Adam van Noort Paintings & Artwork for Sale | Adam van Noort Art Value Price Guide

Nov. 14, 2024
Exceptional Madonna on Panel, Adam Van Noort (Antwerp c. 1561-Antwerp, 1641) Flemish school, 16th century
Est: €10,000 - €15,000
Exceptional and masterful oil on panel, possibly the most important and best preserved Madonna and Child of the five known compositions by this author. Dimensions only panel without frame 60 x 39 cm. This masterpiece of the Italian Renaissance, executed in oil on panel, represents the Virgin Mary in an intimate scene with the Child Jesus, characterized by its profound religious symbolism and exceptional technical handling. The Virgin, dressed in a rich red tunic and wrapped in a dark blue cloak, holds the Child with maternal delicacy while he gently caresses her. The architectural background, with its arches and classical structures, suggests a direct influence of Renaissance architecture, probably inspired by the great masters of the time. The choice of oil on panel as a support shows a meticulous technique, allowing a vibrant play of light and shadow, and a detailed representation of textures, from the soft fabrics to the infant's skin.
Templum Fine Art Auctions
Oct. 30, 2024
Entourage de Adam van Noort (Anvers 1562-1641) Le sermon de saint Jean-Baptiste
Est: €5,000 - €7,000
Entourage de Adam van Noort (Anvers 1562-1641) Le sermon de saint Jean-Baptiste huile sur panneau oil on panel 89.4 x 187.1cm (35 3/16 x 73 11/16in).
Bonhams
Oct. 09, 2024
Exceptional Madonna on Panel, Adam Van Noort (Antwerp c. 1561-Antwerp, 1641) Flemish school, 16th century
Est: €10,000 - €15,000
Exceptional and masterful oil on panel, possibly the most important and best preserved Madonna and Child of the five known compositions by this author. Dimensions only panel without frame 60 x 39 cm. This masterpiece of the Italian Renaissance, executed in oil on panel, represents the Virgin Mary in an intimate scene with the Child Jesus, characterized by its profound religious symbolism and exceptional technical handling. The Virgin, dressed in a rich red tunic and wrapped in a dark blue cloak, holds the Child with maternal delicacy while he gently caresses her. The architectural background, with its arches and classical structures, suggests a direct influence of Renaissance architecture, probably inspired by the great masters of the time. The choice of oil on panel as a support shows a meticulous technique, allowing a vibrant play of light and shadow, and a detailed representation of textures, from the soft fabrics to the infant's skin.
Templum Fine Art Auctions
Apr. 16, 2024
Entourage de Adam van Noort (Anvers 1562-1641) Le sermon de saint Jean-Baptiste
Est: €10,000 - €15,000
Entourage de Adam van Noort (Anvers 1562-1641) Le sermon de saint Jean-Baptiste huile sur panneau oil on panel 89.4 x 187.1cm (35 3/16 x 73 11/16in).
