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Joyce Wieland Sold at Auction Prices

Painter, b. 1931 - d. 1998

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  • JOYCE WIELAND (1931-1998) "INTERIOR ABSTRACT"
    Apr. 25, 2025

    JOYCE WIELAND (1931-1998) "INTERIOR ABSTRACT"

    Est: $200 - $400

    Oil on canvas. Signed and dated "67". Framed 21 x 27 inches. Provenance: by direct decent of the family of George M. Dallas, Vice President under James K. Polk. Condition: Good. Temp No 2732

    John McInnis Auctioneers
  • JOYCE WIELAND, RCA (CANADIAN, 1930-1998), LOVER IV
    Feb. 06, 2025

    JOYCE WIELAND, RCA (CANADIAN, 1930-1998), LOVER IV

    Est: $200 - $300

    JOYCE WIELAND, RCA (CANADIAN, 1930-1998) LOVER IV INK DRAWING; SIGNED VERSO; TITLED TO GALLERY LABELS Sight 4.8 x 7.5 in — 12.2 x 19.1 cm Estimate: $200—300 CAD

    Waddington's
  • JOYCE WIELAND, R.C.A., EXPO PAVILION DRAWING, pencil crayon on card, sheet 9.2 ins x 11.5 ins; 23.4 cms x 29.2 cms
    Sep. 17, 2020

    JOYCE WIELAND, R.C.A., EXPO PAVILION DRAWING, pencil crayon on card, sheet 9.2 ins x 11.5 ins; 23.4 cms x 29.2 cms

    Est: $2,000 - $3,000

    JOYCE WIELAND, R.C.A. EXPO PAVILION DRAWING pencil crayon on card sheet 9.2 ins x 11.5 ins; 23.4 cms x 29.2 cms Provenance: Private Collection, Ontario This lot is accompanied by a note from the artist on personal stationary, "Jim Loves The Slide | This is our best one so far | Best Wishes, Joyce" Joyce Wieland produced at least two Expo Pavillion [sic] drawings in 1984, both of which are reproduced as scans from Wieland’s personal slide archive on the Centre for Contemporary Canadian Art website. 1 One of these is the consigned coloured pencil drawing of two lovers amidst a wash of idyllic Canadian wilderness. In the note accompanying the consigned drawing, Wieland comments that the slide reproduction – which she likely submitted to an organizing committee for Expo ’87 – “is our best one so far.” No published writing on Wieland currently acknowledges this drawing (ostensibly one of a series). The 1986 World Exposition on Transportation and Communication, or Expo ’86, was the second exposition to be held in Canada after Expo ’67, and celebrated Vancouver’s centennial. Wieland’s inclusion in plans for the Canadian Pavilion would have been likely, given her reputation for witty and perceptive celebrations of the nation since her rise to fame in 1967. She was the first female artist to be given a solo retrospective at the National Gallery of Canada ( True Patriot Love, 1971) and the Art Gallery of Ontario (1987). During the first half of the 1980s Wieland’s career as a visual artist (as opposed to an experimental filmmaker) was relaunched. Bloom of Matter Spring, her 1981 solo exhibition at the Isaacs Gallery in Toronto, featured delicate yet rhapsodic coloured-pencil drawings variously described as “sex poetry,” teeming “with interior mythological and allegorical life,” and rejoicing in an “apotheosis of the erotic.” 2 Wieland had begun creating intimate ovoid and circular drawings in which she celebrates her love of nature through female sexuality in 1979. The consigned Expo Pavillion drawing is rectangular, but the curve of the earth is captured along the top with an ocean view recalling Wieland’s beloved memories of Newfoundland, where she and her husband, Michael Snow, spent many summers. Familiar characters appear: the ecstatic woman (possibly Wieland herself), her aesthetic lover, the stag (with which she associated the painter, Tom Thomson) seen atop the seaside cliff, and a Canada Goose honking a national cheer. “World in Motion – World in Touch,” as Expo ’86 was themed, intended “to expose avant-garde artists to large audiences” in the flagship Canadian pavilion, located in Vancouver’s busy harbour. 3 But many plans fell short when Christopher Wootten, the original Expo programming director was fired and approximately “$7 million “was trimmed from the budget for the entertainment program.” The cuts meant the cancellation of an art gallery and an exposition “embarrassingly short of visual art…”. Wootten and his visual arts consultant, Luke Rombout (the former director of the Vancouver Art Gallery), had planned a fine arts pavilion which was subsequently reserved for cabaret performances. In the end, Rombout succeeded in arranging only two exhibitions: Ramses II and His Times from the Cairo Museum and The Spectral Image, featuring holographic work by Wieland’s then ex-husband, Michael Snow. We thank Professor Anna Hudson, Graduate Program Director of Art History & Visual Culture in the School of the Arts, Media, Performance and Design at York University, for contributing this essay. 1http://ccca.concordia.ca/artists/artist_work.html?languagePref=en&link_id=276&startRec=25&cnt=163&ord=desc 2See: Jay Scott, “Full Circle, True, patriot womanhood: the 30-year passage of Joyce Wieland,” Canadian Art (Spring 1987), pp. 56-63: https://canadianart.ca/microsites/cover-stories/1987-spring.pdf; and Jan Allen Joyce Wieland: Twilit Record of Romantic Love(Kingston: The Agnes Etherington Art Centre, Queen's University, 1994): http://ccca.concordia.ca/c/writing/a/allen/all001t.html. 3See: Ann Walmsley, “Special Report / EXPO 86 – A World of Performance,” Maclean’s (March 17, 1986), https://archive.macleans.ca/article/1986/3/17/a-world-of-performance Estimate: $2,000–3,000

