Loading Spinner

Giulio Bonasone Sold at Auction Prices

Painter, Engraver, Etcher

See Artist Details

0 Lots

Sort By:

Categories

      Auction Date

      Seller

      Seller Location

      Price Range

      to
      • Bonasone, Giulio di Antonio
        Sep. 27, 2024

        Bonasone, Giulio di Antonio

        Est: €300 - €450

        (1498 Bologna 1580). Der Triumph der Liebe. Kupferstich, 1545. Gedr. v. Tom Barl. 28,1 x 40,6 cm. Mit den Namenszügen u. Dat. i.d.Pl. Über den Plattenrand beschnitten. Auf leichten Karton montiert. - Ein Riss i.d. Darstellung, re. oben Eckverlust, leicht fl. R

        Kiefer Buch- und Kunstauktionen
      • Bonasone, Giulio (Bolgona um 1498-1576),
        Jun. 07, 2024

        Bonasone, Giulio (Bolgona um 1498-1576),

        Est: €140 - €200

        Jupiter, Neptun und Pluto und die Aufteilung des Universums. Kupferstich nach G. Romano. Nicht sign. und dat. (um 1540). 19,4 x 25,5 cm. - Auf Trägerpapier aufgezogen. - Bartsch XV, 77, 93. - Aus der vierblättrigen Folge der Aufteilung des Universums. - Wohl etw. späterer Abzug.

        Zisska & Lacher
      • Giulio Bonasone (in the style of) (c.1498-c. 1574). Avaritia | Diligentia
        Apr. 19, 2024

        Giulio Bonasone (in the style of) (c.1498-c. 1574). Avaritia | Diligentia

        Est: €200 - €300

        Lot of 2 engravings. 278 x 135 mm and 285 x 155 mm. Fresh impressions on thin laid paper. “Diligence” backed on another sheet. Both with some small defects and restorations.

        Bertolami Fine Art s.r.l.
      • 1550s G. Bonasone Engraving - Adoration of Shepherds
        Feb. 22, 2024

        1550s G. Bonasone Engraving - Adoration of Shepherds

        Est: $600 - $900

        Giulio Bonasone (Italian, 1498 - after 1576). "The Adoration of the Shepherds" etching with dry point and some engraving on laid paper, late 1550s - early 1560s. Signed 'Ivlio Bonasone invent' in lower left center, on step below Christ. Bartsch XV, 39. An awe-inspiring impression titled "The Adoration of the Shepherds" by the renowned Italian Renaissance artist Guilio Bonasone - arguably one of the best-known engravers of the Cinquecento - demonstrating his innovative technique of combining etching and engraving. Holding a veil with both hands, the Virgin kneels beside the nude Christ child, gazing lovingly at the infant who kicks his feet and raises his pudgy arms, reaching out for his mother. A haloed Saint Joseph is shown to the right of the two, while shepherds, women, and animals gather round, observing and gesturing toward the newborn. Above, the heavens open to a group of angels who hold the Bible in their laps as they also bear witness to the Savior's birth. Size of impression: 6" W x 9.5" H (15.2 cm x 24.1 cm); of matte: 11.75" W x 16.5" H (29.8 cm x 41.9 cm) What is special about this work, and other works at that time, is Bonasone's use of a mixed intaglio medium. Note how Bonasone's cutting-edge technique (literally) allows him to use both the subtleness of etching and atmospheric quality of engraving. Initially, Bonasone did not mix the media. He developed his engraving technique to an extraordinarily fine and revealing standard. He used small flicks to achieve tonal gradation, the technique of transiting one color hue to another, and a tangible sense of form. Contour shading lines were lengthened and became softened. The contrast between brightness and darkness became less obvious but still possessed a painting-like quality. In fact, the lighting and texture became closer to Venetian painting than Roman painting. Human faces became more vivid after Bonasone reduced the use of linear burin. Engravings done with this technique started in the late 1550s but concentrated in the early 1560s. After that, this tonal engraving skill was combined with etching to achieve great beauty and depth. Bonasone's choice of different media to achieve varied effects is the most noteworthy aspect of his technique. Though the human body was still engraved with burin, landscapes, and backgrounds started to be rendered with etching. This forms the effect of having human forms of engraved tonality glowing on a deep and rich etched background, as seen in this example. Born in Bologna, Giulio Bonasone was an Italian painter and engraver who studied with Marcantonio Raimondi and worked mainly in Mantua, Rome, and Venice with great success, producing etchings and engravings after the old masters and his own designs. He has been regarded as an engraver with extraordinary skills in reproducing, as he could accurately convey the sources' compositions, colors, and essence. Moreover, he expressed his understanding about the controversies about religion and culture in his time through his prints. He is considered among the most important and productive engravers of the sixteenth century, with over 400 prints now attributed to him. Impressions of Giulio Bonasone's "The Adoration of the Shepherds" have been collected by many renowned institutions, such as the Metropolitan Museum of Art (66.613.29), the National Gallery of Victoria (1278.658-3), Philadelphia Museum of Art (1985-52-27696), the British Museum (1874,0808.259), and National Galleries Scotland (P 2591). Provenance: ex-Royal Athena Galleries, New York City, New York, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #183845