Bonhams
Dec. 07, 2023
Adam van Noort, 1562 – 1641, zugeschrieben
Est: €30,000 - €50,000
DIE VERURTEILUNG EINES GLÄUBIGEN CHRISTEN Öl auf Kupfer. 84 x 103 cm. In Prunkrahmen mit Floraldekor. In weiter Landschaft, mit grauen Wolken und den letzten gelb-rötlichen Streifen der untergehenden Sonne der Eingang eines mit Säulen gesäumten Palastes, vor dem auf einem Podest ein römischer Priester mit langem weiß-grauem Mantel, grauem Bart und einem Lorbeerkranz steht. Vor ihm ein halb kniender Mann mit freiem Oberkörper, den er anblickt und mit ausgestreckten Armen auf eine stehende Skulptur eines heidnischen Gottes verweist. Er versucht zum letzten Mal, den Knienden vom christlichen Glauben abzubringen, um sich zu der stehenden Gottheit zu bekehren. Der Kniende wird bereits von einem weiteren muskulösen Mann am Kopf festgehalten, der zudem in seiner nach unten geführten Hand den Griff eines nicht sichtbaren Schwertes hält, um ihn sogleich zu enthaupten. Im Hintergrund mehrere Figuren, die voller Aufmerksamkeit das Geschehen verfolgen, während rechts im Vordergrund eine sitzende Frau mit Kleinkind sich bereits die Tränen mit einem Tuch trocknet. Vom Himmel herab fällt ein Lichtstrahl auf den Märtyrer, zudem ist im Licht ein Engel mit einem Lorbeerkranz sichtbar. Besonders auffällig auch die beiden reitenden Figuren auf prachtvollen, teils glänzenden Pferden, davon ein Soldat in Rüstung, mit rotem Mantelüberwurf in Rückenansicht. Feine, qualitätvolle Malerei des Künstlers. Teils Rahmenschäden. Anmerkung: Adam van Noort wurde 1587 in die Lukasgilde aufgenommen und hatte mit Peter Paul Rubens, Hendrik van Balen und Frans Fanken d. J. äußerst berühmte Schüler. Rubens attestierte ihm sogar, dass er seine Zeitgenossen übertroffen hätte, wäre er zu Schulungszwecken nach Italien gereist. (13814012) (18) Adam van Noort, 1562 – 1641, attributed THE SENTENCING OF A DEVOUT CHRISTIAN Oil on copper. 84 x 103 cm. Notes: Adam van Noort was accepted into the Guild of Saint Luke in 1587 and, among his students were famous artists such as Peter Paul Rubens, Hendrik van Balen and Frans Francken the Younger. Rubens said about him that he would have surpassed his contemporaries had he travelled to Italy for training purposes.
Hampel Fine Art Auctions
Apr. 18, 2023
VAN NOORT Adam (1562 - 1641) Tableaux Huile sur cuivre "La déploration du C
Est: €700 - €1,000
VAN NOORT Adam (1562 - 1641) Tableaux Huile sur cuivre "La déploration du Christ mort". Attribué à l'atelier d'Adam van Noort. Ecole flamande, Anvers. Epoque: XVIIème. Dim.:+/-22x28cm.
Vanderkindere
Jan. 28, 2023
Adam van Noort (1557 in Antwerp - 1641) , Wedding in Cana
Est: €10,000 - €12,000
Adam van Noort lived in his native Antwerp and mainly painted portraits and historical scenes. Apparently, only a small part of his work has survived. Thanks to the engravers, and above all the graphics by R. Sadeler, some of the pictures are still known. Adam van Noort's great pedagogical and sensitive talent is evidenced mainly as a teacher to his many students. Peter Paul Rubens, Anthonius van Dyck, and Sebastian Vrancx, Hendrick van Balen the Elder. Ä. and Jacob Jordaens (whose daughter, Elisabeth Noort, he married and had three children), were probably his most important students with whom he had a long relationship. It is all the more significant that the present painting The Wedding at Canaa, by Adam van Noort, is a new discovery and enriches his narrow work. Image structure, composition and color tone, as well as the arrangement of the many figures in their different characters, and accumulations of metal vessels (which he often worked out precisely), are typical of his style and Flemish painting of the late 16th and early 17th centuries.
Fine Antiques Prague s.r.o.