    Waddington's
  • Joyce Wieland (1931-1998), UNTITLED LANDSCAPE WITH FIGURES, 1985, 5.75 ins x 8.75 ins; 14.6 cms x 21.6 cms
    Mar. 29, 2018

    Joyce Wieland (1931-1998), UNTITLED LANDSCAPE WITH FIGURES, 1985, 5.75 ins x 8.75 ins; 14.6 cms x 21.6 cms

    Est: $500 - $700

    Joyce Wieland (1931-1998), CANADIANUNTITLED LANDSCAPE WITH FIGURES, 1985Colour pencils and metallic ink; signed and dated ‘85 5.75 ins x 8.75 ins; 14.6 cms x 21.6 cms Provenance:Private Collection, TorontoEstimate: $500–700

    Waddington's
  • JOYCE WIELAND (CANADIAN, 1930-1998), THE FAR SHORE, PHOTO-OFFSET LITHOGRAPH (Poster for “The Far Shore” - 1976); INSCRIBED, SIGNED AND DATED ‘76 LOWER RIGHT - for Powerhouse Joyce Wieland (Sight, 28.5” x 21”)
    Dec. 14, 2017

    JOYCE WIELAND (CANADIAN, 1930-1998), THE FAR SHORE, PHOTO-OFFSET LITHOGRAPH (Poster for “The Far Shore” - 1976); INSCRIBED, SIGNED AND DATED ‘76 LOWER RIGHT - for Powerhouse Joyce Wieland (Sight, 28.5” x 21”)

    Est: $150 - $200

    JOYCE WIELAND (CANADIAN, 1930-1998) THE FAR SHOREPHOTO-OFFSET LITHOGRAPH (Poster for “The Far Shore” - 1976); INSCRIBED, SIGNED AND DATED ‘76 LOWER RIGHT - for Powerhouse Joyce Wieland (Sight, 28.5” x 21”)Estimate: $150—200

    Waddington's
  • JOYCE WIELAND (CANADIAN, 1930-1998) SEATED FIGURE WITH VASE OF FLOWERSINK DRAWING; INITIALED LOWER RIGHT (Sheet, 8.3” x 11”)Estimate: $200—300
    Feb. 02, 2017

    JOYCE WIELAND (CANADIAN, 1930-1998) SEATED FIGURE WITH VASE OF FLOWERSINK DRAWING; INITIALED LOWER RIGHT (Sheet, 8.3” x 11”)Estimate: $200—300

    Est: -

    JOYCE WIELAND (CANADIAN, 1930-1998), SEATED FIGURE WITH VASE OF FLOWERS, INK DRAWING; INITIALED LOWER RIGHT (Sheet, 8.3” x 11”)

