Amédée Van Loo Paintings & Artwork for Sale | Amédée Van Loo Art Value Price Guide

Sep. 26, 2024
CHARLES-AMÉDÉE-PHILIPPE VAN LOO, 1719 – 1795
Est: €15,000 - €25,000
GALANTE BADESZENE Öl auf Holz. 37 x 50 cm. Links unten signiert und datiert „1736“. Verso Aufkleber von Christie´s. Das Gemälde zeigt eine für das französische Rokoko typische Verschmelzung von galanter Szenerie mit bekannten Mythenmotiven der Antike. Obschon hier im Bild alle Attribute für das Thema „Venus im Bade“ fehlen, wird es doch damit assoziiert. Dieser Kunstkniff wurde auch von Malern wie Boucher oder Fragonard angewandt. Hier wird eine junge Frau von zwei Mädchen beim Bad neben einem Steinbrunnen umsorgt. Während ihr eines der Mädchen eine Wasserschüssel reicht, zieht das andere ein Tuch über die nackte Schönheit, um sie vor fremden Blicken zu schützen. Doch der Bildbetrachter soll den unerlaubten Blick genießen. Hier wird an das Thema der badenden Venus erinnert, dennoch wird die Wiedergabe der Aktdarstellung dadurch nur gerechtfertigt. Der Maler studierte bei seinem Vater in Turin und Rom, erhielt bald Auszeichnungen und kam 1748 an den Hof Friedrichs des Großen, wo er zehn Jahre wirkte. Während des Siebenjährigen Krieges zog er in seine Heimat, kehrte er alsbald an den Preußischen Hof zurück und schuf etwa das Deckenbild im Potsdamer Schloss. Provenienz: Sammlung Edmond de Rothschild. Galerie Sakura, Paris. (1410992) (11) Charles–Amédée–Philippe van Loo, 1719 – 1795 GALLANT BATHING SCENE Oil on panel. Signed and dated “1736“ lower left. Label by Christie’s on the reverse. Provenance: Edmond de Rothschild collection. Galerie Sakura, Paris.
Hampel Fine Art Auctions
Jun. 12, 2024
CHARLES AMÉDÉE PHILIPPE VAN LOO (Rivoli près de Turin, 1719-Paris, 1795)
Est: €10,000 - €15,000
CHARLES AMÉDÉE PHILIPPE VAN LOO (Rivoli près de Turin, 1719-Paris, 1795) PORTRAIT PRÉSUMÉ DU MARQUIS DE MONTESQUIOU Toile Restaurations anciennes Cadre en chêne sculpté et doré de la fin du XVIIIe siècle Inscriptions XIXe au revers du cadre "le marquis de Montesquiou" Canvas, with restorations, carved and gilded oak frame from the late 18TH CENTURY 99 x 82,5 CM - 40 x 32,5 IN.
Tajan
Nov. 22, 2023
Charles-Amédée van LOO Rivoli, 1719 - Paris, 1795 Autoportrait de l'artiste Huile sur toile, de forme ovale
Est: €7,000 - €10,000
Charles-Amédée van LOO Rivoli, 1719 - Paris, 1795 Autoportrait de l'artiste Huile sur toile, de forme ovale Self-portrait of the artist, oil on canvas, by C.-A. van Loo h: 64 w: 52 cm Provenance : Probablement passé à la fille de l'artiste Marie Victoire van Loo (1749-?), épouse Marc-Antoine Combemale, Paris; Probablement à leur fils Charles-Amédée Philippe François Combemale (1783-?), Paris; Probablement à sa fille Caroline-Félicité Combemale, épouse du vicomte de Lamare, Paris; Collection du vicomte de Lamare en 1912 ; Probablement par descendance à sa fille Gabrielle de Lamare, épouse Henri Félix-Faure (1846-1922), Grenoble ; Vente "Mlle F. F.... [Félix-Faure?] héritière de la famille A. Vanloo" ; Paris, Hôtel Drouot, Me Lair-Dubreuil, 11 juin 1920, n° 85 ; Probablement famille de Camiran à partir de 1920 ; Offert par cette dernière au père de l'actuelle propriétaire autour de 1980 ; Collection particulière, Paris Bibliographie : Charles Oulmont, "Amédée Vanloo", in 'Gazette des Beaux-Arts', août 1912, p. 145, repr. Commentaire : Neveu de Carle van Loo, Charles-Amédée embrassa la carrière de peintre et travailla pour le roi de Prusse Frédéric II avant de revenir en France. L'autoportrait ici présenté peut-être rapproché de celui qu'il exécuta dans un grand portrait de famille où il s'est illustré entouré de son épouse et de leurs enfants en train de faire la démonstration d'une pompe à air1. Nous reconnaissons ses traits dans cette version ovale au cadrage resserré, où l'artiste manifestement assis sur une chaise se retourne pour croiser notre regard. 1. Collection particulière, voir cat. exp. 'Les Van Loo, fils d'Abraham', Nice, 2000, repr. p. 84. Estimation 7 000 - 10 000 €
