; active New Orleans 1831-1839), "Portrait d'Homme", 1827, oil on canvas, 25-1/2" x 21-1/4..
Est: $2,500 - $4,000
Jean Joseph Vaudechamp (French, 1790-1866; active New Orleans 1831-1839) "Portrait d'Homme", 1827 oil on canvas signed and dated upper right. Period gilt frame. 25-1/2" x 21-1/4", framed 32" x 28" Provenance: Private collection, France. Notes: While studying at Ecole des Beaux-Arts in Paris, Jean Joseph Vaudechamp apprenticed in the studio of Anne-Louis Girodet. An accomplished artist, Girodet was a student of the renowned Neoclassical painter Jacques-Louis David. Favoring portraiture, Vaudechamp;s paintings reflect his talents at refined draftsmanship and capturing the sophistication of his sitters. In 1832, Vaudechamp began to make annual trips for ten years to New Orleans where his portraits were highly regarded and came to define the prosperous merchants and planters of French descent. Dated 1827 "Portrait d'Homme" was painted while Vaudechamp was still in France and is among his earliest portrait work. The skillfully rendered portrait reflects the elements that would become representative of Vaudechamp's work in Louisiana including the elegantly dressed sitter depicted in a bust-length view. Interestingly, Vaudechamp employed a simple olive brown background that he would favor in his later Louisiana portraits.
New Orleans Auction Galleries
Feb. 03, 2023
Jean Joseph Vaudechamp (French/Louisiana, 1790)
Est: $8,000 - $12,000
Jean Joseph Vaudechamp (French/Louisiana, 1790-1866), "Portrait of a Lady", 1834, oil on canvas, signed and dated upper left, "Ottoz, Paris" canvas stamp en verso, 32 in. x 25 1/2 in., framed, overall 39 5/8 in. x 33 1/2 in. x 3 1/2 in.
Neal Auction Company
Sep. 10, 2022
Jean Joseph Vaudechamp (French/Louisiana)
Est: $6,000 - $8,000
Jean Joseph Vaudechamp (French/Louisiana, 1790-1866), "Young Boy Leaning on Table with Bookplate", oil on canvas, unsigned, 44 in. x 33 3/4 in., framed. Note: Before Jean Joseph Vaudechamp traveled to New Orleans, he studied at the Ecole des Beaux-Arts under Anne-Louis Girodet (1767-1824) and established himself as a portrait painter in Paris. Vaudechamp soon made a name for himself depicting wealthy, fashionable citizens of Paris, and in 1831, he traveled to New Orleans, where portraitists were highly sought within the Creole community. In his monograph on the artist, William Keyse Rudolph notes that: “By 1833, Vaudechamp’s style had crystallized. For the remainder of his time in New Orleans, he rarely experimented with more complex compositions…exceptions to the rule, like a series of portraits of the Forstall and Freret families, are just as revealing as the more traditional works.” In the portrait of a young boy offered here, Vaudechamp employed a neutral background, yet deviated from his traditional compositional pose for his sitters by adding layers of additional complexity. The standing boy leans his arm on a table, perhaps the same table seen in Vaudechamp’s portrait of James P. Freret and his son William P. Freret, and he rests his hand on a black and white bookplate. A similar bookplate device can be found in several of Vaudechamp’s portraits of children, such as the one of Mathilde Freret and Eugénie Freret from 1837 and the group portrait of the Forstall children of 1836. The young boy’s formal attire and the lavish dimensions of the portrait indicate the wealth of his family. According to family lore, this lot and the following lot of a Louisiana gentleman descended in the Bouchereau side of the family of Confederate general John C. Pemberton (1814-1881) and hung for many years in the family apartment in the Pontalba Buildings. Ref.: Rudolph, William K. Vaudechamp in New Orleans. New Orleans: The Historic New Orleans Collection, 2007
Neal Auction Company
Jan. 29, 2022
Attributed to Samuel Lovett Waldo & William Jewett
Est: $6,000 - $8,000
Attributed to Samuel Lovett Waldo (American, 1783-1861) and William Jewett (American, 1792-1874), "Louisiana Gentleman", oil on panel, unsigned, 2 "Waldo & Jewett, New York, 1834" stencils en verso, 36 in. x 28 in., framed
Neal Auction Company
Jan. 29, 2022
Jean Joseph Vaudechamp (French/Louisiana, 1790)
Est: $10,000 - $15,000
Jean Joseph Vaudechamp (French/Louisiana, 1790-1866), "Young Boy Leaning on Table with Bookplate", oil on canvas, unsigned, 44 in. x 33 3/4 in., framed. Note: Before Jean Joseph Vaudechamp traveled to New Orleans, he studied at the Ecole des Beaux-Arts under Anne-Louis Girodet (1767-1824) and established himself as a portrait painter in Paris. Vaudechamp soon made a name for himself depicting wealthy, fashionable citizens of Paris, and in 1831, he traveled to New Orleans, where portraitists were highly sought within the Creole community. In his monograph on the artist, William Keyse Rudolph notes that: “By 1833, Vaudechamp’s style had crystallized. For the remainder of his time in New Orleans, he rarely experimented with more complex compositions…exceptions to the rule, like a series of portraits of the Forstall and Freret families, are just as revealing as the more traditional works.” In the portrait of a young boy offered here, Vaudechamp employed a neutral background, yet deviated from his traditional compositional pose for his sitters by adding layers of additional complexity. The standing boy leans his arm on a table, perhaps the same table seen in Vaudechamp’s portrait of James P. Freret and his son William P. Freret, and he rests his hand on a black and white bookplate. A similar bookplate device can be found in several of Vaudechamp’s portraits of children, such as the one of Mathilde Freret and Eugénie Freret from 1837 and the group portrait of the Forstall children of 1836. The young boy’s formal attire and the lavish dimensions of the portrait indicate the wealth of his family. According to family lore, this lot and the following lot of a Louisiana gentleman descended in the Bouchereau side of the family of Confederate general John C. Pemberton (1814-1881) and hung for many years in the family apartment in the Pontalba Buildings. Ref.: Rudolph, William K. Vaudechamp in New Orleans. New Orleans: The Historic New Orleans Collection, 2007
Neal Auction Company
Dec. 11, 2021
JEAN-JOSEPH VAUDECHAMP (1790-1866) NEW ORLEANS
Est: $5,000 - $10,000
"Portrait of a Young Woman" oil on canvas 32 x 26 inches. signed and dated 1834. framed 40 x 33 1/2 inches (overall)
John McInnis Auctioneers
Jun. 06, 2021
Jean Joseph Vaudechamp (French, 1790-1866) "Portrait of a Young Woman"
Est: $20,000 - $40,000
Jean Joseph Vaudechamp (French, 1790-1866; Active New Orleans 1831-1839) "Portrait of a Young Woman, Partially Draped" oil on canvas signed and dated "Vaudechamp 1844". Framed. 36-3/4" x 29", framed 45" x 38" Notes: This portrayal of a partially nude woman with her self-assured gaze is a rare glimpse into Jean Joseph Vaudechamp's later career, painted two years before his only other known nude, "Portrait of a Young Girl, Partially Clothed". Both paintings reveal Vaudechamp's masterful modeling of the human form, his elegant composition, and use of soft light dappling the sitter's body. A French, academically trained artist and a pupil of the famous Anne-Louis Girodet-Trioson, Vaudechamp became the most sought-after portraitist in New Orleans during the 1830s, where he spent his winters painting members of the prominent Creole families. His success in New Orleans appears to have provided him with financial security, and although he continued to exhibit at the Salon, this brought him little critical acclaim. The two nudes are a departure from his usual subject matter; suggesting that perhaps he was experimenting with different genres in his later years. This evocative portrait is the first nude by the artist to have been offered for sale outside of Paris. Reference: William Kayse Rudolph, Vaudechamp in New Orleans, The Historic New Orleans Collection, 2007.