Dec. 08, 2022
Adam van Noort, 1562 – 1641, zugeschrieben
Est: €30,000 - €50,000
Die Verurteilung eines gläubigen Christen Öl auf Kupfer. 84 x 103 cm. In Prunkrahmen mit Floraldekor. In weiter Landschaft, mit grauen Wolken und den letzten gelb-rötlichen Streifen der untergehenden Sonne der Eingang eines mit Säulen gesäumten Palastes, vor dem auf einem Podest ein römischer Priester mit langem weiß-grauem Mantel, grauem Bart und einem Lorbeerkranz steht. Vor ihm ein halb kniender Mann mit freiem Oberkörper, den er anblickt und mit ausgestreckten Armen auf eine stehende Skulptur eines heidnischen Gottes verweist. Er versucht zum letzten Mal, den Knienden vom christlichen Glauben abzubringen, um sich zu der stehenden Gottheit zu bekehren. Der Kniende wird bereits von einem weiteren muskulösen Mann am Kopf festgehalten, der zudem in seiner nach unten geführten Hand den Griff eines nicht sichtbaren Schwertes hält, um ihn sogleich zu enthaupten. Im Hintergrund mehrere Figuren, die voller Aufmerksamkeit das Geschehen verfolgen, während rechts im Vordergrund eine sitzende Frau mit Kleinkind sich bereits die Tränen mit einem Tuch trocknet. Vom Himmel herab fällt ein Lichtstrahl auf den Märtyrer, zudem ist im Licht ein Engel mit einem Lorbeerkranz sichtbar. Besonders auffällig auch die beiden reitenden Figuren auf prachtvollen, teils glänzenden Pferden, davon ein Soldat in Rüstung, mit rotem Mantelüberwurf in Rückenansicht. Feine, qualitätvolle Malerei des Künstlers. Teils Rahmenschäden. Anmerkung: Adam van Noort wurde 1587 in die Lukasgilde aufgenommen und hatte mit Peter Paul Rubens, Hendrik van Balen und Frans Fanken d. J. äußerst berühmte Schüler. Rubens attestierte ihm sogar, dass er seine Zeitgenossen übertroffen hätte, wäre er zu Schulungszwecken nach Italien gereist. (1340358) (18) Adam van Noort, 1562 – 1641, attributed THE SENTENCING OF A DEVOUT CHRISTIAN Oil on copper. 84 x 103 cm. Notes: Adam van Noort was accepted into the Guild of Saint Luke in 1587 and, among his students were famous artists such as Peter Paul Rubens, Hendrik van Balen and Frans Francken the Younger. Rubens said about him that he would have surpassed his contemporaries had he travelled to Italy for training purposes.
Hampel Fine Art Auctions
Nov. 29, 2022
ADAM VAN NOORT (ANVERSA 1561 - 1641) BOTTEGA/CERCHIA DI
Est: €700 - €1,000
Adam van Noort (Anversa 1561 - 1641) bottega/cerchia di Gesù tra i dottori Olio su tavola 21 x 26 cm Adam van Noort è considerato come uno tra i più importanti artisti fiamminghi operanti tra Cinque e Seicento: egli è stato l'anello di congiunzione stilistico tra la pittura tardo-manierista italianizzante e il Barocco. Nel 1604 Van Mander lo definì un abilissimo pittore di personaggi. Figlio d’arte, come il padre Lamber fu influenzato dell’arte italiana del XVI secolo per la formazione del suo stile. Collaborò con Otto van Veen e fu maestro di una nutrita schiera di allievi, tra cui Rubens, Jordaens e van Dyck. Adam van Noort (Antwerp 1561 - 1641) workshop/circle of Jesus and the doctors Oil on panel 21 x 26 cm
Lucas Aste
Feb. 26, 2022
Adam van Noort (1557 in Antwerp - 1641) , Wedding in Cana
Est: €22,000 - €28,000
Adam van Noort lived in his native Antwerp and mainly painted portraits and historical scenes. Apparently, only a small part of his work has survived. Thanks to the engravers, and above all the graphics by R. Sadeler, some of the pictures are still known. Adam van Noort's great pedagogical and sensitive talent is evidenced mainly as a teacher to his many students. Peter Paul Rubens, Anthonius van Dyck, and Sebastian Vrancx, Hendrick van Balen the Elder. Ä. and Jacob Jordaens (whose daughter, Elisabeth Noort, he married and had three children), were probably his most important students with whom he had a long relationship. It is all the more significant that the present painting The Wedding at Canaa, by Adam van Noort, is a new discovery and enriches his narrow work. Image structure, composition and color tone, as well as the arrangement of the many figures in their different characters, and accumulations of metal vessels (which he often worked out precisely), are typical of his style and Flemish painting of the late 16th and early 17th centuries.
Fine Antiques Prague s.r.o.