        Artemis Gallery
      • Bonasone, Giulio di Antonio (Bologna 1498 - ca. 1580),
        Dec. 01, 2023

        Bonasone, Giulio di Antonio (Bologna 1498 - ca. 1580),

        Est: €100 - €150

        Die Vision des heiligen Hieronymus. Kupferstich nach Parmigianino. In der Platte sign., nicht dat. (um 1570). 35,9 x 24,1 cm. - - Auf Trägerpapier aufgezogen. - Thieme/Becker IV, 273 (Biographie). Massari 12. Bartsch XV, 72, 62. - Tls. ungerade bis an die Einfassungslinie bzw. tls. minimal innerhalb der Einfassungslinie beschnitten, etw. flau, wohl durch frühere Waschung, leicht fleckig.

        Zisska & Lacher
      • OLD MASTERS: GIULIO BONASONE (1498-1574) ITALIAN & NICOLO VAN AELST (1526-1613) FLEMISH (TWO)
        Jul. 12, 2023

        OLD MASTERS: GIULIO BONASONE (1498-1574) ITALIAN & NICOLO VAN AELST (1526-1613) FLEMISH (TWO)

        Est: $100 - $300

        Giulio Bonasone MERCURY PRESENTING PANPIPES TO MINERVA, engraving, a later impression, plate signed, plate ½ x 7”, added margins 11 x 8 ¼”, matted 20 x 16”; Nicolo van Aelst UNTITLED, engraving, sheet 8 ¼ x 9 ½”, matted 16 x 20”. (2)

        Clark's Fine Art & Auctioneers Inc.
      • Bonasone, Giulio di Antonio (Bologna 1498 - ca. 1580),
        Jul. 05, 2023

        Bonasone, Giulio di Antonio (Bologna 1498 - ca. 1580),

        Est: €140 - €200

        Die Vision des heiligen Hieronymus. Kupferstich nach Parmigianino. In der Platte sign., nicht dat. (um 1570). 35,9 x 24,1 cm. - Auf Trägerpapier aufgezogen. Thieme/Becker IV, 273 (Biographie). Massari 12. Bartsch XV, 72, 62. - Tls. ungerade bis an die Einfassungslinie bzw. tls. minimal innerhalb der Einfassungslinie beschnitten, etw. flau, wohl durch frühere Waschung, leicht fleckig.

        Zisska & Lacher
      • Bonasone, Giulio di Antonio (Bologna 1498 - ca. 1580),
        Jun. 23, 2023

        Bonasone, Giulio di Antonio (Bologna 1498 - ca. 1580),

        Est: €140 - €200

        Die mystische Hochzeit der heiligen Katharina von Alexandrien. Kupferstich nach Parmigianino. In der Platte sign., nicht dat. (um 1550). - Auf Trägerkarton mont. Bartsch XV, 69, 47. - Tls. bis knapp innerhalb der Einfassungslinie beschnitten, zwei kleine hinterlegte Ausbrüche im rechten Rand, kleiner geklebter Einriß rechts, vereinzelt leicht dünnwandig, leicht fleckig, etw. gebräunt.

        Zisska & Lacher
      • Bonasone, Giulio di Antonio (Bologna 1498 - ca. 1580),
        Jun. 23, 2023

        Bonasone, Giulio di Antonio (Bologna 1498 - ca. 1580),

        Est: €140 - €200

        Die Vision des heiligen Hieronymus. Kupferstich nach Parmigianino. In der Platte sign., nicht dat. (um 1570). 35,9 x 24,1 cm. - Auf Trägerpapier aufgezogen. Thieme/Becker IV, 273 (Biographie). Massari 12. Bartsch XV, 72, 62. - Tls. ungerade bis an die Einfassungslinie bzw. tls. minimal innerhalb der Einfassungslinie beschnitten, etw. flau, wohl durch frühere Waschung, leicht fleckig.

