Myron Kozman Sold at Auction Prices

Myron Kozman (American, 1916-2002) silkscreen

Abstraction #209 silkscreen in colors,1 941, signed, dated, titled, numbered 1/10 and annotated VAA90 in pencil.  10 x 20"

Myron Kozman, Abstraction N. 102

Myron Kozman Abstraction N. 102 1930 oil on canvas 36.25 h x 30.25 w in (92 x 77 cm) Signed and dated to lower right 'Kozman 30'. Signed, titled and inscribed to stretcher bar verso 'Abstraction 102 8.39 Kozman'. Provenance: Wright, The American Scene: Art of the 1930s and 1940s, 3 December 2000, Lot 135 | Private Collection, Chicago This work will ship from Chicago, Illinois.

Kozman, Myron: Photogram

Photogram. Circa 1935. Vintage gelatin silver print. 25 x 20 cm. Annotated in pencil on the verso. - - Myron Kozman was an abstract painter, sculptor and screen printer. He studied at Grand Rapids Junior College and then in Chicago where he was one of the first five graduates of the Institute of Design (New Bauhaus) in Chicago. Kozman later became a teacher there for twelve years. He worked closely with Moholy-Nagy, teaching him screen printing, and was a WPA (Works Progress Administration) artist. His work was exhibited at the Art Institute of Chicago, Artists Gallery of Chicago and London Art Gallery in London, England. – Small creases and pinholes in lower corners, some handling dents/creases, some nicks in edges, traces of previous mounting on verso, otherwise in good condition. - - Provenance: Christie's. Light, Volume and Form: Photographs from the Shalom Shpilman Collection, May 24-June 2, 2016, lot 75. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.

Myron Kozman, Illinois (1916-2002), Untitled, 1944, gouache on paper, 9 1/2"H x 6 1/2"W (sight), 20 1/4"H x 17 1/4"W (frame)

Myron Kozman Illinois, (1916-2002) Untitled, 1944 gouache on paper signed and dated lower right. Biography from the Archives of askART: Myron Kozman was a painter of abstraction, a sculptor and screenprinter and is remembered as a pioneer in developing techniques for screenprinting. He studied at Grand Rapids Junior College and then in Chicago where he was one of the first five graduates of the Institute of Design (New Bauhaus) in Chicago. Myron Kozman later became a teacher there for twelve years. He worked closely with Moholy-Nagy, teaching him screenprinting, and was a WPA. (Works Progress Administration) artist. Exhibition venues for Myron Kozman included the Art Institute of Chicago, Artists Gallery of Chicago and London Art Gallery in London, England. A former student, Michael Kiley of Appleton, Wisconsin, wrote that "Myron Kozman also taught at The Layton School of Art, Milwaukee, Wisconsin for a number of years. He was the head of the design department there in the 60's. I was a former student of his in 1967-68. He was an interesting man with vast concepts and ideas. He would tell his students to try all things, be a sculptor, try painting, try designing commercially, etc. (Layton School of Art later became Milwaukee Institute of Art & Design in the late 70's). Another student recalled that Myron Kozman taught at Lindenwood University (at the time Lindenwood College) in St. Charles, Missouri while she attended (1995-1998) "He taught only one class a semester, 2 days a week which was Advanced Painting. I remember it was always a fight at the registrars office to get into his class since it held maybe 15 students. It was also the only class that was pass/fail :) I was lucky enough to get into 3 of his classes. He was a small man with long gray hair in a ponytail, long beard, glasses, huge turquoise rings and bracelets and always wore monochromatic clothing. We students swore that he had been keeping some of his clothes since the 60's, where else would you find mens pastel pink pants? He was always quiet but he had such a slightly twisted sense of humor. Myron could give you a look from across the room and without saying anything you could tell he was making a joke either about what you were doing, how you were doing it or even what you were wearing that day or what you did the night before. He would walk around the room and if needed he would give you a critique and make suggestions but he was never pompus about it. I remember in my last class I had with him he brought in his art collection to share. Us students were somewhat I suppose annoyed in a way because we assumed that it was his art and after all, Myron had just had a show in teh gallery so we had just seen his work. Nope we were all flabergasted, it was his private art collection. He brought in about 20 works of art spanning from Maholy Nagi, Picasso, Dali lithographs, Mondrian etc etc. We just sat in a circle, he opened those boxes and he just passed those things around like it was nothing. I have to admit that I'm fairly certain that none of us washed our hands afterwards. It's not everyday that you can hold and touch such great works of art and not have a museum docent call the police." Sources include: Peter Falk, "Who Was Who in American Art" Michale Kiley, Email to AskART, February 2003 Anonymous, Email to AskART, February 2005

