Jean Lecomte du Noüy Paintings & Artwork for Sale | Jean Lecomte du Noüy Art Value Price Guide

Apr. 10, 2024
Head study of a woman, looking over her shoulder
Est: £4,000 - £6,000
Jean-Jules Lecomte du Noüy Paris 1842–1923 Head study of a woman, looking over her shoulder oil on canvas, unlined unframed: 22.5 x 22 cm.; 8¾ x 8¾ in. framed: 36.5 x 36 cm.; 14¼ x 14¼ in.
Sotheby's
Sep. 23, 2021
Jean Jules Antoine Lecomte du Nouy, 1842 Paris – 1923 ebenda, zugeschrieben
Est: €8,000 - €10,000
RefOld13921 RefImp13921 DIE BOTSCHAFT Öl auf Leinwand. 45 x 37,7 cm. In vergoldetem Rahmen mit Lanzettblattrelief. Jean Jules Antoine Lecomte du Nouy war besonders für seine orientalisierenden Gemälde bekannt. Atelierfotos, die auf uns gekommen sind, zeugen von der Begeisterung für den Orient und für die Antike. Das hier angebotene Gemälde zeigt ein Interieur der griechischen Antike mit zwei Frauen umgeben von Requisiten des klassischen griechischen Theaters, während links im Hintergrund ein Bote den Raum zu betreten scheint. Ein weiteres Gemälde mit Bote wurde 1872 vom Musée du Luxembourg angekauft („Les Porteurs de mauvaises nouvelles“). Jedoch fand Lecomte du Nouys erste Reise nach Griechenland, nach welcher unser Gemälde entstanden sein dürfte, erst 1875 statt. (1280334) (1) (13)
Hampel Fine Art Auctions
Mar. 23, 2021
Jean-Jules-Antoine Lecomte du Nouÿ, French 1842-1923- Doorsteps; oil on canvas laid down on boa
Est: £250 - £350
Jean-Jules-Antoine Lecomte du Nouÿ, French 1842-1923- Doorsteps; oil on canvas laid down on board, 11x14cm Provenance: Galerie Emeric Hahn, Paris, where purchased in 2006 Please refer to department for condition report
Roseberys
Nov. 18, 2020
Jean-Jules-Antoine Lecomte du Nouÿ (French, 1842-1923), after Jean Léon Gérôme - Le Prisonnier
Est: £20,000 - £30,000
Jean-Jules-Antoine Lecomte du Nouÿ (French, 1842-1923), after Jean Léon Gérôme Le Prisonnier oil on canvas 17 ½ x 29 ¼ in. (44.5 x 74.5 cm.)
Christie's
Oct. 07, 2020
49. JEAN – JULES – ANTOINE LECOMTE DU NOUY (Paris 1842 – 1923) Rêve d’Orien
Est: €12,000 - €18,000
49. JEAN – JULES – ANTOINE LECOMTE DU NOUY (Paris 1842 – 1923) Rêve d’Orient Toile 70 x 125 cm Signé et daté en bas à droite LECOMTE DU NOUY 1904 Provenance : Vente anonyme, Londres, Sotheby’s, 17 Juin 1986, n°32, reproduit ; Chez Nataf, Paris. Exposition : Salon de 1905, Paris, Société des artistes français, Grand – Palais, n°1143. Bibliographie : G. de Montgailhard, Lecomte du Nouy, Paris, 1906, p.84 ; R. de Diederen, From Homer to the Harem, The Art of Jean Lecomte du Nouy, New – York, 2004, n°304, reproduit figure 94. Dernier tableau d’une suite d’oeuvres de l’artiste reproduisant des hommes fumant le narguilé, aux effets hallucinatoires, notre tableau est le point culminant du sujet par le peintre. Il est inspiré des écrits de Théophile Gautier La Mille et Deuxième nuit, 1842, racontant le rêve du poète Hassan endormi sur sa terrasse ; l’arrivée d’une peri -être surnaturelle du folklore persan-, quittant les cieux et créatures célestes pour se joindre à lui.