        Zisska & Lacher
      • GIULIO DI ANTONIO BONASONE
        Mar. 31, 2023

        GIULIO DI ANTONIO BONASONE

        Est: CHF400 - CHF600

        GIULIO DI ANTONIO BONASONE (1498–1574 Bologna) Cupid presenting to Ceres stems of grain. 1540. Etching. 14.1 x 15.8 cm. Bartsch 2; Massari 99. - A superb, deep black, even and clear impression. With small margins around the platemark above and below, with thread margins at left and right. In very good condition. - Very rare. Provenance: - Collection of E. Fabricius (–1920), Berlin, Lugt 847a and Lugt 919th. - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a. --------------- GIULIO DI ANTONIO BONASONE (1498–1574 Bologna) Amor präsentiert Ceres Getreidehalme. 1540. Radierung. Unten rechts innerhalb der Darstellung gestochen monogrammiert: I.BO. 14,1 x 15,8 cm. Bartsch 2; Massari 99. - Hervorragender, tiefschwarzer, gleichmässiger und klar zeichnender Druck. Oben und unten mit kleinem Rand um die Plattenkante, die rechte und linke Seite mit feinem Rändchen um diese. In sehr guter Erhaltung. - Sehr selten. Provenienz: - Sammlung E. Fabricius (–1920), Berlin, Lugt 847a und Lugt 919ter. - Sammlung Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a. ---------------

        Koller Auctions
      • Bonasone, Giulio (um 1498-1576 Bologna),
        Dec. 02, 2022

        Bonasone, Giulio (um 1498-1576 Bologna),

        Est: €160 - €250

        Der Raub der Europa. Kupferstich nach Raffael. In der Platte sign. und dat. 1546. 29,3 x 44 cm. (18) - Bartsch XV, 80, 109. Le Blanc I, 443, 110.

        Zisska & Lacher
      • Bonasone, Giulio (um 1498-1576 Bologna),
        Dec. 02, 2022

        Bonasone, Giulio (um 1498-1576 Bologna),

        Est: €220 - €300

        Der Raub der Europa. Kupferstich nach Raffael. In der Platte sign. und dat. 1546. 29,3 x 43,9 cm. - Auf Trägerkarton mont., unter Glas (ungeöffnet; leichte Alters- und Gebrauchsspuren). - Bartsch XV, 80, 109. Le Blanc I, 443, 110.

        Zisska & Lacher
      • Giulio di Antonio Bonasone (1498-1580) The Last Judgement from the Sistine Chapel, after Michelangelo [and Agostino Carracci's portrait of Titian]
        Jul. 07, 2022

        Giulio di Antonio Bonasone (1498-1580) The Last Judgement from the Sistine Chapel, after Michelangelo [and Agostino Carracci's portrait of Titian]

        Est: £600 - £800

        Giulio di Antonio Bonasone (1498-1580) The Last Judgement from the Sistine Chapel, after Michelangelo Engraving, circa 1540s, an excellent detailed impression of the second state (of two), on thick laid paper without watermark, sheet 583 x 450 mm (23 x 17 3/4 in), trimmed to or just within the platemark, old horizontal crease and associated folds, minor nick into the lettered cornice at the upper edge, scattered surface dirt (unframed) Literature: Bartsch 80; Massari 79 ii/ii [Together with] Agostino Carracci (1557-1602) Portrait of Titian Engraving, 1587, a good impression of the lettered state with some signs of wear, on laid paper without watermark, sheet 330 x 237 mm (13 x 9 1/4 in), mounted on 18th century paper support with Italian collector's ink inscription below, some surface dirt and browning, old folds and minor handling creases (unframed) Literature: Bartsch 154 iii/iv

        Forum Auctions - UK
      • Bonasone, Giulio - (um 1498-1576 Bologna),
        Jun. 03, 2022

        Bonasone, Giulio - (um 1498-1576 Bologna),

        Est: - €400

        Der Raub der Europa. Kupferstich nach Raffael. In der Platte sign. und dat. 1546. 29,3 x 44 cm. (34) - Bartsch XV, 80, 109. Le Blanc I, 443, 110.

        Zisska & Lacher
      • Giulio Bonasone (c.1498-c. 1574) : Lot of four engravings from 'Emblemi di Achille Bocchi', 1555
        May. 18, 2022

        Giulio Bonasone (c.1498-c. 1574) : Lot of four engravings from 'Emblemi di Achille Bocchi', 1555

        Est: -

        Giulio Bonasone (c.1498-c. 1574) Lot of four engravings from 'Emblemi di Achille Bocchi', 1555 Giulio Bonasone (c.1498-c. 1574) Lot of four engravings from 'Emblemi di Achille Bocchi', 1555 Engraving and typography c. 17 x 12,5 cm each. Four sheets from Achillis Bocchii's 'Symbolicarum quaestionum de Universo genus quas serio ludebat': Diligence riding towards happiness (NOT INCIPIENT SED PERSEVERING); Cardinal Alessandro Farnese; Alexander presses a ring against Hephaestion's mouth to impose silence on him; Athena standing near several objects balanced on top of each other. Bartsch.XV.264 / 280/296/311. Four sheets with large original margins and typography on the reverse. Laid paper, a watermark fragment visible on the number 264. Glued for the upper edge on cardboard support. For the rest in excellent condition.