New Orleans Auction Galleries
Apr. 17, 2021
Jean Joseph Vaudechamp (French/Louisiana, 1797)
Est: $5,000 - $7,000
Jean Joseph Vaudechamp (French/Louisiana, 1790-1866) , "Portrait of Charles Jules Colheux de Longpré Fitzgerald (1823-1882) at 9 years old", 1832, oil on canvas, signed and dated lower right, "Turquin, Paris" label and labels with title and sitter information on stretcher, 25 3/4 in. x 21 1/2 in., framed. Note: Charles Jules Colheux de Longpré-Fitzgerald was born in New Orleans in 1823. His parents, Jean Baptiste Pierre Aimé Colheux Longpré (1775-c.1841) and Victoire Adèle Françoise Fitzgerald (1797-1832), were both French colonists in Saint-Domingue (Haiti). Like many planters, they fled to New Orleans during the Haitian Revolution in 1804. In 2014, a rare manuscript copy of the Haitian Declaration of Independence, one of only a few in existence, was found among Jean-Baptistes papers in France and is now housed in the collection of the Rubenstein Library at Duke University. After leaving Haiti and settling in New Orleans, Jean Baptiste and Victoire married in 1813 and welcomed their first child, daughter Victoire Ernestine Colheux de Longpré-Fitzgerald, in 1820. Charles Jules, depicted in the portrait offered here, was born three years later. To support his family, Jean Baptiste engaged in real estate speculation, primarily in the Faubourg Marigny and later lower Garden District, and he also owned a successful import and export business. Jean Joseph Vaudechamps first season in New Orleans as a portraitist coincided with the commission of this work. He painted a number of New Orleans prominent citizens during those first months and demonstrated a refined Neoclassical style of portraiture that, as William Keyse Rudolph wrote, set him apart from American artists. Vaudechamp became much in demand with city merchants and plantation owners along the Mississippi River. The compositional device of depicting the sitter looking out from a window frame in this portrait is perhaps an early experimentation on the part of the artist, as it is a presentation found in only one of his other attributed works. The cropping of the fictional window also hints at the possibility of a now unknown companion piece, perhaps depicting Charles Jules sister Victoire, in a matching window frame. Ref.: Rudolph, William K. Vaudechamp in New Orleans. New Orleans: The Historic New Orleans Collection, 2007
Neal Auction Company
Mar. 28, 2021
Jean Joseph Vaudechamp, (French, 1790-1866) "Portrait of a Young Woman"
Est: $30,000 - $50,000
Jean Joseph Vaudechamp (French, 1790-1866; Active New Orleans 1831-1839) "Portrait of a Young Woman, Partially Draped" oil on canvas signed and dated "Vaudechamp 1844". Framed. 36-3/4" x 29", framed 45" x 38" Notes: This portrayal of a partially nude woman with her self-assured gaze is a rare glimpse into Jean Joseph Vaudechamp's later career, painted two years before his only other known nude, "Portrait of a Young Girl, Partially Clothed". Both paintings reveal Vaudechamp's masterful modeling of the human form, his elegant composition, and use of soft light dappling the sitter's body. A French, academically trained artist and a pupil of the famous Anne-Louis Girodet-Trioson, Vaudechamp became the most sought-after portraitist in New Orleans during the 1830s, where he spent his winters painting members of the prominent Creole families. His success in New Orleans appears to have provided him with financial security, and although he continued to exhibit at the Salon, this brought him little critical acclaim. The two nudes are a departure from his usual subject matter; suggesting that perhaps he was experimenting with different genres in his later years. This evocative portrait is the first nude by the artist to have been offered for sale outside of Paris. Reference: William Kayse Rudolph, Vaudechamp in New Orleans, The Historic New Orleans Collection, 2007.
