Tim Zuck Sold at Auction Prices

b. 1947 -

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    • Tim Zuck (Canadian, b. 1947), “Perspective”
      Sep. 30, 2020

      Tim Zuck (Canadian, b. 1947), “Perspective”

      Est: $600 - $800

      Lithograph on paper, ed. 2/20, 1971-83

      Peter Estey Fine Art & Auctions
    • TIM ZUCK (1947-), BIRD HOUSE (#268), charcoal on wove paper, 22 ins x 17.75 ins; 55.9 cms x 45.1 cms
      Apr. 13, 2017

      TIM ZUCK (1947-), BIRD HOUSE (#268), charcoal on wove paper, 22 ins x 17.75 ins; 55.9 cms x 45.1 cms

      Est: -

      TIM ZUCK (1947-)BIRD HOUSE (#268)charcoal on wove papersigned, titled and dated 2008 on artist label on the reverse 22 ins x 17.75 ins; 55.9 cms x 45.1 cms Provenance:Private Collection, CalgaryPaul Kuhn Gallery, CagaryExhibited:Slow Sight: Tim Zuck and Itee Pootoogook, MacLaren Art Centre, Barrie, Ontario, 9 June 2012 - 2 September, 2012Tim Zuck is known to paint common objects and familiar places, pared down to their most essential form. In his expertly executed paintings, he pushes the boundaries of realism. “I really try to slow down time by trying to take simple things and actually tear them down, peel away at it. I basically try and reduce the object to its essence and that is really intense for me and it works.”Born in Erie, Pennsylvania in 1947, Zuck was educated at the Nova Scotia College of Art and received his MFA from the California Institute of the Arts in 1972. As an instructor at NSCAD from 1972 to 1979, his practice reflected the conceptual processes prevalent at the time. In 1979, Zuck left NSCAD and his performance, video and photography work to pursue painting full time. His work has been widely exhibited and collected throughout Canada and is held in the permanent collections of leading institutions including the National Gallery of Canada, Ottawa, the Canada Council Art Bank, McMichael Canadian Collection, Toronto, Vancouver Art Gallery and Art Gallery of Ontario among many others.Estimate: $4,000–6,000

      Waddington's
    • TIM ZUCK (1947-), TWO SHAPES (#177), oil on panel, 14.25 ins x 15.5 ins; 36.2 cms x 39.4 cms
      Apr. 13, 2017

      TIM ZUCK (1947-), TWO SHAPES (#177), oil on panel, 14.25 ins x 15.5 ins; 36.2 cms x 39.4 cms

      Est: -

      TIM ZUCK (1947-)TWO SHAPES (#177)oil on panelsigned, titled and dated 1988 14.25 ins x 15.5 ins; 36.2 cms x 39.4 cms Provenance:Private Collection, CalgaryThe Sable-Castelli Gallery Ltd., TorontoTim Zuck is known to paint common objects and familiar places, pared down to their most essential form. In his expertly executed paintings, he pushes the boundaries of realism. “I really try to slow down time by trying to take simple things and actually tear them down, peel away at it. I basically try and reduce the object to its essence and that is really intense for me and it works.”Born in Erie, Pennsylvania in 1947, Zuck was educated at the Nova Scotia College of Art and received his MFA from the California Institute of the Arts in 1972. As an instructor at NSCAD from 1972 to 1979, his practice reflected the conceptual processes prevalent at the time. In 1979, Zuck left NSCAD and his performance, video and photography work to pursue painting full time. His work has been widely exhibited and collected throughout Canada and is held in the permanent collections of leading institutions including the National Gallery of Canada, Ottawa, the Canada Council Art Bank, McMichael Canadian Collection, Toronto, Vancouver Art Gallery and Art Gallery of Ontario among many others.Estimate: $8,000–10,000

      Waddington's
    • TIM ZUCK, WING, etching, plate 6.5 ins x 9.5 ins; 16.5 cms x 24.1 cms
      Apr. 13, 2015

      TIM ZUCK, WING, etching, plate 6.5 ins x 9.5 ins; 16.5 cms x 24.1 cms

      Est: $400 - $500

      TIM ZUCK WING etchingsigned, titled, dated '97 and numbered 9/20 plate 6.5 ins x 9.5 ins; 16.5 cms x 24.1 cms Provenance:Private Collection, OntarioNote:Born in Erie, Pennsylvania in 1947, Tim Zuck was educated at the Nova Scotia College of Art and received his MFA from the California Institute of the Arts in 1972. As an instructor at Nova Scotia College of Art and Design from 1972 to 1979, Zuck's practice reflected the conceptual processes prevalent at the time. In 1979 Zuck left the institution to pursue his performance, video and photography work full-time.Zuck is known to paint common objects and familiar places, pared down to their most essential form. In his expertly executed paintings, he pushes the boundaries of realism. "I really try to slow down time by trying to take simple things and actually tear them down, peel away at it. I basically try and reduce the object to its essence and that is really intense for me and it works." The etching Wing from 1972 graphically illustrates this formal minimalism, the spare wing extending out into an open grey sky.Zuck has been widely exhibited and collected throughout Canada and his work his held in the permanent collections of leading institutions including the National Gallery of Canada (Ottawa), the Canada Council Art Bank, McMichael Canadian Collection,Vancouver Art Gallery and Art Gallery of Ontario among many others.

      Waddington's
    • TIM ZUCK, UNTITLED #72, oil and pencil on canvas, 22 ins x 22 ins; 55.9 cms x 55.9 cms
      Sep. 23, 2014

      TIM ZUCK, UNTITLED #72, oil and pencil on canvas, 22 ins x 22 ins; 55.9 cms x 55.9 cms

      Est: $15,000 - $20,000

      TIM ZUCKUNTITLED #72oil and pencil on canvassigned, titled and dated 1976 22 ins x 22 ins; 55.9 cms x 55.9 cms Provenance:Private Collection, OntarioLiterature:Zuck, Tim. Artist Tim Zuck Learns to Talk. theconcordian. Jan. 15, 2003. Accessed August 1, 2014. http://theconcordian.com/2003/01/artist-tim-zuck-learns-to-talk/.Note:Born in Erie, Pennsylvania in 1947, Tim Zuck completed his Bachelor of Fine Arts from the Nova Scotia College of Art and Design in 1971 and a Masters of Fine Arts from the California Institute of the Arts in 1972. He worked as an instructor at NSCAD from 1972-1979. Both educational milieus were hubs for conceptual art at this time and much of Zuck's earlier practice reflected the prevalent interest in the process-oriented. In 1979, he left NSCAD and his earlier performance, video, and photography work to pursue painting full time. Generally considered a realist, Zuck is known to paint common objects, familiar places and known genres paired down to their most essential form. In his expertly executed paintings, he pushes the boundaries of realism, "I really try to slow down time by trying to take simple things and actually tear them down, peel away at it. I basically try to reduce the object to its essence and that is really intense for me and it works." Untitled #72 epitomizes Zuck's approach to artmaking; a bird's eye view of the artist's house in Purcell's Cove, near the entrance to Halifax Harbour, is distilled to its fundamental core.Zuck has shown his work extensively with over 30 solo exhibitions and 50 group exhibitions in North America and Asia. In 2002, a retrospective of his work traveled the country, which surveyed his work from 1976-2003. He now resides in Penetanguishine, Ontario and keeps a studio in Georgian Bay.

      Waddington's
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