Aleksej Petrovic Bogoljubov Paintings & Artwork for Sale | Aleksej Petrovic Bogoljubov Art Value Price Guide

Jun. 30, 2024
AN ALEXEY PETROVICH BOGOLYUBOV, RUSSIAN, OIL ON CANVAS MARINE PAINTING
Est: $4,500 - $5,500
Alexey Petrovich Bogolyubov (1824-1896) oil on canvas painting Marseille, boats towards the Palais du Pharo, 1874. Signed with a monogram and dated on the lower left. Unframed. Note: Alexey Petrovich Bogolyubov was a Russian landscape and seascape painter.
Helios Auctions
Jun. 30, 2024
AN ALEXEY BOGOLYUBOV, RUSSIAN, OIL ON CANVAS MARINE PAINTING
Est: $1,500 - $2,000
Alexei Petrovich Bogolyubov (Russian, 1824 - 1896) oil on canvas painting “Sailing Boat and Steamboat.” Signed lower left. Housed in a carved gilt wood frame. Note: Alexey Petrovich Bogolyubov was a Russian landscape and seascape painter.
Helios Auctions
Jun. 16, 2024
Alexei Petrovich BOGOLJUBOFF (1824-1896) …
Est: €1,700 - €1,900
Alexei Petrovich BOGOLJUBOFF (1824-1896) Navires au coucher du soleil Aquerelle sur papier 25x19,5 cm Signé en bas à gauche Алексей Петрович БОГОЛЮБОВ (1824-1896). Корабли на закате Бумага, акварель. 25x19,5 см Подпись внизу слева
Osenat
May. 18, 2024
ALEXEY PETROVICH BOGOLYUBOV (1824-1896). Astrakhan. Admiralty.
Est: €12,000 - €15,000
Alexey Bogolyubov. Astrakhan. Admiralty. A variant of the work of the same name from the collection of the Russian Museum, the reason for which was the shipyards of Astrakhan. It is a documentary and at the same time a loving view of Russian realism on the unsettled life of provincial towns, seen by the future chief artist of the General Staff, during a trip along the Volga. Between the verticals of the masts of ships and steamers in the center are dilapidated houses of artisans. They can see the collected logs for the repair of masts, oars, an anchor, a drying canvas and a resin tank. A kind of diagonal is made up of bundles of inclined boards, oars and a patch of sail on the ground. This unhurried movement is stopped by a pause, an inactively sitting foreground figure. Bright spots of drying linen and clothes of fishermen enliven the clay color of the Volga backwaters. The hard shadows of the midday sun, against the background of the sky faded from the heat, immerse you in the atmosphere of the southern Russian steppes. At the same time, the artist, along with the fishing launch and the simplicity of life, does not ignore paddle steamers - a sign of new industrial opportunities. They form industrial, merchant contrasts and the background of the work. In the lower right corner in a telegraph line, a documentary message: Astrakhan. Bogolyubov. Oil on canvas: 36x57 cm. Literature: Catalog of the Russian Museum. Marina Smirnova p.69. The canvas is duplicated. Width: 84cm, Height: 63cm, Depth: 10cm, Weight: 20kg, Condition: Good, with traces of use, Material: Canvas, oil, ID: ID-ANTQ-8023
Antiqon
Feb. 07, 2024
OIL PAINTING BY ALEXEI PETROVICH BOGOLJUBOFF
Est: €800 - €1,200
ALEXEI PETROVICH BOGOLJUBOFF (Pomeran'ye 1824 - Parigi 1896) VEDUTA DEL BOSFORO Olio su tela, cm. 36 x 46 Firmato in basso a destra Cornice dorata PROVENIENZA Famiglia romana
Casa d'Aste Babuino
Jan. 14, 2024
Alexei Petrovitch BOGOLJUBOFF (Russie-France/1824-1896) Bord de rivière à Champigny, Seine
Est: €600 - €800
Alexei Petrovitch BOGOLJUBOFF (Russie-France/1824-1896) Bord de rivière à Champigny, Seine-et-Marne Encre et gouache sur papier Signé en bas à gauche, inscription "Champigny" en bas à droite 13 x 21,3 cm Provenance: collection privée, Marseilles Алексей Петрович БОГОЛЮБОВ (Россия-Франция/1824-1896) Край реки в Шампиньи, Сена и Марна Бумага, чернила и гуашь Подпись внизу слева, надпись "Шампиньи" снизу справа 13 x 21,3 см. Провенанс: частная коллекция, Марсель
Osenat
Nov. 25, 2023
ALEXEY PETROVICH BOGOLYUBOV (1824-1896). Astrakhan. Admiralty.