    Waddington's
  • JOYCE WIELAND, R.C.A., DANCERS, oil on canvas, 34 ins x 46 ins; 86.4 cms x 116.8 cms
    May. 30, 2016

    JOYCE WIELAND, R.C.A., DANCERS, oil on canvas, 34 ins x 46 ins; 86.4 cms x 116.8 cms

    Est: $12,000 - $15,000

    JOYCE WIELAND, R.C.A.DANCERSoil on canvassigned and dated ‘87 34 ins x 46 ins; 86.4 cms x 116.8 cms Provenance:Private Collection, TorontoNote:When Joyce Wieland returned to painting in the early 1980s after devoting a number of years to making films, she focused on themes of love and eroticism. As a feminist artist in the male-dominated art world of the 1960s, she had already treated themes of sex and female sexuality in work such as Heart On, 1961 (National Gallery of Canada). In a 1983 review of her current show at the Isaacs Gallery, art critic Christopher Hume called her “a searcher for the ecstatic” (Toronto Star, 30 April 1983). In Dancers, the fleshy cavorting figures appear to be part of an illusionistic Rococo ceiling painting, floating above our heads. The calligraphic quality of the work and the almost “automatic” application of paint succeed in conveying a feeling of lightness, boundless freedom and ultimately ecstasy as the naked bodies give themselves completely to the dance (of life, perhaps).

    Waddington's
  • JOYCE WIELAND, R.C.A., GODDESS OF EARTH, SEA & AIR, 1981, coloured pencils, framed as an oval, 15.5 ins x 20 ins; 39.4 cms x 50.8 cms
    Mar. 17, 2016

    JOYCE WIELAND, R.C.A., GODDESS OF EARTH, SEA & AIR, 1981, coloured pencils, framed as an oval, 15.5 ins x 20 ins; 39.4 cms x 50.8 cms

    Est: -

    JOYCE WIELAND, R.C.A.GODDESS OF EARTH, SEA & AIR, 1981coloured pencils, framed as an ovalsigned and dated 15.5 ins x 20 ins; 39.4 cms x 50.8 cms Provenance:The Isaacs Gallery Ltd., TorontoPrivate Collection, TorontoPrivate Collection, OntarioEstimate: $2,000–3,000

    Waddington's
  • JOYCE WIELAND, R.C.A., NOURISHING LIGHT, 1979, coloured pencils, framed as an oval, Sight 11.5 ins x 9 ins; 29.2 cms x 22.9 cms
    Mar. 17, 2016

    JOYCE WIELAND, R.C.A., NOURISHING LIGHT, 1979, coloured pencils, framed as an oval, Sight 11.5 ins x 9 ins; 29.2 cms x 22.9 cms

    Est: -

    JOYCE WIELAND, R.C.A.NOURISHING LIGHT, 1979coloured pencils, framed as an ovalsigned, titled and dated Sight 11.5 ins x 9 ins; 29.2 cms x 22.9 cms Provenance:The Isaacs Gallery Ltd., TorontoPrivate Collection, OntarioEstimate: $1,000–1,500

    Waddington's
  • JOYCE WIELAND, R.C.A., UNTITLED LANDSCAPE WITH FIGURES, coloured pencils and metallic ink, 5.75 ins x 8.75 ins; 14.6 cms x 21.6 cms
    Mar. 17, 2016

    JOYCE WIELAND, R.C.A., UNTITLED LANDSCAPE WITH FIGURES, coloured pencils and metallic ink, 5.75 ins x 8.75 ins; 14.6 cms x 21.6 cms

    Est: -

    JOYCE WIELAND, R.C.A.UNTITLED LANDSCAPE WITH FIGUREScoloured pencils and metallic inksigned and dated ‘85 5.75 ins x 8.75 ins; 14.6 cms x 21.6 cms Provenance:Private Collection, TorontoEstimate: $900–1,200

    Waddington's
  • JOYCE WIELAND, R.C.A., ALEXANDER SAYS EARS CAME BEFORE EYES (HIGHBUSH CRANBERRIES), watercolour, Sight 5 ins x 5 ins; 31.8 cms x 31.8 cms
    Nov. 23, 2015

    JOYCE WIELAND, R.C.A., ALEXANDER SAYS EARS CAME BEFORE EYES (HIGHBUSH CRANBERRIES), watercolour, Sight 5 ins x 5 ins; 31.8 cms x 31.8 cms