Feb. 22, 2022
Adam van Noort (Anversa 1561 - 1641) bottega/cerchia di
Est: €2,000 - €3,000
Adam van Noort (Anversa 1561 - 1641) bottega/cerchia di Gesù tra i dottori Olio su tavola 52 x 69,5 cm Adam van Noort è considerato tra i più importanti artisti fiamminghi operanti tra Cinque e Seicento: egli è stato l'anello di congiunzione stilistico tra la pittura tardo-manierista italianizzante e il Barocco. Van Mander, nel 1604, lo definì "abilissimo pittore di personaggi". Figlio d’arte, come il padre Lamber risente in maniera basilare dell’arte italiana del XVI secolo per la formazione del suo stile. Collabora con Otto van Veen ed è maestro di una nutrita schiera di allievi tra cui Rubens, Jordaens e van Dyck. Adam van Noort (Antwerp 1561 - 1641) workshop/circle of Jesus and the doctors Oil on panel 52 x 69,5 cm
Lucas Aste
Sep. 30, 2021
Adam van Noort, Adriaen Collaert, Allegory of the five senses, 1570-1618
Est: €675 - €875
Engraving after a painting of Adam van Noort (1562-1641), made by Adriaen Collaert (1560-1618) in 1570-1618, Allegory of the five senses, published by Adriaen Collaert in Antwerp in 1570-1618. New Hollstein Dutch 1397. Very good dark grey impresision, in good condition, printed on thin laid paper, trimmed just on the borderlines and just in the upper and right borderline, otherwise excellent.
Old Master Print
Jul. 14, 2021
Noort, Adam van
Est: €5,000 - €8,000
Noort, Adam van Antwerpen 1562 - 1641 93 x 195 cm, o.R. The Wedding at Cana. Oil/canvas, relined. According to the consignor acquired c. 1970/71 at Auktionshaus Neumeister, Munich.
Nagel Auction
Jun. 24, 2021
Adam van Noort, 1557 Antwerpen – 1641 ebenda
Est: €35,000 - €45,000
HOCHZEIT ZU KANAA Öl auf Holz. 89,5 x 150 cm. In ebonisiertem Holzrahmen. Beigegeben eine Expertise von Dr. Klaus Ertz, Lingen, vom 16. Dezember 2020, die die Eigenhändigkeit des Gemäldes bestätigt und den Entstehungszeitraum um 1600 datiert. In dieser Tafel finden wir eine von nur wenigen von diesem Meister erhaltenen großen meist mit christlichen Themen versehenen Holztafeln, von denen R. Sadeler teils Kupferstiche anfertigte, sodass zumindest die Kompositionen teilweise auf uns gekommen sind. Das helle Inkarnat, die gestochen scharfen Augenbrauen, die abgeknickten Finger sowie die äußerst detailreich und fein ausgemalten Motive, wie die Kannen vor Christus rechts auf dem Boden, sprechen laut Ertz für eine Autorschaft von Adam van Noort. Anmerkung: Adam van Noort wurde 1587 in die Lukasgilde aufgenommen und hatte mit Peter Paul Rubens, Hans Jordaens, Hendrick van Balen und Frans Francken d.J. äußerst berühmte Schüler. Rubens attestierte ihm sogar, dass er seine Zeitgenossen übertroffen hätte, wäre er zu Schulungszwecken nach Italien gereist. (12714211) (13) Adam van Noort, 1557 Antwerp – 1641 ibid. THE WEDDING AT CANA Oil on panel. 89.5 x 150 cm. An expert’s report by Dr Klaus Ertz, Lingen, dated 16 December 2020, confirming the authenticity of the painting and dating its creation to ca. 1600 is enclosed.