Myron Kozman, Illinois (1916-2002), Untitled, 1944, gouache on paper, 9 1/2"H x 6 1/2"W (sight), 20 1/4"H x 17 1/4"W (frame)

Myron Kozman Illinois, (1916-2002) Untitled, 1944 gouache on paper signed and dated lower right. Biography from the Archives of askART: Myron Kozman was a painter of abstraction, a sculptor and screenprinter and is remembered as a pioneer in developing techniques for screenprinting. He studied at Grand Rapids Junior College and then in Chicago where he was one of the first five graduates of the Institute of Design (New Bauhaus) in Chicago. Myron Kozman later became a teacher there for twelve years. He worked closely with Moholy-Nagy, teaching him screenprinting, and was a WPA. (Works Progress Administration) artist. Exhibition venues for Myron Kozman included the Art Institute of Chicago, Artists Gallery of Chicago and London Art Gallery in London, England. A former student, Michael Kiley of Appleton, Wisconsin, wrote that "Myron Kozman also taught at The Layton School of Art, Milwaukee, Wisconsin for a number of years. He was the head of the design department there in the 60's. I was a former student of his in 1967-68. He was an interesting man with vast concepts and ideas. He would tell his students to try all things, be a sculptor, try painting, try designing commercially, etc. (Layton School of Art later became Milwaukee Institute of Art & Design in the late 70's). Another student recalled that Myron Kozman taught at Lindenwood University (at the time Lindenwood College) in St. Charles, Missouri while she attended (1995-1998) "He taught only one class a semester, 2 days a week which was Advanced Painting. I remember it was always a fight at the registrars office to get into his class since it held maybe 15 students. It was also the only class that was pass/fail :) I was lucky enough to get into 3 of his classes. He was a small man with long gray hair in a ponytail, long beard, glasses, huge turquoise rings and bracelets and always wore monochromatic clothing. We students swore that he had been keeping some of his clothes since the 60's, where else would you find mens pastel pink pants? He was always quiet but he had such a slightly twisted sense of humor. Myron could give you a look from across the room and without saying anything you could tell he was making a joke either about what you were doing, how you were doing it or even what you were wearing that day or what you did the night before. He would walk around the room and if needed he would give you a critique and make suggestions but he was never pompus about it. I remember in my last class I had with him he brought in his art collection to share. Us students were somewhat I suppose annoyed in a way because we assumed that it was his art and after all, Myron had just had a show in teh gallery so we had just seen his work. Nope we were all flabergasted, it was his private art collection. He brought in about 20 works of art spanning from Maholy Nagi, Picasso, Dali lithographs, Mondrian etc etc. We just sat in a circle, he opened those boxes and he just passed those things around like it was nothing. I have to admit that I'm fairly certain that none of us washed our hands afterwards. It's not everyday that you can hold and touch such great works of art and not have a museum docent call the police." Sources include: Peter Falk, "Who Was Who in American Art" Michale Kiley, Email to AskART, February 2003 Anonymous, Email to AskART, February 2005

Myron Kozman, Illinois (1916-2002), Untitled, 1944, gouache on paper, 9 1/2"H x 6 1/2"W (sight), 20 1/4"H x 17 1/4"W (frame)