    Est: $1,500 - $2,000

    JOYCE WIELAND, R.C.A.ALEXANDER SAYS EARS CAME BEFORE EYES (HIGHBUSH CRANBERRIES)watercoloursigned and dated “1981 August” Sight 5 ins x 5 ins; 31.8 cms x 31.8 cms Provenance:The Isaacs Gallery Ltd., TorontoMira Godard Gallery, Toronto/CalgaryPrivate Collection, U.S.A.Exhibited:Joyce Wieland, Artist’s with their Work, Forest City Gallery, London, 1982 (organized by Extension Services of the Art Gallery of Ontario)

    Waddington's
  • JOYCE WIELAND, A COLLECTION OF SKETCHES, coloured inks on paper, 3.5 ins x 4.75 ins; 8.9 cms x 12.1 cms (10 Pieces)
    Oct. 22, 2015

    JOYCE WIELAND, A COLLECTION OF SKETCHES, coloured inks on paper, 3.5 ins x 4.75 ins; 8.9 cms x 12.1 cms (10 Pieces)

    Est: -

    JOYCE WIELANDA COLLECTION OF SKETCHEScoloured inks on paper3.5 ins x 4.75 ins; 8.9 cms x 12.1 cmsProvenance:Private Collection, TorontoEstimate: $500—700

    Waddington's
  • JOYCE WIELAND (CANADIAN, 1930-1998), SEATED FIGURE WITH VASE OF FLOWERS, INK DRAWING; INITIALED LOWER RIGHT (Sheet, 8.3” x 11”)
    Sep. 17, 2015

    JOYCE WIELAND (CANADIAN, 1930-1998), SEATED FIGURE WITH VASE OF FLOWERS, INK DRAWING; INITIALED LOWER RIGHT (Sheet, 8.3” x 11”)

    Est: -

    JOYCE WIELAND (CANADIAN, 1930-1998) SEATED FIGURE WITH VASE OF FLOWERSINK DRAWING; INITIALED LOWER RIGHT (Sheet, 8.3” x 11”)Estimate: $500—700

    Waddington's
  • JOYCE WIELAND, R.C.A., SHE SPEAKS IN BLUE, RED & YELLOW, 1980, coloured pencils, 10.75 ins x 13 ins; 27.3 cms x 33 cms
    May. 25, 2015

    JOYCE WIELAND, R.C.A., SHE SPEAKS IN BLUE, RED & YELLOW, 1980, coloured pencils, 10.75 ins x 13 ins; 27.3 cms x 33 cms

    Est: $1,000 - $1,500

    JOYCE WIELAND, R.C.A. SHE SPEAKS IN BLUE, RED & YELLOW, 1980 coloured pencilssigned, dated '80 and inscribed "Blue, Red, Yellow" in pencil 10.75 ins x 13 ins; 27.3 cms x 33 cms Provenance:The Isaacs Gallery Ltd., TorontoPrivate Collection, Toronto

    Waddington's
  • JOYCE WIELAND, R.C.A., L'ASSASSINAT DE MARAT PAR CHARLOTTE CORDAY, 1987, oil on canvas, 53 ins x 39 ins; 134.6 cms x 99.1 cms
    May. 25, 2015

    JOYCE WIELAND, R.C.A., L'ASSASSINAT DE MARAT PAR CHARLOTTE CORDAY, 1987, oil on canvas, 53 ins x 39 ins; 134.6 cms x 99.1 cms

