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Lot 2056: ECOLE COREENNE Attribuée à Jeong Seon / Chong Son / 정선/ 鄭敾 (1676-1759)

Est: €800 EUR - €1,500 EURSold:
Boisgirard-AntoniniParis, FranceDecember 14, 2018

Item Overview

Description

ECOLE COREENNE Attribuée à Jeong Seon / Chong Son / 정선/ 鄭敾(1676-1759)
Cartes de Pyongyang / Vues à vol d’oiseau de Pyongyang / Capitale historique de la Corée
Suite de quatre (4) encres sur soie
Chaque montée en kakemono (orientation portrait, pour suspension) Toutes signées à deux caractères à l’identique, deux (2) le sont en haut à gauche, les deux (2) autres le sont en haut à droite : «谒X » Toutes lesdites signatures sont adjointes de deux cachets rouges Porte une étiquette inscrite de deux colophons en kaishu sur la monture : « 譙齋先生平壤圖/後學春谷高羲東簽»
Offertes à la vente dans une boîte en bois ancienne dont le couvercle est marouflé en son sein d’une étiquette inscrite ainsi : « 平壤圖/ 四幅/ 三有五十年前/ 謙齌/鄭敾筆(Carte de Pyongyang / Quatre rouleaux / Il y a trois cent cinquante ans / XX / Dessinées par Jeong Seon)

Dimensions de chaque œuvre :
> 57,5 x 36 cm
> 58,5 x 35,5 cm
> 56 x 35,5 cm
> 57,5 x 36 cm
(œuvres vendues en l’état / retranscription des caractères non garantie) Provenance: Collection Y.C.B. - Constituée sur une période de vingt ans, dans les années 1970 et 1980. Pièces acquises, pour l'essentiel, auprès de Jean et Henri B., diplomates de carrière, le second ayant été, inter alia, Ambassadeur en Chine et en Corée. D'autres furent achetées auprès de M. Carlos Atalaya, alors antiquaire à Tanger et Marbella.

Note : Egalement connu sous le nom de GYEOMJAE / 겸재/ 謙齋, Jeong Son est l’un peintre paysagiste coréen, l’un des rares dont les œuvres se distinguent du style traditionnel chinois.
Comparaison : Pour une œuvre de cet artiste à la signature, il est vrai, saisissante par sa ressemblance, se référer à la « Vue de la montagne / du pic Hyeolmang » conservée au Metropolitan Museum et prêtée par le Musée de l’Université Nationale de Séoul.

A SUITE / SERIES OF FOUR (4) INKS ON SILKS DEPICTING PYONGYANG / MAPS
ATTRIBUTED TO Jeong Seon / Chong Son / 정선/ 鄭敾(1676-1759), ALL MOUNTED AS KAKEMONO / KAKEJIKU
Korea, Yi / Choseon/ Joseon Dynasty

Artist or Maker

Notes

The history of Asian art, or Eastern art, includes a vast range of influences from various cultures and religions. Developments in Asian art historically parallel those in Western art, in general a few centuries earlier. Chinese art, Indian art, Korean art, Japanese art, each had significant influence on Western art, and, vice versa. Near Eastern art also had a significant influence on Western art. Excluding prehistoric art, the art of Mesopotamia represents the oldest forms of Asian art.

Chinese art is visual art that, whether ancient or modern, originated in or is practiced in China or by Chinese artists. The Chinese art in the Republic of China (Taiwan) and that of overseas Chinese can also be considered part of Chinese art where it is based in or draws on Chinese heritage and Chinese culture. Early "stone age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After this early period Chinese art, like Chinese history, is typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years.

Chinese art has arguably the oldest continuous tradition in the world, and is marked by an unusual degree of continuity within, and consciousness of, that tradition, lacking an equivalent to the Western collapse and gradual recovery of classical styles. The media that have usually been classified in the West since the Renaissance as the decorative arts are extremely important in Chinese art, and much of the finest work was produced in large workshops or factories by essentially unknown artists, especially in the field of Chinese porcelain. Much of the best work in ceramics, textiles and other techniques was produced over a long period by the various Imperial factories or workshops, which as well as being used by the court was distributed internally and abroad on a huge scale to demonstrate the wealth and power of the Emperors. In contrast, the tradition of ink wash painting, practiced mainly by scholar-officials and court painters especially of landscapes, flowers, and birds, developed aesthetic values depending on the individual imagination of and objective observation by the artist that are similar to those of the West, but long pre-dated their development there. After contacts with Western art became increasingly important from the 19th century onwards, in recent decades China has participated with increasing success in worldwide contemporary art.

Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds.

The earliest examples of Korean art consist of stone age works dating from 3000 BC. These mainly consist of votive sculptures and more recently, petroglyphs, which were rediscovered.

This early period was followed by the art styles of various Korean kingdoms and dynasties. Korean artists sometimes modified Chinese traditions with a native preference for simple elegance, spontaneity, and an appreciation for purity of nature.

The Goryeo Dynasty (918–1392) was one of the most prolific periods for a wide range of disciplines, especially pottery.

The Korean art market is concentrated in the Insadong district of Seoul where over 50 small galleries exhibit and occasional fine arts auctions. Galleries are cooperatively run, small and often with curated and finely designed exhibits. In every town there are smaller regional galleries, with local artists showing in traditional and contemporary media. Art galleries usually have a mix of media. Attempts at bringing Western conceptual art into the foreground have usually had their best success outside of Korea in New York, San Francisco, London and Paris.

Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, kirigami, origami, dorodango, and more recently manga—modern Japanese cartooning and comics—along with a myriad of other types of works of art. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present.

Japan has been subject to sudden invasions of new and strange ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with [Buddhism]. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and secular arts flourished. After the Ōnin War (1467–1477), Japan entered a period of political, social, and economic disruption that lasted for over a century. In the state that emerged under the leadership of the Tokugawa shogunate, organized religion played a much less important role in people's lives, and the arts that survived were primarily secular.

Painting is the preferred artistic expression in Japan, practiced by amateurs and professionals alike. Until modern times, the Japanese wrote with a brush rather than a pen, and their familiarity with brush techniques has made them particularly sensitive to the values and aesthetics of painting. With the rise of popular culture in the Edo period, a style of woodblock prints became a major form and its techniques were fine tuned to produce colorful prints. The Japanese, in this period, found sculpture a much less sympathetic medium for artistic expression; most Japanese sculpture is associated with religion, and the medium's use declined with the lessening importance of traditional Buddhism.

Japanese ceramics are among the finest in the world and include the earliest known artifacts of their culture. In architecture, Japanese preferences for natural materials and an interaction of interior and exterior space are clearly expressed.

Payment & Shipping

Accepted forms of payment: Wire Transfer

Shipping

SHIPPING
> Please note that the auction house will not take care of the shippings. In order to get a shipping quote, you are invited to get in touch with MAIL BOX BEAUSOLEIL (MBE):
MAIL BOX PARIS 001
141, Avenue Félix Faure
75015 PARIS
E-mail : mbe001@mbefrance.fr
Tel : +33 (0)1-40-60-57-19
> Invoices have to be paid directly to the Auction House. Shipping fees have to be paid to the shippers directly.

Auction Details

ASIA WEEK PARIS – CHINA – VIETNAM – INDIA – KOREA – JAPAN

by
Boisgirard-Antonini
December 14, 2018, 02:00 PM CET

Drouot Richelieu - 9, rue Drouot, Paris, 75009, FR

Terms

Buyer's Premium

31.8%

Bidding Increments

From:To:Increment:
€0€199€10
€200€299€20
€300€319€20
€320€349€30
€350€379€30
€380€399€20
€400€419€20
€420€449€30
€450€479€30
€480€499€20
€500€999€50
€1,000€1,999€100
€2,000€2,999€200
€3,000€3,199€200
€3,200€3,499€300
€3,500€3,799€300
€3,800€3,999€200
€4,000€4,999€200
€5,000€9,999€500
€10,000€49,999€500
€50,000+€1,000

Terms and Conditions

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ACCEPTED FORMS OF PAYMENT
Remote payment only by wire transfer. All successful bidders will receive an invoice inscribed with the auction house's full bank details. NO REMOTE PAYMENT BY CREDIT CARD.

SHIPPING
> Please note that the auction house will not take care of the shippings. In order to get a shipping quote, you are invited to get in touch with MAIL BOX BEAUSOLEIL (MBE):
MAIL BOX BEAUSOLEIL (MBE)
E-mail : mbe013@mbefrance.fr
Tel : +33(0)4 93 57 31 81
Fax :+33(0)4 22 13 20 39
> Invoices have to be paid directly to the Auction House. Shipping fees have to be paid to the shippers directly.

ENDANGERED SPECIES - LOTS MARKED WITH A [X]
Import restrictions may apply or a CITES licence might be required as this lot is made (or contains) ivory (Elephantidae spp., I/A), coral (Corallium spp., II/B) or tortoise shell (Cheloniidae spp., I/A). Please note that it is the client's responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing such a material.

PREMIUM LOTS - LOTS MARKED WITH A [+]
Bidders interested in one or all of these lots are invited to a special pre-registration. Upon the preregistration, they will be required to secure/pay a deposit. If approved, they will be given a special paddle for identification purpose. The auctioneer will only accept bids made with the special paddle or by its registered bidder. No live bidding will be provided for these lots.

V- [-] TVA A L'IMPORTATION | IMPORTATION VAT L'acquéreur d'un lot précédé de ce symbole devra, si le bien reste en France, s'acquitter, en sus des frais acheteurs standards de 25% TTC, s'acquitter d'une TVA de 5,5% // The successful buyer of a lot marked with this symbol, provided that the lot stays in France, will have to pay 5,5% of VAT beyong and above the standard buyer's premium of 25% VAT included.

SPECIAL NOTICE TO THE BIDDERS :
[X] MATIERES ANIMALES | ENDANGERED SPECIES
Import restrictions may apply or a CITES licence might be required as this lot is made (or contains) ivory (Elephantidae spp., I/A), coral (Corallium spp., II/B) or tortoise shell (Cheloniidae spp., I/A). Please note that it is the client's responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing such a material.


Shipping Terms

SHIPPING
> Please note that the auction house will not take care of the shippings. In order to get a shipping quote, you are invited to get in touch with MAIL BOX BEAUSOLEIL (MBE):
MAIL BOX PARIS 001
141, Avenue Félix Faure
75015 PARIS
E-mail : mbe001@mbefrance.fr
Tel : +33 (0)1-40-60-57-19
> Invoices have to be paid directly to the Auction House. Shipping fees have to be paid to the shippers directly.

Payment

PAYMENT
Accepted Forms of Payment: Wire Transfer
Remote payment exclusively by wire transfer. The auction house will not accept any bank check. No remote payment by credit card. On site, cash (legal limits to be respected) or by bank card