Myron Kozman Illinois, (1916-2002) Untitled, 1944 gouache on paper signed and dated lower right. Biography from the Archives of askART: Myron Kozman was a painter of abstraction, a sculptor and screenprinter and is remembered as a pioneer in developing techniques for screenprinting. He studied at Grand Rapids Junior College and then in Chicago where he was one of the first five graduates of the Institute of Design (New Bauhaus) in Chicago. Myron Kozman later became a teacher there for twelve years. He worked closely with Moholy-Nagy, teaching him screenprinting, and was a WPA. (Works Progress Administration) artist. Exhibition venues for Myron Kozman included the Art Institute of Chicago, Artists Gallery of Chicago and London Art Gallery in London, England. A former student, Michael Kiley of Appleton, Wisconsin, wrote that "Myron Kozman also taught at The Layton School of Art, Milwaukee, Wisconsin for a number of years. He was the head of the design department there in the 60's. I was a former student of his in 1967-68. He was an interesting man with vast concepts and ideas. He would tell his students to try all things, be a sculptor, try painting, try designing commercially, etc. (Layton School of Art later became Milwaukee Institute of Art & Design in the late 70's). Another student recalled that Myron Kozman taught at Lindenwood University (at the time Lindenwood College) in St. Charles, Missouri while she attended (1995-1998) "He taught only one class a semester, 2 days a week which was Advanced Painting. I remember it was always a fight at the registrars office to get into his class since it held maybe 15 students. It was also the only class that was pass/fail :) I was lucky enough to get into 3 of his classes. He was a small man with long gray hair in a ponytail, long beard, glasses, huge turquoise rings and bracelets and always wore monochromatic clothing. We students swore that he had been keeping some of his clothes since the 60's, where else would you find mens pastel pink pants? He was always quiet but he had such a slightly twisted sense of humor. Myron could give you a look from across the room and without saying anything you could tell he was making a joke either about what you were doing, how you were doing it or even what you were wearing that day or what you did the night before. He would walk around the room and if needed he would give you a critique and make suggestions but he was never pompus about it. I remember in my last class I had with him he brought in his art collection to share. Us students were somewhat I suppose annoyed in a way because we assumed that it was his art and after all, Myron had just had a show in teh gallery so we had just seen his work. Nope we were all flabergasted, it was his private art collection. He brought in about 20 works of art spanning from Maholy Nagi, Picasso, Dali lithographs, Mondrian etc etc. We just sat in a circle, he opened those boxes and he just passed those things around like it was nothing. I have to admit that I'm fairly certain that none of us washed our hands afterwards. It's not everyday that you can hold and touch such great works of art and not have a museum docent call the police." Sources include: Peter Falk, "Who Was Who in American Art" Michale Kiley, Email to AskART, February 2003 Anonymous, Email to AskART, February 2005

Myron Kozman, American (1916-2002), Abstract Composition #314, 1946, screenprint, 17 1/4" H x 14 1/4" W (frame), 4 1/4" H x 4 1/4" W (sight)

Myron Kozman American, (1916-2002) Abstract Composition #314, 1946 screenprint Pencil signed and numbered 1/14 lower.

Myron Kozman, American (1916-2002), Abstract Composition #314, 1946, screenprint, 17 1/4" H x 14 1/4" W (frame), 4 1/4" H x 4 1/4" W (sight)

Myron Kozman American, (1916-2002) Abstract Composition #314, 1946 screenprint Pencil signed and numbered 1/14 lower.

Myron Kozman, (American, 1916-2002), Abstraction #302, color screenprint, 12 7/8" x 18 7/8"

Myron Kozman (American, 1916-2002) Abstraction #302 color screenprint signed, titled and numbered in pencil lower margin edition of 19 12 7/8" x 18 7/8" Provenance: Robert Henry Adams Fine Art, Chicago, Illinois

Myron Kozman serigraph in color

Myron Kozman (American 1916-2002)- ''Abstraction #212''- serigraph in color, 1941, signed, dated and annotated 'artist's proof' and 'UAA 90' in pencil. 20 x 11 7/8''

Myron Kozman serigraph in colors

Myron Kozman (American 1916-2002)- ''Abstraction #212''- serigraph in color, 1941, signed, dated and annotated 'artist's proof' and 'UAA 90' in pencil. 20 x 11 7/8''

Myron Kozman serigraph

Myron Kozman (American 1916-2002)- ''Abstraction #212''- serigraph in color, 1941, signed, dated and annotated 'artist's proof' and 'UAA 90' in pencil. 20 x 11 7/8''

Myron Kozman, (American, b. 1916), Composition, circa 1960, oil and mixed media/paper, 11" x 9"

Myron Kozman (American, b. 1916) Composition, circa 1960 oil and mixed media/paper signed and dated verso 11" x 9"

George Kozmon, (American; b. 1960), stone garden wall archway, trompe l'oeil mural, acrylic on canvas, 42"H x 69"W (image), 43"H x 7..