    Est: $15,000 - $18,000

    JOYCE WIELAND, R.C.A.L'ASSASSINAT DE MARAT PAR CHARLOTTE CORDAY, 1987 oil on canvas 53 ins x 39 ins; 134.6 cms x 99.1 cms Provenance:The Isaacs Gallery Ltd., TorontoPrivate Collection, TorontoLiterature:Jane Lind, Joyce Wieland: Artist on Fire, James Lorimer & Company, Ltd., Toronto, 2001, page 17.Note:It was on the eve of the fourth anniversary of the sacking of the Bastille, 13 July 1793, that the noblewoman Charlotte Corday, knocked on Jean-Paul Marat's door. Claiming knowledge of an escaped group of Girondins, Corday was permitted entry and recited her list of 18 offenders. In truth, Corday was a Girondin sympathizer, a member of an impoverished aristocratic family seeking to avenge the 'wrongdoings' of the Revolution. After Marat had finished writing down the names, he assured the lady that the 'heads' of the guilty would 'fall within a fortnight.' With her true allegiance called to task, Corday produced a kitchen knife from her corset, and slayed the politician. She would later testify during her four-day trial that she had 'killed one man to save 100,000.'The works of Joyce Wieland are frequently lauded as emblems of patriotism and feminism. "From the beginning of her career, Joyce did not try to paint like a man, even at a time when mainly men's work was considered authentic art. Working from the wellspring of who she was, a woman and a feminist...meant accepting an inescapable identity that modified her position in art; as a woman she was marginal even though she was the country's leading (woman) artist by the late sixties."In this work, Wieland re-infuses the scene, immortalized previously in a work by Jacques-Louis David, with the female voice. The viewer is compelled by the artist to reinvestigate the narrative, the moment captured, and the true hero. As Wieland inscribed: MODERÉE: To "moderate" the story, to make less extreme, the average, the commonplace.This work was executed in 1987, the year in which Wieland became the first living Canadian-woman artist to be given a career-long retrospective at the Art Gallery of Ontario (16 April-28 June 1987).

    Waddington's
  • Joyce Wieland (1931-1998), SOROSEELUTU, ARTIST OF CAPE DORSET, 1979, Colour lithograph; signed, titled, dated 1979 and numbered 50/50 in pencil, Image 11" x 11.5" - 27.9 x 29.2 cm.
    Mar. 10, 2015

    Joyce Wieland (1931-1998), SOROSEELUTU, ARTIST OF CAPE DORSET, 1979, Colour lithograph; signed, titled, dated 1979 and numbered 50/50 in pencil, Image 11" x 11.5" - 27.9 x 29.2 cm.

    Est: $400 - $600

    JOYCE WIELAND (1931-1998), CANADIANSOROSEELUTU, ARTIST OF CAPE DORSET, 1979Colour lithograph; signed, titled, dated 1979 and numbered 50/50 in pencilImage 11" x 11.5" - 27.9 x 29.2 cm.Provenance:The Isaacs Gallery, TorontoEstimate: $400-600

    Waddington's
  • Joyce Wieland (Canadian 1931-1998)
    Nov. 26, 2013

    Joyce Wieland (Canadian 1931-1998)

    Est: $2,000 - $3,000

    Untitled: A couple in song Acrylic on canvas; signed verso 75 x 72 in.

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $300 - $500

    UNTITLED: SKETCH - COMIC STRIP Pen on paper. Signed lower right 8 in. x 10 in. (20 cm. x 25 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $1,500 - $2,000

    WOMAN AND ORANGE MOON Coloured pencil on paper. Signed lower right 23 in. x 30 in. (58.4 cm. x 76.2 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $400 - $600

    THE CACTUS OF LOVE B & W drawing. Signed and dated lower right, '88 6 in. x 9 in. (15.2 cm. x 22.9 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $500 - $700

    UNTITLED B & W drawing. Signed lower right 5 3/4 in. x 8 1/2 in. (14.6 cm. x 21.6 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $800 - $1,200

    JOY Red ink on paper. Signed and dated, '88 11 3/4 in. x 9 in. (29.8 cm. x 22.9 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $800 - $1,200

    FACING NORTH - SELF IMPRESSION Lithograph 36/50. Signed lower right 13 in. x 17 in. (33 cm. x 43 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $1,500 - $2,000

    SQUID JIGGING Lithograph 49/50. Signed and dated lower right, '73 20 1/2 in. x 29 1/2 in. (52 cm. x 74.9 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $800 - $1,200

    STAGE Unframed oil on canvas 12 in. x 16 in. (30.5 cm. x 40.6 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $400 - $600

    UNTITLED: TWO SKETCHES - Joyce and Michael Pen on paper. Signed lower right 8 1/2 in. x 11 in. (21.5 cm. x 28 cm.) & 8 1/4 in. x 5 1/4 in. (21 cm. x 13.5 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $500 - $700