Artcurial
Jun. 01, 2023
Portrait of Frederick II, King of Prussia
Est: €80,000 - €100,000
On the decorative frame with the shield: Frederick the Great. Presented by him to Sir Andrew Mitchell, Ambassador at his court
Grisebach
Feb. 22, 2022
Charles-André van Loo (Nizza 1705 - Parigi 1765)
Est: €8,000 - €12,000
Charles-André van Loo (Nizza 1705 - Parigi 1765) Putti che giocano con una maschera Olio su tela 93 x 146 cm Figlio d’arte, Charles-André van Loo fu il più noto membro di una famiglia di pittori di origini olandesi. Iniziò quale allievo di Joseph Aved, poi con il fratello visitò prima Torino e poi Roma, dove fece apprendistato con Benedetto Luti. Successivamente, lasciò l’Italia nel 1723 per trasferirsi a Parigi, dove fu l’unico vero rivale di François Boucher. In seguito, richiamato a Torino, servì Vittorio Amedeo II di Savoia. Quando tornò nuovamente in patria, nel 1762 fu nominato pittore ufficiale alla corte di Luigi XV. Charles-André van Loo (Nice 1705 - Paris 1765) Putti playing with a mask Oil on canvas 93 x 146 cm
Lucas Aste
Feb. 15, 2022
Charles-Amédée van LOO Rivoli, 1719 - Paris, 1795 Autoportrait Huile sur toile, de forme ovale
Est: €6,000 - €8,000
Charles-Amédée van LOO Rivoli, 1719 - Paris, 1795 Autoportrait Huile sur toile, de forme ovale Self-Portrait, oil on canvas, by Ch. A. van Loo h: 65 w: 54 cm Provenance : Vente anonyme ; Montréal, Iegor Auction, 17 juin 2014, n° 6B (comme suiveur de Carle van Loo) ; Collection particulière, Paris Expositions : 'Cent portraits pour un siècle. De la cour à la ville sous les règnes de Louis XV et Louis XVI', Versailles, musée Lambinet, 6 novembre 2019 - 1er mars 2020 et Nice, palais Lascaris, 19 mai - 22 novembre 2021, catalogue par X. Salmon, p.169-170, n° 83 Commentaire : Neveu de Carle van Loo, Charles-Amédée embrassa la carrière de peintre et travailla pour le roi de Prusse Frédéric II avant de revenir en France. L'autoportrait ici présenté peut-être rapproché de celui qu'il exécuta dans un grand portrait de famille où il s'est illustré entouré de son épouse et de leurs enfants en train de faire la démonstration d'une pompe à air1. Nous reconnaissons ses traits dans cette version ovale au cadrage resserré, où l'artiste manifestement assis sur une chaise se retourne pour croiser notre regard. 1. Collection particulière, voir cat. exp. 'Les Van Loo, fils d'Abraham', Nice, 2000, repr. p. 84. Estimation 6 000 - 8 000 €
Artcurial
Jun. 30, 2020
Charles-André van Loo (Nizza 1705 - Parigi 1765), ambito di, Musa dell'Arte
Est: €2,000 - €3,000
olio su tela, cm 81x65
Cambi Casa d'Aste
Jun. 09, 2020
Charles Amédée Philippe van Loo
Est: €10,000 - €15,000
Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (Rivoli 1719–1795 Paris) Fête Champêtre, oil on canvas, 91 x 121 cm, framed We are grateful to Helmut Börsch-Supan for endorsing the attribution of the present painting to Charles Amédée Philippe van Loo on the basis of a digital photograph and for his help in cataloguing this lot (written communication). Börsch-Supan compares the present composition to a pair of paintings slightly smaller in size (68 x 106 cm) depicting the embarcation for Cythera and a Fête Champêtre. They had been painted by van Loo in 1750 in his function as court painter to Frederick II of Prussia for the ‘Konfidenztafelzimmer’ (the private dining room, destroyed in 1945) at the Potsdam City Palace. Due to relocation during the war, when the pictures were kept at Charlottenburg Palace, they are now again at Potsdam (Foundation Prussian Palaces and Gardens Berlin-Brandenburg). The picture featuring the dancing party compares particularly well even in the landscape details, with the trees showing the same structure of branches and foliage. As to the treatment of the garments, fragmented and highly dynamic draperies are typical for van Loo’s painting style. This lends his compositions a somewhat laboured and augmented vivacity – a characteristic trait also visible in his portraits. The individual motifs were borrowed from Antoine Watteau and, even more distinctly, from his follower Nicolas Lancret, both were held in high esteem by Frederick II. Van Loo was a member of a French family of artists, originally from the Netherlands. He was born in Rivoli near Turin in 1719 as a son of the painter Jean-Baptiste van Loo, who became his first teacher. He trained in Paris and from 1738 travelled to Rome, Naples, Florence and Aix-en-Provence, returning to Paris in 1745. In 1748, he was called to the court of Frederick II of Prussia, where he pursued a versatile career also working as a ceiling painter and tapestry designer. Granted leave by the King, he returned to Paris, during the Seven Years war (1756–1763) and then mainly worked as a portraitist in Berlin again between 1763 and 1769.
Dorotheum
Apr. 19, 2018
CHARLES-AMÉDÉE-PHILIPPE VAN LOO (RIVOLI ?1719-1795 PARIS) Portrait of a gentleman, ha
Est: $8,000 - $12,000
CHARLES-AMÉDÉE-PHILIPPE VAN LOO (RIVOLI ?1719-1795 PARIS) Portrait of a gentleman, half-length; and Portrait of a lady, half-length the second signed and dated 'A: Vanlo pinxit / 1760' (center left) oil on canvas 30 1/8 x 25 1/8 in. (76.5 x 63.8 cm.) (2)
Christie's
Feb. 02, 2018
CHARLES AMÉDÉE PHILIPPE VAN LOO | The School of Athens
Est: $20,000 - $30,000
oil on canvas
Sotheby's
Oct. 11, 2017
"Femme aux colombes", pierre noire avec rehauts blancs sur papier jaune. At
Est: €400 - €500
"Femme aux colombes", pierre noire avec rehauts blancs sur papier jaune. Attribué à Amédée Van Loo. Ecole française. (Provenance: Galerie Colnaghi à Londres. On y joint la copie d'un certificat émis par cette galerie qui mentionne une collection hollandaise de même que la copie de la facture d'achat, les deux datées 1961). Dim.:151x110mm.
Vanderkindere
Jul. 19, 2017
Charles Amédée Philippe van Loo (Italian, The artist and his Mother(?) oil on canvas 31 ½ x 25 1/8 in. (80 x 64 cm.)
Est: £6,000 - £8,000
Charles Amédée Philippe van Loo (Italian, 1719-1795) The artist and his Mother(?) signed and dated 'Amedee Van Loo / 1763' (lower right) and again 'C. A. P. Van Loo' (lower right) oil on canvas 31 ½ x 25 1/8 in. (80 x 64 cm.)
Christie's
Jul. 13, 2017
Charles Amédée Philippe van Loo (Turin Hymen and Cupid oil on canvas 55 ½ x 42 ¾ in. (141 x 108.5 cm.)
Est: £15,000 - £25,000
Charles Amédée Philippe van Loo (Turin 1719-1795 Paris) Hymen and Cupid indistinctly signed and dated 'Amedée Van Loo 1772' (lower right) oil on canvas 55 ½ x 42 ¾ in. (141 x 108.5 cm.) with inventory number '564' (lower left)
Christie's
Nov. 02, 2016
Charles Amédée Philippe van Loo (Turin The artist and his Mother(
Est: £12,000 - £18,000
Charles Amédée Philippe van Loo (Turin The artist and his Mother(?) oil on canvas 31 ½ x 25 1/8 in. (80 x 64 cm.)