New Orleans Auction Galleries
Nov. 21, 2020
Jean Joseph Vaudechamp (French/Louisiana, 1790)
Est: $12,000 - $18,000
Jean Joseph Vaudechamp (French/Louisiana, 1790-1866) , "Portrait of Charles Victor Foulon, Notary (1805-1892)", 1834, oil on canvas, signed and dated upper right, 28 3/4 in. x 23 1/2 in., framed. Note: Jean-Joseph Vaudechamp, one of the premier portrait painters in early 19th century New Orleans, painted the prominent Creole families of the city between 1831 and 1839. Charles Victor Foulon (1805-1892), a native Frenchman who became an American citizen in 1829, was a notary in the city of New Orleans, where he lived on the corner of Orleans Avenue and Rampart Street with his wife, Marthe Eugenie Grandchamps, and their children, Alice, Eugene, Louise, and Emma. With connections to some of the most prestigious families in the city, it is no wonder Foulon had his portrait painted by Vaudechamp. Many important documents survive which were notarized by Foulon. His father-in-law, François Julien Grandchamps, was a prominent New Orleans pharmacist associated with Dr. Yves Lemonnier, whose portrait was painted by Louis Antoine Collas (French, 1775-1856, active New Orleans 1822-1829). Dr. Lemonnier, a New Orleans physician, owned the now famous "first skyscraper" of New Orleans, the three-story Maison Lemonnier at 640 Royal Street in the French Quarter. François Grandchamps' Pharmacy was located nearby at 501 Royal Street, and the painter John Vanderlyn rented the rooms above the pharmacy for his studio. This is an exceptionally debonair portrait of Mr. Foulon with his upswept coiffure and distinctive mustache and beard. Dressed in his finest garments, Foulons gaze meets the viewers in a proud and dignified manner. Documented Vaudechamp paintings such as this, with ancestral provenance and presented in the original frame, are rare to come to the market and provide a fascinating look into the history of New Orleans. Ref.: Rudolph, William Keyse. Vaudechamp in New Orleans. New Orleans: The Historic New Orleans Collection, 2007.
Neal Auction Company
Jun. 13, 2020
Jean Joseph Vaudechamp (French/Louisiana, 1790)
Est: $25,000 - $35,000
Jean Joseph Vaudechamp (French/Louisiana, 1790-1866) , "Portrait of Charles Victor Foulon, Notary (1805-1892)", 1834, oil on canvas, signed and dated upper right, 28 3/4 in. x 23 1/2 in., framed. Note: Jean-Joseph Vaudechamp, one of the premier portrait painters in early 19th century New Orleans, painted the prominent Creole families of the city between 1831 and 1839. Charles Victor Foulon (1805-1892), a native Frenchman who became an American citizen in 1829, was a notary in the city of New Orleans, where he lived on the corner of Orleans Avenue and Rampart Street with his wife, Marthe Eugenie Grandchamps, and their children, Alice, Eugene, Louise, and Emma. With connections to some of the most prestigious families in the city, it is no wonder Foulon had his portrait painted by Vaudechamp. Many important documents survive which were notarized by Foulon. His father-in-law, François Julien Grandchamps, was a prominent New Orleans pharmacist associated with Dr. Yves Lemonnier, whose portrait was painted by Louis Antoine Collas (French, 1775-1856, active New Orleans 1822-1829). Dr. Lemonnier, a New Orleans physician, owned the now famous "first skyscraper" of New Orleans, the three-story Maison Lemonnier at 640 Royal Street in the French Quarter. François Grandchamps' Pharmacy was located nearby at 501 Royal Street, and the painter John Vanderlyn rented the rooms above the pharmacy for his studio. This is an exceptionally debonair portrait of Mr. Foulon with his upswept coiffure and distinctive mustache and beard. Dressed in his finest garments, Foulons gaze meets the viewers in a proud and dignified manner. Documented Vaudechamp paintings such as this, with ancestral provenance and presented in the original frame, are rare to come to the market and provide a fascinating look into the history of New Orleans. Ref.: Rudolph, William Keyse. Vaudechamp in New Orleans. New Orleans: The Historic New Orleans Collection, 2007.
Neal Auction Company
May. 28, 2019
Joseph Jean VAUDECHAMP (1790-1866)
Est: €2,000 - €3,000
Joseph Jean VAUDECHAMP (1790-1866) Portrait de dame de qualité à la robe verte Huile sur toile, signée et datée 1830 en bas à droite H. 100 cm L. 81 cm HVS
De Baecque & Associés
Dec. 09, 2018
Hortaire Joseph Guenard (American/New Orleans, 1827-1899), "Portrait of Marie-Joseph Guenard"
Est: $1,500 - $2,500
Hortaire Joseph Guenard (American/New Orleans, 1827-1899) "Portrait of Marie-Joseph Guenard, Madame Domingo de Fleitas" oil on canvas after Jean Joseph Vaudechamp (French, 1790-1866, active New Orleans, 1831-1839), signed and inscribed "After Vaudechamp" upper left. Giltwood frame. 32" x 26", framed 38-1/2" x 32-1/4" Provenance: Ex-collection William E. Groves, New Orleans, Louisiana. Literature: Louisiana Painters and Paintings from the Collection of W. E. Groves, 1971, illustrated p. 57; Rudolph, William Keyse, "Jean Joseph Vaudechamp (1790-1864) in France and Louisiana," PhD Dissertation, Bryn Mawr College, 2003, pp. 318-322. Notes: In 1834, Jean Joseph Vaudechamp painted two identical portraits of "Marie-Joseph Guenard, Madame Domingo de Fleitas." Both portraits were eventually donated by family members to museums. One portrait is in the collection of Musee du Nouveau Monde, La Rochelle, France and the other is in The Historic New Orleans Collection. Evidently a member of the family commissioned Hortaire J. Guenard to paint a third portrait. Guenard appropriately inscribed the portrait as being "After Vaudechamp."
New Orleans Auction Galleries
May. 19, 2018
Jean-Joseph Vaudechamp (French, 1790-1866)
Est: $7,000 - $10,000
Jean-Joseph Vaudechamp (French, 1790-1866), "Portrait de Femme", 1827, oil on canvas, signed and dated upper right, 29 in. x 23 1/2 in., framed. Ill. Rudolph, William Keyse. Jean-Joseph Vaudechamp (1790-1864) in France and Louisiana. Bryn Mawr College Doctor of Philosophy Thesis, 2003, p. 407. Note: Jean Joseph Vaudechamp rarely painted nudes, with only two known to exist today. In the portrait of a young woman offered here, he comes close by revealing an expansive décolletage behind a sheer shift dress cinched at the waist. The draped shawl, gently falling off of the womans shoulders, adds to the allure of the portrait, which exhibits no jewelry but a highly fashionable Apollo knot hairstyle. The painting in its original form most likely included the young womans nipples visible through the sheer fabric. An attempt at censorship in a previous conservation appears at some point over the past decades to have overtaken Vaudechamps original intent in creating a study of the female torso under sheer fabric. Nonetheless, one is compelled to appreciate the sensitive and delicate handling of the brushwork on the skin, hair, and fabric throughout the portrait, which exemplifies Vaudechamps impeccable technique.