    CANADA LIBRE Ink on paper. Signed lower right 8 1/2 x 11 in. (21.5 x 28 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $800 - $1,200

    RED ROOM Oil on canvas. Signed, titled, dated verso, 1962 9 in. x 12 in. (22.8 cm. x 30.4 cm.)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $1,000 - $1,500

    THE ARCTIC BELONGS TO ITSELF Lithograph 33/50. Signed lower right 12 in. x 15 in. (30 cm. x 37.5 cm)

    A. H. Wilkens Auctions & Appraisals
  • JOYCE WIELAND OC, RCA (Canadian, 1931-1998)
    May. 28, 2013

    JOYCE WIELAND OC, RCA (Canadian, 1931-1998)

    Est: $1,000 - $1,500

    RETURN OF NAPOLEON Coloured pencil on paper Signed and dated lower right '60 8 1/4 in. x 11 in. (20.9 cm. x 27.9 cm.)

    A. H. Wilkens Auctions & Appraisals
  • Joyce Wieland 1931 - 1998 Canadian chalk and
    Jun. 28, 2012

    Joyce Wieland 1931 - 1998 Canadian chalk and

    Est: $1,000 - $1,500

    Joyce Wieland 1931 - 1998 Canadian chalk and pencil on paper The Lovers 10 7/8 x 8 1/8 inches 27.6 x 20.6 centimeters initialed and on verso signed, titled and dated 1961 on the gallery label Provenance:Confederation Art Gallery and Museum, Charlottetown, Prince Edward Island The Isaacs Gallery Ltd., Toronto Private Collection, Montreal Exhibited:National Gallery of Canada, Ottawa, Meredith Wieland, catalogue #1

    Heffel
  • JOYCE WIELAND (CANADIAN, 1930- 1998) UNTITLED;
    Jul. 07, 2011

    JOYCE WIELAND (CANADIAN, 1930- 1998) UNTITLED;

    Est: $500 - $700

    JOYCE WIELAND (CANADIAN, 1930- 1998) UNTITLED; PENCIL DRAWING; SIGNED AND DATED '89 LOWER LEFT Sight 4" x 5.3" - 10.2 x 13.5 cm.

    Waddington's
  • JOYCE WIELAND, R.C.A. SEATED FIGURE WITH VASE OF
    Jun. 02, 2011

    JOYCE WIELAND, R.C.A. SEATED FIGURE WITH VASE OF

    Est: $1,000 - $1,500

    JOYCE WIELAND, R.C.A. SEATED FIGURE WITH VASE OF FLOWERS, ink drawing; signed with initials 8 1/2 ins x 11 ins; 21.3 cms x 27.5 cms

    Waddington's
  • JOYCE WIELAND, R.C.A., CANADA SI, YANKI NO, mixed media collage, 7 1/2 ins x 9 1/4 ins; 18.8 cms x 23.1 cms
    May. 27, 2011

    JOYCE WIELAND, R.C.A., CANADA SI, YANKI NO, mixed media collage, 7 1/2 ins x 9 1/4 ins; 18.8 cms x 23.1 cms

    Est: $2,000 - $2,500

    JOYCE WIELAND, R.C.A., CANADA SI, YANKI NO, mixed media collage; signed. 7 1/2 ins x 9 1/4 ins; 18.8 cms x 23.1 cms.

    Waddington's
  • VARIOUS ARTISTS, COMPLETE "TORONTO 20" PRINT PORTFOLIO, various media and techniques, Sheet 26 ins x 20 ins; 65 cms x 50 cms (20 Pieces)
    May. 27, 2011

    VARIOUS ARTISTS, COMPLETE "TORONTO 20" PRINT PORTFOLIO, various media and techniques, Sheet 26 ins x 20 ins; 65 cms x 50 cms (20 Pieces)

    Est: $9,000 - $12,000

    VARIOUS ARTISTS, COMPLETE "TORONTO 20" PRINT PORTFOLIO, various media and techniques; each signed, several dated 1965, each numbered 55 in an edition of 100. Sheet 26 ins x 20 ins; 65 cms x 50 cms. Note: The folio includes prints by Dennis Burton, Jack Bush, Graham Coughtry, Greg Curnoe, Sorel Etrog, Gerald Gladstone, Richard Gorman, Robert Hedrick, William Kurelek, Les Levine, Robert Markle, Waltraud Markgraf, John Meredith, Kazuo Nakamura, Gordon Rayner, William Ronald, Michael Snow, Mashel Teitelbaum, Tony Urquhart and Joyce Wieland.