        Bertolami Fine Art s.r.l.
      • Giulio Bonasone (1500-1574) - Allegory of the rising sun
        Dec. 14, 2021

        Giulio Bonasone (1500-1574) - Allegory of the rising sun

        Est: €380 - €450

        Allegory of the rising sun, a naked man is being drawn by horses accompanied elderly winged father time, at the bottom right are waking figures Engraving made by Giulio Bonasone and thought to be of his own invention.

        Old Master Print
      • Giulio Bonasone (c.1498-c. 1574) : LOT OF FOUR ENGRAVINGS FROM 'EMBLEMI DI ACHILLE BOCCHI', 1555
        Nov. 16, 2021

        Giulio Bonasone (c.1498-c. 1574) : LOT OF FOUR ENGRAVINGS FROM 'EMBLEMI DI ACHILLE BOCCHI', 1555

        Est: -

        Four sheets from Achillis Bocchii's 'Symbolicarum quaestionum de Universo genus quas serio ludebat': Diligence riding towards happiness (NOT INCIPIENT SED PERSEVERING); Cardinal Alessandro Farnese; Alexander presses a ring against Hephaestion's mouth to impose silence on him; Athena standing near several objects balanced on top of each other. Bartsch.XV.264 / 280/296/311. Four sheets with large original margins and typography on the reverse. Laid paper, a watermark fragment visible on the number 264. Glued for the upper edge on cardboard support. For the rest in excellent condition.

        Bertolami Fine Art s.r.l.
      • - Freizügiges Meisterwerk - Bonasone, Giulio
        Jul. 23, 2021

        - Freizügiges Meisterwerk - Bonasone, Giulio

        Est: - €500

        (Bologna ca. 1498-1580), Der Triumph der Liebe. Kupferstich. In der Platte sign., bei T. Barlacchi, dat. 1545. 28,1 x 40 cm. - Auf Trägerkarton mont. • Nagler II, 63. Bartsch XV, 80, 106. Massari, Giulio Bonasone, Nr. 47.

        Zisska & Lacher
      • * Bonasone (Giulio, circa 1498-circa 1580). Saturn, seated right, threatened by his three children
        Mar. 25, 2021

        * Bonasone (Giulio, circa 1498-circa 1580). Saturn, seated right, threatened by his three children

        Est: £200 - £300

        * Bonasone (Giulio, circa 1498-circa 1580). Saturn, seated right, threatened by his three children, Jupiter, Neptune and Pluto, after Giulio Romano, circa 1561, engraving on laid paper, a very good impression, trimmed just outside the plate mark, collector's ink signature of N. Langlois to verso, and collector's mark R.F. (Lugt 2205), plate size 310 x 210 mm (12.2 x 8.25 ins), sheet size 315 x 214 mm (12.4 x 8.4 ins), hinge-mounted to 20th century card window mount Qty: (1)

        Dominic Winter Auctions
      • GIULIO BONASONE (CIRCA 1500/10-1574) AFTER GIULIO ROMANO (1499-1549) - Jupiter suckled by the Goat Amaltheia
        Jan. 28, 2021

        GIULIO BONASONE (CIRCA 1500/10-1574) AFTER GIULIO ROMANO (1499-1549) - Jupiter suckled by the Goat Amaltheia

        Est: £1,000 - £1,500

        GIULIO BONASONE (CIRCA 1500/10-1574) AFTER GIULIO ROMANO (1499-1549) Jupiter suckled by the Goat Amaltheia engraving, circa1533-74, on laid paper, indistinct watermark Ladder in Circle with Star (see...

        Christie's
      • GIULIO BONASONE (CIRCA 1500/10-1574) AFTER GIULIO ROMANO (1499-1549) - Flora with her Nymphs
        Jan. 28, 2021

        GIULIO BONASONE (CIRCA 1500/10-1574) AFTER GIULIO ROMANO (1499-1549) - Flora with her Nymphs

        Est: £1,500 - £2,500

        GIULIO BONASONE (CIRCA 1500/10-1574) AFTER GIULIO ROMANO (1499-1549) Flora with her Nymphs engraving, circa1531-50, on laid paper, watermark Crossbow in a Circle (probably Massari 4; Woodward 216;...