Neal Auction Company
Jan. 27, 2018
Jean Joseph Vaudechamp (French, 1790-1866)
Est: $8,000 - $10,000
Jean Joseph Vaudechamp (French, 1790-1866, act. New Orleans, 1831-1839), "Portrait of a Lady in a Fur Stole", 1828, oil on canvas, signed and dated lower left, canvas stencil "Age. Ottoz, Eleve de Mr. Belot, Rue de la Michodiere, Paris, No. 2. A. Paris" and handwritten label "M. Gadon, 1 piece, 73 x 60, de vernis, rectoy (?) restauration vernis" en verso, 28 3/4 in. x 23 1/2 in., period frame. Note: Before Jean Joseph Vaudechamp traveled to New Orleans, he studied at the École des Beaux-Arts under Anne-Louis Girodet (1767-1824) and established himself as a portrait painter in Paris. Vaudechamp soon made a name for himself depicting wealthy, fashionable citizens of Paris, and in 1831, he traveled to New Orleans, where portraitists were highly sought within the Creole community. The lady depicted here wears a classic 1830s style dress with an off-the-shoulder neckline, gathered bodice, natural waist, and sheer, puffed sleeves. Her luxurious dress, fur stole, and gold jewelry indicate that she is a woman of the upper class. Vaudechamp applies his flawless technique to depict the womans porcelain skin, the various fabrics of the dress, and the short fur of the stole to create a sophisticated portrayal of a prominent French woman.
Neal Auction Company
Nov. 18, 2017
Jean-Joseph Vaudechamp (French, 1790-1866)
Est: $8,000 - $10,000
Jean-Joseph Vaudechamp (French, 1790-1866, act. New Orleans, 1831-1839), "Portrait of a Louisiana Gentleman, possibly a member of the Delacroix family", 1832, oil on canvas, signed and dated upper right, pencil-inscribed "Madame De la Croix", handwritten label and inscription "M. Lefevre-Foinet" en verso, 32 in. x 25 1/2 in., period frame. Note: Likely one of Vaudechamp's earliest New Orleans canvases, the current lot portrays a dashing young man in fashionable attire. Known for painting many members of the wealthy and important families of New Orleans, Vaudechamp often went to his clients' homes in the city or their plantation properties to have family members sit for his portraits. The background in the current lot, with its low horizon, greenery, and stormy sky, is extremely similar to the portrait of William Charles Cole Claiborne II, painted in 1831. The Lefebvre-Foinet shop in Montparnasse was known as the premier supplier of artists materials in Paris. Begun in 1880 by Paul Foinet, and joined later by his son-in-law, Lucien Lefebvre, the two men and their descendants operated the business for over one hundred years and amassed a great collection of art over that time period.
Neal Auction Company
Jan. 19, 2017
Jean Joseph Vaudechamp (1790-1866) Young Boy oil on canvas 36 ½ x 29 in. (92.7 x 73.7 cm.)
Est: $3,000 - $5,000
JEAN JOSEPH VAUDECHAMP (1790-1866) Young Boy oil on canvas 36.5 x 29 in. (92.7 x 73.7 cm.)
Christie's
Dec. 27, 2016
Joseph J. Vaudechamp (1790-1866), Portrait of a Lady, Oil, 1827
Est: €12,000 - €15,000
Oil on canvas France/USA, 1827 Joseph Jean Vaudechamp (1790-1866) French painter Signed and dated 'Vaudechamp 1827' lower right On the reverse with stamp of the Parisian shop for art supplies Dimensions: 73.2 x 59.7 cm Gilt stucco frame: 94 x 80 cm Good condition Provenance: Private property, Germany The painting presents the portrait of a beautiful young lady in a black lace-trimmed dress, she seems to be looking dreamingly, the head slightly moved aside Condition: The painting is in good condition consistent with the age. The varnish is slightly darkened and tiny craquelé can be seen overall on the canvas. There are areas with scuffing due to the frame along the upper edges and corners of the canvas and scattered marks can be seen. Several retouched spots can be seen mainly affecting the part right of the head as well as the part of the body. The frame shows traces of usage and larger tears can be seen affecting the corners. Small spots with loss of material can be found affecting both left corners. The dimensions are 73.2 x 59.7 cm and the frame measures 94 x 80 cm. Joseph Jean Vaudechamp (1790-1866) Joseph Jean Vaudechamp was a French painter of the 19th century, born in the department Vosges in the north-east of Paris. He was a pupil of Anne-Louis Girodet de Roussy-Trioson. His works were exhibited in the Paris up from 1817. At the beginning of the 1830s Vaudechamp went to New Orleans, USA to take his chance. He specialized in portraits there and became a popular portrait painter in Louisiana. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Dec. 03, 2016
Jean Joseph Vaudechamp (French)
Est: $8,000 - $10,000
Jean Joseph Vaudechamp (French, 1790-1866, act. New Orleans, 1831-1839), "Portrait of a Lady in a Fur Stole", 1828, oil on canvas, signed and dated lower left, canvas stencil "Age. Ottoz, Eleve de Mr. Belot, Rue de la Michodiere, Paris, No. 2. A. Paris" and handwritten label "M. Gadon, 1 piece, 73 x 60, de vernis, rectoy (?) restauration vernis" en verso, 28 3/4 in. x 23 1/2 in., period frame. Note: Before Jean Joseph Vaudechamp traveled to New Orleans, he studied at the Ecole des Beaux-Arts under Anne-Louis Girodet (1767-1824) and established himself as a portrait painter in Paris. Vaudechamp soon made a name for himself depicting wealthy, fashionable citizens of Paris and in 1831, he decided to travel to New Orleans, where portraitists were widely sought after in the Franco-American community. The lady depicted here wears a classic 1830s style dress with an off-the-shoulder neckline, gathered bodice, natural waist, and sheer, puffed sleeves. Her luxurious dress, fur stole, and gold jewelry indicate that she is a woman of the upper class. Vaudechamp applies his flawless technique to depict the womans porcelain skin, the different fabrics of the dress, and the short fur of the stole to create a sophisticated portrayal of a prominent French woman. One can clearly see how Vaudechamp subsequently became Louisianas most prominent portrait painter.