Cornette de Saint-Cyr
Feb. 01, 2019
JEAN-JULES-ANTOINE LECOMTE DU NOUŸ | The Citrus Seller
Est: $12,000 - $18,000
oil on canvas
Sotheby's
Dec. 11, 2018
LECOMTE DU NOUY (FRENCH 1842 - 1923) Portrait of Lady Bateman pastel on paper signed and dated bottom right, 'Lecomte du Nouy 1901' 46 x 32.5 cm (18 x 12.75 inches)
Est: £100 - £300
LECOMTE DU NOUY (FRENCH 1842 - 1923) Portrait of Lady Bateman pastel on paper signed and dated bottom right, 'Lecomte du Nouy 1901' 46 x 32.5 cm (18 x 12.75 inches)
Chiswick Auctions
Oct. 30, 2018
JEAN-JULES-ANTOINE LECOMTE DU NOUŸ | The harem's gate, souvenir of Cairo
Est: €400,000 - €600,000
oil on canvas ; signed and dated lower left LECOMTE DU NOUY 1876
Sotheby's
Sep. 25, 2018
Jean Jules Antoine Lecomte du Nouÿ Paris, 1842 - 1923 Entrée du Palais Morosini à San Salvator, Venise Huile sur toile
Est: €800 - €1,200
Jean Jules Antoine Lecomte du Nouÿ Paris, 1842 - 1923 Entrée du Palais Morosini à San Salvator, Venise Huile sur toile signée, datée et dédicacée 'Lecomte du Nouÿ Souvenir de Venise amitiés à Madame Louise Lubeck(?) / 1880' en bas à gauche h: 34 w: 26 cm Bibliographie : Probablement R. M. H. Diederen, 'From Homer to the Harem. The art of Jean Lecomte du Nouy (1842-1923)', thèse de doctorat, université d'Amsterdam, 2004, p. 182, n° 148 Estimation 800 - 1 200 €
Artcurial
Apr. 25, 2017
JEAN LECOMTE DU NOUŸ | The Sentinel
Est: £60,000 - £80,000
oil on canvas
Sotheby's
Jan. 23, 2017
JEAN JULES ANTOINE LECOMTE DU NOÜY, (FRENCH 1842-1923), "LES ALPES ET LE DAUPHINE VUES DU MONT-PILAT (RHÖNE-ALPS)"
Est: $1,500 - $2,500
JEAN JULES ANTOINE LECOMTE DU NOÜY (french 1842-1923) "LES ALPES ET LE DAUPHINE VUES DU MONT-PILAT (RHÖNE-ALPS)" Titled on stretcher verso, oil on canvas 8 1/4 x 12 1/4 in. (21 x 31cm) provenance: The Artist. By descent in the family. Private Collection, New York, New York. exhibited: "From Homer to the Harem: The Art of Jean Lecomte du Noüy," Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004. literature: "From Homer to the Harem: The Art of Jean Lecomte du Noüy," Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004, Exhibition Catalogue, p. 154, cat. no. 62, fig. 35, p. 33 & 35, (illustrated).
Freeman's | Hindman
Oct. 22, 2015
JEAN-JULES-ANTOINE LECOMTE DU NOÜY | Ramses dans son harem
Est: €40,000 - €60,000
Huile sur toile, triptyque
Sotheby's
Jun. 16, 2015
JEAN JULES ANTOINE LECOMTE DU NOÜY, (FRENCH 1842-1923), "LES ALPES ET LE DAUPHINE VUES DU MONT-PILAT (RHÖNE-ALPS)"
Est: $1,500 - $2,500
JEAN JULES ANTOINE LECOMTE DU NOÜY (french 1842-1923)/span "LES ALPES ET LE DAUPHINE VUES DU MONT-PILAT (RHÖNE-ALPS)" Titled on stretcher verso, oil on canvas 8 1/4 x 12 1/4 in. (21 x 31cm) provenance: /spanThe Artist. By descent in the family. Private Collection, New York, New York. exhibited:/span "From Homer to the Harem: The Art of Jean Lecomte du Noüy," Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004. literature:/span "From Homer to the Harem: The Art of Jean Lecomte du Noüy," Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004, Exhibition Catalogue, p. 154, cat. no. 62, fig. 35, p. 33 & 35, (illustrated).
Freeman's | Hindman
Nov. 10, 2013
Jean Jules Antoine Lecomte Du Noüy (French, 1842-1923) A portrait of Lady Bateman, full-length, standing by a balustrade 85 1/2 x 51 3/4in
Est: -
Jean Jules Antoine Lecomte Du Noüy (French, 1842-1923) A portrait of Lady Bateman, full-length, standing by a balustrade 85 1/2 x 51 3/4in
Bonhams
Oct. 26, 2012
Jean-Jules-Antoine LECOMTE du NOUŸ (Paris 1842 - 1923) Portrait de Victoria de Giafféri Toile 46,5 x 38,5 cm Signée et datée en hau...