        Christie's
      • Bonasone, Giulio
        Dec. 12, 2020

        Bonasone, Giulio

        Est: €200 - €300

        (um 1500 Bologna nach 1574). "Nativitas Beati Ioannis Baptistae". Die Geburt Johannes des Täufers. Kupferstich n. Jacobus Florentinus. Plgr. ca. 29,1 x 45,0, Darst. ca. 28,7 x 44,6 cm. Mit d. Namensz., Monogr. u. Betit. in d. Platte. Gerissene u. hinterl. Mittelfalz. Vgl. Nagler, Monogr. IV, 515. Le Blanc I, 412, 71. Vgl. B. 76, ohne jegl. Verlegeradr. Wohl spät. Abzug. Etw. flauer Abzug. - Vereinz. Dünnst. u. kl. Löcher. Etw. fl. Etw. wasserrand. Angest. Rd. li. u. ob. hinterl. - R

        Kiefer Buch- und Kunstauktionen
      • UNIVERSAL JUDGMENT, 1696; BURIN ENGRAVING BY GIULIO BONASONE (BOLOGNA, 1498 - 1576) BY MICHELANGELO, III / VI STATE EDITION BY ANTONIO SALAMANCA, ROME 1696.
        Oct. 01, 2020

        UNIVERSAL JUDGMENT, 1696; BURIN ENGRAVING BY GIULIO BONASONE (BOLOGNA, 1498 - 1576) BY MICHELANGELO, III / VI STATE EDITION BY ANTONIO SALAMANCA, ROME 1696.

        Est: €400 - €600

        The engraving was commissioned in the mid-sixteenth century by Cardinal Alessandro Farnese and engraved cum privileium by Pope Paul III

        Bertolami Fine Art s.r.l.
      • Giulio Bonasone (1498-1580), after Parmigiano: The Mystic Marriage of Saint Catherine
        Oct. 26, 2019

        Giulio Bonasone (1498-1580), after Parmigiano: The Mystic Marriage of Saint Catherine

        Est: $1,000 - $1,500

        Engraving in black on wove paper, c. 1543-44; together with Camillo Proccacini (1561-1629): The Rest on the Flight into Egypt, etching in black on laid paper, 1593.7 3/4 x 6 1/4 in. (sheet), 10 3/8 x 8 1/8 in. (sheet), both unframed.Literature: Bonasone: Bartsch 47; Proccacini: Bartsch 2.p>

        STAIR
      • Giulio Bonasone - Pluto descending Hades
        Oct. 01, 2019

        Giulio Bonasone - Pluto descending Hades

        Est: €350 - €450

        This is one of four prints depicting the division of the universe. Pluto on his chariot descending to Hades, the guardians of hell watch at the left. Monogrammed in upper centre 'IBO'.

        Old Master Print
      • Giulio Bonasone - Flora with nymphs
        Oct. 01, 2019

        Giulio Bonasone - Flora with nymphs

        Est: €600 - €1,200

        Flora passing to another woman a wreath, set within a garden with various male and female figures Engraving. Superb sheet from a story by Giulio Romano at Palazzo Te in Mantua the Sala dei Venti.

        Old Master Print
      • Giulio Bonasone (1498-1580) Clélie traversant le Tibre. Eau-forte d’après Polydore de Caravage (fresque perdue de Rome). 435 x 301. Bartsch 83 ; Massari 73. Très belle épreuve rognée à l’intérieur du coup de planche mais complète du filet d’encadrement sur deux côtés, à l’adresse de Lafreri. Petit trou dans le sujet, accidents et petits manques dans les angles et quelques épidermures au verso, visibles par transparence. Au verso paraphe de P. Gervaise (Lugt 1078) avec la date 1860. Filigrane : cercle avec armes.
        Oct. 12, 2018

        Giulio Bonasone (1498-1580) Clélie traversant le Tibre. Eau-forte d’après Polydore de Caravage (fresque perdue de Rome). 435 x 301. Bartsch 83 ; Massari 73. Très belle épreuve rognée à l’intérieur du coup de planche mais complète du filet d’encadrement sur deux côtés, à l’adresse de Lafreri. Petit trou dans le sujet, accidents et petits manques dans les angles et quelques épidermures au verso, visibles par transparence. Au verso paraphe de P. Gervaise (Lugt 1078) avec la date 1860. Filigrane : cercle avec armes.

        Est: €300 - €400

        Giulio Bonasone (1498-1580) Clélie traversant le Tibre. Eau-forte d’après Polydore de Caravage (fresque perdue de Rome). 435 x 301. Bartsch 83 ; Massari 73. Très belle épreuve rognée à l’intérieur du coup de planche mais complète du filet d’encadrement sur deux côtés, à l’adresse de Lafreri. Petit trou dans le sujet, accidents et petits manques dans les angles et quelques épidermures au verso, visibles par transparence. Au verso paraphe de P. Gervaise (Lugt 1078) avec la date 1860. Filigrane : cercle avec armes.