Neal Auction Company
Nov. 26, 2016
Portrait of a Lady
Est: -
Joseph Vaudechamp Rambervillers (Vogesen) 1790 - Neuilly-sur-Seine 1866 Portrait of a Lady Oil/canvas, 30,5 x 27,5 cm, lo. ri. sign. a. dat. Vaudechamp 1824, on the reverse stamp 'Belot, rue de l'Arbre sec'.
Auktionshaus Stahl
Aug. 26, 2016
Joseph J. Vaudechamp (1790-1866), Portrait of a Lady, Oil, 1827
Est: €7,500 - €9,750
Oil on canvas France/USA, 1827 Joseph Jean Vaudechamp (1790-1866) – French painter Signed and dated 'Vaudechamp 1827' lower right On the reverse with stamp of the Parisian shop for art supplies Dimensions: 73.2 x 59.7 cm Gilt stucco frame: 94 x 80 cm Good condition Provenance: Private property, Germany The painting presents the portrait of a beautiful young lady in a black lace-trimmed dress, she seems to be looking dreamingly, the head slightly moved aside Condition: The painting is in good condition consistent with the age. The varnish is slightly darkened and tiny craquelé can be seen overall on the canvas. There are areas with scuffing due to the frame along the upper edges and corners of the canvas and scattered marks can be seen. Several retouched spots can be seen mainly affecting the part right of the head as well as the part of the body. The frame shows traces of usage and larger tears can be seen affecting the corners. Small spots with loss of material can be found affecting both left corners. The dimensions are 73.2 x 59.7 cm and the frame measures 94 x 80 cm. Joseph Jean Vaudechamp (1790-1866) Joseph Jean Vaudechamp was a French painter of the 19th century, born in the department Vosges in the north-east of Paris. He was a pupil of Anne-Louis Girodet de Roussy-Trioson. His works were exhibited in the Paris up from 1817. At the beginning of the 1830s Vaudechamp went to New Orleans, USA to take his chance. He specialized in portraits there and became a popular portrait painter in Louisiana. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Apr. 27, 2016
Joseph J. Vaudechamp (1790-1866), Portrait of a Lady, Oil, 1827
Est: €7,000 - €9,100
Oil on canvas France/USA, 1827 Joseph Jean Vaudechamp (1790-1866) – French painter Signed and dated 'Vaudechamp 1827' lower right On the reverse with stamp of the Parisian shop for art supplies Dimensions: 73.2 x 59.7 cm Gilt stucco frame: 94 x 80 cm Good condition Provenance: Private property, Germany The painting presents the portrait of a beautiful young lady in a black lace-trimmed dress, she seems to be looking dreamingly, the head slightly moved aside Condition: The painting is in good condition consistent with the age. The varnish is slightly darkened and tiny craquelé can be seen overall on the canvas. There are areas with scuffing due to the frame along the upper edges and corners of the canvas and scattered marks can be seen. Several retouched spots can be seen mainly affecting the part right of the head as well as the part of the body. The frame shows traces of usage and larger tears can be seen affecting the corners. Small spots with loss of material can be found affecting both left corners. The dimensions are 73.2 x 59.7 cm and the frame measures 94 x 80 cm. Joseph Jean Vaudechamp (1790-1866) Joseph Jean Vaudechamp was a French painter of the 19th century, born in the department Vosges in the north-east of Paris. He was a pupil of Anne-Louis Girodet de Roussy-Trioson. His works were exhibited in the Paris up from 1817. At the beginning of the 1830s Vaudechamp went to New Orleans, USA to take his chance. He specialized in portraits there and became a popular portrait painter in Louisiana. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Jan. 17, 2015
†Jean Joseph Vaudechamp (French, 1790-1866; Active New Orleans 1831-39), "Portrait of a Man and a Woman, Presumably Baroness Louise D..
Est: $3,000 - $5,000
Jean Joseph Vaudechamp (French, 1790-1866; Active New Orleans 1831-39), "Portrait of a Man and a Woman, Presumably Baroness Louise Deconchy Receiving Word of Her Husband's Death in Battle," 1823, oil on canvas, signed and dated l.l., verso with a label inscribed in pen and ink "Baronne Louise Deconchy, epouse du general d' Empire Vincent Martel Deconchy (1768-1823)," presented in the period giltwood and gesso frame, H.- 28 3/4 in., W.- 23 in.
Crescent City Auction Gallery
Nov. 22, 2014
French Portraits by Jean-Joseph Vaudechamp
Est: $8,000 - $12,000
A Pair of Important French Portraits of a Distinguished Couple, 19th c., Jean-Joseph Vaudechamp (French, 1790-1866, active New Orleans, 1831-1839), "Pierre-Louis Hector Crémière (d. 1876)", 1830, signed and dated lower right, sitter identified on late 19th c. label en verso, 31 3/4 in. x 25 1/2 in.; and Vincent Nicholas Raverat (French, 1801-1865), "Cornélie Alexandrine Athénaïs Surdun (d. 1883), wife of Hector Crémière", 1829, oil on canvas, signed and dated lower right, sitter identified on later label en verso, 31 3/4 in. x 25 1/2 in., gilt frame, (2 pcs.) Provenance: With the sitters Pierre-Louis Hector Crémière (c. 1805-c.1875) and his wife Cornélie Alexandrine Athénaïs Surdun (c. 1810-1883), married 1830; to their son Léon Crémière (1831 (1831-1913), photographer to Napoleon III, and his wife Joséphine Césarine Baudinot, married 1854; to their son Captain Pierre Henri Crémière (b. 1857), recipient of the Légion of Honor, and his wife Émilie Ursule Marie Marthe Berthelon, married 1880; to their son Captain Pierre René Crémière (b. c. 1884) and his wife Solange Clochon La Touche (b. c. 1886), daughter of post-Impressionist painter Gaston La Touche (1854-1913), married 1909; thence by descent in the La Touche family; to the Estate sale of Gaston La Touche (1854-1913), Cyril Duval Enchères, La Flèche, France.