George Kozmon (American; b. 1960) stone garden wall archway trompe l''oeil mural, acrylic on canvas Signed and dated 1989 lower right. 42"H x 69"W (image), 43"H x 70"W (frame)

Myron Kozman 1916 - 2002 Composición, 1937 Gelatina de plata, 17 x 12,5 cm, tiraje de época

Myron Kozman 1916 - 2002 Composición, 1937 Gelatina de plata, 17 x 12,5 cm, tiraje de época

Myron Kozman Untitled gouache

Myron Kozman (American, 1916-2002) "Untitled," 1944, gouache, 11.75" x 9", signed and dated lower right, unframed

[CHICAGO BAUHAUS] KOZMAN, MYRON (1916-2002) [Niedringhaus chair, circa 1937]; t/w KOZMAN, MYRON. [Screens, 1939]

[CHICAGO BAUHAUS] KOZMAN, MYRON (1916-2002) [Niedringhaus chair, circa 1937]. Gelatin silver print, 6 1/2 x 4 1/2 inches (165 x 114 mm), signed verso; Together with KOZMAN, MYRON. [Screens, 1938]. Gelatin silver print, 10 x 8 inches (254 x 203 mm), signed and dated on verso.

[CHICAGO BAUHAUS] KOZMAN, MYRON (1916-2002). [Abstract Composition, 1937]; t/w KOZMAN, MYRON. [Hands, 1938]

[CHICAGO BAUHAUS] KOZMAN, MYRON (1916-2002). [Abstract Composition, 1937]. Gelatin silver print, 6 3/4 x 4 1/2 inches (171 x 114 mm), signed and dated on verso; Together with KOZMAN, MYRON. [Hands, 1938]. Gelatin silver toned photogram, 8 x 10 inches (203 x 254 mm), signed and dated on verso.

Myron Kozman, (American; 1916 - 2002), Abstract Composition, Mixed media on board, 10" x 8"

Myron Kozman (American; 1916 - 2002) Abstract Composition Mixed media on board c. 1941. Signed and dated. Kozman was friend of Moholy-Nagy and one of the first graduates of the Institute of Design, where he later taught. His work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery (Northwestern). An example of his work is illustrated in Moholy-Nagy's book, "Vision and Motion". 10" x 8"

*Myron Kozman, (American, 1916-2002), Abstraction, 1960

Myron Kozman (American, 1916-2002) Abstraction, 1960 oil on board signed Kozman and dated (lower left) 16 x 12 inches.

*Myron Kozman, (American, 1916-2002), Abstraction, 1960

Myron Kozman (American, 1916-2002) Abstraction, 1960 oil on board signed Kozman and dated (lower left) 16 x 12 inches.

Myron Kozman, (American, 1916-2002), Untitled (Water on Tin Foil), circa 1940

Myron Kozman (American, 1916-2002) Untitled (Water on Tin Foil), circa 1940 gelatin silver print signed (on the verso) 5 x 7 1/8 inches.

Myron Kozman, (American, 1916-2002), Abstraction #207 and Abstraction #305, 1941

Myron Kozman (American, 1916-2002) Abstraction #207 and Abstraction #305, 1941 silkscreens each signed (lower right), one dated (lower right) 12 1/4 x 21 1/2, 12 x 17 inches.

Myron Kozman, (American, 1916-2002), Chemical Drawing, 1938

Myron Kozman (American, 1916-2002) Chemical Drawing, 1938 silver gelatin print 8 x 10 inches.

Myron Kozman, (American, 1916-2002), Study for Light Box, 1940

Myron Kozman (American, 1916-2002) Study for Light Box, 1940 watercolor on paper signed and dated (lower right) 10 1/4 x 19 inches.

Myron Kozman (American, 1916-2002) "Abstract," c.

Myron Kozman (American, 1916-2002) "Abstract," c. 1950, screenprint, 5" x 4.75", signed lower right, edition 26 of 215, framed

MYRON KOZMAN (American 1916-2002). COLUMNS

MYRON KOZMAN (American, 1916-2002). COLUMNS, signed and dated 83 lower right. Watercolor - 48 1/2 in. x 35 1/2 in.