    Waddington's
  • JOYCE WIELAND, R.C.A., WOMAN WITH VASES OF FLOWERS, acrylic on canvas, 48 ins x 60 ins; 120 cms x 150 cms
    May. 27, 2011

    JOYCE WIELAND, R.C.A., WOMAN WITH VASES OF FLOWERS, acrylic on canvas, 48 ins x 60 ins; 120 cms x 150 cms

    Est: $6,000 - $8,000

    JOYCE WIELAND, R.C.A., WOMAN WITH VASES OF FLOWERS, acrylic on canvas; signed and dated /90. 48 ins x 60 ins; 120 cms x 150 cms.

    Waddington's
  • JOYCE WIELAND (CANADIAN, 1930-1998) THE BIRTH OF
    Apr. 07, 2011

    JOYCE WIELAND (CANADIAN, 1930-1998) THE BIRTH OF

    Est: $1,500 - $2,000

    JOYCE WIELAND (CANADIAN, 1930-1998) THE BIRTH OF TURKEY; WATERCOLOUR/PENCIL; SIGNED, TITLED AND DATED '88 LOWER RIGHT Sheet 11.8" x 8.8" - 30 x 22.4 cm.

    Waddington's
  • JOYCE WIELAND (CANADIAN, 1930-1998) UNTITLED;
    Apr. 07, 2011

    JOYCE WIELAND (CANADIAN, 1930-1998) UNTITLED;

    Est: $500 - $700

    JOYCE WIELAND (CANADIAN, 1930-1998) UNTITLED; PENCIL DRAWING; SIGNED AND DATED '89 LOWER LEFT Sight 4" x 5.3" - 10.2 x 13.5 cm.

    Waddington's
  • JOYCE WIELAND, R.C.A.L'ANSE AU FOLON [SIC], 1988
    Nov. 22, 2010

    JOYCE WIELAND, R.C.A.L'ANSE AU FOLON [SIC], 1988

    Est: $10,000 - $15,000

    JOYCE WIELAND, R.C.A.L'ANSE AU FOLON [SIC], 1988, oil on canvas47 ins x 49 ins; 117.5 cms x 122.5 cms

    Waddington's
  • Joyce Wieland (1931-1998), CanadianPATRIOTISM (FROM TORONTO TWENTY PORTFOLIO), 1965
    Oct. 21, 2010

    Joyce Wieland (1931-1998), CanadianPATRIOTISM (FROM TORONTO TWENTY PORTFOLIO), 1965

    Est: $300 - $500

    Joyce Wieland (1931-1998), CanadianPATRIOTISM (FROM TORONTO TWENTY PORTFOLIO), 1965; Lithograph; signed, dated 65 and numbered 40/100 in pencilSheet sight 23.6" x 17.7" - 59.9 x 45 cm.

    Waddington's
  • Joyce Wieland 1931 - 1998 Canadian acrylic fibre
    Sep. 30, 2010

    Joyce Wieland 1931 - 1998 Canadian acrylic fibre

    Est: $2,500 - $3,500

    Joyce Wieland 1931 - 1998 Canadian acrylic fibre Untitled 52 x 103 inches 132.1 x 261.6 centimeters signed, editioned 9/25 and dated 1976 Provenance:Private Collection, Toronto

    Heffel
  • Signed JOYCE WIELAND Woman with Bird Poster:
    Jun. 20, 2010

    Signed JOYCE WIELAND Woman with Bird Poster:

    Est: $100 - $150

    Signed JOYCE WIELAND Woman with Bird Poster: Canadian Artist and Film Maker, 1931-1998. Signed LL, 24" X 17". Done in 1979. Titled Soroseelutu. (100-150)

    Phoebus Auction Gallery
  • JOYCE WIELAND, R.C.A. THE FARM IS SAVED, 1988,
    Jun. 10, 2010