Neal Auction Company
Dec. 07, 2013
Jean Joseph Vaudechamp (French, 1790-1866)
Est: $5,000 - $8,000
Jean Joseph Vaudechamp (French, 1790-1866; Active New Orleans 1831-39), "Portrait of a Man and a Woman, Presumably Baroness Louise Deconchy Receiving Word of Her Husband's Death in Battle", oil on canvas, signed and dated lower left "Vaudechamp, 1823", 28-3/4" x 23", reverse label inscribed in pen and ink "Baronne Louise Deconchy, epouse du general d' Empire Vincent Martel Deconchy (1768-1823)". Presented in the period giltwood and gesso frame. This rare work is one of the earliest surviving paintings to have surfaced by Jean Joseph Vaudechamp, painted in France six years after he began exhibiting at the Paris Salon, one year before he married his second wife, one year before the death of his teacher, Anne-Louis Girodet-Trioson, and two years before his first (and only known) state commission. Vaudechamp very rarely painted multiple figures in the same composition, either in France or Louisiana. This canvas is presumably a portrait of Baroness Louise Deconchy, wife of General Vincent Martel Deconchy who died on a battlefield in Spain in 1823. This could perhaps be a mourning portrait of the Baroness and her son or secretary, with the classicized bust of the deceased general on a plinth behind the writing desk. The younger man is holding an official letter in his hand visibly inscribed at the top "MEE Espagne", again referring to the Franco-Spanish war. Regardless of the identity of the sitters, the portrait's composition is a sophisticated one for the 33-year-old artist, as the figures face each other tete-a-tete. Even in the handful of multi-figural compositions he would create in New Orleans, the painter usually preferred to have figures frontal, playing to the viewers. Vaudechamp's palette is brighter and slightly more acrid than the subdued one he would adopt in New Orleans after his 1832 arrival there. This work, like the Langres altarpiece and his later "Portrait of an Elegant Young Gentleman with Cane, presumed to be a Resident of New Orleans (Mr. Robley?)", reflects the artist's difficulty when presenting a figure at more than bust-length, witnessed in particular by the lady's lap and the extended leg. What he lacks in understanding of foreshortening, he more than makes up for in the handling of the face, fabric and details, seen in the design on the shawl draped over the chair. New Orleans Auction Galleries would like to thank William Keyse Rudolph, Ph.D., The Dudley J. Godfrey, Jr. Curator of American Art and Decorative Arts at the Milwaukee Art Museum for his generous contribution to cataloguing this lot.
New Orleans Auction Galleries
Oct. 13, 2013
J.-J. Vaudechamp (French/New Orleans 1790-1866)
Est: $10,000 - $15,000
Jean-Joseph Vaudechamp (French, 1790-1866, active New Orleans, 1831-1839), "Portraits of a Husband and Wife", pair of oils on canvas, both signed and dated upper left "Vaudechamp 1828", canvases stamped en verso "A. OTTOZ Eleve de Mr. Belot rue de la Michodiene No 2 a Paris", each 25-3/4" x 21". Both presented in period giltwood and gesso frames.
New Orleans Auction Galleries
Sep. 14, 2013
Jean-Joseph Vaudechamp (French/Louisiana)
Est: $10,000 - $15,000
Jean-Joseph Vaudechamp (French/Louisiana, 1790-1866, active New Orleans 1831-39), "Portrait of a Creole Lady in a Black Dress and Fur Stole", 1837, oil on canvas, signed and dated upper left, 32 in. x 25 1/2 in., period gilt frame Exhibited: Delgado Museum of Art (now the New Orleans Museum of Art) in September 1938. Illustrated and included in William Keyse Rudolph's dissertation Jean-Joseph Vaudechamp (1790-1864) in France and Louisiana, Bryn Mawr College, pp. 434-436. The pendenat portrait of her husband is also illustrated. Starting Price: USD 7000
Neal Auction Company
Jul. 28, 2013
Jean Joseph Vaudechamp (French, 1790-1866)
Est: $30,000 - $50,000
Jean Joseph Vaudechamp (French, 1790-1866; Active New Orleans 1831-39), "Portrait of a Young Woman, Partially Draped", signed and dated "Vaudechamp 1844", 36-3/4" x 29". Framed. This portrayal of a partially nude woman with her self-assured gaze, is a rare glimpse into Jean Joseph Vaudechamp's later career, painted two years before his only other known nude, "Portrait of a Young Girl, Partially Clothed". Both paintings reveal Vaudechamps' masterful modelling of the human form, his elegant composition, and use of soft light dappling the sitter's body. A French, academically trained artist and a pupil of the famous Anne-Louis Girodet-Trioson, Vaudechamp became the most sought-after portraitist in New Orleans during the 1830's, where he spent his winters painting members of the prominent Creole families. His success in New Orleans appears to have provided him with financial security, and although he continued to exhibit at the Salon, this brought him little critical acclaim. The two nudes are a departure from his usual subject matter; suggesting that perhaps he was experimenting with different genres in his later years. This evocative portrait is the first nude by the artist to have been offered for sale outside of Paris Reference: William Kayse Rudolph, Vaudechamp in New Orleans, The Historic New Orleans Collection, 2007.
