Daniele Barbaro Sold at Auction Prices

Barbaro, Daniele

La pratica della perspettiva Venezia, Camillo e Rutilio Borgominieri, 1568 (1569). In 2°. Marca tipografica al frontespizio e in fine, capilettera, fregi e illustrazioni xilografiche nel testo, alcune con ombreggiature a penna di mano antica, qualche breve annotazione marginale, difetti e restauri al margine del frontespizio e sulla seconda carta, fioriture e qualche macchia, fori di tarlo al margine bianco delle ultime 6 carte, riparati anticamente sulle ultime 2, legatura del secolo XIX in pergamena rigida, dorso a 5 nervi con impressioni in oro e doppio tassello rosso e verde con qualche abrasione. Al frontespizio antico ex libris "Michaelis Angeli de Titiis (?)". 1 1568

(Filosofia) Barbaro Daniele (1513-1570). Danielis

(Filosofia) Barbaro Daniele (1513-1570). Danielis Barbari In tres libros Rhetoricorum Aristotelis commentaria. Lion, Gryphium 1544. In 8° pp. 524, cc. 2 n.n. (una con marca tip., l'altra bianca ms.) sono state legate al termine dell'opera altre 8 cc., di cui 4 ms. coevamente con un indice. Marca tip. inc. in legno al front. e infine. Piena perg. coeva. Mende da umido nel marg. esterno delle prime pp. e piatto anteriore, minori segni di uso ma nel complesso buona copia genuina

VITRUVIUS POLLIO, Marcus. I dieci libri dell'architettura. Translated and with a commentary by Daniele Barbaro (1514-1570). Venice: Francesco Marcolini, 1556. 2υo (408 x 284 mm). Title within woodcut historiated architectural border, 132 woodcut illustrations and diagrams (8 double-page, many full-page), 6 illustrations with woodcut overslips or extentions, two plates on theaters at end have duplicate revolving plates, 12 11-line woodcut initials, numerous 6-line initials, printer's device printed with the colophon within a scrollwork border, pasted canceled illustrations on E8v and F7r , B3 a cancel, Q2v without the pointer found in some copies. (Minor marginal staining.) 18th-century Italian vellum. Provenance: Count Camillo de Grassis (bookplate); acquired from E.P. Goldschmidt, 1964. FIRST EDITION OF DANIELE BARBARO'S IMPORTANT TRANSLATION AND COMMENTARY WITH ILLUSTRATIONS BY ANDREA PALLADIO. Palladio (1508-1580) is mentioned by Barbaro in the text, stating that he did designs for the more important illustrations and helped to interpret the most difficult technical passages. The other woodcut illustrations are very likely by Giuseppe Porta Salviati (1520-1575) and Giovanni Antonio Rusconi (1520-1579). Barbaro's edition "is widely considered to be the most significant Italian edition of the treatise. The illustrations provided by Andrea Palladio, among others, are the most persuasive architectural illustrations associated with the Vitruvian text" (Millard). Berlin Kat. 1814; Brunet V:1330; Cicognara 713; Fowler 407; Harvard/Mortimer Italian 547; Millard Italian 160.

VITRUVIUS POLLIO, Marcus. I dieci libri dell'architettura , translated and with a commentary by Daniele Barbaro (1514-1570). Venice: Francesco Marcolini, 1556. 2° (417 x 277mm). Title within woodcut architectural border, 132 woodcut

VITRUVIUS POLLIO, Marcus. I dieci libri dell'architettura, translated and with a commentary by Daniele Barbaro (1514-1570). Venice: Francesco Marcolini, 1556. 2° (417 x 277mm). Title within woodcut architectural border, 132 woodcut illustrations and diagrams, of these 8 double-page and many full-page, 6 illustrations with woodcut over-slips or extensions, two plates on theatres with duplicate plates affixed, and Q2 verso with the volvelle, cancelled illustrations pasted on E8v and F7r (lacking leaves O8, S8 and T1, a few leaves slightly short, some repairs, mostly marginal dampstaining and soiling, occasional small losses in the corners). 19th-century mottled half sheep, flat spine gilt in compartments, gilt label (extremities rubbed, endpapers possibly renewed). FIRST EDITION OF BARBARO'S IMPORTANT TRANSLATION, WITH ILLUSTRATIONS BY PALLADIO. Barbaro's edition "is widely considered to be the most significant Italian edition of the treatise. The illustrations provided by Andrea Palladio, among others, are the most persuasive architectural illustrations associated with the Vitruvian text" (Millard). Berlin Katalog 1814; Brunet V, 1330; Cicognara 713; Fowler 407; Harvard/Mortimer Italian 547; Millard Italian 160.

VITRUVIUS POLLIO, Marcus. I dieci libri dell'architettura . Translated and with a commentary by Daniele Barbaro (1514-1570). Venice: Francesco Marcolini, 1556.

VITRUVIUS POLLIO, Marcus. I dieci libri dell'architettura. Translated and with a commentary by Daniele Barbaro (1514-1570). Venice: Francesco Marcolini, 1556. 2° (392 x 272mm). Title within woodcut architectural border, 132 woodcut illustrations and diagrams, of these 8 double-page and many full-page, 6 illustrations with woodcut over-slips or extensions, two plates on theatres with duplicate revolving plates, and Q2 with the volvelle, cancelled illustrations pasted on E8v and F7r, B3 a cancel. (Title browned and laid-down to repair marginal loss and tears, repairs in some blank margins, M5-P2 with minor marginal worming, some dampstaining and browning.) 17th-century blind-stamped black goatskin, spine gilt in compartments and with gilt-lettered red morocco label (old repairs, extremities rubbed, some worming to the spine, spine ends worn). Provenance: Count Ercole Giuseppe de Silva (1756-1840; armorial stamp on front blank) -- W. Gedney Beatty (1869-1941, American architect; gifted to:) -- The Metropolitan Museum of Art, New York, Department of Prints (detached bookplate recording the bequest, cancelled). FIRST EDITION OF BARBARO'S IMPORTANT TRANSLATION, WITH ILLUSTRATIONS BY PALLADIO. Palladio (1508-1580) is mentioned by Barbaro in the text, stating that he did designs for the more important illustrations and helped to interpret the most difficult technical passages. The other woodcut illustrations are very likely by Giuseppe Porta Salviati (1520-1575) and Giovanni Antonio Rusconi (1520-1579). Barbaro's edition 'is widely considered to be the most significant Italian edition of the treatise. The illustrations provided by Andrea Palladio, among others, are the most persuasive architectural illustrations associated with the Vitruvian text' (Millard). Berlin Kat. 1814; Brunet V:1330; Cicognara 713; Fowler 407; Harvard/Mortimer Italian 547; Millard Italian 160.

VITRUVIUS POLLIO, Marcus. I dieci libri dell'architettura. Translated and with a commentary by Daniele Barbaro (1514-1570). Venice: Francesco Marcolini, 1556.

VITRUVIUS POLLIO, Marcus. I dieci libri dell'architettura. Translated and with a commentary by Daniele Barbaro (1514-1570). Venice: Francesco Marcolini, 1556. 2o (391 x 274 mm). Title within woodcut historiated architectural border, 132 woodcut illustrations and diagrams (8 double-page, many full-page), 6 illustrations with woodcut overslips or extentions, two plates on theaters at end have duplicate revolving plates, and Q2 with the volvelle, 12 11-line woodcut initials, numerous 6-line initials, pasted canceled illustrations on E8v and F7r , B3 a cancel. (Title laid down with marginal chips, G1 and G8 with blank margin repaired, M5-P2 with minor marginal worming.) 17th-century blind stamped black goatskin over paste boards, spine in seven compartments, gilt lettered red morocco spine label in second, others decorated in gilt (some wear to spine ends). FIRST EDITION OF DANIELE BARBARO'S IMPORTANT TRANSLATION AND COMMENTARY WITH ILLUSTRATIONS BY ANDREA PALLADIO. Palladio (1508-1580) is mentioned by Barbaro in the text, stating that he did designs for the more important illustrations and helped to interpret the most difficult technical passages. The other woodcut illustrations are very likely by Giuseppe Porta Salviati (1520-1575) and Giovanni Antonio Rusconi (1520-1579). Barbaro's edition "is widely considered to be the most significant Italian edition of the treatise. the illustrations provided by Andrea Palladio, among others, are the most persuasive architectural illustrations associated with the Vitruvian text" (Millard). Berlin Kat. 1814; Brunet V:1330; Cicognara 713; Fowler 407; Harvard/Mortimer Italian 547; Millard Italian 160.

BARBARO, DANIELE (1513-1570).

La pratica della perspettiva... opera molto utile a pittori, a scultori, & ad architetti. Venice: Camillo & Rutilio Borgominieri, 1568 (1569) Condition Note: folio (297 x 203mm.), 195, [13]pp., illustration : woodcut cartouche on title containing first two words, woodcut device on title and final verso, woodcut headpieces (some elaborately geometric) and initials, woodcut diagrams, binding : later speckled calf tooled in blind, spine gilt in compartments with morocco lettering-piece, wormholes in gutter (only affecting a few letters), occasional slight staining, extremities slightly rubbed