    JOYCE WIELAND, R.C.A. THE FARM IS SAVED, 1988,

    Est: $700 - $900

    JOYCE WIELAND, R.C.A. THE FARM IS SAVED, 1988, ink; signed diameter 4 ins; 10 cms

    Waddington's
  • JOYCE WIELAND, R.C.A., WILDLIFE LANDSCAPE, wall hanging, 53 ins x 99 ins; 132.5 cms x 241.5 cms
    Jun. 01, 2010

    JOYCE WIELAND, R.C.A., WILDLIFE LANDSCAPE, wall hanging, 53 ins x 99 ins; 132.5 cms x 241.5 cms

    Est: $10,000 - $15,000

    JOYCE WIELAND, R.C.A.WILDLIFE LANDSCAPE, wall hanging; signed, dated '76 and numbered "5/25" 53 ins x 99 ins; 132.5 cms x 241.5 cms Literature: Marie Fleming, Joyce Wieland, Art Gallery of Ontario, Toronto, Ontario, 1987, pages 90-91.Note: Noting a large commissioned work produced by Wieland for the Toronto Transit Commission in 1978, Marie Fleming describes Barren Ground Caribou, which shares a similar subject with this lot, stating that, "Wieland's largest quilt - approximately two metres by nine metres - is also the most illustrative. But it is so with childlike, gentle delight: fifteen caribou pause in their annual migration in a vast but somehow safe space... Indeed, the work has the clarity, the tenderness and the mixture of fantasy and innocence that is found in the illustrations of Beatrix Potter, whose books Wieland has cherished since childhood."

    Waddington's
  • JOYCE WIELAND, R.C.A., PUSH, 1960, ink, 10 ins x 14 ins; 25 cms x 35 cms
    Nov. 24, 2009

    JOYCE WIELAND, R.C.A., PUSH, 1960, ink, 10 ins x 14 ins; 25 cms x 35 cms

    Est: $1,500 - $2,000

    JOYCE WIELAND, R.C.A. PUSH, 1960, ink; titled, discolouration at upper corners 10 ins x 14 ins; 25 cms x 35 cms Provenance: Dorothy Cameron Gallery, Toronto. H.A. McPherson, Toronto. Galerie John A. Schweitzer, Montreal. Exhibited: Eros, Dorothy Cameron Gallery, Toronto, 1965. Toronto: 1955-1965, Galerie John A. Schweitzer, Montreal, no.33.

    Waddington's
  • Joyce Wieland 1931 - 1998 Canadian red and grey
    Mar. 26, 2009

    Joyce Wieland 1931 - 1998 Canadian red and grey

    Est: $1,500 - $2,500

    Joyce Wieland 1931 - 1998 Canadian red and grey lithographed print on silk Squid Jiggin' O this is the place where the fishermen gather with oilskins and boots..... 19 1/2 x 24 1/2 inches 49.5 x 62.2 centimeters signed, dated 1973 and numbered 5/8 in pencil Provenance:Collection of Av Isaacs, The Isaacs Gallery Ltd., Toronto Private Collection, Toronto The text was taken from the popular Newfoundland folk song, The Squid Jiggin' Ground originally written by Arthur Scammel in 1928 (recordings were made by Hank Snow and Stompin' Tom Connors). There is a copy of the original signed and titled frame backing on verso.

    Heffel
  • Joyce Wieland 1931 - 1998 Canadian felt pen ink,
    Mar. 26, 2009

    Joyce Wieland 1931 - 1998 Canadian felt pen ink,

    Est: $1,000 - $2,000

    Joyce Wieland 1931 - 1998 Canadian felt pen ink, ball-point pen and graphite on paper Art for the Betterment of Sum / Corrective Method (verso) 18 1/2 x 23 inches 47 x 58.4 centimeters Provenance:Collection of Av Isaacs, The Isaacs Gallery Ltd., Toronto Private Collection, Toronto According to Av Isaacs, the work (as described on the recto) was done by Wieland at one of her exhibitions over a previous work.

    Heffel
  • JOYCE WIELAND, R.C.A SPRING GROWTH, 1960
    Nov. 25, 2008

    JOYCE WIELAND, R.C.A SPRING GROWTH, 1960

    Est: -

    JOYCE WIELAND, R.C.A SPRING GROWTH, 1960

    Joyner
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