New Orleans Auction Galleries
Nov. 17, 2012
Jean-Joseph Vaudechamp (French, 1790-1866)
Est: $10,000 - $15,000
Jean-Joseph Vaudechamp (French, 1790-1866, active New Orleans, 1831-1839), "Portrait of a French Woman, probably Catherine Fournier, mother of Alphonsine de Libeert", 1828, oil on canvas, signed and dated upper left, Paris canvas stamp and hand-written label en verso, 28 3/4 in. x 23 3/4 in., framed Starting Bid: $7000
Neal Auction Company
Oct. 07, 2012
Jean Joseph Vaudechamp (French, 1790-1866)
Est: $14,000 - $18,000
Jean Joseph Vaudechamp (French, 1790-1866, active New Orleans 1831-39) "Portrait of a Man and Woman, Presumably Baroness Louise Deconchy Receiving Word of Her Husband's Death in Battle", oil on canvas, signed and dated lower left "Vaudechamp, 1823", 28-3/4" x 23", reverse label inscribed in pen and ink "Baronne Louise Deconchy, epouse du general d' Empire Vincent Martel Deconchy (1768-1823). Presented in the period giltwood and gesso frame. This rare work is one of the earliest surviving paintings to have surfaced by Jean Joseph Vaudechamp, painted in France six years after he began exhibiting at the Paris Salon, one year before he married his second wife, one year before the death of his teacher, Anne-Louis Girodet-Trioson, and two years before his first (and only known) state commission. Vaudechamp very rarely painted multiple figures in the same composition, either in France or Louisiana. This canvas is presumably a portrait of Baroness Louise Deconchy, wife of General Vincent Martel Deconchy who died on a battlefied in Spain in 1823. This could perhaps be a mourning portrait of the Baroness and her son or secretary, with the classicized bust of the deceased general on a plinth behind the writing desk. The younger man is holding an official letter in his hand visibly inscribed at the top "MEE Espagne", again referring to the Franco-Spanish war. Regardless of the identity of the sitters, the portrait's composition is a sophisticated one for the 33 year-old artist, as the figures face each other tete-a-tete. Even in the handful of multi-figural compositions he would create in New Orleans, the painter usually preferred to have figures frontal, playing to the viewers. Vaudechamp's palette is brighter and slightly more acrid than the subdued one he would adopt in New Orleans after his 1832 arrival there. This work, like the Langres altarpiece and his later "Portrait of an Elegant Young Gentleman with Cane, presumed to be a Resident of New Orleans (Mr. Robley?)" reflects the artist's difficulty when presenting a figure at more than bust-length, witnessed in particular by the lady's lap and the extended leg. What he lacks in understanding of foreshortening, he more than makes up for in the handling of the face, fabric and details, seen in the design on the shawl draped over the chair. New Orleans Auction Galleries would like to thank William Keyse Rudolph, Ph.D., The Dudley J. Godfrey, Jr. Curator of American Art and Decorative Arts at the Milwaukee Art Museum for his generous contribution to cataloguing this lot.
New Orleans Auction Galleries
May. 20, 2012
Jean Joseph Vaudechamp (French, 1790-1866)
Est: $20,000 - $40,000
Jean Joseph Vaudechamp (French, 1790-1866, active New Orleans 1831-39) "Portrait of a Man and Woman, Presumably Baroness Louise Deconchy Receiving a Word of Her Husband's Death in Battle", oil on canvas, signed and dated lower left "Vaudechamp, 1823", 28-3/4" x 23", reverse label inscribed in pen and ink "Baronne Louise Deconchy, epouse du general d' Empire Vincent Martel Deconchy (1768-1823). Presented in the period giltwood and gesso frame. This rare work is one of the earliest surviving paintings to have surfaced by Jean Joseph Vaudechamp, painted in France six years after he began exhibiting at the Paris Salon, one year before he married his second wife, one year before the death of his teacher, Anne-Louis Girodet-Trioson, and two years before his first (and only known) state commission. Vaudechamp very rarely painted multiple figures in the same composition, either in France or Louisiana. This canvas is presumably a portrait of Baroness Louise Deconchy, wife of General Vincent Martel Deconchy who died on a battlefied in Spain in 1823. This could perhaps be a mourning portrait of the Baroness and her son or secretary, with the classicized bust of the deceased general on a plinth behind the writing desk. The younger man is holding an official letter in his hand visibly inscribed at the top "MEE Espagne", again referring to the Franco-Spanish war. Regardless of the identity of the sitters, the portrait's composition is a sophisticated one for the 33 year-old artist, as the figures face each other tete-a-tete. Even in the handful of multi-figural compositions he would create in New Orleans, the painter usually preferred to have figures frontal, playing to the viewers. Vaudechamp's palette is brighter and slightly more acrid than the subdued one he would adopt in New Orleans after his 1832 arrival there. This work, like the Langres altarpiece and his later "Portrait of an Elegant Young Gentleman with Cane, presumed to be a Resident of New Orleans (Mr. Robley?) reflects the artist's difficulty when presenting a figure at more than bust-length, witnessed in particularly by the lady's lap and the extended leg. What he lacks in understanding of foreshortening, he more than makes up for, in the handling of the face, fabric and details, such as design on the shawl draped over the chair. New Orleans Auction Galleries would like to thank William Keyse Rudolph, Ph.D., The Dudley J. Godfrey, Jr. Curator of American Art and Decorative Arts at the Milwaukee Art Museum for his generous contribution to cataloguing this lot.
New Orleans Auction Galleries
Feb. 08, 2012
Joseph VAUDEChAMP (1790-1866) Portrait de jeune
Est: €3,000 - €3,500
Joseph VAUDEChAMP (1790-1866) Portrait de jeune femme huile sur toile, signée et datée en haut à gauche. 74 x 60 cm
Beaussant-Lefevre
Sep. 10, 2011
Jean Joseph Vaudechamp (French 1790-1866)
Est: $15,000 - $25,000
Jean Joseph Vaudechamp (French 1790-1866, active New Orleans 1831-39), "Portrait of a Woman in a White Dress", 1851, oil on canvas, signed and dated lower right, 28 3/4 in. x 23 1/4 in., in a giltwood frame
Neal Auction Company
Nov. 20, 2010
Jean-Joseph Vaudechamp (French, 1790-1866, active
Est: $25,000 - $35,000
Jean-Joseph Vaudechamp (French, 1790-1866, active New Orleans, 1831-1839), "Portrait of Marie Emeranthe Becnel Brou (Madame Samuel Hermann)", oil on canvas, signed and dated "1833" lower left, with a handwritten label identifying the sitter en verso, 45 in. x 35 1/8 in., in a period giltwood frame. Provenance: Descended in the family of the sitter; to her granddaughter (from her first marriage to Pierre Antoine Brou) Louise Polymnie Josephine Brou Hebrard (1828-1905); and thence by descent to Berthe Marie Olivier de Vezin de Tarnowsky. Note: Widowed as a young woman, Emeranthe married German immigrant Samuel Hermann (1778-1853), who became one of the wealthiest merchant bankers in New Orleans in the early years of the 19th century. In about 1830 Hermann built the handsome townhouse at 820 St. Louis St. that is now a National Historic Landmark open to the public as the Hermann-Grima Historic House Museum. The museum's collection includes the splendid Vaudechamp portrait of Samuel Hermann which is the pendant to the portrait offered here, as well as Vaudechamp portraits of the Hermann children Marie Virginie and Lucien. Jean-Joseph Vaudechamp, who wintered in New Orleans from 1831 to 1839, is considered the foremost portrait painter in the city during that time. Reference: Rudolph, William Keyse, Vaudechamp in New Orleans, New Orleans: The Historic New Orleans Collection, 2007 Encyclopaedia of New Orleans Artists, 1718-1918, pp. 392-393 Reproduced in Korn, Bertram Wallace, The Early Jews of New Orleans, American Jewish Historical Society, Waltham, 1969; and Rudolph, William Keyse, "Jean-Joseph Vaudechamp in France and Louisiana," dissertation, Bryn Mawr College, 2003, pp. 417-418.