Est: €20,000 - €30,000
Alexey Bogolyubov. Astrakhan. Admiralty. A variant of the work of the same name from the collection of the Russian Museum, the reason for which was the shipyards of Astrakhan. It is a documentary and at the same time a loving view of Russian realism on the unsettled life of provincial towns, seen by the future chief artist of the General Staff, during a trip along the Volga. Between the verticals of the masts of ships and steamers in the center are dilapidated houses of artisans. They can see the collected logs for the repair of masts, oars, an anchor, a drying canvas and a resin tank. A kind of diagonal is made up of bundles of inclined boards, oars and a patch of sail on the ground. This unhurried movement is stopped by a pause, an inactively sitting foreground figure. Bright spots of drying linen and clothes of fishermen enliven the clay color of the Volga backwaters. The hard shadows of the midday sun, against the background of the sky faded from the heat, immerse you in the atmosphere of the southern Russian steppes. At the same time, the artist, along with the fishing launch and the simplicity of life, does not ignore paddle steamers - a sign of new industrial opportunities. They form industrial, merchant contrasts and the background of the work. In the lower right corner in a telegraph line, a documentary message: Astrakhan. Bogolyubov. Oil on canvas: 36x57 cm. Literature: Catalog of the Russian Museum. Marina Smirnova p.69. The canvas is duplicated. Width: 84cm, Height: 63cm, Depth: 10cm, Weight: 20kg, Condition: Good, with traces of use, Material: Canvas, oil, ID: ID-ANTQ-8023
Antiqon
Jun. 28, 2023
ALEXEI BOGOLYUBOV (1824-1896) Sailboats in the port of Kronstad 1881
Est: €15,000 - €20,000
Oil on canvas 38.5 х 47.5 cm huile sur toile 38,5 х 47,5 cm
Hermitage Fine Art
Mar. 08, 2023
Alexey Bogolyubov (1824 - 1896) Sunset over the sea
Est: €10,000 - €15,000
signed in Cyrillic ‘A Bogolubov’ (lower right) oil on canvas 18 x 35.5 cm
Hermitage Fine Art
Oct. 29, 2022
ALEXEI PETROVICH BOGOLYUBOV (1824-1896) - A Summer day in Veules-les-Roses, France
Est: €18,000 - €22,000
ALEXEI PETROVICH BOGOLYUBOV (1824-1896) A Summer day in Veules-les-Roses, France signed in Cyrillic ‘A. Bogolyubov’ (lower left) and inscribed ‘Veules’ (lower right), inscribed in Cyrillic ‘To Ivan Alekseevich Novikov from A. Bogolyubov…’ (on reverse of the panel) oil on panel 41 x 26 cm Provenance: acquired directly from the artist by Ivan Alekseevich Novikov, a state counsellor and Bogolyubov’s friend (inscription on the reverse). Acquired by Johan Olof, a Danish consul, in Russia in the 1930s Private collection, Europe
Hermitage Fine Art
Oct. 29, 2022
RUBBLE SEA - A. BOGOLJUBOFF
Est: CHF4,000 - CHF8,000
RUBBLE SEA Oil on panel, signed "A. Bogoljuboff", probably Alexej BOGOLJUBOFF (1824-1896) 40 x 43.5 cm, frame: 57.5 x 61 cm
Galerie Moenius
Jun. 26, 2022
ALEXEY PETROVICH BOGOLYUBOV (1824-1896) - A Summer day in Veules-les-Roses, France
Est: €20,000 - €25,000
ALEXEY PETROVICH BOGOLYUBOV (1824-1896) A Summer day in Veules-les-Roses, France signed in Cyrillic ‘A. Bogolyubov’ (lower left) and inscribed ‘Veules’ (lower right) oil on panel 41 x 26 cm Provenance: Private Collection
Hermitage Fine Art
Apr. 17, 2022
BOGOLJUBOFF ALEXEI (1824-1896) VUE DE SAINT-MALO HUILE SUR PANNEAU SIGNÉ EN BAS À GAUCHE 13,5 X 22 C
Est: €10,000 - €15,000
BOGOLJUBOFF Alexei (1824-1896) Vue de Saint-Malo Huile sur panneau Signé en bas à gauche 13,5 x 22 cm Provenance : collection privée, France. БОГОЛЮБОВ Алексей (1824-1896) Вид Сан-Мало Дерево, масло Подпись слева внизу 13,5 x 22 см. Провенанс: Частная коллекция, Франция.