        Leclere - Maison de ventes
      • Bonasone, Giulio di Antonio
        Jun. 30, 2018

        Bonasone, Giulio di Antonio

        Est: - €180

        Bonasone, Giulio di Antonio (1498 Bologna 1580). Pluto auf Streitwagen in die Hölle fahrend. Radierung, 16. Jh. Ca. 25,5 x 20 cm. Mit Monogramm i.d. Platte. Bartsch 95. - Bis zur Darst. beschn., 2 Braunflecken, ob. li. Ecke ergänzt. - Etw. angestaubt, leicht fleckig. - +Dabei: Eine weitere Radierung+, monogrammiert IBM. - Beide Rad. zus. unter Passep. mont.

        Kiefer Buch- und Kunstauktionen
      • GIULIO BONASONE (C. 1498 – C. 1574)
        Mar. 26, 2018

        GIULIO BONASONE (C. 1498 – C. 1574)

        Est: €80 - €1,000

        GIULIO BONASONE (C. 1498 – C. 1574) L’amour surpris dans les Champs-Élysées 1563. Bartsch n° 101 ; Le Blanc n° 141 ; Massari n° 185. Burin. 230 x 360 (trait carré). Très belle épreuve sur vergé, du 1er état sur 2 selon Bartsch et Le Blanc, sur 4 selon Massari, avant l’adresse de Rossi. Rognée sur le trait carré. Très courte déchirure dans le bord supérieur à droite. Filigrane non identifié. Engraving. A very fine proof on laid paper, trimmed to the borderline. 1rst state of 2. A very short tear in the upper edge. Unidentified watermark.

        Leclere - Maison de ventes
      • GIULIO BONASONE | Men and Women Bathing in a Large Tub (Bartsch 177 (157))
        Feb. 16, 2018

        GIULIO BONASONE | Men and Women Bathing in a Large Tub (Bartsch 177 (157))

        Est: £1,000 - £1,500

        Engraving, 16th century, on paper with a Cross in a Circle watermark

        Sotheby's
      • Giulio Bonasone engraving
        Dec. 09, 2017

        Giulio Bonasone engraving

        Est: $500 - $800

        Giulio Bonasone (Italian ca. 1498-1580)- ''The Vision of Saint Jerome'' (Bartsch 62, TIB 62 ii/ii)- engraving after Parmigianino, 1540s, minor stains in margin. 14 x 9 1/4''

        Rachel Davis Fine Arts
      • Parmigianino, Francesco Mazzola. (Italian; 1503-1540) [Bonasone, Giulio. (1494 - c. 1574): "The Mystic Marriage of Saint Catherine" - Ex Jerome Kern
        Nov. 05, 2017

        Parmigianino, Francesco Mazzola. (Italian; 1503-1540) [Bonasone, Giulio. (1494 - c. 1574): "The Mystic Marriage of Saint Catherine" - Ex Jerome Kern

        Est: $1,200 - $1,500

        Original etching on laid paper, after the painting by Parmigianino. Lettered within image, at bottom left: "PL" and at right "FRANC. PARM" and within the image (on chair edge) "BONASON." 15.4 x 20 cm. Nicely matted to 11 x 14 inches. Provenance: from the collection of the important American composer, Jerome Kern (1885-1945). Saint Catherine is identified by the wheel upon which she was tortured before being miraculously saved and the figure in the foreground may be the hermit who converted her. After her conversion she dreamt that the infant Jesus placed a ring on her finger in a 'mystic marriage'.

        Schubertiade
      • Giulio Bonasone, Il trionfo di Giunone. 1568
        Oct. 09, 2017

        Giulio Bonasone, Il trionfo di Giunone. 1568

        Est: €160 - €320

        Acquaforte e bulino. mm 135x103. Bertelà/Ferrara, 71. Massari, 198. TIB 28 (Commentary), 117. In alto al centro "I. Bonasone/ inventor". Quarta tavola dalla serie in 22 fogli Amori sdegni et Gielosie di Giunone. Bellissima impressione prima del numero su carta vergellata con filigrana "ancora". In basso a destra timbro della collezione R. Bathurst (?) (Lugt, 2192).