Hampel Fine Art Auctions
Jan. 26, 2021
Adam van Noort (1557 in Antwerp - 1641) , Wedding in Cana
Est: €45,000 - €50,000
Adam van Noort lived in his native Antwerp and mainly painted portraits and historical scenes. Apparently only a small part of his work has survived. Thanks to the engravers and, above all, the graphics by R. Sadeler, some of the pictures are still known. Adam van Noort's great pedagogical and sensitive talent, proves himself mainly as a teacher to his many students. Peter Paul Rubens, Anthonius van Dyck, and Sebastian Vrancx, Hendrick van Balen the Elder. Ä. and Jacob Jordaens, whose daughter Elisabeth Noort he was married and with whom he had three children, were probably his important students, with whom he had a long friendship. It is all the more significant that the present painting The Wedding at Canaa, by Adam van Noort, is a new discovery and enriches his narrow work. Image structure, composition and color tone, as well as the arrangement of the many figures in their different characters, and accumulations of metal vessels, which he often worked out precisely, are typical of his painting style and the Flemish painting of the late 16th and early 17th centuries
Fine Antiques Prague s.r.o.
Sep. 26, 2020
Anthonis van Dyck (1599-1641), Portrait of the flemish painter Adam van Noort (1562-1641), c. 1630-1640, Etching
Est: €300 - €450
Anthonis van Dyck (1599 Antwerpen - 1641 London), Portrait of the flemish painter Adam van Noort (1562-1641), c. 1630-1640, Etching Technique: Etching on paper Size: 41 x 24,5 cm, Plate: 24,3 x 15,5 cm | 16 1/4 x 9 2/3 in, Plate: 9 1/2 x 6 in Inscription: Below the image inscribed in the plate: "Adamus van Noort Antverpiæ pictor iconum", lower left signed in the plate: "Ant. van Dyck fecit aqua forti" Condition: Good condition. On the edge of the sheet pale discolored and minimally stained. Smaller inclusion in the paper to the right of the head. The lower left corner of the sheet is slightly creased. Description: Successful portrait of the Antwepen portrait and history painter. Cat.Rais.: New Holstein 7, VI/VII Keywords: Baroque, Portrait, Artist, Artist Life, Portrait, Fashion, Belgium, Antwerp
Fichter Kunsthandel
Sep. 05, 2020
FLEMISH SCHOOL: THE FLAGELLATION OF CHRIST, OIL ON PANEL, 17TH C.
Est: €400 - €800
Work: about 35 x 21 cm Frame: 51,3 x 37,5 cm With an old attribution to Adam van Noort (1561-1641, see document). A similar representation can be seen in a work after Gerard Seghers (1591-1651, link). Provenance: - Saint Petersburg (by repute, see document): The painting is said to have been offered as a gift to a soldier from the Belgian army by a Russian colleague in the vicinity of St. Petersburg in 1917. - Private collection, Belgium.
Coronari Auctions
Jun. 25, 2020
ADAM VAN NOORT (bottega di)
Est: €800 - €1,200
(Anversa, 1561 - 1641) Abramo e i tre angeli Olio su tavola, cm 58X156 Definito da van Mander nel 1604 un 'abilissimo pittore di personaggi', van Noort si inserisce nel solco della pittura fiamminga piuttosto che in quella contaminata dall'arte italiana, il cui punto di contatto con la pittura nordica Ã¨ avvenuto proprio nei suoi anni. CosÃ¬ estraneo alla moda predominante, Van Noort dirigeva uno degli atelier piÃ¹ popolari di Anversa e poteva contare un gran numero di allievi, tra cui quelli che negli anni successivi sarebbero diventati grandi maestri della pittura come Rubens (a partire dal 1592) e Van Dyck, che realizzÃ² un famoso ritratto del maestro.
Wannenes Art Auctions
May. 06, 2019
*ADAM VAN NOORT (1562-1641) (omgeving)
Est: €50,000 - €60,000
*ADAM VAN NOORT (1562-1641) (omgeving) Christus zegent de kinderen (Matthias 19:13-15; Marcus 10:13-16; Lucas 18:15-17). Paneel. Er bestaan verschillende versies van dit onderwerp door Adam van Noort, waarvan er één zich bevindt in Brussel (paneel, 87 x 195, circa 1600, Koninklijke Musea voor Schone Kunsten van België, inv.nr 363) en één in Warschau (paneel, 138.8 x 206.5, Museum Narodowe, inv.nr. 633; zeer gelijkaardig aan een versie in Wenen (paneel, 67 x 100, Kunsthistorisches Museum, inv. nr. 1160)). De voorstellling speelt zich telkens af tegen een italianiserende architecturale achtergrond waarin Christus omgeven wordt door talrijke personages, een geknielde moeder met kind, de handen gevouwen het dichtst in zijn nabijheid, en Christus steeds gekleed in een grijs gewaad met rode mantel. Het figuurtype van Christus toont eveneens verwantschap met de gezeten Christus in De Wonderbare spijziging dat als omgeving Adam van Noort aangeboden werd bij Philips in Londen (paneel, 77.5 x 188, veiling 2.12.1997, lot 140). Toch valt een toeschrijving aan een kunstenaar uit de omgeving van Maerten De Vos (1532-1603) evenmin uit te sluiten. 111 x 166 French Translation *ADAM VAN NOORT (1562-1641) (entourage) Le Christ bénissant les enfants (Matt. 19:13-15; Marc 10:13-16; Luc 18:15-17). Panneau. On connaît plusieurs versions de ce sujet par Adam Van Noort dont une se trouve à Bruxelles (panneau, 87 x 195, circa, Musée Royal des Beaux-Arts, nr. 363) et une autre à Warschau (panneau, 138.8 x 206.5, Musée Narodowe, nr. 633, très similaire à une version à Vienne (panneau, 67 x 100, Kunsthistorisches Musée, nr. 1160). Une attribution à un artiste dans l'entourage de Maerten de Vos (1532-1603) est également à considerer. 111 x 166 English Translation *ADAM VAN NOORT (1562-1641) (circle) Christ blessing the children (Matthew 19:13-15; Marc 10:13-16; Luke 18:15-17). Panel. 111 x 166
Bernaerts Auctioneers
Mar. 26, 2018
Adam van NOORT (Anvers 1557-1641)
Est: €8,000 - €10,000
Adam van NOORT (Anvers 1557-1641) Cincinnatus rendant ses armes et ses décorations Lavis rouge et brun et rehauts de blanc sur traits à la pierre noire 22 x 30 cm red and brown wash, heightened with white, black chalk; 8 1/2 x 6 in. PROVENANCE : Collection du comte d’Oultremont, Château d’Hélecine. Elève de son père Lambert van Noort, Adam van Noort débuta sa carrière de peintre, fortement influencé par le maniérisme de Goltzius et van Haarlem. Lui-même eut comme élève Jacob Jordaens et Rubens. Cincinnatus représente dans l’histoire romaine, le Romain aux vertus traditionelles, menant une vie simple, se dévouant à la défense de sa patrie. Patricien ruiné par la caution qu’il a payée pour son fils accusé du meurtre d’un plébéien, Cincinnatus vit modestement du travail des quelques champs qui lui restent. En 460 avant J. C., une délégation de patriciens vient le chercher, il est nommé consul dans le but de sauver Rome qui tombe dans l’anarchie. Ayant réussi à faire la trêve entre patriciens et plébéiens, il retourne à ses travaux agricoles. En 458 avant J. C., il est à nouveau nommé consul, le pouvoir et les armées romaines sont encerclées par les Equès. Les ayant vaincus, Cincinnatus revient en triomphe à Rome où il fait innocenter son fils. Il retourne aux champs et il est rappelé une troisième fois en 439 avant J. C., afin de sauver Rome de la guerre civile. Vainqueur, il retourne à sa vie modeste. L’attribution de notre dessin a été confirmée par le Dr Hans Mielke et par le professeur Nicole Dacos.
Leclere - Maison de ventes
Dec. 12, 2017
* ADAM VAN NOORT (1562-1641) & ANONIEM / ANONYME 1/2 XVIIPortra
Est: €8,000 - €10,000
* ADAM VAN NOORT (1562-1641) & ANONIEM / ANONYME 1/2 XVII Portrait of a nobleman (selfportrait?), aged 32 and portrait of a lady, aged 37. Panel. A pair. The portrait of the nobleman signed 'A.V NooRT / ÆT'. 32', with coat-of-arms in the upper left and dated 1615, the portrait of a lady with legend in the upper right 'Aetatis. 37./Ano 1630'. Provenance: Christie's London, 18 April 1980, lot 108, as anonymous; Sotheby's Amsterdam, 8 February 1988, lot 175, as bearing a signature. In a letter, dated 23 November 2005, Nico van Hout, curator of the Koninklijk Museum voor Schone Kunsten, Antwerp, confirms the attribution to Adam van Noort. He considers the present portrait an interesting adittion to the oeuvre of the artist, as we know Adam van Noort mainly as a painter of history scenes. It may serve as a basis for reconstructing Van Noort's portrait oeuvre. 103.7 x 75.3 * ADAM VAN NOORT (1562-1641) & ANONIEM / ANONYME 1/2 XVII Portret van een edelman op 32-jarige leeftijd en een dame op 37-jarige leeftijd. Paneel. Een paar. Het mansportret getekend 'A.V NooRT / ÆT'. 32', met wapenschild linksboven en gedateerd 1615, het damesportret met inscriptie rechtsboven 'Aetatis. 37./Ano 1630'. Herkomst: Christie's Londen/Londres, 18 April 1980, lot 108, als/comme anoniem/anonyme; Sotheby's Amsterdam, 8 February 1988, lot 175, als handtekeningdragend/comme portant une signature. Hoewel de portretten dezelfde afmetingen bezitten, een gelijkaardige lijst hebben en tegen eenzelfde achtergrond geschilderd zijn, zijn ze waarschijnlijk niet van dezelfde hand. Nico Van Hout, curator van het Koninklijk Museum voor Schone Kunsten, bevestigt in een brief gedateerd 23.11.2005 de authenticiteit van het portret van een edelman, als zijnde een origineel kunstwerk van Adam Van Noort. Van Noort, één van de leermeesters van Peter Paul Rubens, staat vooral bekend als schilder van historiestukken. Het belang van onderhavig portret kan dan ook niet worden onderschat als bouwsteen om het portretoeuvre van de kunstenaar te kunnen reconstrueren. Het portret van de edeldame verschilt in kwaliteit en uitvoerig danig van zijn pendant. De klederdracht van de dame doet Noord-Nederlands aan, maar is anno 1630 ook al eerder ouderwets. Op basis van de klederdracht zouden we de kunstenaar in Holland kunnen situeren, al zou het uiteraard ook kunnen gaan om een naar Antwerpen uitgeweken Hollandse dame. Mogelijk trouwde zij in 1630 met een Antwerpenaar en werd haar portret op dat ogenblik geschilderd als pendant van het reeds bestaande herenportret van Van Noort. Het Rubenianum bewaart de correspondentie tussen de restaurateur die de handtekening in 1978 op het herenportret ontdekte, ene A. De Boever uit Ledeberg, en de toenmalige conservator van het Rubenshuis, Frans Baudouin. Baudouin ondernam verschillende pogingen om de identiteit van de geportretteerden te achterhalen aan de hand van het wapenschild, helaas zonder resultaat. 103.7 x 75.3
Bernaerts Auctioneers
Dec. 11, 2017
ADAM VAN NOORT (1562-1641) (workshop)studio Christ with St
Est: €1,000 - €1,500
ADAM VAN NOORT (1562-1641) (workshop) studio Christ with Stigmata, carried by angels, with Mary and two figures. Panel marked with the Antwerp city weapon. Shortened to uppper and lower side. 100 x 74 ADAM VAN NOORT (1562-1641) (atelier) Christus met stigmata gedragen door een engel, met Maria en twee figuren. Paneel. Gemerkt met stadswapen van Antwerpen. Verkleind boven-en onderaan. 100 x 74
Bernaerts Auctioneers
Apr. 27, 2017
ADAM VAN NOORT (ANTWERP 1561-?1641) The Virgin and Child oil
Est: $12,000 - $18,000
ADAM VAN NOORT (ANTWERP 1561-?1641) The Virgin and Child oil on panel 31 5/8 x 22 1/2 in. (80.3 x 57.2 cm.)