Myron Kozman (American, b 1916)"Composition, c 1949; oil/board, 18in x 14, signed Kozman was friend of Moholy-Nagy and taught silkscreen at the Institute of Design He was one of the first graduates of the Institute of Design, and his work is in the

Myron Kozman (American, b 1916)"Composition, c 1949; oil/board, 18in x 14, signed Kozman was friend of Moholy-Nagy and taught silkscreen at the Institute of Design He was one of the first graduates of the Institute of Design, and his work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery ( Northwestern) An example of his work is illustrated in Moholy's book, "Vision and Motionin

Myron Kozman (American, b.1916 'Untitled', c. 1960; oil/board, 24in. x 18in, signed on verso. Kozman was friend of Moholy-Nagy and taught silkscreen at the Institute of Design. He was one of the first graduates of the Institute of Design, and his

Myron Kozman (American, b.1916 'Untitled', c. 1960; oil/board, 24in. x 18in, signed on verso. Kozman was friend of Moholy-Nagy and taught silkscreen at the Institute of Design. He was one of the first graduates of the Institute of Design, and his work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery (Northwestern). REF: Vision and Motion , Moholy- Nagy.

Pair M Kozman Modern Abstract Oil/board

Myron Kozman (American 1916- ) Pair Modern Abstract Paintings. Oil on board. 8" x 15". Unsigned. Areas of paint loss. Possibly intentional. Kozman was a friend of Moholy-Nagy and taught silkscreen at the Institute of Design, (where he was one of the first to graduate). His work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery (Northwestern).

Myron Kozman Gouache/Paper Moholy-Nagy

Myron Kozman (American 1916- ) "Composition", c. 1950. Gouache on Paper. 18 1/2" x 14 1/2". Unsigned. Kozman was a friend of Moholy-Nagy and taught silkscreen at the Institute of Design, (where he was one of the first to graduate). His work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery (Northwestern).

Myron Kozman

Myron Kozman (American, 1916-2002) "Variation", c.1940; tempera/paper, 12" x 14", signed.

KOZMAN, MYRON (1916-2002)

Photogram [hands]. Warm-toned silver print, 8x10 inches (20.3x25.4 cm.), with Kozman's signature and date, in ink, on verso. 1938

KOZMAN, MYRON (1916-2002)

Photogram [hands]. Warm-toned silver print, 8x10 inches (20.3x25.4 cm.), with Kozman's signature and date, in ink, on verso. 1938

Jesse Reichek (American, b. 1916), "Abstract Composition", c.1946; oil/canvas, 20" x 34", signed and dated, provenance: estate of Myron Kozman.

Jesse Reichek (American, b. 1916), "Abstract Composition", c.1946; oil/canvas, 20" x 34", signed

and dated, provenance: estate of Myron Kozman. Reichek studied at the Institute of Design from 1941-42. He exhibited at the Museum of Modern Art, University of New Mexico Museum, San Francisco Museum of Art, and the University of Southern California Art Museum. His work is in the collections of the Art Institute of Chicago, Amon Carter Museum, UCLA, and the La Jolla Art Museum.

Myron Kozman (American, b.1916 )"Urban View", c.1945; oil/board, 15.5" x 18.5", signed and dated.

Myron Kozman (American, b.1916)"Triller", c.1945; oil/board, 15.5" x 18.5", signed and dated.

Kozman was friend of Moholy-Nagy and taught silkscreen at the Institute of Design. He was one of the first graduates of the Institute of Design, and his work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery (Northwestern). An example of his work is illustrated in Moholy's book, "Vision and Motion".

Myron Kozman (American, 1916-2002) "Composition", c.1960; oil/board, 16" x 12", signed; inscribed

#194 verso. Kozman was friend of Moholy-Nagy and was one of the first graduates of the Institute of Design. He later taught there. His work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery (Northwestern). An example of his work is illustrated in Moholy’s book, "Vision and Motion". REF: American Abstract Art of the 1930s and 1940s (J. Nichols collection), Wake Forest University (two examples illustrated).

Myron Kozman (American, 1916-2002) "Composition", c.1960; oil/board, 14.5" x 11.5", signed;

inscribed #195 verso. Kozman was friend of Moholy-Nagy and was one of the first graduates of the Institute of Design. He later taught there. His work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery (Northwestern). An example of his work is illustrated in Moholy’s book, "Vision and Motion". REF: American Abstract Art of the 1930s and 1940s (J. Nichols collection), Wake Forest University (two examples illustrated).