Neal Auction Company
Nov. 14, 2010
Hotaire J. Guenard (New Orleans, ca. 1827-1899)
Est: $2,000 - $4,000
Hortaire J. Guenard (American/New Orleans, b. ca. 1827-1899; Active New Orleans 1850-1899), After Jean Joseph Vaudechamp (French, 1790-1866; Active New Orleans 1831-1839) "Portrait of Marie Joseph Guenard, Madame Domingo de Fleitas", oil on canvas, signed and inscribed "After Vaudechamp" upper left, 32" x 26". Presented in a giltwood frame. Provenance: Ex-collection William E. Groves, New Orleans, Louisiana; illustrated in Louisiana Painters and Paintings from the Collection of W. E. Groves, 1971, page 57.
New Orleans Auction Galleries
Mar. 27, 2010
Jean Joseph Vaudechamp (French, 1790-1866, active
Est: $30,000 - $50,000
Jean Joseph Vaudechamp (French, 1790-1866, active New Orleans, 1831-39), "Portrait of Charles Victor Foulon, Notary (1805-1892)", oil on canvas, signed and dated "1834" upper right, 28 3/4 in. x 23 1/2 in., in a period giltwood frame.
Neal Auction Company
Nov. 21, 2009
Jean Joseph Vaudechamp (French, 1790-1864, active
Est: $20,000 - $30,000
Jean Joseph Vaudechamp (French, 1790-1864, active New Orleans), "Portrait of a Young Woman", oil on canvas, signed and dated "Vaudechamp 1828" upper right, 25 3/8 in. x 21 1/2 in., in a period neoclassical giltwood and gesso frame.
Neal Auction Company
Mar. 01, 2009
Joseph Jean VAUDECHAMP (1790-1866) - Portrait de
Est: €4,000 - €6,000
Joseph Jean VAUDECHAMP (1790-1866) - Portrait de jeune femme
Osenat
Oct. 11, 2008
Jean Joseph Vaudechamp (French, 1790-1864, active
Est: $20,000 - $30,000
Jean Joseph Vaudechamp (French, 1790-1864, active New Orleans 1831-1839), "Portrait of a Creole Woman", oil on canvas, signed and dated "1837" upper right, sight 31 3/4 in. x 25 1/4 in., with period elaborate gilt frame.
Neal Auction Company
Apr. 13, 2008
Jean-Joseph Vaudechamp (French, 1790-1864, Active
Est: $20,000 - $40,000
Jean-Joseph Vaudechamp (French, 1790-1864, Active New Orleans 1831-1839) "Portrait of Two Children", 46" x 35-1/4", signed and dated upper left: "Vaudechamp/ 1841". Presented in its original giltwood exhibition frame. Note: Jean- Joseph Vaudechamp was born in Rambervillers, France on December 20, 1790. As outlined in the recently published book Vaudechamp in New Orleans by William Keyse Rudolph, Vaudechamp moved to Paris as a child and lived with his aunt and her husband, the well-known poet Jacques Delilles. With Delilles' influence, Vaudechamp won entry into the E'cole des Beaux-Arts and the studio of Anne-Louis Girodet-Trison. Records indicate that Vaudechamp thrived in Girodet's studio and exhibited his works at the Salon from 1819 to 1848. He was married twice and died in August 1864. According to the author, the record is incomplete. "Missing is an extraordinary chapter in the story of Vaudechamp's career - and the story of the New Orleans art scene". The year is 1832. "The city's economy is thriving, its boundaries and population expanding - local Creoles find themselves steadily losing cultural, political, legal, economic, and geographical dominance. The stage is set for the arrival of an artist whose work will captivate and help revitalize the city's Creole community." In the 1830's Vaudechamp would spend his winters in Louisiana, and soon became established as the region's leading portrait artist. He was considered "quite simply" the most educated artist to have worked in New Orleans. Jean-Joseph Vaudechamp remains one of New Orleans' most beloved and celebrated artists. His works are represented in the collections of the Louisiana State Museum; The New Orleans Museum of Art; The Musee du Louvre, Paris; The Musee d'Art et Histoire, Cholet, France; The Hermann-Grima House, New Orleans; The Historic New Orleans Collection; as well as many private collections to name a few. For further discussions of the extraordinary career of Jean-Joseph Vaudechamp, see Vaudechamp in New Orleans by William Keyse Rudolph, 2007.
St Charles Gallery
Feb. 07, 2004
"Jean Baptiste Augustin"
Est: $12,000 - $18,000
signed upper left, 27 3/4 in. x 22 1/2 in.
Neal Auction Company
Oct. 04, 2003
Jean Joseph Vaudechamp (French, 1790-1866, active New Orleans, 1831-1839), "Jean
Est: $15,000 - $25,000
Jean Joseph Vaudechamp (French, 1790-1866, active New Orleans, 1831-1839), "Jean Baptiste Augustin", oil on canvassigned upper left, 27 3/4 in. x 22 1/2 in.
Neal Auction Company