Est: €600 - €800
Jean-Jules-Antoine LECOMTE du NOUŸ (Paris 1842 - 1923) Portrait de Victoria de Giafféri Toile 46,5 x 38,5 cm Signée et datée en haut à gauche : J. Du Noüy / 99 Accident et restauration
Tajan
Mar. 28, 2012
Jean Lecomte du Nouy Paris, 1842 - 1923 Job et ses amis Huile sur panneau
Est: €600 - €800
Jean Lecomte du Nouy Paris, 1842 - 1923 Job et ses amis Huile sur panneau Porte une inscription au revers indiquant la date de 1865 'JOB AND HIS FRIENDS', OIL ON PANEL, BY JEAN LECOMTE DU NOUY h: 21 w: 40,50 cm Provenance : Probablement ancienne collection du peintre Charles Edouard Delort (1841-1895), élève de Gleyre et de Gérôme, selon une inscription au verso ; Collection Jacques Thuillier, Paris Bibliographie : Probablement Robert Diederen, 'From Homer to the harem : the art of Jean Lecomte du Nouÿ', catalogue d'exposition, New York, Dahesh Museum of Art, 2004, p. 147, n° 18 Commentaire : Notre esquisse est préparatoire au tableau présenté au Salon de 1867 sous le numéro 904, aujourd'hui perdu et connu par une photogravure de Goupil & Cie.
Artcurial
Jun. 16, 2011
Jean-Antoine-Jules LECOMTE DU NOÜY (1842-1920)
Est: €15,000 - €18,000
Jean-Antoine-Jules LECOMTE DU NOÜY (1842-1920) Portrait de Caroline du Noüy, 1881 Huile sur toile. Signée et datée en bas à gauche. Salon de 1883, dictionnaire Véron ainsi décrit: "Mme Caroline du Noüy est assise,...
Ader
Oct. 01, 2010
LECOMTE DE NOUY JEAN JULES (1842-1923)
Est: €400 - €500
LECOMTE DE NOUY JEAN JULES (1842-1923) Jeune femme. Sanguine et craie, signée en bas à droite. 27,5x43cm Reproduit en tête du chapitre VI du livre de Montgaillard « Le comte de Nouy », Paris 1906. Dédicace...
Brissonneau
Jun. 23, 2010
JEAN JULES ANTOINE LECOMTE DU NOUY (PARIS 1842-1923)
Est: €15,000 - €20,000
JEAN JULES ANTOINE LECOMTE DU NOUY (PARIS 1842-1923) L'Impériale Destinée signé 'Lecomte.de.Noüy' (en bas à droite) huile sur toile 82 x 108,2 cm.
Christie's
Jun. 16, 2010
Jules-Jean Antoine LECOMTE DU NOÛY (Paris 1842 -
Est: €800 - €1,000
Jules-Jean Antoine LECOMTE DU NOÛY (Paris 1842 - 1923) Route de Choubra au Caire Sur sa toile d'origine. Localisé et daté au revers Route de Choubra au Caire, Egypte 1865. Porte une inscription au revers Lecomte. 15,5...
Collin du Bocage
Nov. 06, 2009
Jules-Jean-Antoine LECOMTE DU NOUY (1842-1923) Les
Est: €60,000 - €80,000
Jules-Jean-Antoine LECOMTE DU NOUY (1842-1923) Les orientales, dans le quartier juif au Maroc, 1885 Huile sur toile, signée et datée en bas à gauche 146,5 x 114,5 cm Provenance : Salon de 1885 Resté dans la famille depuis le Salon de 1885 Collection privée, France 573/4 x 451/4 in. Oil on canvas, signed and dated lower left
Aguttes
Sep. 18, 2009
Attributed to LECOMTE DU NOÜY, JEAN (1842 Paris
Est: CHF12,000 - CHF18,000
Attributed to LECOMTE DU NOÜY, JEAN (1842 Paris 1923) The wailing wall in Jerusalem. Oil on canvas. Inscribed lower left: LECOMTE DU NOÜY. 80.5 x 60 cm. LECOMTE DU NOÜY, JEAN (ZUGESCHRIEBEN) (1842 Paris 1923) Die Klagemauer in Jerusalem. Öl auf Leinwand. Unten links bezeichnet: LECOMTE DU NOÜY. 80,5 x 60 cm.
Koller Auctions
Nov. 12, 2008
Jean Lecomte du Nouy , French 1842-1929 La priere du soir a Tanger oil on canvas laid down on panel
Est: £30,000 - £50,000
signed LECOMTE.DU.NOUY / 79 centre left oil on canvas laid down on panel
Sotheby's
Apr. 09, 2008
Jean-Jules-Antoine LECOMTE de NOUY (Paris, 1842 - 1923) PORTRAIT D'HOMME BARBU Huile sur...
Est: €600 - €800
Artcurial
Apr. 19, 2005
Jean-Jules-Antoine Lecomte Du Nouÿ (French, 1842-1923)
Est: $40,000 - $60,000
La prière du soir à Tanger signed and dated 'LECOMTE.DU.NOUY 79' (center right) oil on canvas laid down on panel 36 x 20 1/4 in. (91.4 x 51.4 cm.) Painted in 1879
Christie's
Jun. 05, 2002
Jean-Jules-Antoine Lecomte du Noy (French, 1842-1923)
Est: $4,000 - $6,000
Antiope and Jupiter signed, inscribed and dated 'A ses amis G. Des Fossez/Lecomte du Noy. 1889' (lower right); and inscribed 'ANTIOPE' (upper left) and 'JUPITER' (upper right) pastel and charcoal on brown paper 22 x 18 1/8 in. (55.8 x 46.3 cm.) PROVENANCE Anon. sale, Sotheby's, New York, 2 April 1996, lot 254.