Christie's
Jan. 25, 2017
ATTRIBUTED TO ADAM VAN NOORT | An elegant couple in an interior, admiring a painting
Est: $6,000 - $8,000
Pen and brown ink and wash
Sotheby's
Dec. 12, 2016
*ADAM VAN NOORT (1562-1641) / OTTO VENIUS (1577-1629) circle
Est: €4,000 - €6,000
*ADAM VAN NOORT (1562-1641) / OTTO VENIUS (1577-1629) circle The calling of Saint Matthew. Panel. Sidepanel of a polyptych. Dated in the lower part 1959. On the reverse a grisaille depicting saint Matthew with ax and book. Touch-ups and restorations. 187 x 63 *ADAM VAN NOORT (1562-1641) / OTTO VENIUS (1577-1629) omgeving De verkiezing van de heilige Matthias. Paneel. Zijpaneel van een polyptiek. Datering onderaan 1595. Op verso grisaille van de heilige Matthias met bijl en boek. Retouches en restauraties. 187 x 63 *ADAM VAN NOORT (1562-1641) / OTTO VENIUS (1577-1629) entourage La vocation de Saint Matthias. Panneau. Panneau latéral d'un polyptyque. Daté dans la partie inférieure 1595. Au revers une grisaille du saint Matthias à la hâche et au livre. Retouches et restaurations. 187 x 63
Bernaerts Auctioneers
Jan. 26, 2011
ADAM VAN NOORT
Est: $10,000 - $15,000
ADAM VAN NOORT ANTWERP 1561 - 1641 (?) A SCENE OF EXODUS WITH WOMEN AND CHILDREN RESTING IN THE FOREGROUND, OTHERS WALKING IN PROCESSION IN THE DISTANCE Pen and gray ink and wash, heightened with white, on blue paper 171 by 230 mm; 6 3/4 by 9 in
Sotheby's
Mar. 25, 2009
NOORT, ADAM VAN (1561 Antwerpen 1641), Umkreis
Est: CHF5,000 - CHF7,000
NOORT, ADAM VAN (1561 Antwerpen 1641), Umkreis Heilige Cecilia. Öl auf Holz. 104 x 73 cm.
Koller Auctions
Jan. 28, 2009
Attributed to Adam van Noort , Antwerp 1561 - 1641 head of a bearded man, three quarters profile oiled black chalk, heightened with white chalk, on light brown paper; bears inscription in brown ink, lower left: Van Oort
Est: $6,000 - $8,000
oiled black chalk, heightened with white chalk, on light brown paper; bears inscription in brown ink, lower left: Van Oort
Sotheby's
Nov. 14, 2006
ADAM VAN NOORT ANTWERP 1561 - 1641
Est: €10,000 - €15,000
THE PROPERTY OF A GENTLEMAN A PORTRAIT OF A BEARDED MAN, AGED 32, WEARING AN ELEGANT BLACK SUIT WITH WHITE LACE CUFFS, A MILL STONE COLLAR AND YELLOW GLOVES, CHARGED WITH THE SITTER'S COAT OF ARMS measurements note 103.7 by 75.3 cm. signed and inscribed upper right: A.V NooRT / ÆT'. 32. , charged with the coat-of-arms of the sitter and dated upper left: 1615 oil on panel PROVENANCE Anonymous sale, London, Christie's, 18 April 1980, lot 108; Sale, Amsterdam, Sotheby's, 8 February 1988, lot 175 (as bears signature). NOTE In a letter, dated 23 November 2005, Nico van Hout, curator of the Koninklijk Museum voor Schone Kunsten, Antwerp, confirms the attribution to Adam van Noort. He considers the present portrait an interesting adittion to the oeuvre of the artist, as we know Adam van Noort mainly as a painter of history scenes. It may serve as a basis for reconstructing Van Noort's portrait oeuvre.
Sotheby's
Apr. 22, 2004
STUDIO OF ADAM VAN NOORT ANTWERP 1561 - 1641
Est: £8,000 - £12,000
oil on panel CHRIST AT THE MARRIAGE FEAST AT CANA
Sotheby's