        Gonnelli Casa d'Aste
      • Giulio Bonasone, Una partoriente invoca Lucina. 1568
        Oct. 09, 2017

        Giulio Bonasone, Una partoriente invoca Lucina. 1568

        Est: €160 - €320

        Acquaforte e bulino. mm 134x103. Foglio: 141x110. Ferrara/Bertelà, 80. Massari, 210. TIB 28 (Commentary), 129. Rossoni, 1.2008, PN 1785. In basso al centro sotto l'invocazione "I. Bonasone inventor". Sedicesima tavola dalla serie in 22 fogli Amori Sdegni et Gielosie di Giunone. Bellissima impressione nel I stato su 2 avanti la numerazione, su carta vergellata priva di filigrana.

        Gonnelli Casa d'Aste
      • Giulio Bonasone, Frontespizio della serie Amori Sdegni et Gielosie di Giunone. 1568
        Oct. 09, 2017

        Giulio Bonasone, Frontespizio della serie Amori Sdegni et Gielosie di Giunone. 1568

        Est: €140 - €280

        Acquaforte e bulino. mm 134x103. Massari, 194. TIB 28 (Commentary), 113. In basso al centro "Iulio Bonasone/ in Ventore". Frontespizio con Athena ed Hermes che regge il caduceo, per la serie in 22 fogli Amori sdegni et Gielosie di Giunone. Bellissima impressione su carta vergellata priva di filigrana. In basso a destra timbro della collezione R. Bathurst (?) (Lugt, 2192).

        Gonnelli Casa d'Aste
      • Bonasone, Giulio (um 1500 Bologna nach 1574). Der Triumph von Amor und
        Feb. 18, 2017

        Bonasone, Giulio (um 1500 Bologna nach 1574). Der Triumph von Amor und

        Est: - €270

        Bonasone, Giulio (um 1500 Bologna nach 1574). Der Triumph von Amor und Psyche. Radierung auf Bütten. Blgr. ca. 27,6 x 40,2 cm. Mit dem Namenszug i.d. Platte. Tls. knapp auf bzw. innerhalb d. Plattenkante beschn. B. 105. - Etw. gebr., tls. stockfl., Fehlst. im Unterschenkel eines Putto, stellenw. kl. Wurmsp., tls. unterl. Randeinrisse bis etw. i.d. Darst. Aus d. Slg. G+w Denzel.

        Kiefer Buch- und Kunstauktionen
      • Bonasone, Giulio (um 1500 Bologna nach 1574). "Nativitas Beati Joannis
        Feb. 18, 2017

        Bonasone, Giulio (um 1500 Bologna nach 1574). "Nativitas Beati Joannis

        Est: - €240

        Bonasone, Giulio (um 1500 Bologna nach 1574). "Nativitas Beati Joannis Baptistae". Die Geburt Johannes des Täufers. Radierung n. Jacobus Florentinus auf Bütten mit WZ. 28,5 x 44,8, Blgr. 30 x 45,6 cm. Mit d. Namensz. bzw. Monogr. u. Adresse von Ant. Lafreri bzw. Petri de Nobilibus in d. Platte. Mittelfalz. Vgl. Nagler, Monogr. IV, 515. Le Blanc I, 412, 71. - Etw. flauer Abdruck, tls. etw. stockfl., 2 Dünnst., unterl. Einriss unt. am Falz. Aus den Slgn. AR bzw. Georg Denzel.

        Kiefer Buch- und Kunstauktionen
      • GIULIO BONASONE Der Triumph der Liebe.
        Apr. 29, 2016

        GIULIO BONASONE Der Triumph der Liebe.

        Est: €1,600 - €1,700

        GIULIO BONASONE Der Triumph der Liebe.,Kupferstich auf Bütten mit Wz. "Leiter im Rund mit Stern" (Briquet 5924). (1545). 28,9 : 40,8 cm (Blattgröße).,Bartsch 106, Massari 47. Provenienz: Sammlung Robert Balmanno (1780-1866), London und New York, verso mit dem Stempel (Lugt 213), Sammlung Richard Jung (1911-1986), Freiburg im Breisgau, verso mit dem Stempel (Lugt 3791).,Ausgezeichneter, kräftiger und lebendiger Druck mit einem feinen Rändchen um die Plattenkante, rechts unten knapp innerhalb der Plattenkante geschnitten. - Mit einem geglätteten Mittelfalz, oben mittig mit einer kaum wahrnehmbaren Restaurierung, ansonsten gut erhalten fin Anbetracht des großen Formats. Selten.

        Karl & Faber
      • Bonasone, Giulio di Antonio
        Apr. 25, 2015

        Bonasone, Giulio di Antonio

        Est: - €300

        Bonasone, Giulio di Antonio (um 1500 Bologna nach 1574). "Moses befiehlt den Hebräern sich zu versammeln". Kupferstich, 1546. 27,1 x 34,2 cm. In d. Platte bez. "F. Parmiseanino I vintor Iulio Bolognesi F. 1546". - Le Blanc 5. - Eng um die Darst. beschnitten. Hinterlegte Randeinrisse, etw. gebräunt, leicht fl., kl. minimale Löcher.