Christie's
Nov. 02, 2001
JEAN JULES ANTOINE LECOMTE DU NOUY
Est: $25,000 - $35,000
JEAN JULES ANTOINE LECOMTE DU NOUY FRENCH, 1842-1923 THE SMOKER signed and dated Lecomte de Nouy 1876 (lower right) oil on canvas 18 by 12 3/4 in. 45.7 by 32.4cm. PROVENANCE Mathaf Gallery Ltd., London
Sotheby's
Oct. 31, 2001
Jean-Jules-Antoine Lecomte du Noy (French, 1842-1923)
Est: $300,000 - $400,000
The Marabout Prophet Sidna-Asissa, Morocco signed and dated 'Lecomte du Nouy 1883' (lower right) oil on canvas 30 1/8 x 501/4 in. (76.5 x 127.7 cm.) Painted in 1883 PROVENANCE Mr. Psicha, Athens. Anon. sale, Sotheby's, London, 13 June 1973, lot 40. Gallery Kourd, Athens (acquired at the above sale). The Fine Art Society, Ltd., London. Acquired from the above by the present owner, 1979. LITERATURE G. de Montgailhard, Lecomte du Noy, Paris, 1906, p. 81 (illustrated). EXHIBITION Paris, Salon, 1884, no. 1465. NOTES Jean-Jules-Antoine Lecomte du Noy hailed from a prestigious family descended from a line of Piedmontese nobles, documented in France as early as the fourteenth century. In addition, both his parents were collectors and his uncle, Andre du Noy was official court painter to King Murat of Naples. Lecomte du Noy began his artistic training in the Parisian atelier of Charles Glerye in 1861 and quickly gained the praise of mentors who included Emile Signol and Jean-L‚on G‚r“me. Hailed as one of G‚r“me's brightest pupils, it was under the influence of the great French master that Lecomte du Noy took an interest in Orientalist subjects, although his oeuvre encompasses scenes from classical antiquity to portraiture. Moreover, because his artistic output was modest, his works are exceptionally rare. Indeed, due to his careful studied technique combined with his attention to architectural detail he has been referred to as "the epitome of academic Orientalism" (L. Thornton, The Orientalists, Painter-Travellers, Paris, 1983, p. 188). It was at G‚r“me's urging that Lecomte du Noy set out with fellow painters on an artistic pilgrimage to the far lands of the East visiting Turkey, North Africa and Asia Minor. His last journey was with fellow painter Charles Toch‚ to Morocco where the scenes of Tangiers and Tetuan served as the inspiration his later canvases. For the present work, exhibited at the Salon of 1884, du Noy drew his inspiration from the rich religious history of Morocco choosing as his protagonist the marabout prophet Sidna-Aissa, a mystic leader and healer living in Morocco in the late fifteenth and early sixteenth centuries. Also known as Si-Mahmed Ben-Aissa or Sidi Muhammed (born Isa al-Fihri), this Qu'uranic prophet founded the religious brotherhood of Aissoua based on the rule of the Shadhiliya Sufis. He traveled extensively around the country preaching, and one of his many talents was his ability to grant his Marabout disciples immunity from wounds and disease. Not surprisingly, their ritual presence was often requested during epidemics where it was thought they could drive away disease through their ritual dances. These dances were frenzied group affairs characterized by animated jerking movements. They often included the formation of human chains around a ritual fire which may have also involved self-inflicted pain. Although the Marabouts depended on alms, they could wield great political as well as religious power. Sidna-Aissa amassed a strong following among the more fanatical populations and used his status to stir his people to wage holy war against the Portuguese and Spanish Christians who had been gaining power in the Mediterranean region since the beginning of the fifteenth century. Here, surrounded by a small band of eager followers, Sidna-Asissa, with his head tilted upwards, narrates one of his prophetic visions. In response, his disciples display a number of startled reactions communicated with near photographic realism. According to an anecdote recounted by Montgailhard, Lecomte du Noy modeled his 16th Century prophet on a modern Moroccan healer he met during his stay. The healer, however, distracted by Lecomte du Noy's presence, verbally directed negative premonitions towards the painter. Unperturbed by these threatening statements and determined to watch the scene unfold, the artist continued his careful observance of the men, rendering with his characteristic exactitude, every detail of the men's physical appearance, dress and accessories down to the calligraphy in Arabic on the wall which reads, "May God grant you health. May God give you strength".
Christie's