Osenat
Dec. 14, 2021
BOGOLJUBOFF ALEXEI PETROVICH
Est: €3,500 - €4,500
'near the shore'
Campo & Campo
Nov. 25, 2021
ALEXEY PETROVICH BOGOLYUBOV (1824-1896) - A Summer day in Veules-les-Roses,…
Est: €30,000 - €35,000
ALEXEY PETROVICH BOGOLYUBOV (1824-1896) A Summer day in Veules-les-Roses, France Signed in Cyrillic ‘A. Bogolyubov’ (lower left) and inscribed ‘Veules’ (lower right) Oil on panel 41 x 26 cm Provenance: Private Collection АЛЕКСЕЙ ПЕТРОВИЧ БОГОЛЮБОВ (1824-1896) Летний день в Вёль-Ле-Роз, Франция. Подпись ‘А. Боголюбов’ (слева внизу) и надпись ‘Veules’ (справа внизу) Дерево, масло 41 х 26 см Провенанс: Частная коллекция
Hermitage Fine Art
Nov. 25, 2021
ALEXEY BOGOLYUBOV (1824-1896) - Sunset over the sea…
Est: €15,000 - €17,000
ALEXEY BOGOLYUBOV (1824-1896) Sunset over the sea signed in Cyrillic ‘A Bogolubov’ (lower right) oil on canvas 18 x 35.5 cm АЛЕКСЕЙ ПЕТРОВИЧ БОГОЛЮБОВ (1824-1896) Закат над морем Подпись ‘А. Боголюбов’ (справа внизу) холст, масло 18 х 35.5 см
Hermitage Fine Art
Mar. 18, 2021
Alexey Petrovich Bogolyubov, St. Petersburg's customs house
Est: €4,000 - €6,000
Alexey Petrovich Bogolyubov (Pomeran'ye 1824 - Paris 1896). pastel on paper, 65x44.5cm, signed in the bottom left corner
Cambi Casa d'Aste
Mar. 13, 2021
ALEKSEI PETROVITCH BOGOLYUBOV RUSSIAN 1824-1896
Est: $1,200 - $2,200
Quiet Inlet, watercolor 6 1/2 x 4 in (16.5 x 10.2 cm), signed Aleksei Bogolyubov in cyrillic
Trinity International Auctions & Appraisals, LLC
Aug. 01, 2020
Alexey Bogolyubov Russian Oil Painting
Est: $1,000 - $1,500
After Alexey Bogolyubov Russian Oil Painting on canvas. Water scene. Antique Gilt Frame. Total Framed Measures 38 inches high x 32 inches wide.
Joshua Kodner
Jul. 07, 2020
Alexey Petrovich Bogolyubov (1824-1896) - A Summer day in Veules-les-Roses…
Est: €33,000 - €35,000
Alexey Petrovich Bogolyubov (1824-1896) A Summer day in Veules-les-Roses, France Signed in Cyrillic 'A. Bogolyubov' (lower left) and inscribed 'Veules' (lower right) Oil on panel 41 x 26 cm Provenance: Private Collection Translation Алексей Петрович Боголюбов (1824-1896) Летний день в Вёль-Ле-Роз, Франция. Подпись 'А. Боголюбов' (слева внизу) и надпись 'Veules' (справа внизу) дерево, масло 41 х 26 см Провенанс: Частная коллекция
Hermitage Fine Art
Jun. 30, 2020
Alexey Bogolyubov (Russian 1824-1896) Boats on a Lake, Watercolor on Paper, Signed, Image Size 4 x 6 1/2 Inches, Framed and Glazed 13 x 15 Inches
Est: $400 - $600
Alexey Bogolyubov (Russian 1824-1896) Boats on a Lake, Watercolor on Paper, Signed, Image Size 4 x 6 1/2 Inches, Framed and Glazed 13 x 15 Inches
Bill Hood & Sons Arts & Antiques Auctions
Jun. 03, 2020
ALEXEÏ PETROVITCH BOGOLIOUBOV (1824-1896) La colonne Rostral près de la Place de la Bourse sur l'Île Vassilievsky à Saint-Petersbourg vers 1878
Est: €10,000 - €15,000
ALEXEÏ PETROVITCH BOGOLIOUBOV (1824-1896) La colonne Rostral près de la Place de la Bourse sur l'Île Vassilievsky à Saint-Petersbourg vers 1878 Pastel sur papier signé en bas à gauche Fine déchirure dans le ciel à gauche. On connaît une version sur toile de la même vue mise en vente chez Sotheby's à Londres en 2011. Peintre russe né dans le village de Poméranie, influencé par Ivan Aïvazovski, il dessine depuis son plus jeune âge. Après des études à l'Académie Impériale des Beaux-Arts, il voyage à travers l'Europe, notamment en France où il rencontre Corot et Daubigny et découvre la Normandie. Et même si l'Empereur Alexandre II lui commande des tableaux de la flotte de Pierre Le Grand, c'est en Seine-Maritime, dans la commune de Veules-les-Roses, qu'il résidera essentiellement, peignant de nombreux tableaux aujourd'hui conservés au Musée National de Saratov en Russie. Dimensions : 65 x 45 cm Rostral Column, Saint-Petersburg, pastel on paper signed lower left. Russian school.
Accademia Fine Art
Oct. 16, 2019
Attributed to Aleksei Petrovich Bogolyubov (Russian, 1824-1896)
Est: £4,000 - £6,000
Venetian scenesigned in Cyrillic lower left, watercolour, 30 x 46cm (11 3/4 x 18 1/16in).
Bonhams
Aug. 24, 2019
ALEKSEI PETROVICH BOGOLYUBOV (Russian. 1824–1896)
Est: $1,500 - $2,000
Attributed to. Russian Royal Yacht Kolkhida Leaving Port Bearing a Cross of St Andrew Standard. Signed in both Cyrillic l/l, and in Latin Script, A. Boroaiobobz, 88 l/r. Oil on Canvas. Measuring 11 by 22.5 in. In a gilt wood foliate and bead carved Aesthetic Movement frame, overall 16.5 by 28 in. (Cond: good, some paint loss along left/right edge, some cracking to frame surface)
Auction Gallery of the Palm Beaches
Aug. 03, 2019
After : Aleksei Petrovich Bogolyubov (RUSSIAN, 182
Est: $300 - $500
After : Aleksei Petrovich Bogolyubov (RUSSIAN, 1824â€“1896) oil painting. Signed Lower Right. Measures 30 inches high x 25 inches wide + 3 1.2 inch frame. Stunning Gilt Frame.
Joshua Kodner
Jun. 10, 2019
After : Aleksei Petrovich Bogolyubov (RUSSIAN, 182
Est: $300 - $500
After : Aleksei Petrovich Bogolyubov (RUSSIAN, 1824–1896) oil painting. Signed Lower Right. Measures 30 inches high x 25 inches wide + 3 1.2 inch frame. Stunning Gilt Frame.
Joshua Kodner
Jun. 05, 2019
BOGOLIUBOV, ALEXEI (1824–1896) Boats in a Harbour and A Sailing Boat
Est: £2,000 - £3,000
BOGOLIUBOV, ALEXEI (1824–1896) Boats in a Harbour and A Sailing Boat two works, each signed, further one inscribed in Cyrillic with a signed and dated 1891 dedication on the mounting card. One watercolour and the other ink on paper, laid on cardboard, measuring 11 by 19 cm (image size) and 10.5 by 13.5 cm (image size) respectively.
MacDougall's
May. 06, 2019
David Sani (Italian: 1828 Â– 1914) Market Place
Est: $600 - $800
David Sani (Italian: 1828 Â– 1914) oil painting on board depicting a young woman holding grapes & rooster. Circa; 19th Century. Measures: 25" High x 18" Wide + 4-5/8" Frame. Local Pick Up or Third Party Shipping Required. STARTING BID $300.00 BUYER'S PREMIUM 30%
Joshua Kodner
Sep. 28, 2018
BOGOLJUBOFF, ALEXEI PETROWITSCH
Est: CHF18,000 - CHF25,000
BOGOLJUBOFF, ALEXEI PETROWITSCH (Pomeran'e 1824 - 1896 Paris) Bridge near Auvers-sur-Oise. Oil on panel. Inscribed lower left: Pont d'Auvers s. O. Signed lower right in Cyrillic 26,8 x 41 cm. Provenance: Swiss private collection. --------------- BOGOLJUBOFF, ALEXEI PETROWITSCH (Pomeran'e 1824 - 1896 Paris) Brücke bei Auvers-sur-Oise. Öl auf Holz. Unten links bezeichnet: Pont d'Auvers s. O. Unten rechts kyrillisch signiert. 26,8 x 41 cm. Provenienz: Schweizer Privatbesitz. In den 1860er–Jahren suchten die Maler der Barbizon-Bewegung, wie Charles-François Daubigny (1817–1878) und Jean-Baptiste Camille Corot (1796–1875) in der Landschaft rundum Auvers-sur-Oise, einem malerischen Städtchen im Nordwesten von Paris, nach Inspiration für ihre Motive. Die Arbeiten der Barbizon-Maler bewundernd, zog es auch den russischen Künstler Alexei Bogoljuboff im Herbst 1881 nach Auvers. Im Umfeld und unter dem Einfluss selbiger Künstlerkolonie dürfte auch die idyllische Ansicht der Oise entstanden sein, die mit ihren weichen Erdtönen und dem sanften Grün den Eindruck eines lauen Herbstnachmittags vermittelt.