        Kiefer Buch- und Kunstauktionen
      • After GIULIO BONASONE (circa 1498 - after 1574) Italian
        Nov. 18, 2014

        After GIULIO BONASONE (circa 1498 - after 1574) Italian

        Est: £50 - £100

        After GIULIO BONASONE (circa 1498 - after 1574) Italian Portrait of Michael Angelo di Lodovico Vuonarriti Simoni, known as Michael Angelo (1475-1564) Italian Pencil and wash Old label to verso for Charles Bernel, Paris 8.5 x 10.5 cms, framed and glazed £50 - 100

        Rowley Fine Art Auctioneers and Valuers
      • Bonasone, Giulio
        Apr. 20, 2013

        Bonasone, Giulio

        Est: -

        Bonasone, Giulio (um 1500/10 Bologna nach 1574). 2 Bl. Kupferstiche aus "Enbleme des Bocchius" auf feinem Bütten, 1555. Plgr. je 11 x 8 cm. Mit dem lat. Text. Die Bl. entweder aus der 1. Aufl. 1555 od. aus d. 2. Aufl. 1574, beide Bologna. Unter Passep. mont. - B. 210, 291 SchaetzPreis 150

        Kiefer Buch- und Kunstauktionen
      • Bonasone, Giulio: Hoc Templum
        Jun. 04, 2009

        Bonasone, Giulio: Hoc Templum

        Est: €1,400 - €1,800

        Bonasone, Giulio: Hoc Templum Hoc templum Romae factum... . Kupferstich. 49,5 x 34,7 cm. 1541. B. 351. Wz. Tulpen im Kreis mit aufgesetztem Stern (Woodward 121 ff, Rom, ab 1558). Prachtvoller, scharfer und gratiger Druck mit feinem Rändchen um die Plattenkante links bzw. Rand oben und unten, links geringfügig knapp. Der Illustrated Bartsch schreibt das Blatt Jacob Bos zu (Vol. 29, S. 140). Geringfügige Altersspuren, sonst vorzüglich erhalten.

        Bassenge Auctions
      • BONASONE, GIULIO DI ANTONIO (Bologna ca. 1498 1574 Rome)
        Mar. 27, 2009

        BONASONE, GIULIO DI ANTONIO (Bologna ca. 1498 1574 Rome)

        Est: CHF500 - CHF800

        BONASONE, GIULIO DI ANTONIO (Bologna ca. 1498 - 1574 Rome) Picture of Michelangelo Buonarotti, 1546. 'Michael Angelus Bonarotus Patritius Florentinus An Angens LXXII'. Copperplate on laid paper with watermark: crab in circle. Bartsch 345; Massari 85 a II (of III) Trimmed up to, and sometimes just inside the depiction. Some smaller blemishes in upper margin with old backing. Upper left corner replaced. Very rare. 23 x 17.5 cm. Provenance: - Collection D. Wibiral, Weimar, Lugt 799a - Unknown Collection, not in Lugt BONASONE, GIULIO DI ANTONIO (Bologna um 1498 - 1574 Rom). Bildnis des Michelangelo Buonarotti, 1546. 'Michael Angelus Bonarotus Patritius Florentinus An Angens LXXII'. Kupferstich auf Bütten mit Wz. Krebs im Kreis. 23.x 17,5 cm. Bartsch 345; Massari 85 a II (von III). - Bis zur Darstellung bzw. knapp innerhalb dieser beschnitten. Am oberen Rand mit kleinen, althinterlegten Fehlstellen. Die obere linke Ecke ergänzt. - Aus der Sammlung D. Wibiral, Weimar, Lugt 799a und weiterer unbekannter Sammlung, nicht bei Lugt. - Sehr selten.

        Koller Auctions
      • Bonasone, Giulio: (um 1500 Bologna nach 1574). Die
        Sep. 27, 2008

        Bonasone, Giulio: (um 1500 Bologna nach 1574). Die

        Est: €600 -

        Bonasone, Giulio: (um 1500 Bologna nach 1574). Die Verkündigung. Radierung auf feinem Bütten mit WZ "Lilie im Kreis", um 1560/70. Plgr. 23,8 x 20 cm. Mit winzigem Rändchen. Unter Passep. mont. : B. 49. The illustr. Bartsch Comm. 049 S 2. - Prachtvoller Abdruck des II. Zustands mit den schraffierten Zwickeln in den Ecken. Vorzüglich erhalten.

        Kiefer Buch- und Kunstauktionen
      Lots Per Page: