ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
Louis BÉROUD (1852-1930) Le marché au Caire Paire d'huiles sur carton Signé et située "Le Caire" en bas à gauche L'une est datée "1929" 35 x 26.5 cm Avec cadre : 41 x 33 cm Oil on cardboard, signed and located "Le Caire" lower left, 13.7 x 10.4, with frame : 16.1 x 12.9 in
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
Giclee on canvas the Parisian painting "L'escalier de l'Opera" by Salon artist Louis Beroud (French, 1852-1930), completed in 1877. Frame size: 26"L x 33"H x 2.25" W. Sight size: 18.25"L x 25.50"H. Artist: Louis Beroud Issued: c. 2000 Country of Origin: United States
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
(Lyon 1852–1930 Paris) At the Louvre, with Veronese’s “The Wedding Feast at Cana” in the Background, signed, dated Louis Béroud 1889, oil on canvas, 46 x 38.5 cm, framed Provenance: Private Collection, Vienna
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
Louis BÉROUD (1852-1930) Le marché au Caire,1929 Huile sur carton Signé, situé "Le Caire" et daté "1929" en bas à gauche 35 x 26.5 cm Avec cadre : 41 x 33 cm Oil on cardboard, signed, located "Le Caire" and dated "1929" lower left, 13.7 x 10.4, with frame : 16.1 x 12.9 in
Louis BÉROUD (1852-1930) Le marché au Caire Huile sur carton Signé et situé "Le Caire" en bas à gauche 35 x 26.5 cm Avec cadre : 41 x 33 cm Oil on cardboard, signed and located "Le Caire" lower left, 13.7 x 10.4, with frame : 16.1 x 12.9 in
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
LOUIS BÉROUD (1852-1930) Promenade sur le Grand Canal, Venise, 1883 Huile sur carton Signée en bas à gauche Signée des initiales, située 'Venise' et datée '1883' en bas à droite Oil on cardboard, signed lower left, signed with the artist's monogram, located 'Venise' and dated '1883' lower right 27 x 34 cm - 10 5/8 x 13 3/8 in. Provenance - Collection particulière, France - Acquis auprès de la précédente
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
Louis Béroud 1852 - 1916 An Elegantly Dressed Copyist at the Louvre inscribed, signed and dated à mon cher M Moslon./ son très dévoué:/ Louis Béroud. 1898. (lower right) oil on canvas canvas: 25½ by 21½ in.; 64.8 by 54 cm framed: 34½ by 30¼ in.; 87.6 by 76.8 cm Bid on Sotheby's
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
ÖL AUF LEINWAND, LINKS UNTEN SIGNIERT L. BEROUD, 33 X 130CM, RAHMEN, DER MALER DE WIT ENTWICKELTE IM 18. JHD. DIE MOTIVIK MIT ARCHITEKTURFRIESEN NACH FRANOIS DUQUESNOY ALS EINE TROMPE-L'OEIL-MALEREI, DIESE ALS WANDVERTÄFELUNG UND SUPRAPORTEN EINGESTZTEN LEINWÄNDE NANNTE MAN DAHER "DE WIETJES".
ÖL AUF LEINWAND, LINKS UNTEN SIGNIERT L. BEROUD, 33 X 130CM, RAHMEN, DER MALER DE WIT ENTWICKELTE IM 18. JH. DIE MOTIVIK MIT ARCHITEKTURFRIESEN NACH FRANOIS DUQUESNOY ALS EINE TROMPE-L'OEIL-MALEREI, DIESE ALS WANDVERTÄFELUNG UND SUPRAPORTEN EINGESETZTEN LEINWÄNDE NANNTE MAN DAHER "DE WIETJES".
ÖL AUF LEINWAND, LINKS UNTEN SIGNIERT L. BEROUD, 33 X 130CM, RAHMEN DER MALER DE WIT ENTWICKELTE IM 18. JHD. DIE MOTIVIK MIT ARCHITEKTURFRIESEN NACH FRANOIS DUQUESNOY ALS EINE TROMPE-L'OEIL-MALEREI, DIESE ALS WANDVERTÄFELUNG UND SUPRAPORTEN EINGESTZTEN LEINWÄND NANNTE MAN DAHER "DEWIETJES".
ARTIST: Louis Beroud (France, 1852 - 1930) NAME: Sleeping Venus YEAR: 1891 MEDIUM: oil on canvas CONDITION: Restretched. One puncture. One scratch 3/4" long. Minor craquelure. Some inpainting along edges. SIGHT SIZE: 16 x 9 1/2 inches / 40 x 25 cm FRAME SIZE: 25 x 18 inches / 63 x 45 cm SIGNATURE: lower right PROVENANCE: Christie's London, South Kensington, Date 2003-09-18, Lot 183 NAME VARIANTS: Louis Berroud CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 119574 US Shipping $75 + insurance. BIOGRAPHY: Louis Beroud was born in 1852 in Lyon. He was best known for painting. He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.After visiting the Louvre in the 1870s, an American traveler noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108).Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Beroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, Louis Beroud was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911. The Louvre held the entirety of art history, and its crowded walls offered a bounty of choices for diverse study.In January 1910, when the Seine overflowed its banks, bringing quick and catastrophic flooding to Paris (Didier Aaron Galleries, discussed under no. 24, Dupuy, p. 67), water inundated several of the Louvre's basements, threatening the stored artworks. It was only through the rapidly organized and heroic efforts of Parisians working to build sandbag barricades that further destruction to the museum was prevented allowing Beroud, his fellow artists, and generations of visitors since to continue to enjoy its many treasures (Jeffrey H. Jackson, Paris under Water: How the city of light survived the great flood of 1910, New York, 2010, pp. 98, 115-6).
Two Mythological Scenes, including Fisherman with Wife and Child at Pier; Hunter Approaching Nymph on Mountain, oil on canvas, both signed lower right and dated 1891, in replica silver Victorian frames, OS: 24 1/2" x 17 3/4", SS: 15 3/4" x 9". Two small holes at the hunter's figure.
LOUIS BEROUD (1852-1930) Le Tsar Nicolas II et la Tsarine Alexandra Fedorovna visitant le tombeau de Napoléon aux Invalides en 1896 accompagnés du président Félix Faure, du général Paul Edouard Arnoux, Gouverneur des Invalides, du Général Billot, Ministre de la Guerre, de l’amiral Gervais et du Baron de Mohrenheim, ambassadeur de Russie Signé et daté 1897 Huile sur toile, cadre en bois et stuc doré avec cartouches. 65 x 48,5 cm Provenance : Collection privée française Contexte historique : Le 7 octobre 1896, Nicolas II, le Tsar de Russie, et la Tsarine Alexandra Fedorovna sont reçus à Paris pour inaugurer le pont Alexandre III et cimenter l’alliance franco-russe. C’est un véritable triomphe populaire d’autant plus qu’un jour de congé scolaire a été décrété la veille et que la compagnie des Chemins de fer de l’Ouest a affrété des « trains de plaisirs »: 930.000 personnes sont arrivées de province. La pose de la première pierre du pont Alexandre III, qui relie les Invalides et les Champs Elysées, constitue le clou de la visite. Le pont porte le nom du père du tsar, Alexandre III, artisan de l’alliance franco-russe, ratifiée le 4 janvier 1894. « Après Notre-Dame, où l’archevêque de Paris les a reçus, ils ont visité le Panthéon, les Invalides, l’Institut et ont inauguré, avec le pont qui doit porter le nom d’Alexandre III, les travaux de notre future Exposition universelle.» Henri de Pène pour Le Gaulois, Octobre 1896. « C’est à onze heures et demie seulement que les souverains russes, arrivés par le boulevard Montparnasse et l’avenue de Breteuil, entraient en voiture par la grande grille en avant de l’église des Invalides sur la place Vauban. Les quatre petits tambours, pupilles des Invalides, battent aux champs. Et les vieux soldats, à l’uniforme légendaire, sur lequel tranche le baudrier blanc, alignés sur deux files, présentent leurs lances à fanion blanc et rouge. Le Tsar et la Tsarine, descendant de la daumont impériale ainsi que M. Félix Faure, sont reçus par le général Billot, ministre de la guerre, et le général Arnoux, commandant de l’hôtel, entourés des membres du conseil supérieur de la guerre et des commandants de corps d’armée. Le cortège pénètre aussitôt sous le Dôme, M. Félix Faure donnant te bras à la Tsarine. Devant la crypte, tout le monde s’arrête, tandis que seuls, le Tsar, le ministre de la guerre, le général Arnoux et les officiers russes descendent au tombeau de l’Empereur. Le Tsar regarde, la tête inclinée. (…) Pendant les quelques minutes que le jeune empereur de toutes les Russies a passées en méditation vis-à-vis de cette pierre tombale (…) Le Tsar relève la tête et reprend sa marche. Le cortège suit et pénètre après le souverain dans l’église où pendent, à la voûte, les étendards et drapeaux ternis, dont chacun équivaut à une page d’histoire. C’est l’hymne russe qui résonne en haut, exécuté par l’orgue que tient Gabriel Pierné. Le Tsar et sa suite ne font que passer. Les voici à l’entrée de la cour d’honneur. La statue de bronze-de Napoléon, du haut de son socle dans la galerie supérieure, contemple la scène. Des autres tribunes de la cour d’honneur tous les regards plongent sur le couple impérial. On détaille la toilette élégante et simple de l’impératrice (…) le Tsar en uniforme très simple de colonel d’infanterie russe, si je ne me trompe, vert sombre le bonnet d’astrakan, culotte bouffante dans les demi-bottes l’air et la démarche d’un jeune, très jeune officier. La main au bonnet faisant le salut militaire en passant devant l’alignement des vieux braves, dont le plus grand nombre porte sur la poitrine la médaille de Crimée. Toujours le saisissant contraste du présent avec le passé. La visite au musée d’artillerie ne dure qu’un instant. Il est midi dix. La journée avance. Le Tsar, qui passe la main d’un geste coutumier sur sa moustache et sa barbe, traverse à nouveau avec tout le cortège la cour d’honneur, se dirigeant vers la grande porte de l’Esplanade. Sous la voûte, les souverains russes font leurs adieux au ministre de la guerre, au vieux général Arnoux, marchant appuyé sur sa canne, et de tout leur entourage militaire. Ils remontent en voiture avec le président de la république pour retournera à l’ambassade. » Henri de Pène , Le Gaulois, Octobre 1896. Biographie : Louis BEROUD (1852-1930) Il est médaillé d’honneur du Salon en 1882 et remporte la médaille de bronze de l’exposition universelle en 1889 ainsi qu’en 1990. C’est lui qui, en 1911, constate le vol de la Joconde. Peint beaucoup d’intérieurs de musées parisiens, recopiant des œuvres célèbres dans leurs écrins, de scènes de vies et d’événements historiques. ‘TSAR NICHOLAS LOST IN CONTEMPLATION BY NAPOLEON’S TOMB’ Le Gaulois, 1896 TSAR NICHOLAS II & TSARINA ALEXANDRA FEDOROVNA VISITING NAPOLEON’S TOMB AT LES INVALIDES IN 1896 ACCOMPANIED BY PRESIDENT FELIX FAURE, GENERAL ARNOUX (GOVERNOR OF LES INVALIDES), GENERAL BILLOT (MINISTER OF WAR), ADMIRAL GERVAIS (ATTACHE TO THE TSARINA) & BARON VON MOHRENHEIM (RUSSIAN AMBASSADOR) SIGNED & DATED 1897 OIL ON CANVAS 65 X 48.5CM WOODEN & GILDED STUCCO FRAME WITH CARTOUCHE « ???? ??????? ? ?????????? ????? ????????? ?????????? ????????? » Le Gaulois, 1896 ??? ???? (1852-1930) ????????? ???????????? ??????? II ? ??????????? ?????????? ????????? ?????????? ???????? ????????? ? 1896 ????, ? ????????????? ?????????? ??????? ????, ???????? ????-??????? ????, ?????????? ???? ?????????, ???????? ????, ???????? ??????? ???, ???????? ????? ? ?????? ?? ??????????, ????? ??????. ??????? ? ???? 1897 ?????, ?????, ?????????? ???? ?? ????? ? ?????? 65 x 48,5 ?? ?????????: ??????? ??????????? ????????? ???????????? ????????: 7 ??????? 1896 ???? ?????????? ????????? ??????? ? ???????? ???????????? ??????????? ?????????? ???? ????????? ? ?????? ??? ???????? ????? ?????????? III ? ?????????? ??????-???????? ???????. ??? ??????? ????? ????????? ???????????? ??????????. ????? ?????????????? ????? ??????????? ???????? ???????? ???? ? ?????????? ???????? ???????? ??????? ??? ?????????? «??????????? ??????»: 930 ????? ??????? ??????? ?? ?????? ???????? ??????. ???????? ??????? ????? ????? ?????????? III, ???????????? ??? ????????? ? ??????????? ??????, ????? ???????? ????????. ???? ????? ??? ???? ????, ?????????? ?????????? III, ??????????????? ??????-??????????? ?????, ????????????? 4 ?????? 1894 ????. «?????? ??? ???????? ?????-???, ??? ???? ????????? ????????? ?????????, ????? ???????? ???????, ??? ?????????, ? ???????? ?????? ?????? ?????, ?????????? ? ????? ?????????? ?????????? III, ??????????? ? ??????? ????????? ????????. « «? ??????????? ????????, ????????????? ????, ??????? ?? ???????? ???????????, ????? ?? ????? ??????, ??????? ????? ??????? ?????? ? ?????? ???? ????????? ?? ??????? ?????. ??? ??????????? ????, ??????????? ?? ??????? ?????????, ???????, ? ????? ??????????? ???????? ??????? ????-??????? ???????. ???? ? ??????, ? ????????????? ??????? ???? ???? ????????? ????????? ????, ????????? ??????? ???, ? ????????? ????, ??????????? ???? ?????????, ? ????? ??????? ??????? ???????????? ??????? ??? ? ?????????????????. ??? ????? ? ????? ?. ??? ????? ???? ??????. ???????? ?????? ??? ???????????? ? ?????? ????, ??????? ??????? ???, ??????? ???? ? ??????? ??????? ?????????? ? ???????? ??????????. ????, ??????? ??????? ???????? ???? ?????? ?? ???????? (...) ???? ????????? ????????????? ?????? ????????? ????? ???????? ????????(...) ???? ?????? ?????? ? ?????????? ????????. ????????? ???????? ?????? ? ??????????? ? ??????, ??? ??? ??????? ???????????? ????? ? ?????????, ?????? ?????????????? ????? ???????? ???????. ?????? ??????? ????, ? ?????????? ?? ?????? ???????? ??????. ???? ? ??? ????? ???????? ??????, ? ???????? ????. ????????? ?????? ????????? ? ??????? ??????? ????????? ??????????????? ?????. ??? ??????? ? ?????? ????????? ????? ?????????? ?? ????????????? ?????. ??? ???????? ??????????, ??? ????????? ?????? ???????????(...) ????, ? ??????? ???????? ???????????? ???????? ??????, ???? ? ?? ????????, ?????-??????? ???????? ????, ? ???????? ???????????, ????????????? ? ??????, ????????, ??? ????? ??????? ??????. ? ????? ? ????????, ?? ?????? ???????? ???????????, ??????? ????? ???? ?????? ??????, ????? ?????? ?? ??????? ???????? ???????? ???????. ?????? ????????????? ???????? ????? ????????? ? ???????. ????????? ????? ?????????? ???????? ????? ??????. ??? ???????. ???? ????????????. ????, ????????? ?????? ??????? ????? ?? ??????????, ????? ???????? ????? ???????? ????, ??????????? ? ?????????. ??? ???????, ????????????? ???? ????????? ? ????????? ??????? ???, ?? ?????? ????????? ???? ? ? ?????????? ????????. ??? ???????? ? ??????? ?????? ? ??????????? ??????????, ????? ????????? ? ??????????. » ???? ?? ????, Le Gaulois, ??????? 1896 ????????? : ??? ???? (1852-1930) ????????? ??????? ?????? ? 1882 ? ????????? ???????? ????????? ???????? 1889 ? 1990 ?????. ??? ?????? ??, ? 1911, ????????????? ??????? ???????? ?? ?????. ??????? ??? ???????? ?????????? ? ????????? ??????, ??????? ????????? ????????????, ????? ????? ? ???????????? ??????.
Louis Beroud European Scene graphite on paper 7.25 h × 7.25 w in (18 × 18 cm) Signed to lower right 'LBeroud'. condition: Work is in overall good condition and has not been examined outside of frame. Measurements are of sight. Sheet is toned with some minor surface soiling to lower left. Minor handling marks with small tear to upper right corner. Work presents well. Framed behind glass measuring 15 x 15 inches.
Louis BÉROUD (1852-1930) Autoportrait présumé Huile sur toile Signé et daté 1927 en bas à gauche 21,7 x 16,2 cm (légère restauration, châssis et toile d'origine) Oil on canvas, signed and dated lower left, 8 9/16 x 6 3/8 in
Louis Beroud ( French 1852 - 1930 ) Double Sided Pencil Drawing. Recto Reclining nude. Verso, Head of a Woman ( Important French Artist with Works In The Louvre ) Stamped ' Atelier L Beroud '
Louis Beroud ( French 1852 - 1930 ) Double Sided Pencil Drawing. Recto Relining Made Verso, Head of a Woman ( Important French Artist with Works In The Lounge ) Stamped ' Atelier L Beroud '
LOUIS BEROUD (France, 1852-1930) - Two Mythological Scenes, including Fisherman with Wife and Child at Pier; Hunter Approaching Nymph on Mountain, oil on canvas, both signed lower right and dated 1891, in replica silver Victorian frames, OS: 24 1/2" x 17 3/4", SS: 15 3/4" x 9". Two small holes at the hunter's figure.
Louis Béroud Lyon, 1852 - Paris, 1930 Vue de la galerie Médicis au Louvre Huile sur toile (Toile d'origine), signée et datée 'Louis Béroud / 1904' en bas à droite h: 131 w: 163 cm
Louis BÉROUD (1852-1930) Les amoureux du Mont Saint Michel Sur sa toile d'origine Signée et datée 1862 en bas à gauche 44 x 54 cm (17,3 x 21,3 in.) On its original canvas, Signed and dated 1862 lower left
Louis BÉROUD (Lyon 1852 - Paris 1930) Le Mont Saint-Michel Huile sur panneau. Signée et datée 1911 en bas à gauche 21 cm x 27 cm Provenance : - ancienne collection Louis Béroud, Paris - par succession, sa fille, Madame Ballot, Arcachon - collection de Monsieur B., Arcachon
Louis Béroud (Lyon 1852 - 1920) Étude n°2 pour le personnage d'Honoré de Balzac-Le cheval mort Dessin double face. Fusain et rehauts de craie blanche sur papier 62,5 cm x 47,5 cm Vendu en l'état Provenance : - Atelier Louis Béroud, Paris - Collection de Lasalle, Aulnay-sous-Bois - Collection Ballot, Arcachon - Collection de Monsieur B., Arcachon
Louis Béroud (Lyon 1852 - 1920) Femme nue de dos Fusain et rehauts de craie blanche sur papier 62,5 x 48 cm Vendu en l'état Provenance : - Atelier Louis Béroud, Paris - Collection de Lasalle, Aulnay-sous-Bois - Collection Ballot, Arcachon - Collection de Monsieur B., Arcachon
Louis Béroud (Lyon 1852 - 1920) Décor d'un plafond. Étude d'architecture Fusain, crayon et craie blanche sur papier 62,5 cm x 47, 5 cm Vendu en l'état Provenance : - Atelier Louis Béroud, Paris - Collection de Lasalle, Aulnay-sous-Bois - Collection Ballot, Arcachon - Collection de Monsieur B., Arcachon
Louis BÉROUD (Lyon 1852 - Paris 1930) Le Mont Saint-Michel Huile sur panneau. Signée et datée 1911 en bas à gauche 21 cm x 27 cm Provenance : ancienne collection Louis Béroud, Paris par succession, sa fille, Madame Ballot, Arcachon collection de Monsieur B., Arcachon
LOUIS BEROUD (French 1852-1910) 'Le Palais des Champs Elysses, Paris', oil on panel, signed lower right Louis Beroud and dated 1890. Contained in gilt gessoed frame. Condition: 4 inch vertical split to panel at bottom center, chips to lower rim of frame. Dimensions: 37 1/4'' X 26 1/4'', frame 48 3/4'' X 37 1/4''. Provenance: Sotheby's lot 256, October 31, 2000.
OOC - Cathedral Interior by Louis Beroud (French, 1852-1930), signed lr and dated 1886, depicting ladies clearing away the chairs after Mass, in the original gilt gesso frame with nametag, SS: 31" x 23", OS: 41 1/2" x 33 1/2", painting is in good, untouched condition, needs cleaning, minor losses to frame.
PROPERTY FROM THE COLLECTION OF MRS. IRIS CANTOR FRENCH 1852-1930 LES JOIES DE L'INONDATION (DANS LA GALERIE MÉDICIS) signed Louis Béroud. and dated 1910 (lower left) oil on canvas 100 by 77 7/8 in. 254 by 197.8 cm
LOUIS BEROUD (French 1852-1910) 'Le Palais des Champs Elysses, Paris', oil on panel, signed lower right Louis Beroud and dated 1890. Contained in gilt gessoed frame. Condition: 4 inch vertical split to panel at bottom center, chips to lower rim of frame. Dimensions: 37 1/4'' X 26 1/4'', frame 48 3/4'' X 37 1/4''. Provenance: Sotheby's lot 256, October 31, 2000.