Koller Auctions
Jan. 24, 2018
Attributed to: Aleksei Petrovich Bogolyubov, Russian (1824-1896) Oil on Canvas laid on panel
Est: $2,000 - $3,000
Attributed to: Aleksei Petrovich Bogolyubov, Russian (1824-1896) Oil on Canvas laid on panel. Rowers at Sea. Signed lower right. Partially restored, scuffs, small canvas loss, needs further conservation. Measures 23" H, 33-1/2" W; frame measures 29" H, 39-3/4" W. Shipping: Third Party. (estimate $2000-$3000)
Kodner Galleries
Apr. 07, 2017
BOGOLIOUBOV ALEXIS PÉTROVITCH (1824-1896) Navire dans la tempête
Est: €800 - €1,000
BOGOLIOUBOV ALEXIS PÉTROVITCH (1824-1896) Navire dans la tempête Lavis d’encre et de graphite sur papier. Signé «A. Bogoluboff» en bas à gauche. 22 x 32 cm. БОГОЛЮБОВ АЛЕКСЕЙ ПЕТРОВИЧ (1824-1896) Корабль во время шторма Бумага, размывка, чернила, графит Подпись слева внизу
Leclere - Maison de ventes
Jun. 08, 2016
ALEKSEI PETROVICH BOGOLYUBOV (1824-1896) Harbour view si
Est: £10,000 - £15,000
ALEKSEI PETROVICH BOGOLYUBOV (1824-1896) Harbour view signed in Latin (lower left) oil on panel 12.8 x 21.8cm (5 1/16 x 8 9/16in). "
Bonhams
Jun. 20, 2015
Ischia
Est: €3,800 - €4,560
Alexei Petrowitsch Bogoljubov, Pomeranje 1824 - Paris 1896 Ischia Pen a. ink drawing over pencil drawing, 20 x 29,5 cm, lo. le. cyrillic sign. A. Bogoljubov, lo. le. titled, matted a. framed under glass, uninspected out of frame. - Mus.: Moscow (Tretjakov-Gal.), St. Petersburg (Russ. Mus.), Riga a. others. - Lit.: Saur, Boetticher, Thieme-Becker, Bénézit a. others.
Auktionshaus Stahl
Apr. 29, 2011
Attribué à Aleksei Petrovich BOGOLYUBOV (1824-1896)
Est: €6,000 - €8,000
Attribué à Aleksei Petrovich BOGOLYUBOV (1824-1896) Coucher de soleil Huile sur toile marouflée sur panneau, signée en cyrillique en bas à droite 54 x 36 cm - 21 1/4 x 14 1/8 in. Oil on canvas mounted on panel, signed in Cyrillic lower right
Aguttes
Apr. 01, 2011
BOGOLJUBOV, ALEKSEJ PETROVIC(Novgorod 1824 - 1896
Est: CHF14,000 - CHF16,000
BOGOLJUBOV, ALEKSEJ PETROVIC (Novgorod 1824 - 1896 Paris) Marine. Oil on panel. Signed lower right in Cyrillic. 13.2 x 16 cm. Expertise: Tretjakow state Galerie, Moscow, 16.11.99. BOGOLJUBOV, ALEKSEJ PETROVIC (Novgorod 1824 - 1896 Paris) Marine. Öl auf Holz. Unten rechts kyrillisch signiert. 13,2 x 16 cm. Gutachten: Staatliche Tretjakow - Galerie, Moskau, 16.11.99.
Koller Auctions
Dec. 01, 2010
Aleksei Petrovich Bogolyubov (Russian, 1824-1896) A selection of sixteen marine and topographical works on paper size of largest: 15.1 x 22.6cm (5 15/16 x 8 7/8in). all within mounts and unframed
Est: £7,000 - £9,000
A selection of sixteen marine and topographical works on paper all signed in Cyrillic or Latin and variously inscribed pen and ink; one watercolour size of largest: 15.1 x 22.6cm (5 15/16 x 8 7/8in). all within mounts and unframed (16)
Bonhams
Jun. 26, 2010
Bogoljuboff Alexei Petrowitsch Born: Pomeranje
Est: - €4,500
Bogoljuboff Alexei Petrowitsch Born: Pomeranje 1824 Died: Paris 1896 View of a Coast Oil/panel, 24,5 x 35 cm, sign. cyrillic lo. ri. A. Bogoljuboff as well as dat. 1883, on the reverse old collector's seal, slightly rest. - Mus.: Moscow, St. Petersburg, Riga et.al., Lit.: Boetticher, Thieme-Becker, Bénézit et.al.
Auktionshaus Stahl
Jun. 03, 2010
ALEXEI PETROVICH BOGOLJUBOFF Ryssland 1824-1896
Est: kr20,000 - kr25,000
ALEXEI PETROVICH BOGOLJUBOFF Ryssland 1824-1896 Eka vid strand Signerad A. Bogoljuboff. Akvarell på papper, 9,5 x 15 cm. Signed. Watercolour on paper.
Stockholms Auktionsverket
Jun. 22, 2009
Alexandre Petrovich BOGOLYUBOV Pomeranie, 1824 - Paris, 1896 Vue du bassin de Saint Marc depuis les Giardini Huile sur toile
Est: €200,000 - €250,000
Alexandre Petrovich BOGOLYUBOV Pomeranie, 1824 - Paris, 1896 Vue du bassin de Saint Marc depuis les Giardini Huile sur toile Signée en bas à gauche et en cyrillique en bas à droite h: 72 w: 120 cm Provenance : Collection particulière, France Commentaire : Aleksei Petrovich Bogoliubov, célèbre peintre russe, a voyagé dans l'Europe entière, en Allemagne, Belgique, Suisse, Italie et en France où il a vécu pendant presque trente ans, favorisant ainsi le développement des relations franco-russes. Venise fut sans doute sa destination de prédilection. Il y consacre presque cinquante peintures et dessins conservés à ce jour dans les plus grands musées russes et des collections privées internationales. Il y illustre la ville sous différents aspects, alliant toujours précision dans la représentation des architectures et vivacité, notamment dans les figures de gondoliers. Son amour pour cette ville se traduit par l'abondance de la production qu'il lui consacre, comme en témoigne son oeuvre autobiographique 'Notes d'un marin et artiste' : " La beauté de Venise m'a frappé si profondément et s'est gravée si fort dans ma mémoire que j'ai peint énormément de vues à chaque moment de la journée et que je continuerai à le faire jusqu'à la fin de ma vie (…) J'ai réalisé des dessins précis de chaque colonne, fronton, et corniche des palais et bâtiments ; faire une liste complète des dessins m'a enseigné comment construire une architecture, architecture pour laquelle j'ai développé une véritable passion ". Son premier séjour vénitien remonte à l'année 1854. Dès sa formation à l'académie de Saint Petersbourg achevée, il quitte la Russie, part pour l'Italie, visite Rome et Milan et arrive à Venise au mois de septembre où il loue un appartement près du Palais des Doges avec son ami le prince V. Maksutov. Dans ses premières œuvres vénitiennes, il parvient déjà à saisir l'atmosphère de la ville. 'La Salute et la douane de mer prise depuis la Piazetta' (Fig. 1) souligne son talent dans la représentation des cieux brumeux qui caractérise cette vision romantique de la cité lagunaire chère aux artistes du XIXe siècle. Il séjourne une seconde fois au sein de la Sérénissime de janvier à avril 1863. Il commence alors à attirer l'attention d'importants commanditaires, dont le roi du Danemark qui lui commande une vue de Santa Maria della Salute qui était exposée au sein de la collection du roi au palais Amalienborg de Copenhague. L'empereur Alexandre III, proche de l'artiste depuis de longues années, lui achète également différentes œuvres pour décorer ses palais : citons 'Venise la nuit au clair de lune', pour le Palais Alexandre, et 'Vue de Venise la nuit' pour le Palais Anichkov. Les années 1870 marquent l'apogée de son talent de vedutiste comme en témoigne la 'Vue du Grand Canal pris du Campo San Vio' (Fig. 2) ou encore les nombreuses expositions auxquelles il participe comme la seconde exposition de Peredvizhniki en 1870. A cette même période de nombreux commentaires élogieux voient le jour au sujet de l'artiste. Dans son journal 'Notes depuis ma patrie', le fameux écrivain russe A. Maikov écrit que " Monsieur Bogoliubov représente chaque élément à la perfection ". Si l'œuvre de Bogoliubov est profondément influencée par ses voyages, il n'oubliera néanmoins jamais son héritage russe et les paysages de son enfance. Souvent, dans les silhouettes des monuments architecturaux vénitiens, nous pouvons voir les plans de quelques bâtiments importants de Saint Petersbourg et les figures animant les rives des canaux qui nous rappellent celles que l'on peut trouver sur la Neva, dans le golfe de Finlande, ou sur les étendues lointaines de la Volga.