Christie's
May. 21, 2016
Charles Amedée van Loo, The Hunters' Rest
Est: €20,000 - €25,000
Charles-Amédée-Philippe van Loo was born into one of the most important French artist families of the 18th century. His father, mother and two brothers were also painters, as was his uncle Carle, who was doubtlessly the most famous member of the family. Amédée van Loo painted a 220 x 250 cm large composition entitled "Halt de Chasse" for the hunting themed dining room of Louis XV, which is today kept in the Louvre. The present work is a section of the work, highlighting the main group on the left. In 1748, Amédée became court painter to Frederick the Great in Berlin. He remained there until 1758, when the Prussian king allowed him to return to his home town of Paris during the Seven Years' War, in which France and Prussia were enemies. Amédée returned to Berlin in 1763, and there painted the ceiling fresco “The Induction of Ganymede in Olympus” for the marble hall of the Neues Palais in Potsdam in 1768.
Kunsthaus Lempertz KG
Mar. 22, 2016
LOO, CHARLES-AMEDEE-PHILIPPE VAN
Est: CHF600 - CHF800
LOO, CHARLES-AMEDEE-PHILIPPE VAN (Rivoli 1719 - 1795 Paris), CIRCLE OF Portrait of a woman with pearl necklace. Red chalk. 25.5 x 18.5 cm. Framed. --------------- LOO, CHARLES-AMEDEE-PHILIPPE VAN (Rivoli 1719 - 1795 Paris), UMKREIS Frauenporträt mit Perlenkette. Rote Kreide. 25,5 x 18,5 cm. Gerahmt.
Koller Auctions
Nov. 15, 2014
Charles Amédée P. VAN LOO dit VAN LOO DE PRUSSE (Attribué à ) (1719-1795) La sultane endormie
Est: €3,000 - €4,000
Charles Amédée P. VAN LOO dit VAN LOO DE PRUSSE (Attribué à ) (1719-1795) La sultane endormie Huile sur toile 40 x 70 cm
Carvajal SVV
May. 24, 2014
Charles Amedée van Loo, A Portrait of the
Est: €10,000 - €14,000
Charles Amedée van Loo, A Portrait of the Philosopher Claude Adrien Helvétius CertificateDr. Ludwig Meyer, Munich 20.3.2007King Frederick II enjoyed close personal or written contact with some of the most significant intellectuals of his time: Diderot, Montesquieu, d´Alembert, Voltaire as well as Enlightenment philosophers such as Claude Adrien Helvétius (the latinised version of "Swiss", 1715 Paris - 1771 Versailles). The French painter Charles Amedée van Loo, who resided in Berlin from 1748 to 1758, was among the numerous artists at his court. The painter returned to Berlin in 1763 following the Seven Years' War in which Prussia and France were enemies, and he remained in royal service until 1769. Van Loo even received a yearly pension from the King after returning to Paris. This unsigned pastel drawing can be attributed to van Loo via an engraving by A. de Saint Aubin in which both the artist and the patron - Frederick II - are mentioned (Nancy Mitford: Frederick the Great, 1973, p. 250). Helvétius travelled to Prussia at the French King's behest in 1764 and was received with high honours. Van Loo was also in Berlin at this time, and thus we can assume that this charming portrait was made in this year. 61 x 50 cm
Kunsthaus Lempertz KG
May. 16, 2014
LOO, CHARLES AMÉDÉE PHILIPPE VAN 1719 Rivoli -
Est: €4,000 - €6,000
LOO, CHARLES AMÉDÉE PHILIPPE VAN 1719 Rivoli - 1795 Paris - Umkreis Allegorie der Fruchtbarkeit -Caritas. Öl auf Leinwand. Doubliert. 63 x 75,5cm. Rahmen. LOO, CHARLES AMÉDÉE PHILIPPE VAN 1719 Rivoli - 1795 Paris - cirle Allegory of Fertility - Caritas. Oil on canvas. Relined. 63 x 75,5cm. Framed.
Van Ham Kunstauktionen
Nov. 15, 2013
LOO, CHARLES AMÉDÉE PHILIPPE VAN 1719 Rivoli - 1795 Paris - zugeschrieben Porträt einer adeligen Dame. Öl auf Leinwand. Doubliert. 96,5 x 80cm. Rahmen. Provenienz: Rheinischer Privatbesitz. Wir danken Frau Dr. Middendorf fÜr die freundliche
Est: €1,200 - €1,500
LOO, CHARLES AMÉDÉE PHILIPPE VAN 1719 Rivoli - 1795 Paris - attributed Portrait of a Noble Woman. Oil on canvas. Relined. 96,5 x 80cm. Framed. Provenance: Private ownership, Rhineland We would like to thank Dr. Middendorf for her kind support.
Van Ham Kunstauktionen
Oct. 17, 2012
Attribué à Charles Amédée Van Loo Rivoli, 1719 - Paris, 1795 Femme au bonnet se reposant Pastel
Est: €2,000 - €3,000
Attribué à Charles Amédée Van Loo Rivoli, 1719 - Paris, 1795 Femme au bonnet se reposant Pastel Dans son cadre d'origine en chêne sculpté et doré, travail français du XVIIIe siècle h: 38 w: 45,50 cm
Artcurial
Jun. 28, 2012
Charles Amédée VAN LOO (attribué à) (Rivoli 1719 -
Est: €4,000 - €6,000
Charles Amédée VAN LOO (attribué à) (Rivoli 1719 - Paris 1795) " Jeune femme endormie, accompagnée d'un serviteur chinois " Huile sur toile (restaurations) 38,5 x 68,5 cm
Boisgirard-Antonini
Mar. 28, 2012
Attributed to LOO, CHARLES AMEDEE PHILIPPE VAN
Est: CHF5,000 - CHF7,000
Attributed to LOO, CHARLES AMEDEE PHILIPPE VAN (Rovoli 1719 - 1795 Paris) Noblewoman with a mask. Oil on canvas. 118 x 82.5 cm. LOO, CHARLES AMEDEE PHILIPPE VAN (ZUGESCHRIEBEN) (Rovoli 1719 - 1795 Paris) Edle Dame mit einer Maske. Öl auf Leinwand. 118 x 82,5 cm.
Koller Auctions
Dec. 14, 2011
Charles-Amédée VAN LOO (attribué à) (Rivoli 1719 -
Est: €6,000 - €8,000
Charles-Amédée VAN LOO (attribué à) (Rivoli 1719 - Paris 1795) Jeune femme endormie, accompagnée d'un serviteur chinois Huile sur toile (restaurations) 38,5 x 68,5 cm
Boisgirard-Antonini
Jun. 23, 2010
Attribué a Charles Amédée VAN LOO (1719-1795)
Est: €4,000 - €5,000
Attribué a Charles Amédée VAN LOO (1719-1795) Portrait de femme à l'aigrette (Circa 1750) Huile sur toile. Premier peintre du Tsar de Russie, il décora le château de Potsdam et le Palais Neuf. 80 x 63 cm
Mathias
May. 08, 2010
Amédée van Loo (1719 Rivoli b. Turin - 1795 Paris)
Est: - €12,000
Amédée van Loo (1719 Rivoli b. Turin - 1795 Paris) Bildnis des Künstlerbruders Carle van Loo... [Details + Gebotsabgabe]
Kunstauktionshaus Schloss Ahlden
Mar. 13, 2008
LOO, AMÉDÉE VAN
Est: CHF8,000 - CHF14,000
LOO, AMÉDÉE VAN (Rivoli 1719 -1795 Paris) Portrait of a lady and a gentleman, presumably Monsieur et Madame César Leveant. 1764. Oil on canvas. Signed and dated in the centre on the plinth of the column: Amedée van Loo. 1764. 144.7 x 111.7 cm. LOO, AMÉDÉE VAN (Rivoli 1719 -1795 Paris) Portrait einer Dame und eines Herren, vermutlich Monsieur et Madame César Leveant. 1764. Öl auf Leinwand. Mittig rechts auf dem Sockel der Säule signiert und datiert: Amedée van Loo. 1764. 144,7 x 111,7 cm.
Koller Auctions
Apr. 09, 2003
(Charles-)Am‚d‚e(-Philippe) van Loo (Rivoli 1719-1795 Paris)
Est: $11,060 - $15,800
Portrait of a lady, bust-length, in a blue d‚collet‚ dress and shawl, in a feigned oval signed and dated 'Louis. Amed‚e. Van-Loo./1778' (lower left) oil on canvas 243/4 x 201/2 in. (62.9 x 52 cm.) NOTES The son of the painter Jean-Baptise van Loo, Am‚d‚e studied under his father and at the Acad‚mie Royale in Paris, where he was received as a full member in 1747. In 1748 he was appointed painter to Frederick the Great of Prussia for whose palaces he executed decorative schemes, including a School of Athens and a Sacrifice of Iphigenia at Sanssouci (1748 and 1749). Am‚d‚e was a prolific portraitist, his masterpiece being the portrait of King Frederick, exhibited in the Salon of 1769, and now in the collection of H.M. The Queen, Buckingham Palace.
Christie's