Artcurial
Jun. 08, 2009
Attributed to Aleksei Petrovich Bogolyubov (Russian, 1824-1896) Shipping through rough waters
Est: £10,000 - £15,000
Shipping through rough waters signed in Cyrillic (lower right) oil on canvas 65.5 x 81.5cm (25 13/16 x 32 1/16in).
Bonhams
Mar. 24, 2009
Alexis Petrovich BOGOLIOUBOV (1824 - 1896) BATEAUX A QUAI AU PORT DU HAVRE Huile sur toile
Est: €30,000 - €40,000
Alexis Petrovich BOGOLIOUBOV (1824 - 1896) BATEAUX A QUAI AU PORT DU HAVRE Huile sur toile signée en cyrillique en bas à gauche, située en bas à droite h: 38 w: 18,50 cm Provenance : Collection particulière, France A l'actuel propriétaire par cessions successives
Artcurial
Jan. 31, 2009
Alexei Petrovich Bogoliubov 1824-1896 , Pathway at Pokrovskoe-Glebovo watercolor on paper laid down on board
Est: $15,000 - $20,000
signed in Cyrillic and dated 77 lower right, inscribed in Cyrillic lower left; inscribed in Cyrillic and numbered #12037 on the reverse watercolor on paper laid down on board
Sotheby's
Jan. 14, 2009
attributed to: Aleksei Petrovich Bogolyubov (Bog
Est: $5,000 - $6,000
attributed to: Aleksei Petrovich Bogolyubov (Bogoluboff) Russian (1824-1896) Oil on Canvas "Coastal Scene" Signed Lower Left and Dated 1880. a Few Small Tears to the Canvas, Craquelure or else Good Condition. Measures 15-3/4 Inches by 25-3/4 Inches, Frame Measures 20 Inches by 30 Inches. Shipping $75.00 (estimate $5,000-$6,000)
Kodner Galleries
Nov. 26, 2008
Alexei PETROVITCH BOGOLIUBOV (Attribué à)(1824 -
Est: €1,500 - €2,000
Alexei PETROVITCH BOGOLIUBOV (Attribué à)(1824 - 1896) Paysage oriental Huile sur carton 30 x 43,5 cm Signé au dos en cyrillique A Bogoliubov
Millon & Associes
Nov. 25, 2008
BOGOLIUBOV, ALEXEI Years: 1824-1896 Amsterdam by
Est: £250,000 - £300,000
BOGOLIUBOV, ALEXEI Years: 1824-1896 Amsterdam by Moonlightsigned and inscribed in Cyrillic "Amsterdam", also further inscribed and numbered "264/N338" and "A.D.M. 26117" on the labels on the original frame and the stretcher Oil on canvas, 32 by 50 cm. This work hung in Emperor Alexander's dining room. Provenance: Former collection of Emperor Alexander III, Anichkovskiy Palace, No. 264/338. Thence in 1931 to joint stock company "Otel". Private collection, Argentina. Authenticity has been confirmed by Vladimir Petrov. Views of Holland occupy a special place in Bogoliubov's creativeoeuvre. On graduating from the Naval Cadets in 1841, Bogoliuboventered the navy as a warrant officer, and spent a great deal of timeat sea. During one of his first long voyages, he spent time inAmsterdam, Haarlem and Rotterdam, where he became familiarwith the works of the "old masters" and of contemporary Europeanpainters. This was followed by years of study in the Academy includinga fateful (from a creative point of view) meeting with KarlBrulov, conversations with Aleksandr Ivanov in Rome and Paris, along period spent working under French and German masters, afriendship with Corot and Daubigny, high profile commissions, closeco-operation with Kramskoy and the Wanderers, a move to France,portrayal of the history of the Russian navy, and finally, the organisationof Russia's first museum open to the general public, whichwas named in memory of his grandfather Radishchev, a greatthinker and publicist during the time of Catherine the Great. Andall of this was merely a background to his unending, fevered landscapework- at sea and on the River Volga, in St. Petersburg, inTurkey, in Normandy and in the Crimea, in Italy and in Holland. In 1859 after completing his Grand Tour of Europe which,along with the grand medal, was his graduation reward fromthe Academy of Arts, Bogoliubov travelled to Dusseldorf to beginwork under the direction of the renowned painter AndreasAchenbach. Achenbach recommended that Bogoliubov shouldforget his previous work and be guided only by his own personalview of nature, and without further ado he sent him off tostudy in Scheveningen, a small seaside resort near the Hague. Itwas from this trip to Holland that Bogoliubov returned homewith his first masterpieces. The Academy of Arts awarded the title of Professor toBogoliubov and its Council declared its gratitude, as, the resolutionof the Council stated, "up to now none of the graduates ofthe Academy who have taken the Grand Tour have returnedwith such a large quantity of excellent studies and paintingswhich display, in addition to talent, particular endeavour and astriving for perfection". Bogoliubov recorded his impressions of these travels in richdetail in a large number of varied sketches which were usuallyexecuted on special small panels. In these works he strived toachieve universality of form and communicated his ownthoughts and feelings through his images of nature, achieving ahigh degree of expression on very small canvases. This gives hislively nature sketches the quality of studies for paintings. Theseopen air landscapes, the painting style resembling at times eitherthe Barbizon or the impressionist technique, are very direct andbear the stamp of Bogoliubov's individual painting style. Thelandscape Amsterdam by Moonlight which is presented for auction isone such small, yet lively and extremely characteristic work byBogoliubov which was executed in a picturesque corner ofHolland. Bogoliubov's masterpieces from this period include a series ofworks executed in Holland - an autumnal Scheveningen landscapepainted in a restrained palette of silver hues, View of theEnvirons of The Hague, and a number of views of Amsterdamwhich are now held in various museums in Russia: City on a river.Amsterdam (1870, held in the Rybinsky Museum of History,Architecture and the Arts) and Amsterdam (1885, held at theSaratov Radishchev State Museum of Arts).
MacDougall's
Nov. 24, 2008
Aleksei Petrovich Bogolyubov (Russian, 1824-1896) Hougoumont farm, Waterloo; and Outside Hougoumont farm one 56 x 71.5cm (22 1/16 x 28 1/8in).; the other 39 x 50.5cm (15 3/8 x 19 7/8in).
Est: £5,000 - £7,000
Hougoumont farm, Waterloo; and Outside Hougoumont farm both signed in Cyrillic (lower right) both gouache and watercolour on paper one 56 x 71.5cm (22 1/16 x 28 1/8in).; the other 39 x 50.5cm (15 3/8 x 19 7/8in). (2)
Bonhams
Nov. 15, 2008
Signature BOGOLYUBOV, A (Alexei Petrovich 1824-96)
Est: $1,500 - $3,000
Signature BOGOLYUBOV, A (Alexei Petrovich 1824-96) Fishing Boats (Venice?) Bears signature lower right. Oil on Panel 11.5x16.5cm
Davidson Auctions
Jun. 18, 2008
Alexei Petrowitsch BOGOLJUBOFF (Pomerani
Est: €30,000 - €50,000
Alexei Petrowitsch BOGOLJUBOFF (Pomerani 1824-Paris 1896) "Colonnes rostrales devant la place de la Bourse sur l'île Vassilievsky à St Petersbourg " Huile sur toile signée en bas à gauche. 54 x 36,5 cm Provenance : Collection particulière Bibliographie: " Elève de Worobjeff et Willewald à l'Académie de Saint Petersbourg, il travaille plus tard à Genève avec Calame, puis à Paris sous la direction d'Isabey. Enfin il compléta ses études à Düsseldorf dans l'atelier d'Andréas Achenbach. Il voyagea aussi en Italie. Nommé académicien en 1858 et professeur en 1861, il travailla beaucoup pour la Cour, où il jouit de la plus grande faveur. Deux fresques de lui sont à l'Eglise russe de Paris. La Galerie Tetriakoff et le Musée Roumianzeff de Moscou, ainsi que le Musée russe de St Petersbourg conservent de nombreuses aeuvres de Bogoljuboff " in Benezit.
Christophe Joron-Derem